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LeftSideCut (3776 KP) rated Hack-O-Lantern (1988) in Movies

Nov 11, 2020

Hack-O-Lantern (1988)

1988 | Horror

6.0

(1 Ratings)

Movie Rating

Hack-O-Lantern is a ride. It boasts a simple plot about a Satanic cult grooming a young boy all the way through adult hood to join their ranks, whilst his siblings just try to enjoy teenage life, and a maniac in a devil mask runs about town killing folk with a pitchfork, all on Halloween night. Standard slasher stuff, but with randomly thrown in music videos, strip teases, and belly dancing. The film even stops dead for a few minutes to show us a stand up comedy routine. It's really really odd.

The whole experience is ball achingly 80s, complete with questionable acting, awkward dialogue, passable gore effects, and an absolutely raging music score. All of the music just sounds like Final Fantasy battle music. It's incredible.

Hack-O-Lantern was aired as part of Joe Bob Briggs 2020 Halloween Special, and is worth a watch to gain some insight into why this films is so weird and disjointed, such as director Jag Mundhra speaking very little English accounting for some of the bizarre dialogue, and his Indian background explaining the out of place Bollywood elements sprinkled throughout. It's a pretty fascinating and quirky horror all in all.

If you're looking for a cheap, ridiculous, and absurd 80s horror, then this ticks all the right boxes.

Kudos

Tommy Wiseau recommended Sonny (2002) in Movies (curated)

Sonny (2002)

2002 | Crime, Drama

(0 Ratings)

Movie Favorite

"You’d be surprised but, again, I put in parentheses, I’m not here to praise James [Franco]. Okay? But the reason I support his role, because we didn’t have a choice at the time. We picked him because originally… I don’t know if you knew the story here that The Disaster Artist is based on the great storybook Disaster Artist, right? And he basically optioned the book, optioned to produce the movie. But people ask me who are supposed to… Who would I like? Who’s supposed to play me? I don’t know if you heard about it, but long story short, I say Johnny Depp. But we had a conversation with James, and with Greg [Sestero]. And Greg, long story short, he said, “What about James?” I said, “Yeah, he’s good, because I like his movie Sonny.” Sonny is the movie directed by Nicolas Cage. I don’t know if you’re familiar with it or not. It’s about gigolo in New Orleans, Louisiana, etc. So we had a conversation with James, and Greg says, “Sure, whatever. James playing you.” I said, “That’s good idea, because he did the movie Sonny, and which, I like it.” And for some reason, the critics think differently, or public, whatever. But this is relate to my life as well, The Room, basically. Because you have all the flavors. So that’s basically your little quirky backstory."

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Kudos

LoganCrews (2861 KP) rated Amélie (2001) in Movies

Sep 21, 2020

Amélie (2001)

2001 | Comedy, Drama, International

8.6

(32 Ratings)

Movie Rating

Rich cinematic comfort food, not only am I wholly befuddled by this - but shocked at how many people don't hate it. By most means this shouldn't work let alone as remarkably as it does: it exudes any and all of the qualities that defined late 90s/early 00s Miramax-style cinema which sort of began with 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 and plateaued with 𝘉𝘦𝘨𝘪𝘯𝘯𝘦𝘳𝘴 where everyone was randomly obsessed with people doing 'adorkable' quirky things for little to no reason (i.e. painting the same Renoir piece once a year for 20 years, looking under photo booths for torn up pictures that you then put together into an extensive photo album collection [??]) and ubiquitous, fast-talking overnarration that just explains a lot of excess details that only exist to be eccentric. I myself will most certainly cop to having a huge warm spot for that sort of film - for the most part - as now we've sort of crescendoed back into the 'monotonous, stock Wikipedia article' type of film. At any rate, this was just so wonderful. An ode to the good in life with pretty much spotless dialogue, scenes that snap together like puzzle pieces, and a deservedly iconic aesthetic - the way better version of 𝘗𝘢𝘺 𝘪𝘵 𝘍𝘰𝘳𝘸𝘢𝘳𝘥. Audrey Tatou deserved *so* much better than slumming it in 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 after this.