Listen Again: A Momentary History of Pop Music
Book
Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint...
MWG Magazine
Magazines & Newspapers and Games
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Miniature Wargames looks at all forms of miniature wargaming, including historical, fantasy, Sci-Fi,...
Once Upon A Goth Dog Solstice
8.0
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Book
From the author of the award-winning novel You Can Do Magic: Carnival of Mysteries and Publishers...
Contemporary MM Seasonal Romance
Leigh J (71 KP) rated Doom Asylum (1987) in Movies
Nov 8, 2019
Lemme tell you about the Plot... A couple get involved in a Car Accident and the woman in the accident subsequently dies, the man in the accident wakes up in the Morgue and, disfigured and in a rage of the untimely loss of his Partner, kills the 2 Morgue Assistants, who seem shockingly cavalier about their gruesome fate. However, it appears this Morgue is in an Asylum... not a Hospital. Why would you take a person injured in a Car crash to an Asylum? Why did they not check his pulse? I still have so many questions. Anyway, the Asylum is shut down, and 10 years later 2 groups of Teens decide to hang out and party there. One group being an all girl Punk band, the other being a small group of Friends... one of whom happens to be the daughter of the Woman who died in the Car accident 10 years before. The Killer sees that she looks just like the late love of his life, and he'll chop through anyone, and everyone, to get to her.
Honestly, this Movie is an acquired taste. Only for the die hard old school Horror fans, and they might even scoff at the idea of this 79 minute atrocity. I definitely left this Movie with an expression of dismay on my face... but something did keep me watching it until the end. I don't honestly know what, all I can say is that it was such a trainwreck that I couldn't look away, but this Movie is so bad that it's actually a little bit good. I will just never watch it again for a few years (hopefully) and will never admit to liking it in public. Only for the Horror fans who like a bit (okay, a lot) of cringe with their Gore.
Shade by Living Colour
Album Watch
'Shade,' their first album since the critically acclaimed 'The Chair In The Doorway' in 2009, is...
rock
Seasons in the Sun: The Battle for Britain, 1974-1979
8.0
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Book
Dominic Sandbrook's magnificent account of the late 1970s in Britain - the book behind the major BB2...
Gangstar: West Coast Hustle
Games
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OPTIMIZED FOR iPHONE 4! High-definition graphics that fully utilize the iPhone 4 Retina display. ...
My Talking Angela
Games and Entertainment
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Explore the glamorous world of Talking Angela. Adopt Angela and make her your very own superstar....
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.