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When They Go Low, We Go High: Speeches That Shape the World and Why We Need Them
Book
Informed by Collins's own experiences as a speech writer, When They Go Low We Go High is a...
How to Abandon Ship: The World War II Classic That Can Save Your Life
Phil Richards, John J. Banigan and Twain Braden
Book
Based on interviews with the crew and captain of a torpedoed tanker who survived nineteen days in a...
Athens from 1920 to 1940: A True and Just Account of How History Was Enveloped by a Modern City and the Place Became an Event
Book
During the short interwar period of the early 20th century, Athens entered into a process of...
CC
Climate Change and Communication: Media, Emotion and Environmental Advocacy
Philip Hammond and Hugh Ortega Breton
Book
This study of contemporary political communication focuses on what is widely considered to be the...
Ali A (82 KP) rated She Wouldn't Change a Thing in Books
Aug 10, 2021
When thirty-nine-year-old Maria Forssmann wakes up in her seventeen-year-old body in 1988, she thinks it's just a dream. But soon she finds out that it’s not and she immediately begins to find a way to get back home to her successful job as a psychiatrist, her husband, daughters, and her unborn son in 2010. But she knows that in only a few weeks in 1988, a tragedy will strike her husband, a devastating one that will eventually lead to their meeting.
Can she change the events of the past without building up guilt? She Wouldn't Change a Thing explores the responsibilities of love, the burdens of motherhood, and the impact our choices can have on everyone.
This book was such a captivating read. I would get sucked into it every time I would pick it up and could have honestly read it in one setting had I had the chance. Maria had such a hard decision to make - at one point, I thought I would end up chucking my book across the room at how frustratingly unfair the situation was. However, it felt very real. What is Maria's purpose? How could she possibly choose between this new path in life and her family back in her old one? Can she live with herself after making any of the choices she has before her?
The novel has several flushed out characters and it even gives you a point of view of another character named Jenny. I greatly enjoyed getting to know how everyone was connected. Sarah Adlakha made all of her characters relatable and interesting. I never felt like I was bored with anyone.
The pace is a bit on the slower side and yet still a page turner. Those two things don't usually go together, but it works for this contemplative novel. What in the world would you do in this situation?
I'm still new to the time traveling genre, but if you're willing to give this one a chance, you won't be disappointed! It's really thought-provoking and attention-catching. I can't wait to see what Sarah Adlakha has up next!
Can she change the events of the past without building up guilt? She Wouldn't Change a Thing explores the responsibilities of love, the burdens of motherhood, and the impact our choices can have on everyone.
This book was such a captivating read. I would get sucked into it every time I would pick it up and could have honestly read it in one setting had I had the chance. Maria had such a hard decision to make - at one point, I thought I would end up chucking my book across the room at how frustratingly unfair the situation was. However, it felt very real. What is Maria's purpose? How could she possibly choose between this new path in life and her family back in her old one? Can she live with herself after making any of the choices she has before her?
The novel has several flushed out characters and it even gives you a point of view of another character named Jenny. I greatly enjoyed getting to know how everyone was connected. Sarah Adlakha made all of her characters relatable and interesting. I never felt like I was bored with anyone.
The pace is a bit on the slower side and yet still a page turner. Those two things don't usually go together, but it works for this contemplative novel. What in the world would you do in this situation?
I'm still new to the time traveling genre, but if you're willing to give this one a chance, you won't be disappointed! It's really thought-provoking and attention-catching. I can't wait to see what Sarah Adlakha has up next!
LeftSideCut (3776 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Jun 25, 2021
We all know the drill with this series by now - it's loud and stupid and dumb, entertaining as fuck, but manages to keep a heart and sense of family, even if that motif is sometimes a little forced. Hobbs & Shaw carries over the vast majority of all of that into the franchise's first foray into spin-off territory - the action is suitably ridiculous, and it has a lot of fun with The Rock and Jason Statham, building on the humorous relationship we saw briefly in The Fate of the Furious.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
However, H&S is the first time throughout all of these movies that I felt like it disappeared up its own arse a bit too much. The rest of these films know how silly they are for the most part, but the comedy always well balanced. There are some funny moments in H&S certainly, but it's a constant barrage of jokes that don't stick a lot of the time. Ryan Reynolds and Kevin Hart both appear in painfully unfunny supporting roles that serve no other purpose than be comic relief, in a movie that's already full of comic relief, and the insults that Hobbs and Shaw consistently hurl at eachother become tiresome after a while. The runtime is definitely over long, clocking in at just under 2 and 1/2 hours, when it could have easily been 40 minutes shorter without losing any substance, and it results in a narrative that is both bloated, and riddled with plot holes, especially in the final third. On top of all of this, despite good chemistry between the two leads, and a welcome addition in Vanessa Kirby, H&S lacks the heart and soul of the series that comes part and parcel with the main crew of characters.
There's plenty of criticism to be thrown at Hobbs & Shaw, but as expected, it's still pretty entertaining. Most of the set pieces are high octane, and it's an acceptable level of switch-your-brain-off fun, but it ultimately suffers from the knowledge of how genuinely good the Fast & Furious movies can be, and joins the huge pile of generic action comedies out there.
LeftSideCut (3776 KP) rated Loki - Season 1 in TV
Jul 15, 2021
Contains spoilers, click to show
As another chapter within the MCU, Loki is a triumph. It manages to be a driving vehicle for Loki himself, boasting fantastic special effects, fun action scenes, that signature blend of drama and comedy. But beyond that, it's a wonderful character piece. Tom Hiddleston has been wonderfully cast as the titular anti-hero from the moment he first appeared in Thor. Since then, Loki has gone through a whole heap of double crossing, dying (multiple times), heroics, villainy, and everything in between. This series finds him a purpose and a place, and that place is Sylvie (Sophia Di Martino). Her role as a Loki variant makes their relationship both narcissistic and weirdly kind of sweet. Being the God of Mischief means that Loki is neither trusting, or trustworthy, but with Sylvie, all of his defences drop, and he's vulnerable. It's very well realised, and the chemistry between the two leads elevates the show tremendously. Owen Wilson is great as well, as is the the supporting cast, especially Wunmi Mosaku and Gugu Mbatha-Raw.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
Lenard (726 KP) rated It: Chapter Two (2019) in Movies
Sep 9, 2019
It: Chapter Two continues the story of the malevolent cosmic being that appears mostly as a clown named Pennywise. In 1989, a group of seven friends nicknamed The Losers' Club ended the reign of terror of It, swearing a blood oath (seen in both chapters) that if It returned they would come back. They had an unearthed a twenty-year cycle of terror so one would assume that they would be extravigilent in 2016. But you know how it is. You move away from your hometown, you lose track of your friends, the horrible things that happened to you when you were 13 tend to take on a glossy foggy shade of its former memory. As an adult, you forget about some of the things you did when you were younger, keeping only the happier memories of your childhood unless you were mercilessly abused and keep hold on the childhood traumas you escaped. Bill, Stan, Eddie, Richie, Bev, and Ben have no memories of the weird events of that summer. But sometimes the past comes back to haunt you or in this case, your old friend from back then, Mike calls you up and reminds you that you made a pact.
Now, The Losers' Club reunite to defeat the evil force that overtakes their town of Derry, Maine. Like any good Stephen King adaptation, the supernatural being that terrorizes is not such a huge component. It is the story of friends and the way they are able to colloborate and grow. It: Chapter 2 is a sort of The Big Chill if a murderous clown connected the friends. Bev and Ben rediscover old feelings. Richie hides a secret from his friend, Eddie. Bill is a writer who can't write an ending until the novelization of his childhood traumas are written. Stan is (spoiler alert) Kevin Costner, but still serves an important purpose for the Club to triumph.
The movie is a blueprint for horror movie direction. Andy is a master horror visual storyteller. The movie is not very scary if you are susceptible to that. It is more a terror than fearful. I thoroughly enjoyed the movie even if it did tend to drag in areas.
Now, The Losers' Club reunite to defeat the evil force that overtakes their town of Derry, Maine. Like any good Stephen King adaptation, the supernatural being that terrorizes is not such a huge component. It is the story of friends and the way they are able to colloborate and grow. It: Chapter 2 is a sort of The Big Chill if a murderous clown connected the friends. Bev and Ben rediscover old feelings. Richie hides a secret from his friend, Eddie. Bill is a writer who can't write an ending until the novelization of his childhood traumas are written. Stan is (spoiler alert) Kevin Costner, but still serves an important purpose for the Club to triumph.
The movie is a blueprint for horror movie direction. Andy is a master horror visual storyteller. The movie is not very scary if you are susceptible to that. It is more a terror than fearful. I thoroughly enjoyed the movie even if it did tend to drag in areas.
MelanieTheresa (997 KP) rated Under Currents in Books
Sep 20, 2019 (Updated Sep 23, 2019)
AGAIN. Nora Roberts did it again. She got me.
Definition of undercurrent:
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
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Weather and Health & Fitness
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Check the UV index in your area easily with this beautifully designed utility app. Features: •...