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Colin Hanks recommended The Big Lebowski (1998) in Movies (curated)

 
The Big Lebowski (1998)
The Big Lebowski (1998)
1998 | Comedy

"Let’s start with The Big Lebowski. I remember seeing this film. I was studying in Germany at the time, and I remember loving Fargo so much — that was my first introduction to the Coen brothers — and I was so excited that they had a new movie out. So I went to some German cinema to go see The Big Lebowski. It was in English, but with German subtitles. I remember watching the movie and just being incredibly disappointed. I really did not like the movie. Probably about four years later, I rewatched it and I instantly said, “I’ve never been so wrong in my entire life.This is one of the funniest films I’ve ever seen.” It’s incredibly well-written, the characters are hilarious, the performances are so nuanced and so deep it’s almost mind-boggling. A lot of the times you do scenes and you just sort of come up with these happy accidents and it just seems like almost everything in there could not have been a happy accident; surely it must have been thought out. I just think it is such an original, fun film and it is quite honestly one of the most quotable films of the last fifty years in my opinion. I think there are so many quotes in there that I realized how foolish I was that first time. I think maybe I was just so excited that I was drinking a beer in a movie theater; maybe that’s why."

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2001: A Space Odyssey (1968)
2001: A Space Odyssey (1968)
1968 | Classics, Sci-Fi
Trippy ending space stuff > HAL stuff > ape stuff > monolith stuff

Was fully ready to come out of this being like "Yeah this ain't really all it" but it was, it really fucking was all it. I've seen big budget studio movies from less than a year ago (including but not limited to a certain superhero-led murky monstrosity involving a big purple thumb villain and some exposition stones) that look demonstrably worse than this - which, for all intents and purposes, is the best looking movie of all time (considering the time, anyway). There isn't a lone shot that looks anything less than astounding, what people must have felt back in 1968 watching this doesn't even have anything remotely comparable today. I can understand why some people wouldn't gel with this; some scenes are played out way too long and much of the William Sylvester stuff is dull as a doorstop not to mention stifled by the visual gimmick - but it avoids being the easy style over substance vehicle it could have been (which for the record I still would have been all for) by actually having a truly ingenious and thought-provoking screenplay with go-to quotes out the wazoo. And I think even this film's supporters don't give it enough credit for how continually unnerving this is, either. Obviously there's nothing more constructive one can even add about the greatness of the film or its score, acting, effects, etc. It rules.
  
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