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Band a Part (1964)
Band a Part (1964)
1964 |
7
7.0 (1 Ratings)
Movie Rating
Of all the directors I have flirted with in my opening months with the BFI player, Godard is the one I am finding most accessible and least intimidating. He is the guy whose movies I am most tempted by when I don’t want to think or analyse too much, but simply sit back and enjoy for being cool. I also wanted to see why Quentin Tarantino named his production company after this movie. And now I have seen it his whole oeuvre makes total sense, at last! The exact feel of this Nouvelle Vague cornerstone is exactly what you find in 80% of what Tarantino is trying to do. The plot is incidental, of course. What is happening is only there to pin the characters and quirky dialogue on. Being cool is all. And this mid 60s confection is so cool, so French and so much style over content in the best possible way.

On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.
  
Beaches, Bungalows, and Burglaries
Beaches, Bungalows, and Burglaries
Tonya Kappes | 2018 | Mystery
4
4.0 (1 Ratings)
Book Rating
The Campground Isn’t the Only Thing That Needed Fixing
Mae West’s life has turned upside down. Unbeknownst to her, her husband Paul was running a Ponzi scheme. When the dust from the FBI raid settles, Mae is left with no money, no home, and no friends. All she has is an RV and a campground in Kentucky. She heads there, hoping to figure out what she wants to do next with her life while she sells the place. However, when she arrives, she finds the place has been neglected and needs a lot of work. Then Paul escapes from prison and turns up dead in the campground’s lake. With Mae a logical prime suspect, she begins to work to clear her name. Can she do it?

I grew up camping, and I wanted to love this series set at a campground. Unfortunately, the flaws were just too many. The plot was good, including a logical killer and motive. However, there is a major plot hole in the final quarter of the book – one big enough to drive an RV through. Then there’s the law enforcement character who is supposed to be FBI but acts more like the local sheriff. The characters are pushing the edges of quirky, but they definitely grew on me. There are multiple issues with the grammar, something I am usually able to ignore pretty well, but here they were pretty bad. I think most of the flaws could have been fixed with a good, solid edit, but instead the book feels like it was rushed out. It is a quick read, and includes three delicious recipes and some household tips at the end. I really wanted to like this book, but unfortunately, I will have to keep driving until I find a better campground cozy series.
  
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