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Black-Eyed Susans
Black-Eyed Susans
Julia Heaberlin | 2016 | Fiction & Poetry
8
8.6 (8 Ratings)
Book Rating
When she was sixteeen, young Tessa "Tessie" Cartwright was found, hanging on to life, in a field of Black-Eyed Susans. The other girls "dumped" with Tessa did not survive (in fact, some were just bones), and Tessa is doomed to live her life as the surviving "Black-Eyed Susan" in the press. Justifiably, the event haunts her life and her nightmares. Further, she is tormented by the fact that her testimony about what happened helped put the suspect, Terrell, on death row.

Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.

This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.

Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
  
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TacoDave (3640 KP) rated Gentlemen Broncos (2009) in Movies

Oct 30, 2019 (Updated Oct 30, 2019)  
Gentlemen Broncos (2009)
Gentlemen Broncos (2009)
2009 | Adventure, Comedy
dry humor (2 more)
great actors
unique feel
weird, and not for everyone (0 more)
I love this weird movie.
I love Gentelmen Broncos. Full stop.

I saw it for the first time in a theater where I was the only customer, and I was a bit wary of watching a comedy by myself, but it ended up being a great experience. This film is written and directed by the same people who made Napoleon Dynamite and Nacho Libre, which should let you know out of the gate that it is a bit abnormal.

The plot centers around a teenage boy named Benjamin who writes science fiction novels. Benjamin is headed off to a writing camp for home-schooled kids. In the bus on the way to camp he meets some other interesting teens and becomes fast friends with a few of them.

Once at the writing camp, he discovers that his favorite author - Ronald Chevalier (played by the hilarious Jemaine Clement) - will be judging everyone's writing. Overjoyed by this news, Benjamin submits his "best" book "Yeast Lords" into the competition. But it seems that things are not what they seem, because Chevalier has a bad case of writer's block, so he steals the plot of "Yeast Lords" and turns it into a new novel that keeps some elements, but destroys others.

Will Benjamin be able to prove a famous author stole his story? Can Benjamin and his friends film their own version of "Yeast Lords" and make a successful movie out of it? Can Benjamin kiss a girl without puking?

Interspersed with the regular scenes of the movie are scenes from the story "Yeast Lords" where Sam Rockwell (amazing, as always) plays the hero Bronco. These scenes morph and shift over the course of the movie as Bronco turns from a manly, tough hero into an effeminate oddball once Chevalier rewrites the story. Watching this transition is fascinating and hilarious.

And interspersed between everything else are oddball character moments that don't add to the plot, but are quirky and funny.

I'll admit that this movie isn't for everyone. It is weird. Some of the humor is so dry you need a drink afterwards. But for my sense of humor, it was dead-on. I have watched it many times, I own it on Blu-ray, and I show it to friends.

Give the trailer a try and see if it is your cup of tea. You'll either hate it (and curse me), or you'll love it and become a fan.
  
Beneath the Surface
Beneath the Surface
Fiona Neill | 2019 | Contemporary, Fiction & Poetry
9
9.5 (2 Ratings)
Book Rating
A family’s destructive secrets
All families have secrets, but it’s highly likely that not all families have secrets that are quite as huge as those that the Vermuydens are keeping from one another.
Grace had grown up in a very chaotic household and she doesn’t want that for her daughters. But when 17 year old Lilly collapses at school, it triggers a chain of events where the family members realise that there are consequences to keeping their secrets.
I actually liked the Vermuyden family. Grace is a mother trying her utmost to give her daughters all the things she never had. She can come across as a pushy ‘helicopter’ mother, but as the story progresses, we realise that there’s no wonder that she tries so hard. However, it can’t be easy for Lilly, who all of her efforts are directed at. She has a great responsibility: mainly to achieve all of the academic things that her mother didn’t have the chance to achieve.
Mia, who is 10/11, has a much easier time of it with regards to her mother. I don’t actually think that her parents expect much of her at all. She’s quirky, really not the same as her peers - something which we seem to value as an adult, but dread when we’re children.
Patrick, the father, is the hardest character for me to warm to. He’s having huge financial problems which are impacting on his family, yet he is keeping the extent of these difficulties from his wife. If it were me, I’d be livid!
This is a great book. I read it within two days because I just couldn’t put it down. I really enjoy these kinds of books - books about families and their issues. The style in which it was written really worked well for me too - I felt as though I was there in person, watching the story unfold (I suppose as a reader, I was!). They were all very human, relatable characters. The teenagers were well written as well. All too often teenagers are written as unpleasant, selfish and calculating, but here we could see their more sensitive, caring sides. They were all just trying to fit in, deal with growing up and their impending adulthood.
I’d recommend this book, there’s just so much to think about - and there’s such a good ending!
Many thanks to NetGalley and the publishers Michael Joseph for sending me a copy of this . It’s not a book that I would have immediately chosen to read, but I’m so glad that I did!
  
The Alpha's Warlock (Mismatched Mates #1)
The Alpha's Warlock (Mismatched Mates #1)
Eliot Grayson | 2020 | LGBTQ+, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
great read, but I NEEDED Ian!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.

Nate is a warlock, and getting kidnapped and cursed by the Shimball werewolf pack wasn't in his plans for the day. When he manages to drag himself to tell the Armitage pack of the Shimball pack plans, mating the Alpha's brother wasn't in his plans either. But the only way to break the curse is to build a mate bond with an Alpha, so mate with Ian he does. There is just the minor detail that Ian hates Nate, and Nate has been attracted to Ian for such a long time. When the Shimball pack come for the Armitage pack, Ian has to keep Nate safe, even if it just gives him a chance to kill Nate himself!

I really REALLY enjoyed this!

Nate is quirky, and witty, and so bloody funny! Because the book is only told from his point of view, and in the first person, we get all of his wit and humour, but also, all of his terror at what his father did to him. His pain at realizing he might not be good enough for anyone. His reaction to the bond to Ian surprised him, and we get all of that. We get his dawning knowledge of what Ian has become to him.

The story moves along at pace in places, a little slower in others. The bigger picture, I think, isn't clear yet, and I have no idea what that picture might be, but I look forward to reading more.

The only thing, for ME, why I didn't give it 5 stars when I enjoyed it so much?

Single person person of view. Only Nate has a voice. I really REALLY needed Ian, at key points along the way, and I don't get him. I needed to know what he felt about having to mate Nate, although there were clues to that early on. I needed to know if the mate bond affected him as much as it did Nate. I needed to know just what his brother's betrayal means to him, and how much it hurts him. And I don't get him!

BUT!

A great read, and the first I've read of this author. I like the way they spin the tales. I look forward to reading more, especially after the epilogue here!

4 solid stars

**same worded review will appear elsewhere**
  
    Postknight

    Postknight

    Games and Stickers

    (0 Ratings) Rate It

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    Postknight reimagines the best parts of role-playing games into bite-sized bits within an exciting...

My Dinner with André (1981)
My Dinner with André (1981)
1981 | Comedy, Drama
(0 Ratings)
Movie Favorite

"Since my films consist entirely of 16 mm urban landscapes and voice-over, I have always been fascinated by the many ways that other films utilize voice-over. Generally, I think the use of voice-over in film gets an unjustly bad rap. It is one of the most effective and evocative ways to connect the audience directly to a character. Both of these films incorporate innovative first-person monologue. While I admire My Dinner with André for its formal ambitiousness, I confess I don’t really enjoy the bulk of the film itself. But I love the opening and closing, especially the simple shots of New York City and Wallace Shawn’s concluding narration: “I treated myself to a taxi. I rode home through the city streets. There wasn’t a street, there wasn’t a building, that wasn’t connected to some memory in my mind. There, I was buying a suit with my father. There, I was having an ice cream soda after school. When I finally came in, Debbie was home from work. And I told her everything about my dinner with André.” Similarly, the best thing about Days of Heaven is the spectacularly quirky, poignant, complicated, and full-of-life narration by Linda (Linda Manz). Years ago, I had a phone call with the film’s executive producer and second unit director, Jacob Brackman, while I was researching the fabulous 1980 teen runaway adventure Times Square, for which he wrote the screenplay. I don’t recall how we got on the topic of his work on Days of Heaven, but I vividly remember him telling me about how the decision to introduce that voice-over as the primary storytelling vehicle arose out of Brackman and Malick’s realization when watching the dailies that the dramatic dialogue scenes weren’t working. They were in the middle of shooting and had the idea to save the film by sending out a second unit to shoot a ton of natural landscape B-roll and then adding voice-over to the footage. About a year after making Days of Heaven in May 1979, Brackman would go on to complete the screenplay for Times Square, a film that happens to bear an interesting resemblance to Malick’s story of a tough teenage girl with a heavy accent making her way in a hardscrabble environment. Days of Heaven’s Linda claims to be from Chicago, but her at times almost unintelligible accent sounds astoundingly similar to Robin Johnson’s Brooklynese in Times Square."

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Jenni Olson recommended Days of Heaven (1978) in Movies (curated)

 
Days of Heaven (1978)
Days of Heaven (1978)
1978 | Drama

"Since my films consist entirely of 16 mm urban landscapes and voice-over, I have always been fascinated by the many ways that other films utilize voice-over. Generally, I think the use of voice-over in film gets an unjustly bad rap. It is one of the most effective and evocative ways to connect the audience directly to a character. Both of these films incorporate innovative first-person monologue. While I admire My Dinner with André for its formal ambitiousness, I confess I don’t really enjoy the bulk of the film itself. But I love the opening and closing, especially the simple shots of New York City and Wallace Shawn’s concluding narration: “I treated myself to a taxi. I rode home through the city streets. There wasn’t a street, there wasn’t a building, that wasn’t connected to some memory in my mind. There, I was buying a suit with my father. There, I was having an ice cream soda after school. When I finally came in, Debbie was home from work. And I told her everything about my dinner with André.” Similarly, the best thing about Days of Heaven is the spectacularly quirky, poignant, complicated, and full-of-life narration by Linda (Linda Manz). Years ago, I had a phone call with the film’s executive producer and second unit director, Jacob Brackman, while I was researching the fabulous 1980 teen runaway adventure Times Square, for which he wrote the screenplay. I don’t recall how we got on the topic of his work on Days of Heaven, but I vividly remember him telling me about how the decision to introduce that voice-over as the primary storytelling vehicle arose out of Brackman and Malick’s realization when watching the dailies that the dramatic dialogue scenes weren’t working. They were in the middle of shooting and had the idea to save the film by sending out a second unit to shoot a ton of natural landscape B-roll and then adding voice-over to the footage. About a year after making Days of Heaven in May 1979, Brackman would go on to complete the screenplay for Times Square, a film that happens to bear an interesting resemblance to Malick’s story of a tough teenage girl with a heavy accent making her way in a hardscrabble environment. Days of Heaven’s Linda claims to be from Chicago, but her at times almost unintelligible accent sounds astoundingly similar to Robin Johnson’s Brooklynese in Times Square."

Source