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Gareth von Kallenbach (980 KP) rated the Xbox One version of LEGO Star Wars: The Skywalker Saga in Video Games
Apr 28, 2022
I first saw Lego Star Wars: The Skywalker Saga at E3 2019 during a meeting with Warner Bros. Interactive. Even at that stage of development, it was clear that the game had enormous potential as not only did it offer fun and quirky gameplay, but it also allowed players the chance to explore multiple locales from the film and play in a story and sandbox mode.
The game covers the nine episodic films in the series and allows players to play multiple characters big and small from the films as well as use multiple vehicles and weapons as they battle and solve puzzles to complete the levels.
As with most Lego-themed games there is plenty of humor and the game while following the general outline of the film plots does have some deviations which allow for some expanded gameplay and humor-filled moments.
Recreating the rescue of Luke from the cold on Hoth for example required a Tauntaun Ride to three locales to defeat enemies and align communication dishes in order to complete the task at hand.
Players can select the character they wish to control as at times one such as R2-D2 will be needed to complete a puzzle to unlock a terminal while another will be needed for their firepower or other abilities.
There are loads of cosmetics, characters, and vehicles that can be unlocked, and what I found so amazing was the incredible depth each chapter offered. Side quests and exploring could be done or players can select a more linear path and complete the missions.
The graphics in the game are series best as playing on an Xbox Series S the detail level was amazing and on more than one occasion I had to keep myself focused on the mission versus exploring.
The replay value of the game is also amazing as there is just so much content available that allows players to be creative and above all have fun.
In keeping with the Lego brand, the game is ideal for all ages as while there are plenty of characters being shot and explosions, the end result is usually a pile of bricks for players to collect. The sound and music in the game also need to be noted as there is a great mix of voice talents, sounds, and movies that will transport players deep into the Star Wars universe.
On more than one instance I found myself saying that I would play one more chapter before stopping only to find myself powering on for extended gameplay sessions.
I cannot say enough great things about the game as it is for my taste the best Lego-themed game ever and a must-own game for Star Wars fans of any age.
5 stars out of 5
The game covers the nine episodic films in the series and allows players to play multiple characters big and small from the films as well as use multiple vehicles and weapons as they battle and solve puzzles to complete the levels.
As with most Lego-themed games there is plenty of humor and the game while following the general outline of the film plots does have some deviations which allow for some expanded gameplay and humor-filled moments.
Recreating the rescue of Luke from the cold on Hoth for example required a Tauntaun Ride to three locales to defeat enemies and align communication dishes in order to complete the task at hand.
Players can select the character they wish to control as at times one such as R2-D2 will be needed to complete a puzzle to unlock a terminal while another will be needed for their firepower or other abilities.
There are loads of cosmetics, characters, and vehicles that can be unlocked, and what I found so amazing was the incredible depth each chapter offered. Side quests and exploring could be done or players can select a more linear path and complete the missions.
The graphics in the game are series best as playing on an Xbox Series S the detail level was amazing and on more than one occasion I had to keep myself focused on the mission versus exploring.
The replay value of the game is also amazing as there is just so much content available that allows players to be creative and above all have fun.
In keeping with the Lego brand, the game is ideal for all ages as while there are plenty of characters being shot and explosions, the end result is usually a pile of bricks for players to collect. The sound and music in the game also need to be noted as there is a great mix of voice talents, sounds, and movies that will transport players deep into the Star Wars universe.
On more than one instance I found myself saying that I would play one more chapter before stopping only to find myself powering on for extended gameplay sessions.
I cannot say enough great things about the game as it is for my taste the best Lego-themed game ever and a must-own game for Star Wars fans of any age.
5 stars out of 5
BankofMarquis (1832 KP) rated Back to the Future (1985) in Movies
Mar 30, 2018
Almost a perfect film
I was flipping channels the other day and ran across BACK TO THE FUTURE, it was just about to start and since I hadn't seen it in quite awhile, I figured I'd catch the first part of it before venturing off to other surfing opportunities. As often happens in this sort of situation, I ended up transfixed by this film and watched the whole thing. After it was over, I asked myself why did I enjoy this film so much and my answer was fascinating (at least to me) -
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Farewell (2019) in Movies
Sep 28, 2021
Simply brilliant. Go see it!
The Long Goodbye.
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
With “Downton Abbey” and now “The Farewell”, the excesses of the summer blockbusters are fading away. (Though I’m sure Rambo might have something to say about that!)
The Plot.
Billi (Awkwafina) is a young Chinese New Yorker struggling to make her way in the world. She has a place of her own to distance herself from her parents – Haiyan (“Arrival“‘s Tzi Ma) and Lu Jian (Diana Lin) – but is struggling to fund it. But despite a typically spiky teenage relationship with her parents, family is important to her.
There’s a big shock then when her beloved “Nai Nai” (Shuzhen Zhao) is diagnosed back in China with terminal cancer. The slight complication is that no-one has told her. Her younger sister (Hong Lu) has taken the decision to keep the news from her. This is in line with the Chinese saying “When people get Cancer they die”. (Based on the rationale that it is not necessarily the disease that kills you, but the fear that destroys your useful life).
The whole extended family sign up – reluctantly – to the decision. They stage a final get together back in China around the pretence of a trumped-up wedding. This is between the comically reluctant grandson Hao Hao (Han Chen) and his new Japanese girlfriend Aiko (Aoi Mizuhara).
Faced with seeing Nai Nai face-to-face, and being forced to “celebrate” together, can the family – and the emotionally attached Billi in particular – hold it together and keep the secret?
A laff a minute then?
You might naturally assume that given the subject matter that this was going to be SERIOUSLY heavy going. And in many ways you would be right. Most of us over 50 will have lost an elderly relative. And, unless it was a sudden event, you have probably been through the mental pain of having to drive away from a nursing home certain that that will be the final time you will see your loved one alive. If you are therefore not affected by this film, you are not human.
So I was frankly bracing myself.
However, the film is so beautifully put together, and the comedy – albeit some of it very dark – so brilliantly inserted that the film is an UTTER DELIGHT from start to end. There are truly insightful scenes that get under the skin of the well-developed social approach in China to family. (Like the illustrious Mrs Movie-Man, they love big family dinners around a round-table!) Although there is always the teen – Bau (Jinhang Liu) in this case – with his face permanently in his phone!
There are also scenes familiar to anyone who’s visited China. The gaggle of “helpful” taxi drivers outside the airport made me laugh out loud.
Also (unintentionally) funny are the multiple company logos at the start of the film. This is reminiscent of the classic “Family Guy” scene (I think “The Simpsons” also did a similar spoof).
Cinematic.
For such a ‘small’ film, the scale is sometimes truly cinematic. Director and writer, Lulu Wang, achieves some gloriously memorable movie moments. A stony-faced, determined march of the key players towards the camera – which could be subtitled “The Magnificent Eight” – is slo-mo’d for about 30 seconds and is utterly mesmeric.
And a scene at a cemetery is a comic masterpiece of Chinese tradition. Bau of course still has his face in his phone throughout!
This is only Lulu Wang‘s second feature, but it makes me now want to check out her first film (“Posthumous”).
Not afraid to offend either country.
What I found particularly interesting is that the film is truly multi-cultural. It’s not an American film with some local content crudely inserted to cater for the Far East markets. The film is an almost equal blend of American language and Mandarin language with subtitles.
Lulu Wang is also not afraid to upset officials in either country. Which is better: US or China? The question keeps getting posed to Billi and discussed among the family. And – as you might expect – there are positives and negatives on each side. The film doesn’t really take sides. It’s a really balanced position to take.
A quirky soundtrack.
The music is by Alex Weston, and its one of the stars of the film. It’s truly quirky with everything as diverse as a vocalised version of Beethoven’s Sonata No. 8 “Pathetique”; a karaoke version of “Killing Me Softly”; and a hugely entertaining Chinese version of Niilson’s “Without You” over the end titles.
A brilliant ensemble cast.
It’s a great ensemble cast (SAG awards, are you listening?), and everyone pulls their weight. Even the minor members of the cast are superb: Aoi Mizuhara in particular displays acute awkwardness brilliantly!
But leading the charge is Awkwafina. She was in the disappointing “Ocean’s 8” but much more memorable in “Crazy Rich Asians” as Rachel’s wacky Singapore friend. Here it’s a bravado performance that is genuinely moving. She IS the slightly sulky but emotionally crushed teen.
Sub-titles? I don’t do sub-titles.
Get a grip! Yes, this is a film that has sub-titles. But it uses them when required (unless you happen to be fluent in Mandarin that is!). There is also a large percentage of the film that is in English. It’s all eminently watchable, even for “sub-title-phobes”.
This is a feelgood film about a tough subject. The ending of the film pulls off the trick of being both devastating and uplifting at the same time.
So get yourself to the cinema and see this film! Without question, it gets my “highly recommended” tag. It’s also firmly placed itself very high up in my “Films of the Year” list.
And it’s all “based on a true lie”!
BankofMarquis (1832 KP) rated Roman J. Israel, Esq. (2018) in Movies
Feb 23, 2018
Come for Denzel, stay for...well...there isn't much else to stay for
Denzel Washington is one of the finest actors of his generation. A charismatic screen presence, he commands the viewer's attention whether he is performing a comedy, drama or action film. He has won 2 Oscars as a performer and has been nominated for his acting 6 other times - including (rightfully so) for his performance as the titular character in ROMAN J ISRAEL, ESQ.
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Call Of Duty: United Front in Video Games
Jun 19, 2019
The third of four DLC packs for Call of Duty: WW2 has arrived for PC and Xbox One. United Front brings three new multiplay maps, a new War map, and a brand new chapter in the Zombie saga for players to enjoy.
The content first released on the PS4 which gives that platform a 30 day advanced released window over the other platforms.
The three maps are as follows…
Market Garden
Set during Operation Market Garden in The Netherlands, players must fight in and around Allied Headquarters which leads to several close-quarter battles. The kitchen is a very dangerous area and there are multiple places for enemies to hide in the shadows and strike.
If you like a run and gun style of play, this is the map for you.
Stalingrad
The snow-covered map is set in the factory district and provides raised areas, long range attacks, tunnels, and solid action. The detail level is good and using train cars to hide behind before launching an attack makes the map a great mix of gameplay styles.
Monte Cassino
This map set in Italy has players battle in a village and has some great tactical variation. From courtyards to rooftops, players can alternate between run and gun and distanced attacks. There is some great fun in shooting enemies from the roof and then jumping down to finish them off point blank.
Operation Supercharge
Set in Tunisia during the second battle of El Alamein players must build and defend bridges as they look to assault and defend a key train bridge. Anyone who has played the War mode knows what to expect as teamwork is the key for this mode and different play styles are well-supported.
The final part of the pack is the new Zombie chapter and it is very difficult even for experienced players.
The Tortured Path
Players make a last-ditch stand to fight the evil hordes but the ideal village where the game takes place offers few places to hide and narrow passages which makes players develop hit and run tactics as standing your ground does not work well.
I have played all of the Zombie modes to date and this one is very challenging. I have asked other players if I am wrong about this and they have all agreed that the map offers a very high challenge as not only are the enemies tougher and abundant; the weapons do not seem to do as must damage.
United Front is a nice selection of content which will increase the options for fans of Call of Duty: WW2. However some fans may find it is a mix of good but not great content that does not change greatly from what is already offered. The new maps are fun but they do not have a unique or quirky quality to them like some maps have.
http://sknr.net/2018/07/31/call-of-duty-united-front/
The content first released on the PS4 which gives that platform a 30 day advanced released window over the other platforms.
The three maps are as follows…
Market Garden
Set during Operation Market Garden in The Netherlands, players must fight in and around Allied Headquarters which leads to several close-quarter battles. The kitchen is a very dangerous area and there are multiple places for enemies to hide in the shadows and strike.
If you like a run and gun style of play, this is the map for you.
Stalingrad
The snow-covered map is set in the factory district and provides raised areas, long range attacks, tunnels, and solid action. The detail level is good and using train cars to hide behind before launching an attack makes the map a great mix of gameplay styles.
Monte Cassino
This map set in Italy has players battle in a village and has some great tactical variation. From courtyards to rooftops, players can alternate between run and gun and distanced attacks. There is some great fun in shooting enemies from the roof and then jumping down to finish them off point blank.
Operation Supercharge
Set in Tunisia during the second battle of El Alamein players must build and defend bridges as they look to assault and defend a key train bridge. Anyone who has played the War mode knows what to expect as teamwork is the key for this mode and different play styles are well-supported.
The final part of the pack is the new Zombie chapter and it is very difficult even for experienced players.
The Tortured Path
Players make a last-ditch stand to fight the evil hordes but the ideal village where the game takes place offers few places to hide and narrow passages which makes players develop hit and run tactics as standing your ground does not work well.
I have played all of the Zombie modes to date and this one is very challenging. I have asked other players if I am wrong about this and they have all agreed that the map offers a very high challenge as not only are the enemies tougher and abundant; the weapons do not seem to do as must damage.
United Front is a nice selection of content which will increase the options for fans of Call of Duty: WW2. However some fans may find it is a mix of good but not great content that does not change greatly from what is already offered. The new maps are fun but they do not have a unique or quirky quality to them like some maps have.
http://sknr.net/2018/07/31/call-of-duty-united-front/
Lucy Buglass (45 KP) rated A Simple Favor (2018) in Movies
Jun 20, 2019
A sexy, stylish and smart mystery
The first time I saw a trailer for A Simple Favor, I was sucked in. We learn that this story follows Emily, a mysterious, secretive woman, and why she went missing. I love a good mystery, and immediately knew I had to go and see it ASAP to answer that simple question: what happened to Emily? On a separate note, I really like both Kendrick and Lively, so was interested to see the two of them in the leading roles. The trailer alluded to some interesting dynamics between the two, which made it more appealing.
The film is told from Kendrick’s perspective, as a single mum and lifestyle vlogger, Stephanie. She has a reputation for always wanting to keep her hands busy and stick her nose in everything, much to the annoyance of the other mums in the neighbourhood. Because of this, she is quite an isolated character, which ultimately leads her to befriend Emily. The two are polar opposites; Stephanie is a quirky, awkward and cheerful person, whilst Emily is sarcastic, brash and cynical. This pairing is a delight to watch on screen, as their friendship becomes a strange and complicated one.
When we’re first introduced to Emily, she has a powerful presence, emphasised by her luxurious and fashionable dress sense. One thing that has stood out to me and many other reviewers, is the stunning costume and set design and how they contrast with each other throughout the narrative. Characters personalities are brought to life through their wardrobes, perfectly crafted to speak louder than words could. I don’t normally place so much focus on costumes in my reviews, but in A Simple Favor’s case, it’s so important.
Unsurprisingly, the story is full of twists and turns as we are gradually shown what truly did happen to Emily. There’s not much I can say about this without spoiling it, but it’s a thrilling ride from start to finish. Admittedly it feels far-fetched in places, but I wasn’t bothered by this to the extent some others were. It isn’t the strongest thriller story I’ve seen, but it was still very entertaining.
Emily’s husband and son play central roles too, both expertly acted throughout. Class divide is a clear theme throughout the film, and I loved the way both Stephanie’s and Emily’s family compared and often clashed with each other. The visuals do a great job of emphasising this divide, juxtaposing luxurious environments with more humble ones. The visuals do make up for a weaker storyline, as they transport you to the characters world.
Overall, A Simple Favor is worth a watch and makes for a very entertaining couple of hours. If you’re a fan of thrillers with a bit of comedy thrown into the mix, I’m sure you’ll enjoy this one. It’s nothing particularly outstanding, but I still thought it was a good film.
https://lucygoestohollywood.com/2018/10/08/a-simple-favor-a-sexy-stylish-and-smart-mystery/
The film is told from Kendrick’s perspective, as a single mum and lifestyle vlogger, Stephanie. She has a reputation for always wanting to keep her hands busy and stick her nose in everything, much to the annoyance of the other mums in the neighbourhood. Because of this, she is quite an isolated character, which ultimately leads her to befriend Emily. The two are polar opposites; Stephanie is a quirky, awkward and cheerful person, whilst Emily is sarcastic, brash and cynical. This pairing is a delight to watch on screen, as their friendship becomes a strange and complicated one.
When we’re first introduced to Emily, she has a powerful presence, emphasised by her luxurious and fashionable dress sense. One thing that has stood out to me and many other reviewers, is the stunning costume and set design and how they contrast with each other throughout the narrative. Characters personalities are brought to life through their wardrobes, perfectly crafted to speak louder than words could. I don’t normally place so much focus on costumes in my reviews, but in A Simple Favor’s case, it’s so important.
Unsurprisingly, the story is full of twists and turns as we are gradually shown what truly did happen to Emily. There’s not much I can say about this without spoiling it, but it’s a thrilling ride from start to finish. Admittedly it feels far-fetched in places, but I wasn’t bothered by this to the extent some others were. It isn’t the strongest thriller story I’ve seen, but it was still very entertaining.
Emily’s husband and son play central roles too, both expertly acted throughout. Class divide is a clear theme throughout the film, and I loved the way both Stephanie’s and Emily’s family compared and often clashed with each other. The visuals do a great job of emphasising this divide, juxtaposing luxurious environments with more humble ones. The visuals do make up for a weaker storyline, as they transport you to the characters world.
Overall, A Simple Favor is worth a watch and makes for a very entertaining couple of hours. If you’re a fan of thrillers with a bit of comedy thrown into the mix, I’m sure you’ll enjoy this one. It’s nothing particularly outstanding, but I still thought it was a good film.
https://lucygoestohollywood.com/2018/10/08/a-simple-favor-a-sexy-stylish-and-smart-mystery/
Gareth von Kallenbach (980 KP) rated Four Christmases (2008) in Movies
Aug 14, 2019
Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
Gareth von Kallenbach (980 KP) rated Hot Tub Time Machine (2010) in Movies
Aug 8, 2019
Adam (John Cusack) is a man going nowhere fast. Upon his return home one day, Adam finds his girlfriend gone, his nephew Jacob (Clark Duke) in his basement addicted to playing online games that simulate real life, and his friend Lou (Rob Corddry) in the hospital.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
When Adam meets up with his friend Nick (Craig Robinson) at the hospital, Nick attempts to brighten up Lou by offering him a trip to their old ski resort to relive the fun of their youth. With Jacob tagging along, the three friends head back to the site of their past glory, and realize that things have not improved with time.
The scenic town is now run down and largely abandoned and their resort has long since seen better days. Undaunted, the group breaks out the alcohol and heads for the hot tub in an effort to make the most out of their time with one another and to escape their empty lives.
Upon awakening from their stupor the group discovers that they have been whisked back to 1986 and they appear to everyone there as the younger versions of themselves. Jacob flips though when he sees himself as a flickering image and becomes convinced that they must not do anything to alter the future and must relive the weekend of 1986 over exactly as they did the first time.
A quirky repair man (Chevy Chase), indicates that he can fix the tub, but that he will need some time. Adam is thrilled when he meets his old girlfriend and then laments the fact that he has to end their relationship in order to preserve the timeline. Adam has long regretted her leaving the love of his life and is tempted to do things differently this time.
Nick looks to relieve his failed musical debut as a singer, but knows that he must do what is needed to get home. Lou, on the other hand, is the loose cannon of the group and is thrilled to get another chance at glory and chase women since he has become a pathetic loser in the future.
What follows is a madcap and outrageous comedy that lovingly resurrects the classic 80’s movies of old and infuses the modern gross out humor to successfully blend the old with the new as the friends struggle to get through the weekend and return home without altering the future.
The cast is solid, and Crispin Glover is great as the bizarre bellhop destined to have his arm go missing, but the when and how drives Lou insane in anticipation. While Robinson and Cusack do solid work, Corddry steals the film as a scheming, madcap mix of depravity and patheticness that drives the film.
While the movie did drag in a few parts for me there were enough laughs in the film to keep me interested and enjoy the nostalgic look back at my beloved 80s.
Gareth von Kallenbach (980 KP) rated Ice Age: Dawn of the Dinosaurs (Ice Age 3) (2009) in Movies
Aug 9, 2019
Scrat and the gang are back, and this time in stunning 3D in the new “Ice Age: Dawn of the Dinosaurs”. The third chapter in the popular series once again follows the adventures of the unusual mix of friends, in their frozen home.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
Kristy H (1252 KP) rated The Bookish Life of Nina Hill in Books
Aug 5, 2019
Nina Hill has her life just how she wants it: a job at a bookstore, an apartment with a reading nook and her cat Phil, and her days scheduled around her organized planner. But her neatly designed life gets a big shock when the father she never knew suddenly dies, giving Nina newfound knowledge of a host of brothers, sisters, nieces, and nephews. Add on to that a crush on her trivia nemesis, Tom, and Nina's careful life is a mess.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.