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Suswatibasu (1703 KP) rated Loving (2016) in Movies
Nov 8, 2017 (Updated Nov 8, 2017)
Rather stunning, poignant film
What makes this beautiful story so wonderful is the fact that it crosses boundaries in an unpretentious way. Based on a true story, there were ample chances to go over the top. However, there is no civil rights action, or major protestations, as portrayed in some other Hollywood films, keeping court scenes to a minimum.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
Sarah (7800 KP) rated The Last Girl in Books
Dec 11, 2017
A good first part
This is a very intriguing idea for a story, although bleak dystopian futures appear to be all the rage at the moment. Set in the near future where women have virtually stopped giving birth to girls, where a group of young women are being held in a centre called the ARC - it starts off well and centres around Zoey in her daily routine. This first part is interesting, as you learn about life in the ARC and it keeps you hooked as you try and figure out with Zoey what’s going on. For me this is the best part of the book, as it goes a little downhill from there.
The second half is believable, but potentially far fetched depending solely on survival instinct of someone who has been institutionalised her entire life. Not bad, but I had to allow for a little embellishment and didn’t quite believe 100%. Shame as it’s a very well written and enjoyable book.
The characters themselves are all fairly interesting, although I did wish to see more of certain characters who sadly haven’t made it to the next book. Zoey herself is a strong female lead, obviously taking its lead from the Hunger Games etc. The whole book reminds me a lot of the Wool trilogy, and of Joe Hill’s The Fireman too.
In all, a very good enjoyable first part, and am definitely looking forward to reading the rest of the trilogy.
The second half is believable, but potentially far fetched depending solely on survival instinct of someone who has been institutionalised her entire life. Not bad, but I had to allow for a little embellishment and didn’t quite believe 100%. Shame as it’s a very well written and enjoyable book.
The characters themselves are all fairly interesting, although I did wish to see more of certain characters who sadly haven’t made it to the next book. Zoey herself is a strong female lead, obviously taking its lead from the Hunger Games etc. The whole book reminds me a lot of the Wool trilogy, and of Joe Hill’s The Fireman too.
In all, a very good enjoyable first part, and am definitely looking forward to reading the rest of the trilogy.
Suswatibasu (1703 KP) rated Tell Me How it Ends: An Essay in Forty Questions in Books
Jan 3, 2018
A human portrait of child migrants
With the world being shaped by migration, this essay comes at a timely fashion. Exploring the nuances of this reality, Valeria Luiselli, a skilful and gifted Mexican writer knows the migratory experience first-hand having travelled across the globe. This compassionate, short book finds her in a head-on confrontation with daily reality.
Based on her experiences working as an interpreter for dozens of Central American child migrants, she speaks to those who risked their lives crossing Mexico to escape their fraught existence back home. To stay in the US, each must be vetted by the Citizenship and Immigration Services, a vast, impersonal bureaucracy. It's her job to help these kids, but in order to do so, they must answer 40 questions that will determine their fate.
The truth about the crossing may be much more brutal in reality, with 80% of women and girls who cross from Mexico to the US being raped, hence some of the children appear evasive when answering questions. But this book is fueled, in no small part, by Luiselli's bottles up shame and rage. She's aghast at the gap between American ideals and the way they actually treat undocumented children, yet her writing is measured and fair-minded.
Luiselli takes us inside the grand dream of migration, offering the valuable reminder that exceedingly few immigrants abandon their past and brave death to come to America for dark or nasty reasons. Fantastic read.
Based on her experiences working as an interpreter for dozens of Central American child migrants, she speaks to those who risked their lives crossing Mexico to escape their fraught existence back home. To stay in the US, each must be vetted by the Citizenship and Immigration Services, a vast, impersonal bureaucracy. It's her job to help these kids, but in order to do so, they must answer 40 questions that will determine their fate.
The truth about the crossing may be much more brutal in reality, with 80% of women and girls who cross from Mexico to the US being raped, hence some of the children appear evasive when answering questions. But this book is fueled, in no small part, by Luiselli's bottles up shame and rage. She's aghast at the gap between American ideals and the way they actually treat undocumented children, yet her writing is measured and fair-minded.
Luiselli takes us inside the grand dream of migration, offering the valuable reminder that exceedingly few immigrants abandon their past and brave death to come to America for dark or nasty reasons. Fantastic read.
Film and stuff (30 KP) rated Avengers: Infinity War (2018) in Movies
May 15, 2019
Thanos is badass
Starring - EVERYONE!! (almost)
Plot - Mad Titan Thanos is hunting down the infinity stones to add to his gauntlet so he can kill half the universe. Avengers, Guardians and co must stop him.
First impressions - Holy crap this film looks excellent. As expected the trailer was the unfinished article and this film looks amazing.
The plot is thin but with 10years of back story, I'd say that's allowed. Thanos is an excellent villain who is fleshed out and well motivated. Something that has been lacking from most MCU Villians.
Were the Russo brothers able to pull off so many characters being in one film?
- in a word, yes. True that some characters get more time than others but the way they jump between plot lines and sub plots feels incredibly well stitched together.
Action?
Action a plenty and very well done. Inventive and on a cosmic scale.
Is it a clever film?
....it has plot holes but they could be explained away if you so wish. My advice, just go with it. It's a universe with rage monsters, Gods and Titans.
Is it worthy of the MCU?
This is the MCU at some of its finest.
Sum up:
This is balls to the wall crazy. Some of the most fun I've had at the cinema in years. I cheered on multiple occasions, found myself holding my breath and gave it a standing ovation.
Plot - Mad Titan Thanos is hunting down the infinity stones to add to his gauntlet so he can kill half the universe. Avengers, Guardians and co must stop him.
First impressions - Holy crap this film looks excellent. As expected the trailer was the unfinished article and this film looks amazing.
The plot is thin but with 10years of back story, I'd say that's allowed. Thanos is an excellent villain who is fleshed out and well motivated. Something that has been lacking from most MCU Villians.
Were the Russo brothers able to pull off so many characters being in one film?
- in a word, yes. True that some characters get more time than others but the way they jump between plot lines and sub plots feels incredibly well stitched together.
Action?
Action a plenty and very well done. Inventive and on a cosmic scale.
Is it a clever film?
....it has plot holes but they could be explained away if you so wish. My advice, just go with it. It's a universe with rage monsters, Gods and Titans.
Is it worthy of the MCU?
This is the MCU at some of its finest.
Sum up:
This is balls to the wall crazy. Some of the most fun I've had at the cinema in years. I cheered on multiple occasions, found myself holding my breath and gave it a standing ovation.
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