"We worked at 4 o’clock in the morning and whoever was going to play my part — they couldn’t find the list when they came back from location. So they just — as they said — got their favorites. It was Henry [Jones] and me. So I played the girl of the evening that he picked out. I decided that he loved my long beautiful blonde hair so I went to the hair department and found a beautiful wig with hair down to my knees, and the only way to show it of course would be to be on my stomach and the hair on top. Then I thought, “Wouldn’t it be nice to sing a song for Paul Newman’s fans?” I thought “The Sweetest Little Fellow” [from the song “Mighty Like a Rose” by Paul Robeson] would serve the purpose: “with eyes of shiny blue, makes you think of heaven — da-da-da-da-da.” So the producers said I could sing it and then when when I heard it, it sounded like a cat mewing. We didn’t have time to fix it [laughing]."

"For Charlie Chaplin to have the kid be this thing that kind of gives him purpose and some kind of integrity, I think that was great. It’s a very emotional and melodramatic subject and only someone like Charlie Chaplin was able to make it whimsical and funny, but also so heartfelt and sincere. So I’ve always loved The Kid. Absolute genius. I feel like he wouldn’t have gotten there if not for his vaudeville years. Every now and then I like to read up on his life as a teenager before he got to Hollywood, and the fact that he came from nothing. He came into an empire with talent. He had nothing and he had nothing to lose, therefore he gave it all. I was watching Benny and Joon last week and what Johnny Depp was doing reminded me of the essence of Chaplin: he was so light but you understood that deep down in inside of him there was this really profound and emotional man. I feel like Charlie did that with a lot of his characters."