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Rat Scabies recommended Meet The Monkees by The Monkees in Music (curated)

 
Meet The Monkees by The Monkees
Meet The Monkees by The Monkees
(0 Ratings)
Album Favorite

"I had this back in the days when The Monkees were a TV show and they were everybody's favourite. Every Saturday you'd rush home to watch them. Bear in mind that television then was three channels, and so pop music in any sense was really limited. There was Ready Steady Go on a Friday, Top Of The Pops had started, but you didn't get a lot. You didn't get a lot of kids with guitars, especially with long hair and flared trousers that were glamorously American. But the real thing came when the tunes that they had were so good. Every week you watched the show and every week there'd be a great song at the end. You had to have one of their records, and this was the album that I had. There are so many varying styles of songs on this record. You'd go from syrupy ballads to something a lot tougher, but most of the character in the work was really about the melodies and the tunes, many of which were written by Neil Diamond and people like that. It was weird that there was that whole stable of people sat in an office from 9-5, writing tunes. But they understood how it worked and how to do it, whereas with The Damned, for example, we didn't really get arrangements or dynamics when we tried to write until later on. But when you heard that variation in, if you like, quality music- and it was quality music, The Monkees, even though saying that would've got you hung back in the 70s- it made it okay to be diverse. So when The Damned moved on and we started getting to Machine Gun Etiquette and Strawberries and those kinds of records it was fair game to do something that wasn't a raucous three chord punk song, because we'd grown up with all of these bands that I'm talking about, and actually they all seemed to show an element of that. So it rubbed off."

Source
  
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Moby recommended It Takes a Nation of Millions to Hold Us Back by Public Enemy in Music (curated)

 
It Takes a Nation of Millions to Hold Us Back by Public Enemy
It Takes a Nation of Millions to Hold Us Back by Public Enemy
1988 | Rock
8.0 (3 Ratings)
Album Favorite

"It was a real wake-up call. Hip hop until 1984, 85 was fun but for the most part it was party music. Living outside New York we'd listen to WBLS and Kiss FM where they played a lot of hip hop and me and my friends liked it, but it was very lighthearted. The Fatboys are the perfect example, or the Treacherous Three, where they have disco basslines and this fun vocal. Then almost out of nowhere Public Enemy happened. Everything about it was different. The lyrics were different, Chuck D's vocal approach was different, the subject matter and the production, the Bomb Squad. I remember hearing it for the first time and thinking how did they do this, because they've basically made punk rock hip hop, the sounds they were using, the way they were distorting basslines, it was a lot of the same ways industrial records were being made but they were making hip hop. It was so revolutionary. You can refer to musical culture in New York as before and after Public Enemy, it changed the city. New York was so dangerous then, it had the highest murder count, people were getting stabbed and shot and the crack epidemic was decimating communities and people were dying of AIDS. You'd go out to nightclubs in the late 80s and you'd hear these apocalyptic Public Enemy songs that perfectly described the city that you lived in, but they were oddly celebratory and you could dance to them. For better or worse one of the reasons I've left New York is because the city I grew up with is still there, but it's become a much meaner, safer version of its former self. I still love New York, but it's become primarily the domain of hedge fund managers and wealthy tourists, so I don't know how many more Suicides and Silver Apples and Public Enemys and Eric B & Rakims are going to come out New York City."

Source
  
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LoganCrews (2861 KP) rated If I Stay (2014) in Movies

Sep 21, 2020  
If I Stay (2014)
If I Stay (2014)
2014 | Drama
3
7.1 (8 Ratings)
Movie Rating Watch
Gross. My undying love for these disgustingly quirky YA slops renders me unable to rate this the easy one star it most definitely deserves - but make no mistake, this is the worst one since... maybe 𝘔𝘦 𝘉𝘦𝘧𝘰𝘳𝘦 𝘠𝘰𝘶? The type of movie that does everything wrong: sterile visually, stagnant structurally, humdrum narratively, and it doesn't help that Stacy Keach (so wonderful here) is the only one in the entire movie giving a good performance - watching the normally capable Moretz attempt to emote in this is downright hysterical, that supposedly emotional hallway screaming scene had me *cackling*. Also I'd be willing to put serious money down against anyone who can find a film with worse dialogue. "Guys play music for two reasons: to get laid, and because they got rage" is an actual piece of speech uttered in this. Much of the hilarious cringe (see: the aforementioned awful dialogue) and endearing oversentimentality I find a warm familiarity with in this genre is intact, but the sickening fetishization of death and child abuse (cardboard cutout love interest: "My parents were never there... everyone leaves me...", what the movie wants us to be like: "W O W … he's so deep and profound 😍😍") in this make it feel closer to some sick exploitation piece that also isn't good. Even if that weren't the case, this relationship and its characters are lifeless even before the death plot hits and the guy is a faceless asshole that the Moretz character is just expected to bend to the whim of - and his band is fucking *horrible*. Speaking of which, funny how cultured this thinks it is because it never shuts up about punk and classical music even though it doesn't have a precious clue about either. Should have been a slam dunk, don't know why they decided to play it so indifferently. Written by that outcast from your high school who growled at people and drew Harry Potter porn at lunch.
  
    AdoptaUnTio

    AdoptaUnTio

    Social Networking and Lifestyle

    (0 Ratings) Rate It

    App

    En AdoptaUnTío, la red social más divertida del mundo, los tíos son «productos» y las chicas...

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BankofMarquis (1832 KP) rated The Girl in the Spider's Web (2018) in Movies

Nov 16, 2018  
The Girl in the Spider's Web (2018)
The Girl in the Spider's Web (2018)
2018 | Crime, Drama, Thriller
6
6.2 (27 Ratings)
Movie Rating Watch
Foy is good - the rest is bland and boring
I, like many of you,was surprised to learn that there was a new "Girl with the Dragon Tatoo" film coming out. I thought, "do we need another one"? I got my answer.

We don't.

THE GIRL IN THE SPIDER'S WEB continues the story of crusading, crime-fighting, techno-punk computer hacker Lisbeth Salander as she continues on her journey to right the wrongs committed to women from no-good men. She is joined in her quest, once again, by journalist Mikael Bloomkvist.

Claire Foy (The Crown) takes over the title role and she is the ONLY thing in this film worth watching. Her Lisbeth is interesting, intense and doggedly-determined. Foy is a charismatic actress and this charisma comes off on the screen. Unfortunately, the other characters/actors that Foy is asked to play with (and off of) are bland, boring and very, very forgettable. Staring with Sverrir Gudnason as Bloomkvist. This character is supposed to by Lisbeth's partner and former lover, but there was no spark of recognition or connection between the two of them and this fellow could have been ANYBODY. Sylvia Hoeks, Adreja Pejic and even Vicky Krieps (so interesting in THE PHANTOM THREAD) were all disposable and interchangeable. Only Stephen Merchant (in a serious role) and Lakeith Stanfield showed any spark of interest.

The plot of this film didn't help matters either. Where the first GIRL IN THE DRAGON TATOO is a very intimate, very personal story, SPIDER'S WEB is bigger and broader (almost entering into James Bond territory) making the stakes superficial and phony (even though the plot involved her sister and her father, which SHOULD make it VERY personal). Director Fede Alvarez (working from his own screenplay) also brings nothing to the table, visually, making this a very slow, very tedious slog, indeed.

But then, Foy/Salander shows up on the screen and interest increases - at least until she leaves the screen again.

Avoid this Spider's Web and go find the original Dragon Tatoo films.

Letter Grade B- (for Foy's performance)

6 stars (out of 10) and you can take that to the Bank (ofMarquis)