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Hazel (1853 KP) rated Dakota and the American Dream in Books

Apr 24, 2020

"Dakota was tired of playing catch with his mother at the park," so he rested on a bench but was soon distracted by a peculiar talking squirrel. Chasing after the strange creature, Dakota finds himself in a fantasy world full of anthropomorphic animals. Before he knows what is happening, Dakota finds himself working for Corporate America with its odd rules and unhappy employees.

The fantasy world of Sameer Garach's Dakota and the American Dream is a satire of modern-day America. From a ten year old's perspective, the short story covers the corporate ladder, hierarchy, racism, discrimination, career success and an extreme love of coffee. Whilst all this is humorous to the adult mind, there is an alarming amount of truth that paints the "American Dream" as a corrupt society.

From the very start, Dakota's experience feels remarkably like Lewis Carroll's Alice's Adventures in Wonderland and could almost be said to be a 21st-century version of the classic children's book. Most of Dakota's story will go over the heads of young readers, however, adults will enjoy the humour and childhood innocence as well as appreciate the connection with their favourite books as a child.

As a parody of both real life and fiction, Dakota and the American Dream is a clever story that entertains and makes you think. Although sometimes extreme, it is amusing to read about everyday life being acted out by squirrels, mice, rats, a cowardly lion, an 800-pound Gorilla and many more bizarre creatures. If the humour and satire was stripped away, we would be left with a child's confusion about the way America works with many things appearing stupid or unfair.

Kudos

ClareR (5864 KP) rated This Lovely City in Books

May 1, 2020

This Lovely City

Louise Hare | 2020 | Contemporary, Fiction & Poetry, Mystery

10.0

(1 Ratings)

Book Rating

The beginnings of the Windrush generation.

The only thing I didn’t like about This Lovely City by Louise Hare, were the attitudes of a lot of the (predominantly) white, male Londoners. And there’s not a thing that the author could do about that.

In 1948 answering a call from the Homeland, Lawrie and hundreds of mainly young men like him, arrived in London, fresh off the Empire Windrush from Jamaica. They were there to help rebuild England after the Blitz and the end of the Second World War. We see this story mainly from Lawrie’s point of view, so we see the racism, the way he was turned away from jobs because the other men wouldn’t want to work with ‘his type’. It was a shock to see the use of the ‘n’ word so often, and the blatant hostility towards Lawrie and his friends.

This story isn’t just about that though. There’s a bit of a love story and a mystery to solve as well. Lawrie makes an upsetting discovery, and rather than being thanked for it, he is immediately under suspicion. Again, solely down to the colour of his skin.

I loved this book. It gave me an insight into the lives of the Windrush generation as they began their lives here. Lawrie and his girlfriend Evie were great characters to read about - I WANTED all to be well for them, as I did for the other Jamaican characters, if I’m honest.

If this is Louise Hare’s first book, I can’t wait to see what she has in store for us next.

Many thanks to NetGalley and HQ for my copy of this wonderful book.

Kudos

LeftSideCut (3776 KP) rated Get Out (2017) in Movies

Feb 18, 2020

Get Out (2017)

2017 | Horror, Thriller

8.0

(208 Ratings)

Movie Rating

Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.

He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.

The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.

The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.

With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.