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Fallen (Everwood Falls #2)
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EVERWOOD FALLS… a small supernatural community tucked up in the Colorado Rockies where witches,...
Cozy Mystery Paranormal Romance Series
Amberley Yvonne Mackenzie (9 KP) rated the PlayStation 4 version of Fallout 76 in Video Games
Nov 27, 2018
Co-operative focus (3 more)
Exceptionally large game map
forced interaction with other realtime players
immersion in side quests and exploration
difficult in one player mode past level 12 (2 more)
occasionally repetitive
filled with glitches and bugs
Dystopian loneliness
"War... war never changes."
This instalment of the Fallout series sees us catapulted to West Virginia, an area never previously visited in the post nuclear armageddon indicative of the franchise. You begin as a lowly vault dweller and learn that Vault 76 is a control vault designed to open 25 years after the bombs have dropped and obliterated civilisation as we know it. the character creation is straight forward and the same in design as Fallout 4, infact, the whole game is the exact same as Fallout 4 with a few tweaks here and there so stepping out into Appalacia is easy with the same control system and feel to the game. The vault doesn't hold any surprises, fixed in place as a linear tutorial so the real game begins wandering out the big ol' vault door. Once free the sheer scale is apparent as you take in the horizon, a lush green forest stretches around and for a minute you feel almost like you've wandered into an Elder Scrolls game and not a Fallout instalment then you stumble upon your first Ghoul and you remember how unforgiving Fallout is as you're pummeled into oblivion since the 10mm pistol effectively equates to a peashooter at such low levels. So you dust yourself off and explore, levelling up as you go with a quirky new perk system based loosely on trading cards, now I've encountered other players grumbling about the perk system and I'll repeat the same here as I did there; they are interchangeable at any point, not only in the level up screen. So in other words don't be dissuaded. S.P.E.C.I.A.L attributes now have a cap of 15 however you stop earning points at level 50 so choose wisely. Online tools are avaliable to help choose your build that best suits your style of play. Another changed and quirky feature is the C.A.M.P, a play on Fallout 4's settlement building feature in which you can build your own personal campsite anywhere that's not too close to a settlement with plans for hundreds of pieces but a very low budget for items. I found out early on that your camp will literally only really be used for the essentials, workbenches, Cooking equipment, stash box and a bed with a few turrets to keep you safe whilst you sleep. Another unique feature is the stash box, with only 400lbs storage don't think about going anywhere with all those wonderglues! you find yourself in a constant loop of scrapping and bulking junk just to repair weapons and armour and EVERYTHING has weight, even ammo. Think Hardcore mode New Vegas on steroids, you need to eat, drink, you contract diseases and mutations. it's an eerily accurate depiction of post apocalyptia and a good lesson in self care, if you're starving or dehydrated you lose action points and the ability to run. Power armour in the game is essential but not avaliable till level 20, I wouldn't advise going to the South or east of the map until you have some as these areas have the highest level enemy's.
Speaking of enemies, Bethesda Game Studios has once again outdone themselves with the creation of complex new creatures and enemies. Due to the lack of NPC's, Raiders have been replaced by the Scorched, disease ridden humans liked in someway to the Scorchbeast, essentially a cut and paste dragon from Skyrim. there's also the previous selection of Ghouls, deathclaws, mole rats, feral mutts and Super Mutants with the lore of West Virginia found in the recreation of the Wendigo and Mothman. there's a few other new creatures but I'll leave that to you to discover.
The locations are stunning, it doesn't matter that it's on an older game engine, what bethesda have created is simply beautiful. In the Ash Heap to the south, a towering collosus of a mining machine in perfect detail stands 100ft above you and to the north of the map, a downed space station, everything recreated in stunning detail. Some of the sights are truly amazing.
Whilst Fallout 76 has had a lot of mixed reviews I can't say it's been a dissapointmet like some others, yes it heavily relies upon your interaction with other players so if you play solo it can seem a bit lonely and repetitive especially when doing the same events everyday but I went into the game knowing it was going to be different and that gave me another way to look at it objectively. Yes it needs more content but I can safely say, this game has so much potential and is another winner for Bethesda.
This instalment of the Fallout series sees us catapulted to West Virginia, an area never previously visited in the post nuclear armageddon indicative of the franchise. You begin as a lowly vault dweller and learn that Vault 76 is a control vault designed to open 25 years after the bombs have dropped and obliterated civilisation as we know it. the character creation is straight forward and the same in design as Fallout 4, infact, the whole game is the exact same as Fallout 4 with a few tweaks here and there so stepping out into Appalacia is easy with the same control system and feel to the game. The vault doesn't hold any surprises, fixed in place as a linear tutorial so the real game begins wandering out the big ol' vault door. Once free the sheer scale is apparent as you take in the horizon, a lush green forest stretches around and for a minute you feel almost like you've wandered into an Elder Scrolls game and not a Fallout instalment then you stumble upon your first Ghoul and you remember how unforgiving Fallout is as you're pummeled into oblivion since the 10mm pistol effectively equates to a peashooter at such low levels. So you dust yourself off and explore, levelling up as you go with a quirky new perk system based loosely on trading cards, now I've encountered other players grumbling about the perk system and I'll repeat the same here as I did there; they are interchangeable at any point, not only in the level up screen. So in other words don't be dissuaded. S.P.E.C.I.A.L attributes now have a cap of 15 however you stop earning points at level 50 so choose wisely. Online tools are avaliable to help choose your build that best suits your style of play. Another changed and quirky feature is the C.A.M.P, a play on Fallout 4's settlement building feature in which you can build your own personal campsite anywhere that's not too close to a settlement with plans for hundreds of pieces but a very low budget for items. I found out early on that your camp will literally only really be used for the essentials, workbenches, Cooking equipment, stash box and a bed with a few turrets to keep you safe whilst you sleep. Another unique feature is the stash box, with only 400lbs storage don't think about going anywhere with all those wonderglues! you find yourself in a constant loop of scrapping and bulking junk just to repair weapons and armour and EVERYTHING has weight, even ammo. Think Hardcore mode New Vegas on steroids, you need to eat, drink, you contract diseases and mutations. it's an eerily accurate depiction of post apocalyptia and a good lesson in self care, if you're starving or dehydrated you lose action points and the ability to run. Power armour in the game is essential but not avaliable till level 20, I wouldn't advise going to the South or east of the map until you have some as these areas have the highest level enemy's.
Speaking of enemies, Bethesda Game Studios has once again outdone themselves with the creation of complex new creatures and enemies. Due to the lack of NPC's, Raiders have been replaced by the Scorched, disease ridden humans liked in someway to the Scorchbeast, essentially a cut and paste dragon from Skyrim. there's also the previous selection of Ghouls, deathclaws, mole rats, feral mutts and Super Mutants with the lore of West Virginia found in the recreation of the Wendigo and Mothman. there's a few other new creatures but I'll leave that to you to discover.
The locations are stunning, it doesn't matter that it's on an older game engine, what bethesda have created is simply beautiful. In the Ash Heap to the south, a towering collosus of a mining machine in perfect detail stands 100ft above you and to the north of the map, a downed space station, everything recreated in stunning detail. Some of the sights are truly amazing.
Whilst Fallout 76 has had a lot of mixed reviews I can't say it's been a dissapointmet like some others, yes it heavily relies upon your interaction with other players so if you play solo it can seem a bit lonely and repetitive especially when doing the same events everyday but I went into the game knowing it was going to be different and that gave me another way to look at it objectively. Yes it needs more content but I can safely say, this game has so much potential and is another winner for Bethesda.
Gareth von Kallenbach (980 KP) rated The Hitchhiker's Guide to the Galaxy (2005) in Movies
Aug 14, 2019
Making films from books has always been a tricky proposition. For every film adaptation that hits it big such as Jaws, Lord of the Rings and The Silence of the Lambs, there are several that fail to work or are downright disasters such as The Bonfire of the Vanities.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
Purple Phoenix Games (2266 KP) rated Fold-it in Tabletop Games
Dec 28, 2021
When it comes to cooking, I am definitely no master chef. Up until recently, ‘cooking’ for me consisted of merely putting frozen food into the oven…. Don’t judge! I am taking strides to expand my culinary skills though, so slowly but surely I’ll become a (hopefully) decent chef. That being said, when I saw a cute little food game called Fold-It, I figured that I should at least be able to handle these game recipes. Does it hit the spot, or does it get the chop?
Fold-It is a real-time dexterity puzzle game in which players are trying to fold their Recipe Cloth to match the current Order Card. Setup is simple – give each player a Recipe Cloth and 3 Star Tokens. Choose whether you want to play with the Basic or Advanced Order Cards (or a mix of both types) and shuffle the deck. Place a number of Fold-It tokens in the middle of the table to equal one fewer token than number of players. The game is now ready to begin!
Played over a series of rounds, players will be racing to complete the current Order Card the fastest. How? By folding their Recipe Cloth! Each Recipe Cloth is printed with a 4×4 grid of different dishes. The Order Cards each show a combination of 1-4 dishes. When an Order Card is revealed, all players will then try to fold and arrange their Recipe Cloth so that only the dishes from the Order Card are displayed. You can fold your cloth horizontally or vertically along the columns, and the cloth is double-sided to help accomplish your goal as well. Once you have folded your Recipe Cloth so that the dishes match the Order Card, grab one of the Fold-It tokens from the center of the table. When all the Fold-It tokens have been claimed, check each completed Recipe Cloth to verify that it is correct. If your Recipe Cloth matches, then you are in the clear! But if you made a mistake and had grabbed a Fold-It token, lose one of your Star tokens. *womp womp* The remaining player who was not able to grab a Fold-It token in the round discards one of their 3 Star tokens as well. The round is now over, and a new round begins by revealing the next Order Card. Play continues in this fashion until only one player remains with Star tokens. That player is declared the winner!
I have to admit that Fold-It surprised me, in a good way. I picked it up from a “Buy, Sell, Trade” Facebook group and really wasn’t expecting much from the gameplay. But when I actually got it to the table, I had a blast with it! The theme is cute, the gameplay is quirky, and it’s actually trickier than it looks. Some of the orders require you to fold the cloth in unique ways, and it can kind of be a brain burner. Add in the real-time racing element, and you’ve got an exciting game on your hands. Is it the most amazing and strategic game that I’ve ever played? No. But it’s pretty engaging for a light and fast filler game.
The components are pretty straight-forward. Cardboard tokens, nice sturdy cards, and actual cloth for the Recipe Cloth. The artwork is colorful and cute, and the tokens and cards will withstand many plays. I do especially like the Recipe Cloths too. The fact that they are actual cloth means that you won’t be worried about creasing issues from constant folding and unfolding between rounds and games. The cloths are double-sided as well to give you a boost for strategy as well. I will point out that all cloths are printed the exact same way, so it’s not like a Bingo board that varies between players. Everyone has the same tools with which to work each round, and everyone is on an even playing field that way. Nice components overall, in my opinion!
All in all, am I happy with my Fold-It purchase? Yes. It’s a quirky little filler game that is engaging and entertaining for all players. Yeah, there’s a player elimination element, but the game overall is so fast that the eliminated player(s) won’t be sitting around for long. Who knew that folding a piece of cloth could get your heart racing so fast? Fold-It is definitely a game that I’ll pull out when I need something quick and simple, or with which I can introduce people to the hobby. I guess if you play it too much, it would get kind of stale, but I don’t see that happening for me. Purple Phoenix Games gives this one a tasty 4 / 6.
Fold-It is a real-time dexterity puzzle game in which players are trying to fold their Recipe Cloth to match the current Order Card. Setup is simple – give each player a Recipe Cloth and 3 Star Tokens. Choose whether you want to play with the Basic or Advanced Order Cards (or a mix of both types) and shuffle the deck. Place a number of Fold-It tokens in the middle of the table to equal one fewer token than number of players. The game is now ready to begin!
Played over a series of rounds, players will be racing to complete the current Order Card the fastest. How? By folding their Recipe Cloth! Each Recipe Cloth is printed with a 4×4 grid of different dishes. The Order Cards each show a combination of 1-4 dishes. When an Order Card is revealed, all players will then try to fold and arrange their Recipe Cloth so that only the dishes from the Order Card are displayed. You can fold your cloth horizontally or vertically along the columns, and the cloth is double-sided to help accomplish your goal as well. Once you have folded your Recipe Cloth so that the dishes match the Order Card, grab one of the Fold-It tokens from the center of the table. When all the Fold-It tokens have been claimed, check each completed Recipe Cloth to verify that it is correct. If your Recipe Cloth matches, then you are in the clear! But if you made a mistake and had grabbed a Fold-It token, lose one of your Star tokens. *womp womp* The remaining player who was not able to grab a Fold-It token in the round discards one of their 3 Star tokens as well. The round is now over, and a new round begins by revealing the next Order Card. Play continues in this fashion until only one player remains with Star tokens. That player is declared the winner!
I have to admit that Fold-It surprised me, in a good way. I picked it up from a “Buy, Sell, Trade” Facebook group and really wasn’t expecting much from the gameplay. But when I actually got it to the table, I had a blast with it! The theme is cute, the gameplay is quirky, and it’s actually trickier than it looks. Some of the orders require you to fold the cloth in unique ways, and it can kind of be a brain burner. Add in the real-time racing element, and you’ve got an exciting game on your hands. Is it the most amazing and strategic game that I’ve ever played? No. But it’s pretty engaging for a light and fast filler game.
The components are pretty straight-forward. Cardboard tokens, nice sturdy cards, and actual cloth for the Recipe Cloth. The artwork is colorful and cute, and the tokens and cards will withstand many plays. I do especially like the Recipe Cloths too. The fact that they are actual cloth means that you won’t be worried about creasing issues from constant folding and unfolding between rounds and games. The cloths are double-sided as well to give you a boost for strategy as well. I will point out that all cloths are printed the exact same way, so it’s not like a Bingo board that varies between players. Everyone has the same tools with which to work each round, and everyone is on an even playing field that way. Nice components overall, in my opinion!
All in all, am I happy with my Fold-It purchase? Yes. It’s a quirky little filler game that is engaging and entertaining for all players. Yeah, there’s a player elimination element, but the game overall is so fast that the eliminated player(s) won’t be sitting around for long. Who knew that folding a piece of cloth could get your heart racing so fast? Fold-It is definitely a game that I’ll pull out when I need something quick and simple, or with which I can introduce people to the hobby. I guess if you play it too much, it would get kind of stale, but I don’t see that happening for me. Purple Phoenix Games gives this one a tasty 4 / 6.
Phillip McSween (751 KP) rated Ghostbusters (1984) in Movies
Apr 15, 2018
Stellar
A group of four armed with special proton packs come together to protect Manhattan from crazy supernatural forces that have taken hold of the city.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Acting: 10
Beginning: 10
In the opening scene, Peter Venkman (Bill Murray) is doing an ESP exercise with a couple. He's having them use their brain power to identify something from a card they can't see. He's clearly sweet on the girlfriend because he keeps giving her soft-lob answers while taking the boyfriend through hell. The scene is one of the best openers I've seen in a movie and is a clever, hilarious way to kick things off. It doesn't take long for you to fall in love with Murray's character.
Characters: 10
Without Venkman, the film doesn't exist period. He carries a lax, dry attitude while everyone else around him is freaking out and for good reason. He's not even close to being a scientist like his counterparts, but that's a strong reason for what makes the film so great. All four of the characters are unique and bring something different to the table. The supporting roles are also awesome, each providing their own quirky, unique flare.
Cinematography/Visuals: 10
Considering the film was made in 1984 (and special effects have greatly increased since then), I was pretty happy with the visuals throughout Ghostbusters. The ghosts are creative and original providing enough variety without being overly repetitive. This film put Slimer on the map, a disgusting green blob of a ghost that tries to devour everything in his path. Watching food pass from his mouth and through his body before exiting out the other end was a hilarious touch.
Oh, and can't forget about Stay Puft. Fun times watching that scene unfold.
Conflict: 10
Genre: 10
Memorability: 10
Pace: 10
Consistent blending of comedy and the paranormal helps maintain a healthy pace. The dialogue is so crisp and on point, it's hard to get bored as there is always something happening or something hilarious being said. Director Ivan Reitman even managed to take advantage of moments that would have otherwise been bland. The best example that comes to mind is the scene where they are riding up an elevator. Instead of just sitting around aimlessly, the group takes turns firing up their proton packs for the first time. One memorable scene among many.
Plot: 10
Resolution: 10
Overall: 100
Ghostbusters is an unforgettable ride from start to finish. It's one of those films you can watch over and over and it never gets old. A definite classic.
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
graveyardgremlin (7194 KP) rated Obsessed (Lizzy Gardner, #4) in Books
Feb 15, 2019
Boo! That ending?! BOOOOOO!!! >_< What kind of thing is that to do to your faithful readers, Ragan? Meanie.
Now onto an actual review:
<b>Obsessed</b> is a turning point in the series. Not only is it set two years after [b:A Dark Mind|17061185|A Dark Mind (Lizzy Gardner #3)|T.R. Ragan|https://d.gr-assets.com/books/1367696244s/17061185.jpg|23398072], but the bad guy hadn't been killing until something happens in this book. Plus, he has a name and we sorta know who is is. The first seventy or so pages were rough going for me. I felt such a disconnect to the characters and stories involved. After that though, it suddenly clicked and I flew through the rest of the book.
The plot is interesting, and as always, keeps to a steady and fast pace. I liked how Ragan switched it up in this book, so it wasn't the same ol' serial killer trope. As for the characters, I miss that Jessica isn't in it much, but do think Kitally brings a fresh and quirky vibe. Lizzy feels mostly the same, but I still felt as I did with the last book that she should be in it more. She's moving foward in her life and I want to move with her. While I always appreciate the fact that the relationship between Lizzy and Jared never takes up much of the story, I could have screamed when he suggested that maybe it was time Lizzy hung up the P.I. business. What the heck? Why don't you give up your fancy-smancy F.B.I. job instead? That attitude should have gone out in the 80s and it really seemed out of character for him. Anyway, Hayley keeps self-destructing but I'm glad to have seem some kind of movement or growth (in a way) in this book. Her self-destruction continues, and while the semi-ending seems a bit forboding, I still have hopes she might start to heal in a future book. Now for that ending. Oh, that ending! A cliff-hanger? So cruel. Afer reading the first four in a fairly quick manner, I was going to take a bit of a break, but now, yeah, don't think that's going to happen. Grr.
In a nutshell, this series has been compulsively readable and this entry is no different. <b>Obsessed</b> is just as good as the first, a smidge better than the first, but maybe not a good as the third.
Received courtesy of the Amazon Vine Program.
Now onto an actual review:
<b>Obsessed</b> is a turning point in the series. Not only is it set two years after [b:A Dark Mind|17061185|A Dark Mind (Lizzy Gardner #3)|T.R. Ragan|https://d.gr-assets.com/books/1367696244s/17061185.jpg|23398072], but the bad guy hadn't been killing until something happens in this book. Plus, he has a name and we sorta know who is is. The first seventy or so pages were rough going for me. I felt such a disconnect to the characters and stories involved. After that though, it suddenly clicked and I flew through the rest of the book.
The plot is interesting, and as always, keeps to a steady and fast pace. I liked how Ragan switched it up in this book, so it wasn't the same ol' serial killer trope. As for the characters, I miss that Jessica isn't in it much, but do think Kitally brings a fresh and quirky vibe. Lizzy feels mostly the same, but I still felt as I did with the last book that she should be in it more. She's moving foward in her life and I want to move with her. While I always appreciate the fact that the relationship between Lizzy and Jared never takes up much of the story, I could have screamed when he suggested that maybe it was time Lizzy hung up the P.I. business. What the heck? Why don't you give up your fancy-smancy F.B.I. job instead? That attitude should have gone out in the 80s and it really seemed out of character for him. Anyway, Hayley keeps self-destructing but I'm glad to have seem some kind of movement or growth (in a way) in this book. Her self-destruction continues, and while the semi-ending seems a bit forboding, I still have hopes she might start to heal in a future book. Now for that ending. Oh, that ending! A cliff-hanger? So cruel. Afer reading the first four in a fairly quick manner, I was going to take a bit of a break, but now, yeah, don't think that's going to happen. Grr.
In a nutshell, this series has been compulsively readable and this entry is no different. <b>Obsessed</b> is just as good as the first, a smidge better than the first, but maybe not a good as the third.
Received courtesy of the Amazon Vine Program.
Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Kristy H (1252 KP) rated Be Frank With Me in Books
Feb 8, 2018
Alice has worked a string of dead-end jobs until she winds up as an assistant for a literary agent, Mr. Vargas. He is impressed with her work at a tech store (think Apple Genius Bar) and takes her under his wing. Eventually Mr. Vargas dispatches Alice to assist with one of his most famous, but reclusive, clients: M.M. "Mimi" Banning. Mimi wrote a famous bestseller book as a young woman and then basically disappeared off the grid. She's recently lost all her money in a Ponzi scheme, however, and she needs an assistant to help with delivery of a new manuscript. Enter Alice. However, when Alice arrives in California, she finds herself mainly acting as caretaker to Mimi's nine-year-old son, Frank: a quirky and unique boy who changes Alice's life.
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
There's really no way to describe this book. It was an excellent way to round out 2015 - it's a lovely and touching novel. While in theory it describes a bit of time in Alice's life, with most of the story coming from her point of view, the true hero of this story is Frank - amazing, wonderful, funny Frank. Frank would probably be deemed autistic, or at least somewhere on the spectrum, in our society, as he clearly has issues with being touched, interacting with his peers, and many other things. But he's also this amazing, unique, and smart boy - he dresses like a movie star from the '30s, has an endless supply of facts in his brain about everything (but doesn't comprehend sarcasm or humor), loves old films, and has a fierce and deep devotion for his mother -- no matter what she does.
As Alice gets to know Frank, Mimi, and the small cast of characters around them - mainly, Xander, Frank's piano teacher, who flits in and out of his life - she is as drawn to the boy as the rest of us. But can she save Frank (and Mimi) from the harshness of the outside world and their past? It's an interesting thought and one that doesn't lend itself to a typical beginning/middle/end plot. In some ways, not a lot happens in this book (though in some ways, a lot does), but its story is propelled by Johnson's excellent character development and descriptions. Frank, Alice, Mimi, and Xander really come to life in her hands. It's a funny book, a sad book, but a beautiful book. Certainly a worthwhile read. You'll find yourself thinking about these characters long after you turn the last page.
(Note: I received an advance copy of this novel from Edelweiss in return for an unbiased review.)
Kyera (8 KP) rated I'm Not Your Manic Pixie Dream Girl in Books
Feb 1, 2018
I'm Not Your Manic Pixie Dream Girl follows Beas attempts to translate her status in high school into a scholarship winning mathematical formula. Simple right? Beatrice, Spencer, and Gabe are not the most popular kids at school to be honest theyre practically invisible. Most people call Bea Math Girl and she wants that to change. She convinces her friends to embrace and exploit a personality trait that fills a void in their school so that they can become popular.
Gabe agrees because he is a writer for the school paper and hopes to be chosen for an internship as a result. He becomes the schools flamboyant, gay best friend and almost immediately is absorbed into the popular inner-circle. Through his acceptance, Spencer and Bea, now known as Trixie, become known around the school. She must embrace her new personality but doesnt always make the right decisions.
I personally did not relate to her, despite her love of math and didnt create a connection. I completely agreed with the opinions of her friends about her behavior. I didnt find myself being sympathetic to her plight and was frustrated more than anything by her repeated mistakes. She meddles in other peoples business, doesnt take the high road and even though she accepts her mistakes at the end it doesnt feel, to me at least, that she has grown over the course of the novel.
Despite the book being formulaic, it was an enjoyable read I just wish it wasnt so predictable. It doesnt take long to figure out who is going to be the romantic endgame, what friendships will be formed and enemy status established. At the end of it all, you wonder will they realize that it is more important to be true to themselves than to be popular? I think you know what the answer will be.
The book has a fair amount of diversity and representation in it, which is good. I wish each of those various representations was given more detail and thought than being an intermittent descriptive word. It felt more like adding the token LGBTQ+ or ethnically diverse character. We dont often enough see diversity in books, so it was a little disappointing to me that it so little was done with it.
Overall, I think that it was a quick, contemporary read that young adult/teen readers will enjoy. It is cute, if predictable but the unique aspect of the story of using math to solve lifes problems was quirky and endearing.
Gabe agrees because he is a writer for the school paper and hopes to be chosen for an internship as a result. He becomes the schools flamboyant, gay best friend and almost immediately is absorbed into the popular inner-circle. Through his acceptance, Spencer and Bea, now known as Trixie, become known around the school. She must embrace her new personality but doesnt always make the right decisions.
I personally did not relate to her, despite her love of math and didnt create a connection. I completely agreed with the opinions of her friends about her behavior. I didnt find myself being sympathetic to her plight and was frustrated more than anything by her repeated mistakes. She meddles in other peoples business, doesnt take the high road and even though she accepts her mistakes at the end it doesnt feel, to me at least, that she has grown over the course of the novel.
Despite the book being formulaic, it was an enjoyable read I just wish it wasnt so predictable. It doesnt take long to figure out who is going to be the romantic endgame, what friendships will be formed and enemy status established. At the end of it all, you wonder will they realize that it is more important to be true to themselves than to be popular? I think you know what the answer will be.
The book has a fair amount of diversity and representation in it, which is good. I wish each of those various representations was given more detail and thought than being an intermittent descriptive word. It felt more like adding the token LGBTQ+ or ethnically diverse character. We dont often enough see diversity in books, so it was a little disappointing to me that it so little was done with it.
Overall, I think that it was a quick, contemporary read that young adult/teen readers will enjoy. It is cute, if predictable but the unique aspect of the story of using math to solve lifes problems was quirky and endearing.