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When It Happens
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At the start of her senior year in high school, Sara wants two things: to get into a top college and...
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The Primary Care Toolkit for Anxiety and Related Disorders: Quick, Practical Solutions for Assessment and Management
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Primary care physicians know from experience how many patients come to them needing help with...
Fermented Foods at Every Meal: Nourish Your Family at Every Meal with Quick and Easy Recipes Using the Top 10 Live-Culture Foods
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Now it's so easy to make fermented foods part of your diet! We live in a fermentation nation....
How to Fight Fatflammation!: A Revolutionary 3-Week Program to Shrink the Body's Fat Cells for Quick and Lasting Weight Loss
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From a leading voice in health, nutrition, and fat-cell research comes a radical and revolutionary...
The Silenced Child: From Labels, Medications, and Quick-Fix Solutions to Listening, Growth, and Lifelong Resilience
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Are children and adolescents being silenced and their growth stunted in the age of quick diagnoses...
BankofMarquis (1832 KP) rated Saltburn (2023) in Movies
Dec 29, 2023
Interesting...Intriguing...and Dark
Actress/Writer/Director Emerald Fennell is turning into an artistic voice that bears noticing and with SALTBURN - her follow-up to PROMISING YOUNG WOMAN (the film that won her the Academy Award for Best Original Screenplay) - Fennell’s artistic voice is in full bloom.
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Barry Keoghan (Oscar nominated for THE BANSHEES OF INISHERIN), SALTBURN tells the story of an Oxford student who befriends the rich, cool kid (Jacob Elordi, EUPHORIA) who invites him back to his family compound, SALTBURN, for the summer with his eccentric (to say the least) family.
As written and directed by Fennell, SALTBURN is a satire on the elite rich, showing them in their extravagant, quirky isolation in their compound, looking down on the common folk from their piles of money (or…in some cases…oblivious of the common folk because of their money) while peeling back the layers to show the unhappiness and manipulation underneath.
Fennell layers this story richly, slowly folding back facades and layers to show the ugliness of inherently unhappy people who cover their unhappiness up with wealth, money and parties.
Into this world comes Oliver Quick (Keoghan) who is the audiences’ conduit into this level of living - and who has secrets of his own.
Keoghan is interesting to watch (as always) and the family…Elordi, Sadie Soverall (his sister) and Archie Madekwe (another outsider who is jealous of Oliver’s appearance) all are good looking, good enough performers who live the hedonistic lifestyle and deny the consequences and responsibilities thereof.
When a film needs an “ice queen” as the matriarch of a family, Rosamund Pike is, inevitably, brought in and she brings the goods to Saltburn. She is perfectly cast as the mother of the family who says what she thinks, does not show what she is feeling and doesn’t give a darn about anyone else. She is suitably balanced by the off-balanced, quirky performance of the always good Richard E. Grant as the patriarch of the family who is (usually) lost in his own little world of whatever fantasy he is currently involved in.
But if this was just a film about a quirky family, it would be a fun, interesting romp. But…in Fennell’s hands, it becomes something much more sinister - and much more interesting - to watch.
Saltburn is a film that one must sit with after watching to digest what was just witnessed, but…ultimately…is one that is very interesting….and intriguing…and dark.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
ClareR (6106 KP) rated Tuesday Mooney Wore Black in Books
Dec 3, 2019
I loved this book, which is packed with genuinely likeable characters and a mystery to solve. Tuesday Mooney is a bit of an enigma - at least to her gay best friend, Dex. She gives little away about herself, and tries to live apart from other people when she isn’t at work researching rich people who can make charitable donations to the hospital she works at. She loves all things gothic and horror. At a fundraising event, she meets Archie, a rich, possible-contributor to the hospital, and witnesses the death of the eccentric billionaire Vincent Pryce (not to be confused with Vincent Price!). Mr Pryce then sets in motion a treasure hunt across Boston, for anyone to take part in and potentially win a fortune. The clues are inspired by Edgar Allan Poe - something that Tuesday very much appreciates. She starts up a team with Archie (who is not at all who he seems to be), Dex and her teenaged Tuesday-wannabe next door neighbour, Dorry.
Tuesday’s backstory is fascinating and sad in equal measure, and it’s fortunate that she meets Dorry, a girl who misses her dead mother terribly. Tuesday misses her best friend Abby, who went missing without a trace as a 16/17 year old.
On the front cover, this looks as though it will be a YA paranormal/ horror novel. It’s not. There’s a smattering of the paranormal perhaps, but it’s certainly not a main theme. This is a mystery, where we also learn that to be yourself is the most important thing in life - as is friendship. I loved this book, and practically inhaled it on a long train journey. It’s a bit quirky, but it has a lot of heart (and hey, I like quirky!). Highly recommended.
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review!
Tuesday’s backstory is fascinating and sad in equal measure, and it’s fortunate that she meets Dorry, a girl who misses her dead mother terribly. Tuesday misses her best friend Abby, who went missing without a trace as a 16/17 year old.
On the front cover, this looks as though it will be a YA paranormal/ horror novel. It’s not. There’s a smattering of the paranormal perhaps, but it’s certainly not a main theme. This is a mystery, where we also learn that to be yourself is the most important thing in life - as is friendship. I loved this book, and practically inhaled it on a long train journey. It’s a bit quirky, but it has a lot of heart (and hey, I like quirky!). Highly recommended.
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review!