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Daniel Boyd (1066 KP) rated Killing Eve in TV
Oct 22, 2018 (Updated Oct 22, 2018)
Good script (1 more)
Great cast
A Solid Spy Thriller With Laughs
Killing Eve is a BBC series based on the novel, 'Codename: Villianelle.' It stars Sandra Oh as Eve and Jodie Comer as Villianelle. Both are brilliant in their respective roles and are the main players in driving the show forward. They are supported by a very strong supporting cast as well, with everyone selling their character convincingly.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
There are a few twists and turns that keep you guessing, but there are also a lot of spy story clichés present in the series. These aren't too offensive though, as I don't think that the show's main focus is to break the mould when it comes to spy thrillers, but instead to take its audience in an exciting espionage story while giving us some laughs along the way.
Speaking of which, the humour in this show doesn't take away from the gripping narrative, but instead adds to the show's charm. I will admit that it took me a while to get fully on-board with the show's off-kilter tone and quirky humour, but thankfully more of it lands than misses.
I am not familiar with the source material, so I am not sure how accurately it has been adapted. I don't even know if the novel contains the same odd tone or humour. It has intrigued me enough to go and read the book though, which is always a good sign.
Overall, this is a fun spy thriller. It is not going to break the rules of the genre, but it will keep you engaged throughout and give you a couple of laughs for good measure.
Phillip McSween (751 KP) rated Son-in-Law (1993) in Movies
Dec 2, 2018
Meh
When college student Rebecca (Carla Gugino) brings her quirky dormmate Crawl (Pauly Shore) home for the holidays, she pretends they are engaged to thwart further advances from her high school sweetheart.
Acting: 10
Beginning: 5
Characters: 9
Son-In-Law does quite a few things wrong, but it succeeds from having a solid list of fun characters that make the story a little more enjoyable. Crawl is hilarious. His crazy antics freak the rest of the cast out, but he also has an endearing way of ultimately wearing on you. He changed a lot of hearts and minds throughout the course of the film, particularly Rebecca who started out as small-minded and uptight, but eventually came to delight in the joys of life. Crawl’s attitude was infectious and ultimately bettered the family.
Cinematography: 0
I rarely give out 0’s unless there is nothing redeeming to add…and here you go. There is nothing special or particularly noteworthy about the way this film was shot. If given a little direction, a high schooler probably could have done the same job, if not better. Just lazy camera work. To say it was god-awful is an understatement.
Conflict: 6
Genre: 8
Memorability: 5
Pace: 7
Plot: 0
Resolution: 10
Overall: 60
When I was a kid, Pauly Shore could do no wrong in my eyes. I watch his films now as an adult and it’s nothing but cringeworthy. Son-In-Law isn’t the worst movie I’ve seen. In fact, a few tweaks might have made it a Folding Clothes movie. A handful of laughs wasn’t enough to stop the bleeding on my overall disappointment. Next.
Acting: 10
Beginning: 5
Characters: 9
Son-In-Law does quite a few things wrong, but it succeeds from having a solid list of fun characters that make the story a little more enjoyable. Crawl is hilarious. His crazy antics freak the rest of the cast out, but he also has an endearing way of ultimately wearing on you. He changed a lot of hearts and minds throughout the course of the film, particularly Rebecca who started out as small-minded and uptight, but eventually came to delight in the joys of life. Crawl’s attitude was infectious and ultimately bettered the family.
Cinematography: 0
I rarely give out 0’s unless there is nothing redeeming to add…and here you go. There is nothing special or particularly noteworthy about the way this film was shot. If given a little direction, a high schooler probably could have done the same job, if not better. Just lazy camera work. To say it was god-awful is an understatement.
Conflict: 6
Genre: 8
Memorability: 5
Pace: 7
Plot: 0
Resolution: 10
Overall: 60
When I was a kid, Pauly Shore could do no wrong in my eyes. I watch his films now as an adult and it’s nothing but cringeworthy. Son-In-Law isn’t the worst movie I’ve seen. In fact, a few tweaks might have made it a Folding Clothes movie. A handful of laughs wasn’t enough to stop the bleeding on my overall disappointment. Next.
Gareth von Kallenbach (980 KP) rated Kevin Hart: What Now? (2016) in Movies
Jul 15, 2019
Kevin Hart returns to theaters with his latest concert movie What Now The film features his concert held in Philadelphia, PA where over 50,000 adoring fans sold out Lincoln Financial Field.
Kevin Hart does more than answer the question as to “What Now?” He brings forth new material about his family, pop culture, relationships, and the quirky interaction that we all engage in during our daily lives. His routine offers fans and comedy lovers the opportunity to sit back and let the laughs take over.
Hart demonstrates with the turnout, material, and ability to keep a full house entertained that he is stand-up comedy’s rock star.
No one else is even close right now in being able to bring audiences of different cultures, races, lifestyles, professions, and backgrounds together in order to laugh at all of the things that make us uncomfortable or what we probably shouldn’t laugh at under normal circumstances. For Hart, nothing is out of bounds or considered safe.
Fans and newcomers will not be disappointed with Hart’s newest performance. The presentation of the act incorporates an interactive stage and special effects that allow the jokes to come to life.
At times, I found myself more interested in the technological aspects than the jokes. They were able to build off of each other and enhance the performance, even for the few jokes that miss the mark.
This film however, does not. There are more than enough quotes and lines that audiences will find themselves repeating or using in casual conversation. The performance is fresh and ensures that we will continue to see Kevin Hart for years to come.
Kevin Hart does more than answer the question as to “What Now?” He brings forth new material about his family, pop culture, relationships, and the quirky interaction that we all engage in during our daily lives. His routine offers fans and comedy lovers the opportunity to sit back and let the laughs take over.
Hart demonstrates with the turnout, material, and ability to keep a full house entertained that he is stand-up comedy’s rock star.
No one else is even close right now in being able to bring audiences of different cultures, races, lifestyles, professions, and backgrounds together in order to laugh at all of the things that make us uncomfortable or what we probably shouldn’t laugh at under normal circumstances. For Hart, nothing is out of bounds or considered safe.
Fans and newcomers will not be disappointed with Hart’s newest performance. The presentation of the act incorporates an interactive stage and special effects that allow the jokes to come to life.
At times, I found myself more interested in the technological aspects than the jokes. They were able to build off of each other and enhance the performance, even for the few jokes that miss the mark.
This film however, does not. There are more than enough quotes and lines that audiences will find themselves repeating or using in casual conversation. The performance is fresh and ensures that we will continue to see Kevin Hart for years to come.
JT (287 KP) rated Greta (2019) in Movies
Mar 10, 2020
Psychological thrillers come without much surprise these days. After the initial character introductions and back stories have bee laid out, the tension is ramped up until a climactic ending, which often falls flat – unless there is a clever twist.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.
While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.
A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.
Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.
There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.
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Lee (2222 KP) Oct 23, 2018