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Spare the Kids: Why Whupping Children Won't Save Black America
Book
A challenge to the cultural tradition of corporal punishment in Black homes and its connections to...
Psychology social sciences parenting
Ash by Ibeyi
Album Watch
French-Cuban twins Ibeyi are back with their second album Ash, a record that tackles subjects as...
World experimental electronic
I’ll Take You There Mavis Staples: The Staple Songers, and the March Up Freedom’s Highway
Book
Now in her seventies, Mavis Staples has been a fixture in the music world for decades. One of the...
The Chiffon Trenches
Book
Discover what truly happens behind the scenes in the world of high fashion in this detailed, storied...
Hitting a Straight Lick with a Crooked Stick
Book
‘Genius’ Alice Walker ‘Rigorous, convincing, dazzling’ Zadie Smith on Their Eyes Were...
Phillip McSween (751 KP) rated The Debut (2000) in Movies
Jan 18, 2018
Must See
Bottom Line: You need to watch The Debut. It's not the best movie out there, but I think it's absolutely necessary as we strive to understand race and our place in the world. No, the acting isn't out-of-this-world and the film is a bit cheesy in spots. The beauty of it all is that it still manages to deliver a powerful message in spite of its shortcomings.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
Janeeny (200 KP) rated The Constant Rabbit in Books
Jul 10, 2020
I was given an ARC of this book in exchange for an honest review.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
Gareth von Kallenbach (980 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5