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Gareth von Kallenbach (980 KP) rated Four Christmases (2008) in Movies
Aug 14, 2019
Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
Gareth von Kallenbach (980 KP) rated Hot Tub Time Machine (2010) in Movies
Aug 8, 2019
Adam (John Cusack) is a man going nowhere fast. Upon his return home one day, Adam finds his girlfriend gone, his nephew Jacob (Clark Duke) in his basement addicted to playing online games that simulate real life, and his friend Lou (Rob Corddry) in the hospital.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
Gareth von Kallenbach (980 KP) rated Ice Age: Dawn of the Dinosaurs (Ice Age 3) (2009) in Movies
Aug 9, 2019
Scrat and the gang are back, and this time in stunning 3D in the new “Ice Age: Dawn of the Dinosaurs”. The third chapter in the popular series once again follows the adventures of the unusual mix of friends, in their frozen home.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
Kristy H (1252 KP) rated The Bookish Life of Nina Hill in Books
Aug 5, 2019
Nina Hill has her life just how she wants it: a job at a bookstore, an apartment with a reading nook and her cat Phil, and her days scheduled around her organized planner. But her neatly designed life gets a big shock when the father she never knew suddenly dies, giving Nina newfound knowledge of a host of brothers, sisters, nieces, and nephews. Add on to that a crush on her trivia nemesis, Tom, and Nina's careful life is a mess.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.
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Emma @ The Movies (1786 KP) rated The Mitchells vs The Machines (2021) in Movies
Aug 11, 2021
I was originally going to post a round up of films I'd seen a just give a quick overview of my thoughts. But as I started writing, this review got longer and longer as I realised that it was okay for me to bore you with me frothing at the mouth with excitement.
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Having seen the Connected trailer, as it was previously called, I knew I wanted to see it, and I was fairly certain I was going to enjoy it. It looked funny with some great characters and a nice bit of family drama thrown in. I don't think I was really prepared for how much I was going to enjoy it though.
In a last ditch attempt to spend time with his daughter before she heads off to college, Rick cancels her travel plans in favour of a family road trip. The tensions run high in the car, but that's nothing compared with the robopocalypse that's about to erupt around them... and if the pressure of family bonding wasn't enough, just wait until you're humanities last hope.
The idea behind The Mitchells vs the Machines is really quite nice. Being constantly connected to their devices has meant the divide between tech-phobic dad and digital creative daughter is growing by the day, and all she wants to do is get away. It does make you think about the way you interact with devices, and how reliant on them we've become... but we're not quite at the robot uprising so far... just keep an eye on Alexa.
The Mitchell family voice cast worked great together. I adore Maya Rudolph, and combined with just the right amount of dad from Danny McBride, they made a well balanced parental unit. And Katie (voiced by Abbi Jacobson, who also voices Bean in Disenchantment) was the perfect balance of stubborn teen and living sister.
Of course the obvious MVP of the film is Monchi the dog, voiced by Doug the pug. I will hear no arguments on this point... admittedly, mum does make a last minute surge for the top spot, but Monchi was consistent throughout.
Sony have managed to create a very amusing apocalyptic world. The robot army is great, and the personalities they display are so amusing, but even the other machines within the film have wonderful quirky little characters. The design in the world is magnificent, and well thought out, particularly when we get to the climax of the film.
I genuinely don't have a bad word to say about this film, it was action packed with something for everyone. There's speculation about a second film I believe, but I hope that doesn't develop into anything. Mitchells vs the Machines was a great standalone film, and there's no real follow up potential as it is. Take the win, pick up another idea and run with it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-mitchells-vs-machines-movie-review.html
Gareth von Kallenbach (980 KP) rated The Broken Hearts Gallery (2020) in Movies
Oct 8, 2020
Lucy (Geraldine Viswanathan) works in a very well-known art gallery owned by the ever so extraordinary Eva Woolf (Bernadette Peters). It has been a dream of hers since she was very young to work as a curator in a gallery and she is starting as an assistant at “The Woolf”.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
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