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DaveySmithy (107 KP) rated Twisters (2024) in Movies
Dec 4, 2024
A Solid Sequel That Doesn’t Fully Capture the Storm
As a long-time fan of the original Twister (1996), I went into Twisters (2024) with a mix of excitement and trepidation. How could this sequel live up to the raw, chaotic energy of its predecessor, a film that turned storm chasing into an adrenaline-fueled spectacle? The answer, for better or worse, is that it doesn’t quite match it, but it does enough to stand on its own.
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Kirk Bage (1775 KP) rated I Am Not Okay With This in TV
Mar 3, 2020
Proof that Netflix can rule your life, in an OK way, I guess. Every time I have dropped in for the last two weeks, this is the show they went out of their way to push on me. I watched the trailer and thought hmm, I don’t get it… but after relentless publicity I ended up watching the entire first series within 36 hours of its release on February 26th. Which is easy enough to do, as the entire first series only lasts 2 1/2 hours, in 7 x 23 minute easy to swallow episodes. Another nice tactic for the attention deficient generation.
Based on the graphic novels of Charles Forsman, who also gave us The End of the F***ing World – an equally dark edged teen angst story, that has had 2 full seasons of similarly short episodes. It also continues the partnership of that series’ main director, British born Jonathon Entwistle, who seems happily stuck with this genre on his, as yet, limited CV. It stars the quirky charm of Sophia Lillis, best known from the It reboot movies, and Wyatt Oleff, also plucked from that franchise. And, oh yeah, it shares production credits with a small show called Stranger Things; so it has a pop culture pedigree 100% guaranteed to attract a young audience.
In terms of tone and direction, it does wobble at the beginning, but also shows a lot of promise, thanks largely to the watchability of Lillis, who is perfectly cast as a nervy, nerdy teen with a lot of smarts, but not too many friends. The humour is black, the satire subtle, and the delivery is disarmingly adult; on the surface this is a high school comedy, but underneath it is a fucked up, biting exploration of grief, paranoia and anger (mis)management – it pushes boundaries on content, visually and in use of language that only Netflix can endorse and get away with. Which of course is what audiences want!
The premise is that after the suicide of her father, 17 year old Sydney Novak is having some emotional issues beyond the normal teenage stuff of zits on your thighs. As she keeps a secret journal to document her worries and thoughts (heard in voice-over consistently, giving it a definite graphic novel thought bubble vibe) we are in from the start on the possibility she may have a dubious superpower linked to being pissed off.
It takes a while for that aspect to kick in, however, so don’t expect big, showy, superhero set pieces; this is a comedy drama that borrows from every teenage trope available, and is focussed more on the troubles of high school, a single mom and general growing pains. It is funny – I laughed, and found it a charming mix of something really modern feeling, but with retro vibes; it is clearly 2020, but could be 1985, a trick Stranger Things has taught them well.
Really, it is almost all over before it gets started, with these brief episode times – which is smart; no time to waste, so it moves along, and is always endearingly entertaining. In essence, what we have here is a 2 1/2 hour pilot show, chopped into bite sized chunks and released as a tease for the main show, which will be series 2. Think of it as an origin story, if you will. Undoubtedly, that 2nd series is already on the way. Early critical response is solid, and in about another month you will be hearing everyone and their cat talking about it, for sure.
The lack of originality didn’t massively bother me, as you could see what they were trying to do with it, and the large appeal is to recreate a teen world that feels familiar and comfortable, and then play with those preconceptions, choosing the right moments to flip it upside down. Which eventually it does. The final episode of seven is an absolute doozy! Talk about teasing cliff-hangers! They really know how to keep us hooked!
The best thing about it, by a country mile, is the obvious star quality of Sophia Lillis, who must surely use this as a stepping-stone to a fine career, if she can master the emotional scenes as well as the charming quirky ones, at which she already excels. She reminds me a lot of Ellen Page, without the unlikely gravitas… yet. There is time to mature. I will be there for season 2 for sure, so it will be exciting to find out where it all goes next – this is a big opportunity for a BIG little show. I am only half sure they won’t fuck it up…
Based on the graphic novels of Charles Forsman, who also gave us The End of the F***ing World – an equally dark edged teen angst story, that has had 2 full seasons of similarly short episodes. It also continues the partnership of that series’ main director, British born Jonathon Entwistle, who seems happily stuck with this genre on his, as yet, limited CV. It stars the quirky charm of Sophia Lillis, best known from the It reboot movies, and Wyatt Oleff, also plucked from that franchise. And, oh yeah, it shares production credits with a small show called Stranger Things; so it has a pop culture pedigree 100% guaranteed to attract a young audience.
In terms of tone and direction, it does wobble at the beginning, but also shows a lot of promise, thanks largely to the watchability of Lillis, who is perfectly cast as a nervy, nerdy teen with a lot of smarts, but not too many friends. The humour is black, the satire subtle, and the delivery is disarmingly adult; on the surface this is a high school comedy, but underneath it is a fucked up, biting exploration of grief, paranoia and anger (mis)management – it pushes boundaries on content, visually and in use of language that only Netflix can endorse and get away with. Which of course is what audiences want!
The premise is that after the suicide of her father, 17 year old Sydney Novak is having some emotional issues beyond the normal teenage stuff of zits on your thighs. As she keeps a secret journal to document her worries and thoughts (heard in voice-over consistently, giving it a definite graphic novel thought bubble vibe) we are in from the start on the possibility she may have a dubious superpower linked to being pissed off.
It takes a while for that aspect to kick in, however, so don’t expect big, showy, superhero set pieces; this is a comedy drama that borrows from every teenage trope available, and is focussed more on the troubles of high school, a single mom and general growing pains. It is funny – I laughed, and found it a charming mix of something really modern feeling, but with retro vibes; it is clearly 2020, but could be 1985, a trick Stranger Things has taught them well.
Really, it is almost all over before it gets started, with these brief episode times – which is smart; no time to waste, so it moves along, and is always endearingly entertaining. In essence, what we have here is a 2 1/2 hour pilot show, chopped into bite sized chunks and released as a tease for the main show, which will be series 2. Think of it as an origin story, if you will. Undoubtedly, that 2nd series is already on the way. Early critical response is solid, and in about another month you will be hearing everyone and their cat talking about it, for sure.
The lack of originality didn’t massively bother me, as you could see what they were trying to do with it, and the large appeal is to recreate a teen world that feels familiar and comfortable, and then play with those preconceptions, choosing the right moments to flip it upside down. Which eventually it does. The final episode of seven is an absolute doozy! Talk about teasing cliff-hangers! They really know how to keep us hooked!
The best thing about it, by a country mile, is the obvious star quality of Sophia Lillis, who must surely use this as a stepping-stone to a fine career, if she can master the emotional scenes as well as the charming quirky ones, at which she already excels. She reminds me a lot of Ellen Page, without the unlikely gravitas… yet. There is time to mature. I will be there for season 2 for sure, so it will be exciting to find out where it all goes next – this is a big opportunity for a BIG little show. I am only half sure they won’t fuck it up…
BankofMarquis (1832 KP) rated Toy Story 4 (2019) in Movies
Jun 25, 2019
Another TOY STORY triumph for PIXAR
When I first heard that Pixar was going to make a 4th TOY STORY film, I found myself firmly in the camp of "why are they doing this? The 3rd film tied off the trilogy marvelously well and 4th film was not needed" But...I trust Pixar, and when it was revealed that both Tom Hanks and Tim Allen were back on board after reading the script, my fears were alleviated quite a bit, but I still had some unease in the pit of my stomach.
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
I shouldn't have worried. For TOY STORY 4 is a wonderful addition to the adventures of Woody, Buzz and gang. It fits in nicely with the other films in the series and brings just the right amount of joy, fun, adventure and emotional heft.
Picking up the adventures of these toys as they now belong to Bonnie (after being gifted to Bonnie when their original owner, Andy, went off to college at the end of Toy Story 3), things have progressed realistically enough. The "order of things" in Bonnie's room is somewhat different than in Andy's. Woody, the old Cowboy doll, is relegated (more often than not) to the closet while Bonnie plays more with Jessie, Buzz and others. Into this group comes "Forky" a plastic spork that is made into a toy by Bonnie at Kindergarten. In a nice reversal of the first Toy Story film, Woody works hard to ensure that Forky is accepted into the group.
Without revealing too much of the plot, the gang (including Woody and Forky) go on a roadtrip with Bonnie in her parents' rented RV and end up in a small-ish town where a carnival is taking place across the street from an Antique store that houses Woody's old flame, Bo Peep. New characters are introduced, old characters are given a moment (or two) to shine and adventures and shenanigans ensue, with an emotionally satisfying climax - you know, a TOY STORY film.
This one continues to progress these toys "lives" and adventures in such a smart, natural and clever way that I did not feel that I was watching the same film again. I was watching characters I love continue to live, learn, grow and progress - a very smart choice by these filmmakers.
As always, the voice cast is superb. Tim Allen (Buzz Lightyear), Joan Cusak (Jessie), Wallace Shawn (Rex), John Ratzenberger (Piggy) and even the late Don Rickles (Mr. PotatoHead) are all back and contribute greatly to the finished result. It is like putting on an old, comfortable sweater on a somewhat chilly day. You get a reassuring shiver of warmth.
But the filmmakers don't stop there - Annie Potts is back as Bo Peep (she - and the Bo Peep character - were in the original Toy Story). Add to these voices, the marvelous work by Christina Hendricks (Gabby Gabby), Key & Peele (Ducky & Bunny), Carl Weathers (all the Combat Carls) and Tony Hale (wonderfully quirky as Forky) and we have quite the ensemble of interesting, quirky characters - growing and enriching the "Universe" they are in (quite like what Marvel has done with their "Universe"). Special notice needs to be made of Keanu Reeves work as Canadian Daredevil toy Duke Kaboom (the Canadian Evil Kneivel), it is the most entertaining - to me - of all the new characters.
But...make no mistake...this film belongs to Tom Hanks as Woody. It has taken me 4 films to realize this, but Hanks good guy "everyman" portrayal of Woody is the heart and soul of these pictures and this 4th film is Woody's film - as his character comes full circle from the paranoid toy who wants to keep living his safe existence to something much, much more in this film. It isn't hyperbole of me to say that I would be just fine for Hanks to receive an Oscar nomination for his voice work in this film - he is that good.
Interestingly enough, Pixar brought in a novice Director, Josh Cooley, to helm this film. It is his first feature film directing experience, but he is a veteran Pixar face - having written INSIDE OUT and was the main Storyboard Artist for UP - his direction looks like someone who was comfortable in this medium - and with the style of film that Pixar (usually) goes for - and he does terrific work here.
I really enjoyed the journey of the characters (especially Woody) in this film. I need not have worried about Pixar making a 4th Toy Story - they nailed the landing again.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (OfMarquis)
Joe Kline (10 KP) rated Beetlejuice (1988) in Movies
Dec 9, 2017
The style of Tim Burton makes this movie amazing visually (3 more)
Michael Keaton creates one of the funniest ghosts of all time
The score by Danny Elfman is phenomenal
Still unique after all these years
Some of the stop motion effects may turn off certain people (1 more)
Although originally rated PG it would easily be a PG13 by modern standards
80's Classic with Timeless Appeal
This is a movie about a young couple's struggle to cope with life, or rather their lack there of. The Maitlands discover that death is just the beginning and the living can be a nuisance.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Haley Mathiot (9 KP) rated Toto's Tale in Books
Apr 27, 2018
Everyone knows the story of The Wizard of Oz... but since Toto couldn't talk, he never got his chance to tell the story. Now Toto tells what really happened in Oz after the windstorm that changed magical history. Toto becomes the main character in this story, and his mission is to save his pet girl and get her back to Kansas.
Toto's Tale was absolutely adorable. I fell in love with Toto right away. He has a wonderful personality and is very intelligent. Hays and Weidman did a very good job capturing the interior monologue of a dog who could not talk until this point. He was funny and a little quirky, and thought himself a lot bigger than he really was. But it only added to his charm.
Hilariously, Toto has a much better language than humans, and some of their words don't translate to dog-talk, so some of the human's dialogue is replaced with funny words that rhyme, or just the word "something." Along the way, they meet a straw man who says he needs some "trains," a Metal Man who needs a "cart," and a Big Cat who needs some "Porridge". They swallow the jello brick road to find the Lizard who will send them home.
The illustrations were adorable too. They were basic pen and ink drawings, one ever few chapters, displaying a lot of character. The supporting characters in the story like Happy the evil-turned-good Wolf, the bugs that Toto talks to, the Not-really-a-wizard, and the flying monkeys were quickly established and fun to read. As mentioned earlier, some of the dialogue of humans doesn't' translate to dog-talk, and the "something something"s got a little annoying after a while, but all in all I greatly enjoyed reading Toto's tale.
I loved Toto's tale and am going to get my little brother to read it when I go home for Christmas. It was a fast fun read.
Recommended for ages 6-14, and fun-loving teens and adults as well! A great Christmas gift for dog-lovers or Oz-lovers.
Review by Haley Mathiot, copyright 2010. Do not copy without permission. See policy, disclosure, and source at my blog (http://haleymathiot.blogspot.com) and full review here: (http://haleymathiot.blogspot.com/2010/12/review-and-tour-toto-tale.html)
Toto's Tale was absolutely adorable. I fell in love with Toto right away. He has a wonderful personality and is very intelligent. Hays and Weidman did a very good job capturing the interior monologue of a dog who could not talk until this point. He was funny and a little quirky, and thought himself a lot bigger than he really was. But it only added to his charm.
Hilariously, Toto has a much better language than humans, and some of their words don't translate to dog-talk, so some of the human's dialogue is replaced with funny words that rhyme, or just the word "something." Along the way, they meet a straw man who says he needs some "trains," a Metal Man who needs a "cart," and a Big Cat who needs some "Porridge". They swallow the jello brick road to find the Lizard who will send them home.
The illustrations were adorable too. They were basic pen and ink drawings, one ever few chapters, displaying a lot of character. The supporting characters in the story like Happy the evil-turned-good Wolf, the bugs that Toto talks to, the Not-really-a-wizard, and the flying monkeys were quickly established and fun to read. As mentioned earlier, some of the dialogue of humans doesn't' translate to dog-talk, and the "something something"s got a little annoying after a while, but all in all I greatly enjoyed reading Toto's tale.
I loved Toto's tale and am going to get my little brother to read it when I go home for Christmas. It was a fast fun read.
Recommended for ages 6-14, and fun-loving teens and adults as well! A great Christmas gift for dog-lovers or Oz-lovers.
Review by Haley Mathiot, copyright 2010. Do not copy without permission. See policy, disclosure, and source at my blog (http://haleymathiot.blogspot.com) and full review here: (http://haleymathiot.blogspot.com/2010/12/review-and-tour-toto-tale.html)
Kaysee Hood (83 KP) rated The Novice (Summoner Book 1) in Books
Apr 30, 2018
Fletcher Wulf & Ignatius (2 more)
Dwarfs & Elves
Magic & Demons
War (2 more)
Orcs
Race Issues
A new favorite...
Can I say this book took me by surprise? This has been on my TBR for a bit and was going to be an ebook purchase until I came across the paperback copy at B&N. What became a read out of interest with not much for expectations has become a new favorite for me.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Now, there are some issues I do have. It's well written. The characters are very well fleshed out to where we get to know them (though I kept having to turn to the back to refer to things because I got confused which was a bummer). I love and hate the fact how some parts were detailed and others were. However it is well paced in a way where even when I felt I didn't need anymore info I wasn't bored and put off. I was still able to read about and stay into the world written.
I liked how with Fletcher we have no clue was his past because he has no clue. It leaves it all open for so many possibilities as to how Fletcher is a Battlemage/Summoner without leading us to one idea where we can guess everything before it happens. Which is the best part because little surprise are peppered through as well as bits of what could be. Actually I enjoyed the idea of nobles get the better treatment while those who are lowborn have to struggle because it was referred to where those who have been taught all their life may have an understanding of the basic and seem ahead of those who are only learning now will have better control where they'll succeeded in other ways. I thought there would only be the orcs and humans. I had no clue about the elves and the dwarves so it was a great surprise.
All the conflict, possible looming of other wars, and all chaos possible overall it made for a good book. Fletcher is a brilliant character who has faults and is human as anyone else yet he makes up for it by being a decent human being and his quirky ideas. That's what makes this book great. I recommend to those who like fantasy books with magic heavily involved.
Rachel King (13 KP) rated Fade Out (Morganville Vampires #7) in Books
Feb 11, 2019
Yet another good addition to the Morganville Vampires series, Fade Out is all about entertainment, but with a sinister twist. Eve wins a major part in the town's production of Tennessee Williams' A Street Car Named Desire and Claire's quirky boss, Myrnin, seems to have gained his sanity. But underneath this calm surface, rebellion is simmering while Amelie grieves, Ada-the-computer has it in for Claire, and the other goth chick in town, Kim, has less-than-honest designs for Morganville with a suspicious film project in the works.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
Claire seems to have worked out a truce with her parents, which I liked since they just seem to get in the way. Her relationship with Shane is adorable and sweet, and I love their loyalty to each other even as they navigate the familiar territory of new romance. In contrast, Eve and Michael have hit a major bump in the road that I saw coming several books back - and I'm still a little annoyed that we don't get more details from Eve's perspective.
Myrnin has to be my favorite character in the series. Even as a sane individual, he is still incredibly unique - from his fashion sense, to the unexpected things he randomly spouts, to his mercurial behavior and unpredictable loyalties among the town's inhabitants. What develops with Ada's subplot in the book shows that beneath the vampire still lurks some humanity, and he obviously has many more secrets that have yet to be revealed.
Amelie grieves for the loss of Sam, and the way she randomly appears in Claire's day-to-day life during this period of stark vulnerability is equal parts mystifying and encouraging. While the downside of this is that the rebellious factions feel stronger, the upside is that the readers gets to see some of the characteristics typical only to humans show themselves in Amelie.
As for Claire herself, Shane makes an observation about her that I think sums her up quite nicely. Some people come to Morganville and disappear, but when Claire came to Morganville, she began to thrive.
Every time I pick up one of the books in this series, I simply can not stop reading until I've finished it - always the perfect blend of suspense, mystery, and supernatural elements to keep me hooked.
graveyardgremlin (7194 KP) rated The Portable Veblen in Books
Feb 15, 2019
Okay, I admit it, I was totally drawn in by the cute squirrel on the cover thinking it'd be a quirky book. The description seconded that notion and sounded interesting so I was all in. While the book is easy to read (mostly) and has some interesting characters and situations, it has its problems and ended up just being an okay read.
The story centers around Veblen, a temporary secretary and amateur Norwegian translator who hides her wounds and feelings of inadequacy with optimism, mediation, and oh yeah, she talks to squirrels, mainly one in particular. Along with her is her fiancee, Paul, a neurologist on the verge of a breakthrough with a device he patented that could prevent traumatic brain injuries (TBI). Joining them in their journey are their dysfunctional families. I really felt sorry for Veblen growing up and enduring her narcissitic, hypochondriac mother; she was a piece of work, but I do think she really cared for Veblen. On the other hand, I thought Paul's parents seemed very nice and I mostly found Paul to be somewhat of an ass and priggish. While he changes by the end, it didn't feel very authentic as it seemed as if it happened a little too hastily, even with the circumstances. The parts with Paul at his work were mostly boring and definitely way too long. While I see how it could add to the whole consumerism angle, it didn't add to the overall book and could have been trimmed. The squirrel didn't play as big a part as I thought it would, but the little parts were sweet and added a little magic to the book. Also, the illustrations and pictures in the book were a nice touch and the appendices were cute.
I liked the book as a whole but felt like it was two stories that would have been better off split into two separate entities. Mostly, it was a study on dysfunctional families and coming to terms with pieces of your life that weren't happy and accepting what cannot be changed. The book is not nearly as funny as the description led me to believe and I more found it amusing and/or cute. Basically, it was more dramedy than anything. I don't regret reading it, as it was entertaining, but not something I'd read again.
<i>3.5 stars</i>
Received to review through Amazon Vine.
The story centers around Veblen, a temporary secretary and amateur Norwegian translator who hides her wounds and feelings of inadequacy with optimism, mediation, and oh yeah, she talks to squirrels, mainly one in particular. Along with her is her fiancee, Paul, a neurologist on the verge of a breakthrough with a device he patented that could prevent traumatic brain injuries (TBI). Joining them in their journey are their dysfunctional families. I really felt sorry for Veblen growing up and enduring her narcissitic, hypochondriac mother; she was a piece of work, but I do think she really cared for Veblen. On the other hand, I thought Paul's parents seemed very nice and I mostly found Paul to be somewhat of an ass and priggish. While he changes by the end, it didn't feel very authentic as it seemed as if it happened a little too hastily, even with the circumstances. The parts with Paul at his work were mostly boring and definitely way too long. While I see how it could add to the whole consumerism angle, it didn't add to the overall book and could have been trimmed. The squirrel didn't play as big a part as I thought it would, but the little parts were sweet and added a little magic to the book. Also, the illustrations and pictures in the book were a nice touch and the appendices were cute.
I liked the book as a whole but felt like it was two stories that would have been better off split into two separate entities. Mostly, it was a study on dysfunctional families and coming to terms with pieces of your life that weren't happy and accepting what cannot be changed. The book is not nearly as funny as the description led me to believe and I more found it amusing and/or cute. Basically, it was more dramedy than anything. I don't regret reading it, as it was entertaining, but not something I'd read again.
<i>3.5 stars</i>
Received to review through Amazon Vine.
graveyardgremlin (7194 KP) rated Night Play (Dark-Hunter #5, Were-Hunter #1) in Books
Feb 15, 2019
<i>Night Play</i> is one of my favorites in this series so far - it's right up there with <i>Fantasy Lover</i> and <i>Dance with the Devil</i>, although I think DwtD might come out ahead. I love, love, loved it! It was one of those books that just got better. The plot was slightly different than the previous books in the series and focused more on the love story. Bride was a wonderful, size eighteen human heroine, who knows (or knew anyway) nothing about what goes bump in the night, while Vane is a to-die-for hunky hero. Need I say more? Everyone would love a guy like him - I know I would! This was one of those books that a few times at the end I had that big, goofy, dumb smile on my face, and don't pretend I'm the only one! ;P
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Valerius makes another appearance as a slightly more likable character and he looks to be a very interesting and intriguing hero in his installment. Actually, a lot of the characters who make appearances sound like they'd be great heroes/heroines. Too bad Sherrilyn can't turn them out faster and most likely won't have time for all of them! :P
This was a nice review:
From Booklist
Bride McTierney has just been dumped via FedEx. There's not much that could ease such a broken heart until Vane Kattalakis wanders into her shop and her life. Their whirlwind affair feels too good to be true. After all, her ex-beau proved men are dogs, which turns out to be a more appropriate figure of speech than Bride could ever imagine. More character driven than her previous Dark-Hunter novels, Kenyon's latest is a nice change of pace yet still chock-full of the quirky humor, complex fantasy, and searing passion that her readers love. This book's success, however, appropriately lies with Bride and Vane. It's been said of Kenyon that she knows men, but she really knows women and all our secret fears and hidden desires. She has distilled those into Bride, who is both our sister and ourselves. Then she made a man who understands and loves her, insecurities and all. Every woman should have a Vane Kattalakis in her life. Thanks to Kenyon, every woman can.
Hannah May (3 KP) rated Eleanor & Park in Books
Mar 8, 2018
Contains spoilers, click to show
It was a strange kind of wonderful, reading this book. It is a romance in its purest form and has been written with so much care and tenderness. Eleanor & Park is unlike any book I have ever read - so far at least. The romantic build is slow, dramatic and captiviting, and it defies the stereotypes of everyday life. Eleanor is not your average teenage girl. She's not popular. She's not blonde. She's not stick thin. Her family is not rich. She is different and Rainbow Rowell reaffirms that idea again and again. She has a big mess of red hair. She's a social outcast. She's bullied. She comes from a broken family. She's anxious and self-conscious. She is so different and so far off the spectrum, that it was a never ending thrill hearing her side of the story, hearing of her struggles and passions. Reading from Eleanor's point of view really brought the whole world into perspective, and made me think in ways I have never done so before. Now. What can I say about Park without repeating myself? What I like most about him is his characterisation. Why? Because it sets him apart from the typical male protagonist you find in most Teen Fiction novels. He's quirky. He's sarcastic. He's a closet romantic. He's Asian. He wears make up. He too is an outcast. This alone makes him different, but no less intriguing or entertaining to read. I truly admire his devotion to Eleanor. Even when she tries to push him away, he's always there for her and he always loves her, despite her taciturn moods and snappy comments. He loves her so deeply and without shame. Needless to say, I wish there were more boys like him. Now, the ending was ambiguous and rather bittersweet. I'd be lying if I said I wasn't disappointed, but somehow I found it quite fitting; considering what happened and how far both Eleanor and Park had come, since their first meeting on the school bus. It's not the perfect happily-ever-after, but it was full of potential and hope that it was, in its own little way. It left a smile on my face, at least. Needless to say, I would recommend Eleanor and Park to anyone. From the setting to the characters to the little hidden messages, it is a real story. It is a real romance and it will move you; body and soul.