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RəX Regent (349 KP) rated Team America: World Police (2004) in Movies
Feb 19, 2019
AMERICA! F**K YEAH!
The theme’s lyrics sum up this movie as well as any could have. Made in the midst of the War On Terror in 2004, a satire was needed and who better to provide one than the satirical genius’ Trey Parker and Matt Stone, best known for South Park. On the surface, this looks like a straight forward bawdy adult puppet parody, taking the mickey out of Bruckheimer’s blockbusters, Thunderbirds and the reputation being acquired by the U.S. over the past 30 years but reaching boiling point over the last decade, certainly in a post 9/11 world.But that’s just the tip of the iceberg.
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
This is looking into every major aspect of the above, such as chauvinism, the political interference and undue, and sometimes dangerous influence of celebrities, summed up here with the Film Actor’s Guild (or F.A.G.) with a host of major film stars ripped off, notably upsetting Sean Penn.
The infamous puppet sex scene, which is nothing more than a poke, pardon the pun, at the puppetry employed in the film.But there’s so much more such as the excellent selection of bespoke songs, such as “Only A Woman” for the sex scene, “End Of An Act” as our hero leaves the group to wallow in self-pity to the song with features verse after verse nothing more than slagging off Michael Bay’s, Pearl Harbor and Ben Afleck! But for a film with criticises these blockbusters, it understands them too well to be truly nasty about them.
The entire film IS a well made Bruckheimer film, even recruiting one of his regular composers, Harry Gregson-Williams, to be in at the last-minute, to compose a great score, but why do this if they hated it so much? They don’t; they love these films and the affection for the genre is clear, making their digs enjoyable and not hurtful… There’s even a contradiction with the political tract as one hand this would seem to be an anti-American tome where Team America blow up every city and landmark imaginable in order to protect the world from the destruction of the Terrorists… Get it?
On the other, the song entitled “Freedom Isn’t Free” would seem to suggest that we should all do our part, even though this number ends with the line, “Freedom cost a buck o’five…” But then after all the political and social satire, and the spoofing of Hollywood’s gung-ho films, it’s just a fun film.When the terrorist’s come from Derka Derkastan, the tone is clear. This is like a pair of boys playing “War On Terror” with a collection of action figures.
They’re clearly laughing hysterically as they write, produce and direct this film like two teenagers, as they create the highly insensitive language of the terrorists, use elements from films such as Star Wars and James Bond, certainly as for Kim Jong-il, is nobody safe, well not after offending the North Korean leader, but in all fairness, this is really just Eric Cartman from South Park.But in the end, this is the perfect satire, with a blend of real world political and social commentary, great spoofing but when all’s said and done, this has a great sense if humour, though at times, somewhat bawdy. This is brilliant and one of, if not the best comedy of the past decade, and one of the greatest satires of all time. And, no, I don’t believe that I’m over stating that…
Suswatibasu (1701 KP) rated Fire and Fury: Inside the Trump White House in Books
Jan 10, 2018
Sensationalist yet frighteningly alluring
You're a moth to a flame reading this rather alarmingly captivating book by journalist Michael Wolff. At times you question which are facts and which are fiction thanks to a bombardment of fake news by the Trump administration. And while Fire and Fury does sound satirical due to the surreal nature of the entire book, much of it can be sadly backed up by what we have seen.
Wolff seeks to fill in the gaps between the various tweets and public appearances made by the U.S. president during the last 13 months, the rash decisions and the thinking behind the bizarre rants. But more than anything, this book seems to explain the Trump brand, and everyone who has become a prime role in marketing it, especially Trump's ex-right hand man Steve Bannon and his family Ivanka and husband Jared Kushner. Their position is explained to be the 'puppet masters', in which unlike any other U.S. government - policies are dictated and "trickled upwards".
In this, Trump is described as 'post-literate', unable to read or concentrate on anything that doesn't interest him, petulant like a child, and disturbingly vacuous. This is less shocking than expected. However, the claims made in the book range from covert connections with the Russians ahead of the elections in great detail, to 'allowing' former head of the FBI, James Comey, to stay in power so that would did not investigate internal affairs - allegedly confirmed by Bannon.
Other less explosive statements include Trump's inner circle reportedly saying how ridiculously stupid he is, which he has recently refuted by saying he is a "stable genius". Overall, an incredibly readable book mostly corroborating what liberals and non-Trump supporters believe.
Wolff seeks to fill in the gaps between the various tweets and public appearances made by the U.S. president during the last 13 months, the rash decisions and the thinking behind the bizarre rants. But more than anything, this book seems to explain the Trump brand, and everyone who has become a prime role in marketing it, especially Trump's ex-right hand man Steve Bannon and his family Ivanka and husband Jared Kushner. Their position is explained to be the 'puppet masters', in which unlike any other U.S. government - policies are dictated and "trickled upwards".
In this, Trump is described as 'post-literate', unable to read or concentrate on anything that doesn't interest him, petulant like a child, and disturbingly vacuous. This is less shocking than expected. However, the claims made in the book range from covert connections with the Russians ahead of the elections in great detail, to 'allowing' former head of the FBI, James Comey, to stay in power so that would did not investigate internal affairs - allegedly confirmed by Bannon.
Other less explosive statements include Trump's inner circle reportedly saying how ridiculously stupid he is, which he has recently refuted by saying he is a "stable genius". Overall, an incredibly readable book mostly corroborating what liberals and non-Trump supporters believe.
BadgerMuffin (48 KP) rated Dungeons and Dragons in Tabletop Games
Jun 2, 2019 (Updated Jun 3, 2019)
Unlimited hours of Gameplay (2 more)
Multiple Expansion Books
Tonnes of Free Homebrew
The Greatest Ever Roleplaying Game? Damn Straight!
Dungeons and Dragons. A game released in 1974, 5 editions in and every time they out do themselves.
This game is fantastic for a number of reasons. Firstly, there are thousands of groups playing across the world, and this game is only getting more and more popular. This means, if you don't have any friends who want to play this, you can find a local group and join them, most of my closest friends I have met through DnD. Its perfect for anyone, most people are misfits and as such you form the closest bonds both in game and out of game.
I have now been playing DnD for the past two years straight, every Tuesday and Thursday; and yet I still haven't got bored. Every game is different, one week you're killing a dragon, the next week you're travelling across country with a Creepy Puppet Maker called Borris.
The leader of the group (AKA Dungeon Master) plans a rough idea of what is going to happen (it never does) and then as a group of players you walk around the world trying to accomplish quests. All of this is down to the fate of the dice. So no two games will ever be the same.
Honestly this is one of the games I will always return to and I plan on teaching my kids.
TL;DR
-Fun to Play.
-Available in most towns (and spreading across the country).
-Always different.
-Great to meet new people.
-Free Basic sourcebooks available from Wizards of the Coast
This game is fantastic for a number of reasons. Firstly, there are thousands of groups playing across the world, and this game is only getting more and more popular. This means, if you don't have any friends who want to play this, you can find a local group and join them, most of my closest friends I have met through DnD. Its perfect for anyone, most people are misfits and as such you form the closest bonds both in game and out of game.
I have now been playing DnD for the past two years straight, every Tuesday and Thursday; and yet I still haven't got bored. Every game is different, one week you're killing a dragon, the next week you're travelling across country with a Creepy Puppet Maker called Borris.
The leader of the group (AKA Dungeon Master) plans a rough idea of what is going to happen (it never does) and then as a group of players you walk around the world trying to accomplish quests. All of this is down to the fate of the dice. So no two games will ever be the same.
Honestly this is one of the games I will always return to and I plan on teaching my kids.
TL;DR
-Fun to Play.
-Available in most towns (and spreading across the country).
-Always different.
-Great to meet new people.
-Free Basic sourcebooks available from Wizards of the Coast
Gareth von Kallenbach (971 KP) rated The Happytime Murders (2017) in Movies
Jul 2, 2019
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Jesters_folly (230 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 22, 2021
Contains spoilers, click to show
'Spiral: from the book of Saw' is the ninth Saw film and, for once I can say it's not more of the same.
Spiral is a Saw film, it has the traps and the police but it's an all new cast, the only time we see any of the original cast is in a photo of the original 'Jigsaw'. The traps also don't play the same roll, most of the previous Saw films had the 'game's' play the main part of the film and the police investigations were set to fill in the gaps. Spiral is the reverse, a new Jigsaw killer is targeting police and the main plot is the police trying to stop him, concentrating on the relationships in the department and using the franchise's use of flashbacks to add to the story. We only see the traps for a few moments, there is still gore but not at the same level. Instead we have a number of jump scared as 'the pig' grabs his victims .
Spiral seems to be thinking that the time of 'torture poem's is over, yes there are people who still want to watch it but noted many. This is why it's the Saw franchise that is still going, other films in the genre, such as 'Hostel' relied on gore but didn't have much else to offer but saw had more story as well.
When I say all the cast is new that includes the puppet, instead of the little guy on a tricycle we have a pig man, we have lots of pig references, proving bus to the fact that the victims are all police.
Although it is a Saw film, Spiral is a good jump jump on point for new views as it doesn't rely on the originals to much and sets up for a possible new franchise.
Spiral is a Saw film, it has the traps and the police but it's an all new cast, the only time we see any of the original cast is in a photo of the original 'Jigsaw'. The traps also don't play the same roll, most of the previous Saw films had the 'game's' play the main part of the film and the police investigations were set to fill in the gaps. Spiral is the reverse, a new Jigsaw killer is targeting police and the main plot is the police trying to stop him, concentrating on the relationships in the department and using the franchise's use of flashbacks to add to the story. We only see the traps for a few moments, there is still gore but not at the same level. Instead we have a number of jump scared as 'the pig' grabs his victims .
Spiral seems to be thinking that the time of 'torture poem's is over, yes there are people who still want to watch it but noted many. This is why it's the Saw franchise that is still going, other films in the genre, such as 'Hostel' relied on gore but didn't have much else to offer but saw had more story as well.
When I say all the cast is new that includes the puppet, instead of the little guy on a tricycle we have a pig man, we have lots of pig references, proving bus to the fact that the victims are all police.
Although it is a Saw film, Spiral is a good jump jump on point for new views as it doesn't rely on the originals to much and sets up for a possible new franchise.
I have to say kudos to the designer of the cover ... how good and striking is that?!? If that doesn't grab your attention, then the blurb certainly will ... well, it did me but then I am a bit of a sucker for these types of stories every now and again 😎
The story - 5 people in 3 countries suddenly find themselves in The Game but it's not your run-of-the-mill game of Monopoly; no, it's something far more sinister. If they refuse to play, the one they love dies; if they tell anyone, their loved one dies ... they have no choice but to participate but there can only be one winner.
The pacing of the book is fast and flowing with the story being told from the perspective of all the characters and occasionally some of their loved ones. The plot is intriguing - you don't know until near the end why the participants have been chosen or who the 'puppet-master' is which made trying to work out the 'why' difficult but all is revealed in an ending that is as surprising as it is violent.
Now, I'm not going to say that all is perfect with this book, there are a number of times where you have to suspend belief a little and it does deal with themes and uses language that some may find unpalatable, e.g. homophobia, racism, abuse, rape, suicide, and there are numerous scenes of violence, so if you find these are triggers for you, I would give it a miss.
Overall, I think this is a very creditable debut and I will be looking out for more of Mr Kershaw's work in the future and I must thank HQ and NetGalley for allowing me to read The Game and sharing my thoughts.
The story - 5 people in 3 countries suddenly find themselves in The Game but it's not your run-of-the-mill game of Monopoly; no, it's something far more sinister. If they refuse to play, the one they love dies; if they tell anyone, their loved one dies ... they have no choice but to participate but there can only be one winner.
The pacing of the book is fast and flowing with the story being told from the perspective of all the characters and occasionally some of their loved ones. The plot is intriguing - you don't know until near the end why the participants have been chosen or who the 'puppet-master' is which made trying to work out the 'why' difficult but all is revealed in an ending that is as surprising as it is violent.
Now, I'm not going to say that all is perfect with this book, there are a number of times where you have to suspend belief a little and it does deal with themes and uses language that some may find unpalatable, e.g. homophobia, racism, abuse, rape, suicide, and there are numerous scenes of violence, so if you find these are triggers for you, I would give it a miss.
Overall, I think this is a very creditable debut and I will be looking out for more of Mr Kershaw's work in the future and I must thank HQ and NetGalley for allowing me to read The Game and sharing my thoughts.
Lyndsey Gollogly (2893 KP) rated The Pawn and the Puppet (Book 1) in Books
Aug 10, 2023
Comes with some pretty heavy trigger warnings so please check before reading.
105 of 235
Kindle
The Pawn and the Puppet (Book 1)
By Brandi Elise Szeker
⭐️⭐️⭐️⭐️⭐️
The Emerald Lake Asylum is not a place most desire to go. Nineteen-year-old, Skylenna, however, made a promise that she must keep. Once hired, she only has one purpose—prove to the council that barbaric treatments, such as waterboarding, scalding baths, and beatings, are no longer the answer. But that all takes pause when she meets the source of terror in the asylum. A patient with a split personality—on one side, he’s the bloodthirsty genius, Dessin. On the other, a hidden persona that is buried deep in his subconscious.
When Dessin is caught in an attempted cell break, he faces execution if Skylenna can’t bring out his core personality and reveal his humanity. She has ninety days to save his life, and the only way to do that is to let him consume her into his world of moves, counter-moves, and master puppeteering.
With each passing day, their bond deepens, a forbidden attraction forming against her best judgments. Little by little, Skylenna uncovers the sinister secrets of his past that turned him into the monster everyone else fears. And Dessin proves to have one weakness despite the terrifying, indestructible persona he presents to the world: her.
I can and will only ever review a book based on how I find it! I never read the drama surrounding it or the author so here goes. Was I hooked? Yes. Did I enjoy the world building ? Yes. Did I find the characters interesting? Yes. So this is why it’s a 5⭐️ for me I didn’t want to put it down I really can’t wait for book 2.
105 of 235
Kindle
The Pawn and the Puppet (Book 1)
By Brandi Elise Szeker
⭐️⭐️⭐️⭐️⭐️
The Emerald Lake Asylum is not a place most desire to go. Nineteen-year-old, Skylenna, however, made a promise that she must keep. Once hired, she only has one purpose—prove to the council that barbaric treatments, such as waterboarding, scalding baths, and beatings, are no longer the answer. But that all takes pause when she meets the source of terror in the asylum. A patient with a split personality—on one side, he’s the bloodthirsty genius, Dessin. On the other, a hidden persona that is buried deep in his subconscious.
When Dessin is caught in an attempted cell break, he faces execution if Skylenna can’t bring out his core personality and reveal his humanity. She has ninety days to save his life, and the only way to do that is to let him consume her into his world of moves, counter-moves, and master puppeteering.
With each passing day, their bond deepens, a forbidden attraction forming against her best judgments. Little by little, Skylenna uncovers the sinister secrets of his past that turned him into the monster everyone else fears. And Dessin proves to have one weakness despite the terrifying, indestructible persona he presents to the world: her.
I can and will only ever review a book based on how I find it! I never read the drama surrounding it or the author so here goes. Was I hooked? Yes. Did I enjoy the world building ? Yes. Did I find the characters interesting? Yes. So this is why it’s a 5⭐️ for me I didn’t want to put it down I really can’t wait for book 2.
Acanthea Grimscythe (300 KP) rated The Motion of Puppets in Books
May 16, 2018
In Keith Donohue's modern retelling of Orpheus and Eurydice, The Motion of Puppets, we're introduced to a range of characters from a besotted husband and his missing wife, to an emotionally unstable puppet girl as the husband embarks on a journey to save his wife from eternity as a doll. For fans of mythology, this sounds like a great read and it is, without a doubt, beautifully written; however, when it comes to execution, the story fell flat.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Alice (117 KP) rated Children of Virtue and Vengeance in Books
Mar 3, 2021
3 is probably generous... review to follow
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
(There's proabably spoilers in here)
Okay so I hadn't heard great things about this so I was apprehensive about picking it up and after the first half I didn't really see what all the fuss was about but then it happened. This whole book stressed me out and made me angry. The lack of communication was so frustrating that nobody would believe anybody else and it just led to so many unnecessary conflicts. The whole overarching plot was about the war but then every chapter had the exact same conflicts that happened in every chapter before... "Inan is bad, no wait Inan is good, how could we be so stupid of course iInan is bad, but maybe he's good nope still bad" you catch my drift. Also Inan even did this himself because he may be the king but he's not in control of his kingdom which I'm not mad about I think it was good to show that he was a puppet (I'm an Inan sympathiser okay I'm sorry) but when nobody would believe that he was trying because everytime he tried someone else would step in and ruin it. Then there was Zelie flitting between being too weak to be an elder and wanting to run away and vowing to be the leader that her clan needs. Don't get me started on Amari, she had zero chemistry with Inan like I don't think she thought about him at all when he wasn't around and that thing she did towards the end of the book WHAT THE ACTUAL F was that!!!!! Unnecessary love triangles when clearly the only person that Zelie loves is herself. We spent the whole book gaging up for this big battle and then at the end it just never happened??? Need I go on. I don't want to be too scathing because I loved the first book so by proxy still care about this series but I don't really know what happened here.
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
AT (1676 KP) Feb 20, 2019