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Hazel (2934 KP) rated The Undiscovered Deaths of Grace McGill in Books
Jan 16, 2022
Well, this is like no book I have read before and most definitely in a good way and whilst, in my honest opinion, I don't think the cover does it justice, please don't let it put you off.
I'm sure we have all read or heard about those very sad situations where someone dies and lies undiscovered for days, weeks or even months and have wondered what their story is and why they died so alone in the world; this is a story that unlocks some of that mystery but from a very unique perspective - the cleaner who removes all evidence of that lonely death.
Grace McGill is that cleaner. She does a job that very few people would want to do and she is good at it but there is more to Grace than meets the eye; she is an extremely interesting and complex character that is, what some might call, slightly odd but I found her fascinating.
Things plod on at a fairly sedate pace where we get to know Grace, her background, her foibles and eccentricities. She goes into great detail how she sets about cleaning a scene, which some might find a little too descriptive, and how she tries to get to know the person and their story.
One such death has her intrigued and she sets on a path to find out more and this is where the story and action really begins and just about half way through, there is a totally unexpected and jaw-dropping moment which totally surprised and shocked me and completely shifted the book into something else and I was hooked until the end racing through the pages to find out what was going to happen next.
This is like no other book I have read before; it's a little bit strange with a quirky but endearing main character and a unique story that I would recommend to others who enjoy reading things that are a little bit different from the usual.
I have never read anything by this author before but will definitely be looking out for him in the future and I must thank Hodder & Stoughton via NetGalley for my copy in return for an honest, unbiased and unedited review.
I'm sure we have all read or heard about those very sad situations where someone dies and lies undiscovered for days, weeks or even months and have wondered what their story is and why they died so alone in the world; this is a story that unlocks some of that mystery but from a very unique perspective - the cleaner who removes all evidence of that lonely death.
Grace McGill is that cleaner. She does a job that very few people would want to do and she is good at it but there is more to Grace than meets the eye; she is an extremely interesting and complex character that is, what some might call, slightly odd but I found her fascinating.
Things plod on at a fairly sedate pace where we get to know Grace, her background, her foibles and eccentricities. She goes into great detail how she sets about cleaning a scene, which some might find a little too descriptive, and how she tries to get to know the person and their story.
One such death has her intrigued and she sets on a path to find out more and this is where the story and action really begins and just about half way through, there is a totally unexpected and jaw-dropping moment which totally surprised and shocked me and completely shifted the book into something else and I was hooked until the end racing through the pages to find out what was going to happen next.
This is like no other book I have read before; it's a little bit strange with a quirky but endearing main character and a unique story that I would recommend to others who enjoy reading things that are a little bit different from the usual.
I have never read anything by this author before but will definitely be looking out for him in the future and I must thank Hodder & Stoughton via NetGalley for my copy in return for an honest, unbiased and unedited review.
Merissa (12051 KP) rated Prince of Flowers (Wild Hearts #1) in Books
Oct 13, 2022
PRINCE OF FLOWERS is the first book in the Wild Hearts series and we are introduced to a world that is both contemporary and magical. It was a little weird to start with when Playstations are being discussed but it soon turned to the magical side, and all was right for me.
I say for me because it certainly wasn't for Sylvain. Locke is a summoner, a super senior summoner as he has been at Wispwood for years. His father was a big name and it's a lot for him to live up to but, to be honest, it didn't sound as though he was that bothered about doing the work either. Yes, he wants his Summoner's Crest but the only reason that is mentioned is so he can get his hands on his inheritance.
He summons Sylvain and can't understand why Sylvain is a bit perturbed. Sylvain, quite rightly, wants to know what's going on and why. The "Humanoids" have been summoned in the past, but it isn't common," line didn't sit that well with me. It didn't seem quite right. Maybe that's just me.
The spark is there between the two of them from the start - although whether it is attraction or being contrary to each other is up to you to figure out. I did enjoy how they worked things out and ended up working together.
I really did enjoy this book and certainly want to continue with the series. I am hopeful that in subsequent books we will get more world- and character-building than we got here. Although there was some, it just didn't feel as though it was enough. I want to know more about the magical side, about Locke's relationship with his father, about where his father went, about Evander Skink, so much more!
All in all, this was a great read and a brilliant start to a new series. Individual and quirky, I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I say for me because it certainly wasn't for Sylvain. Locke is a summoner, a super senior summoner as he has been at Wispwood for years. His father was a big name and it's a lot for him to live up to but, to be honest, it didn't sound as though he was that bothered about doing the work either. Yes, he wants his Summoner's Crest but the only reason that is mentioned is so he can get his hands on his inheritance.
He summons Sylvain and can't understand why Sylvain is a bit perturbed. Sylvain, quite rightly, wants to know what's going on and why. The "Humanoids" have been summoned in the past, but it isn't common," line didn't sit that well with me. It didn't seem quite right. Maybe that's just me.
The spark is there between the two of them from the start - although whether it is attraction or being contrary to each other is up to you to figure out. I did enjoy how they worked things out and ended up working together.
I really did enjoy this book and certainly want to continue with the series. I am hopeful that in subsequent books we will get more world- and character-building than we got here. Although there was some, it just didn't feel as though it was enough. I want to know more about the magical side, about Locke's relationship with his father, about where his father went, about Evander Skink, so much more!
All in all, this was a great read and a brilliant start to a new series. Individual and quirky, I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kirk Bage (1775 KP) rated I Am Not Okay With This in TV
Mar 3, 2020
Proof that Netflix can rule your life, in an OK way, I guess. Every time I have dropped in for the last two weeks, this is the show they went out of their way to push on me. I watched the trailer and thought hmm, I don’t get it… but after relentless publicity I ended up watching the entire first series within 36 hours of its release on February 26th. Which is easy enough to do, as the entire first series only lasts 2 1/2 hours, in 7 x 23 minute easy to swallow episodes. Another nice tactic for the attention deficient generation.
Based on the graphic novels of Charles Forsman, who also gave us The End of the F***ing World – an equally dark edged teen angst story, that has had 2 full seasons of similarly short episodes. It also continues the partnership of that series’ main director, British born Jonathon Entwistle, who seems happily stuck with this genre on his, as yet, limited CV. It stars the quirky charm of Sophia Lillis, best known from the It reboot movies, and Wyatt Oleff, also plucked from that franchise. And, oh yeah, it shares production credits with a small show called Stranger Things; so it has a pop culture pedigree 100% guaranteed to attract a young audience.
In terms of tone and direction, it does wobble at the beginning, but also shows a lot of promise, thanks largely to the watchability of Lillis, who is perfectly cast as a nervy, nerdy teen with a lot of smarts, but not too many friends. The humour is black, the satire subtle, and the delivery is disarmingly adult; on the surface this is a high school comedy, but underneath it is a fucked up, biting exploration of grief, paranoia and anger (mis)management – it pushes boundaries on content, visually and in use of language that only Netflix can endorse and get away with. Which of course is what audiences want!
The premise is that after the suicide of her father, 17 year old Sydney Novak is having some emotional issues beyond the normal teenage stuff of zits on your thighs. As she keeps a secret journal to document her worries and thoughts (heard in voice-over consistently, giving it a definite graphic novel thought bubble vibe) we are in from the start on the possibility she may have a dubious superpower linked to being pissed off.
It takes a while for that aspect to kick in, however, so don’t expect big, showy, superhero set pieces; this is a comedy drama that borrows from every teenage trope available, and is focussed more on the troubles of high school, a single mom and general growing pains. It is funny – I laughed, and found it a charming mix of something really modern feeling, but with retro vibes; it is clearly 2020, but could be 1985, a trick Stranger Things has taught them well.
Really, it is almost all over before it gets started, with these brief episode times – which is smart; no time to waste, so it moves along, and is always endearingly entertaining. In essence, what we have here is a 2 1/2 hour pilot show, chopped into bite sized chunks and released as a tease for the main show, which will be series 2. Think of it as an origin story, if you will. Undoubtedly, that 2nd series is already on the way. Early critical response is solid, and in about another month you will be hearing everyone and their cat talking about it, for sure.
The lack of originality didn’t massively bother me, as you could see what they were trying to do with it, and the large appeal is to recreate a teen world that feels familiar and comfortable, and then play with those preconceptions, choosing the right moments to flip it upside down. Which eventually it does. The final episode of seven is an absolute doozy! Talk about teasing cliff-hangers! They really know how to keep us hooked!
The best thing about it, by a country mile, is the obvious star quality of Sophia Lillis, who must surely use this as a stepping-stone to a fine career, if she can master the emotional scenes as well as the charming quirky ones, at which she already excels. She reminds me a lot of Ellen Page, without the unlikely gravitas… yet. There is time to mature. I will be there for season 2 for sure, so it will be exciting to find out where it all goes next – this is a big opportunity for a BIG little show. I am only half sure they won’t fuck it up…
Based on the graphic novels of Charles Forsman, who also gave us The End of the F***ing World – an equally dark edged teen angst story, that has had 2 full seasons of similarly short episodes. It also continues the partnership of that series’ main director, British born Jonathon Entwistle, who seems happily stuck with this genre on his, as yet, limited CV. It stars the quirky charm of Sophia Lillis, best known from the It reboot movies, and Wyatt Oleff, also plucked from that franchise. And, oh yeah, it shares production credits with a small show called Stranger Things; so it has a pop culture pedigree 100% guaranteed to attract a young audience.
In terms of tone and direction, it does wobble at the beginning, but also shows a lot of promise, thanks largely to the watchability of Lillis, who is perfectly cast as a nervy, nerdy teen with a lot of smarts, but not too many friends. The humour is black, the satire subtle, and the delivery is disarmingly adult; on the surface this is a high school comedy, but underneath it is a fucked up, biting exploration of grief, paranoia and anger (mis)management – it pushes boundaries on content, visually and in use of language that only Netflix can endorse and get away with. Which of course is what audiences want!
The premise is that after the suicide of her father, 17 year old Sydney Novak is having some emotional issues beyond the normal teenage stuff of zits on your thighs. As she keeps a secret journal to document her worries and thoughts (heard in voice-over consistently, giving it a definite graphic novel thought bubble vibe) we are in from the start on the possibility she may have a dubious superpower linked to being pissed off.
It takes a while for that aspect to kick in, however, so don’t expect big, showy, superhero set pieces; this is a comedy drama that borrows from every teenage trope available, and is focussed more on the troubles of high school, a single mom and general growing pains. It is funny – I laughed, and found it a charming mix of something really modern feeling, but with retro vibes; it is clearly 2020, but could be 1985, a trick Stranger Things has taught them well.
Really, it is almost all over before it gets started, with these brief episode times – which is smart; no time to waste, so it moves along, and is always endearingly entertaining. In essence, what we have here is a 2 1/2 hour pilot show, chopped into bite sized chunks and released as a tease for the main show, which will be series 2. Think of it as an origin story, if you will. Undoubtedly, that 2nd series is already on the way. Early critical response is solid, and in about another month you will be hearing everyone and their cat talking about it, for sure.
The lack of originality didn’t massively bother me, as you could see what they were trying to do with it, and the large appeal is to recreate a teen world that feels familiar and comfortable, and then play with those preconceptions, choosing the right moments to flip it upside down. Which eventually it does. The final episode of seven is an absolute doozy! Talk about teasing cliff-hangers! They really know how to keep us hooked!
The best thing about it, by a country mile, is the obvious star quality of Sophia Lillis, who must surely use this as a stepping-stone to a fine career, if she can master the emotional scenes as well as the charming quirky ones, at which she already excels. She reminds me a lot of Ellen Page, without the unlikely gravitas… yet. There is time to mature. I will be there for season 2 for sure, so it will be exciting to find out where it all goes next – this is a big opportunity for a BIG little show. I am only half sure they won’t fuck it up…
BankofMarquis (1832 KP) rated Toy Story 4 (2019) in Movies
Jun 25, 2019
Another TOY STORY triumph for PIXAR
When I first heard that Pixar was going to make a 4th TOY STORY film, I found myself firmly in the camp of "why are they doing this? The 3rd film tied off the trilogy marvelously well and 4th film was not needed" But...I trust Pixar, and when it was revealed that both Tom Hanks and Tim Allen were back on board after reading the script, my fears were alleviated quite a bit, but I still had some unease in the pit of my stomach.
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
Joe Kline (10 KP) rated Beetlejuice (1988) in Movies
Dec 9, 2017
The style of Tim Burton makes this movie amazing visually (3 more)
Michael Keaton creates one of the funniest ghosts of all time
The score by Danny Elfman is phenomenal
Still unique after all these years
Some of the stop motion effects may turn off certain people (1 more)
Although originally rated PG it would easily be a PG13 by modern standards
80's Classic with Timeless Appeal
This is a movie about a young couple's struggle to cope with life, or rather their lack there of. The Maitlands discover that death is just the beginning and the living can be a nuisance.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Haley Mathiot (9 KP) rated Toto's Tale in Books
Apr 27, 2018
Everyone knows the story of The Wizard of Oz... but since Toto couldn't talk, he never got his chance to tell the story. Now Toto tells what really happened in Oz after the windstorm that changed magical history. Toto becomes the main character in this story, and his mission is to save his pet girl and get her back to Kansas.
Toto's Tale was absolutely adorable. I fell in love with Toto right away. He has a wonderful personality and is very intelligent. Hays and Weidman did a very good job capturing the interior monologue of a dog who could not talk until this point. He was funny and a little quirky, and thought himself a lot bigger than he really was. But it only added to his charm.
Hilariously, Toto has a much better language than humans, and some of their words don't translate to dog-talk, so some of the human's dialogue is replaced with funny words that rhyme, or just the word "something." Along the way, they meet a straw man who says he needs some "trains," a Metal Man who needs a "cart," and a Big Cat who needs some "Porridge". They swallow the jello brick road to find the Lizard who will send them home.
The illustrations were adorable too. They were basic pen and ink drawings, one ever few chapters, displaying a lot of character. The supporting characters in the story like Happy the evil-turned-good Wolf, the bugs that Toto talks to, the Not-really-a-wizard, and the flying monkeys were quickly established and fun to read. As mentioned earlier, some of the dialogue of humans doesn't' translate to dog-talk, and the "something something"s got a little annoying after a while, but all in all I greatly enjoyed reading Toto's tale.
I loved Toto's tale and am going to get my little brother to read it when I go home for Christmas. It was a fast fun read.
Recommended for ages 6-14, and fun-loving teens and adults as well! A great Christmas gift for dog-lovers or Oz-lovers.
Review by Haley Mathiot, copyright 2010. Do not copy without permission. See policy, disclosure, and source at my blog (http://haleymathiot.blogspot.com) and full review here: (http://haleymathiot.blogspot.com/2010/12/review-and-tour-toto-tale.html)
Toto's Tale was absolutely adorable. I fell in love with Toto right away. He has a wonderful personality and is very intelligent. Hays and Weidman did a very good job capturing the interior monologue of a dog who could not talk until this point. He was funny and a little quirky, and thought himself a lot bigger than he really was. But it only added to his charm.
Hilariously, Toto has a much better language than humans, and some of their words don't translate to dog-talk, so some of the human's dialogue is replaced with funny words that rhyme, or just the word "something." Along the way, they meet a straw man who says he needs some "trains," a Metal Man who needs a "cart," and a Big Cat who needs some "Porridge". They swallow the jello brick road to find the Lizard who will send them home.
The illustrations were adorable too. They were basic pen and ink drawings, one ever few chapters, displaying a lot of character. The supporting characters in the story like Happy the evil-turned-good Wolf, the bugs that Toto talks to, the Not-really-a-wizard, and the flying monkeys were quickly established and fun to read. As mentioned earlier, some of the dialogue of humans doesn't' translate to dog-talk, and the "something something"s got a little annoying after a while, but all in all I greatly enjoyed reading Toto's tale.
I loved Toto's tale and am going to get my little brother to read it when I go home for Christmas. It was a fast fun read.
Recommended for ages 6-14, and fun-loving teens and adults as well! A great Christmas gift for dog-lovers or Oz-lovers.
Review by Haley Mathiot, copyright 2010. Do not copy without permission. See policy, disclosure, and source at my blog (http://haleymathiot.blogspot.com) and full review here: (http://haleymathiot.blogspot.com/2010/12/review-and-tour-toto-tale.html)
Kaysee Hood (83 KP) rated The Novice (Summoner Book 1) in Books
Apr 30, 2018
Fletcher Wulf & Ignatius (2 more)
Dwarfs & Elves
Magic & Demons
War (2 more)
Orcs
Race Issues
A new favorite...
Can I say this book took me by surprise? This has been on my TBR for a bit and was going to be an ebook purchase until I came across the paperback copy at B&N. What became a read out of interest with not much for expectations has become a new favorite for me.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Rachel King (13 KP) rated Fade Out (Morganville Vampires #7) in Books
Feb 11, 2019
Yet another good addition to the Morganville Vampires series, Fade Out is all about entertainment, but with a sinister twist. Eve wins a major part in the town's production of Tennessee Williams' A Street Car Named Desire and Claire's quirky boss, Myrnin, seems to have gained his sanity. But underneath this calm surface, rebellion is simmering while Amelie grieves, Ada-the-computer has it in for Claire, and the other goth chick in town, Kim, has less-than-honest designs for Morganville with a suspicious film project in the works.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
graveyardgremlin (7194 KP) rated The Portable Veblen in Books
Feb 15, 2019
Okay, I admit it, I was totally drawn in by the cute squirrel on the cover thinking it'd be a quirky book. The description seconded that notion and sounded interesting so I was all in. While the book is easy to read (mostly) and has some interesting characters and situations, it has its problems and ended up just being an okay read.
The story centers around Veblen, a temporary secretary and amateur Norwegian translator who hides her wounds and feelings of inadequacy with optimism, mediation, and oh yeah, she talks to squirrels, mainly one in particular. Along with her is her fiancee, Paul, a neurologist on the verge of a breakthrough with a device he patented that could prevent traumatic brain injuries (TBI). Joining them in their journey are their dysfunctional families. I really felt sorry for Veblen growing up and enduring her narcissitic, hypochondriac mother; she was a piece of work, but I do think she really cared for Veblen. On the other hand, I thought Paul's parents seemed very nice and I mostly found Paul to be somewhat of an ass and priggish. While he changes by the end, it didn't feel very authentic as it seemed as if it happened a little too hastily, even with the circumstances. The parts with Paul at his work were mostly boring and definitely way too long. While I see how it could add to the whole consumerism angle, it didn't add to the overall book and could have been trimmed. The squirrel didn't play as big a part as I thought it would, but the little parts were sweet and added a little magic to the book. Also, the illustrations and pictures in the book were a nice touch and the appendices were cute.
I liked the book as a whole but felt like it was two stories that would have been better off split into two separate entities. Mostly, it was a study on dysfunctional families and coming to terms with pieces of your life that weren't happy and accepting what cannot be changed. The book is not nearly as funny as the description led me to believe and I more found it amusing and/or cute. Basically, it was more dramedy than anything. I don't regret reading it, as it was entertaining, but not something I'd read again.
<i>3.5 stars</i>
Received to review through Amazon Vine.
The story centers around Veblen, a temporary secretary and amateur Norwegian translator who hides her wounds and feelings of inadequacy with optimism, mediation, and oh yeah, she talks to squirrels, mainly one in particular. Along with her is her fiancee, Paul, a neurologist on the verge of a breakthrough with a device he patented that could prevent traumatic brain injuries (TBI). Joining them in their journey are their dysfunctional families. I really felt sorry for Veblen growing up and enduring her narcissitic, hypochondriac mother; she was a piece of work, but I do think she really cared for Veblen. On the other hand, I thought Paul's parents seemed very nice and I mostly found Paul to be somewhat of an ass and priggish. While he changes by the end, it didn't feel very authentic as it seemed as if it happened a little too hastily, even with the circumstances. The parts with Paul at his work were mostly boring and definitely way too long. While I see how it could add to the whole consumerism angle, it didn't add to the overall book and could have been trimmed. The squirrel didn't play as big a part as I thought it would, but the little parts were sweet and added a little magic to the book. Also, the illustrations and pictures in the book were a nice touch and the appendices were cute.
I liked the book as a whole but felt like it was two stories that would have been better off split into two separate entities. Mostly, it was a study on dysfunctional families and coming to terms with pieces of your life that weren't happy and accepting what cannot be changed. The book is not nearly as funny as the description led me to believe and I more found it amusing and/or cute. Basically, it was more dramedy than anything. I don't regret reading it, as it was entertaining, but not something I'd read again.
<i>3.5 stars</i>
Received to review through Amazon Vine.
graveyardgremlin (7194 KP) rated Night Play (Dark-Hunter #5, Were-Hunter #1) in Books
Feb 15, 2019
<i>Night Play</i> is one of my favorites in this series so far - it's right up there with <i>Fantasy Lover</i> and <i>Dance with the Devil</i>, although I think DwtD might come out ahead. I love, love, loved it! It was one of those books that just got better. The plot was slightly different than the previous books in the series and focused more on the love story. Bride was a wonderful, size eighteen human heroine, who knows (or knew anyway) nothing about what goes bump in the night, while Vane is a to-die-for hunky hero. Need I say more? Everyone would love a guy like him - I know I would! This was one of those books that a few times at the end I had that big, goofy, dumb smile on my face, and don't pretend I'm the only one! ;P
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.