
JT (287 KP) rated Iron Sky (2012) in Movies
Mar 10, 2020
If you thought the premise of Snakes on a Plane was nuts then this is surely right up there for insanity, the film has it’s moments but doesn’t have any A-listers big enough to pull in an audience.
After discovering that the Nazi’s have won the space race (we’re never enlightened as to how they come to arrive there) and set up a huge base on the dark side of the moon, it’s up to a lone astronaut (Kirby) to stop a potential invasion of Earth.
The base is like something out of a cartoon and is in the shape of a huge Swastika which gives you some indication about just how insane this film is? Couple that with big hats and large trousers, along with turning a black man white and you’ll see what you’ve let yourself in for.
The battling US President is a Sarah Palin wanna be, (in all honesty they might as well have got the real one) complete with a gung-ho approach and deer heads on the wall of the Oval office.
It doesn’t get much better, but ironically there is enough to keep you interested. Oddly the visuals featuring battling ships in space is quite effective.
This is one film that you’ll probably watch just for the title of it, when it’s finished you’ll wonder why the hell you ever put it on in the first place?

Ross (3284 KP) rated God of Broken Things in Books
Aug 1, 2019
The second and final book in the short series (for once an author who is willing to restrict his series to two books rather than padding out to a trilogy with a low quality middle book!) continues Edrin Walker's fight for his life. Where in the first book the coward found himself accidentally returning to the city where he was banished from, and thrown into a conspiracy to destroy the city, here he is more of a willing participant.
The scarrabus (the mind-controlling parasite race) are rife in the city and Walker starts to uncover their plot. Events see him sent to hold off a fast approaching army, where he once again battles with mind-controlled mages and warriors.
The action is thick and fast in this book, and while there are some metaphysical sections, and some epic sections of exposition it keeps the reader engaged throughout.
Walker is a likeable, though thoroughly detestable selfish coward who sometimes ends up doing the right things, if not for the right reason. His magic power of mind-control is used more here than in the first book (where I felt it had been a little neglected for fear of being a Mary Sue), but not over-used and at times it wonderfully helps the story move along while his body can't allow him to be in the thick of the action.
There are twists and conflict galore in this brilliant gritty conclusion to a great story with some really strong, original characters.

Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.

LeftSideCut (3776 KP) rated Get Out (2017) in Movies
Feb 18, 2020
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.

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