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    In a world where a fist to the face is a perfectly viable solution, Mr. Boss has it all. Now he...

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    Sports and Health & Fitness

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Dead by Daylight
Dead by Daylight
2016 | Action
Genuinely fun & thrilling (2 more)
Survive with Friends & Kill Your Friends modes are both fun
Steep learning curve that rewards skilled players
Riddled with bugs and easily exploited (2 more)
Toxic community
Useless ranking system
Fun horror themed multiplayer action
It's been almost a year since DBD was first released and for me it's been a year of both joy and frustration. I love the game, it's still one of my favorites, and it's an absolute blast to play with friends. The developers have made signifcant progress since launch in terms of fixing bugs, rebalancing mechanics, and adding content both to keep the game fresh but also to improve the quality of life for both survivors and killers. When I first started it was genuinely tense until I got used to the game, and the Halloween update last year brought back the old scares at least for a little while even for relatively seasoned players. It's nice to see that the dev team is still actively working on the game.

With that said, while I recommend this game I do so cautiously. On release the game was riddled with bugs and had serious issues with the queue system, and while some of the issues with both of those things have been fixed there are still some glaring problems that don't seem to have any easy fixes. The game can be easy to abuse and there have been problems in the past with cheaters and bots (thankfully not so much anymore). Game lobbies are peer to peer which means that survivors will be at the mercy of the other person's internet connection. There is a ranking system that means next to nothing as there are no end of season rewards, just a steam achievement and bragging rights.

Add in the fact that this game is extremely competitive, you'll pretty regularly run into some salty people. You get killers that camp, survivors that abuse infinites, and on occasion the random angry messages and trash talk on steam. A good number of the folks I used to play with ended up rage quitting for one reason or another, so this game can have that effect on folks.

Overall though, I still enjoy DBD on occasion, I like to see the new stuff that gets added or fixed. While the bugs, occasional long queue times, and lag can be extremely frustrating at times I feel that the good outweighs the bad. As long as you don't take it too seriously and just have fun it can be a really enjoyable, especially with the right people.
  
The Bachman Books
The Bachman Books
Stephen King, Richard Bachman | 1985 | Fiction & Poetry, Horror, Science Fiction/Fantasy
8
8.4 (16 Ratings)
Book Rating
Intro, Why I was Bachman:
WARNING read this LAST! It has spoilers in it, but definitely read it after the books. Very interesting. Why would such a famous author decide to write as someone else and keep it a secret?

Rage:
The infamous story that has been pulled from shelves due to its supposed influence in the Columbine shootings... well, this was a pretty good story. Yes, there's shooting, but it's more about the lives of teenagers. This definitely did not make me want to go shoot up a school.

The Long Walk:
Can you walk at 4mph? Nonstop? For days on end? With no sleep because you are not allowed to go below 4mph? The Long Walk is about a yearly contest where 100 teenage boys VOLUNTEER to walk until there is only one left. Nonstop. If your speed drops below 4mph, you get a warning. If you can keep up the pace for 1 hour then the warning disappears. If you do not speed up after 30 secs, you get another warning. If you collect 3 warnings and slow again you are shot dead. If you are the last walker, you win whatever your heart desires. You are fed and allowed to carry what you think you will need, but you cannot stop. No one is allowed to interfere with a walker's progress, not even spectators. Of course the whole country is watching you, many from along the side of the road just waiting a chance to grab some discarded souvenir. If you have to poop? Yup that could be a souvenir too. Make it quick though so you don't rack up warnings! The guards have no mercy and will shoot you with zero emotion on their face.
This book is brutal. You ARE in the boy's shoes. Why is he there? How do they get SO MANY volunteers EVERY YEAR? So many that they turn away most? This isn't like the hunger games. The boys are not out to kill each other. The situation is just completely bizarre.
The only thing I didn't like about the book was the very end. The end wasn't an "ending" it just kind of lingers.. This wasn't enough of a problem for me to drop the rating though.



Roadwork:
I couldn't get into this one. It is about a man who is upset about needing to leave his home because of a new roadway.


The Running Man:
A slightly creepy and action-packed dystopian future story. A man signs up for a game show whose premise is all too real! Basically, he has to run for his life. Great story.
  
Black Hawk Down (2001)
Black Hawk Down (2001)
2001 | Drama, History, War
Modern Warfare like we had never seen it before...
Black Hawk Down is to me, the best war film that I have ever seen. Intense and relentless, it conveys the horror and tactics of modern warfare and more to point, like all great and classic war movies, demonstrates the dedication, skill and spirit that warfare can manifest when all hell breaks loose, or the proverbial hits the fan!

As a launch pad for some many careers in the naughties and beyond, including Tom Hardy, this is well cast, directed, edited, with an effective Hans Zimmer score and some of the best sound design I have ever heard, the engrossing horror of the situation was conveyed brilliantly. But there is something that I find somewhat disturbing about this film and it may well be a failure but it does demonstrate the effectiveness of the medium;

The Somalians or the “Indigenous Personal” as they were so aptly referred to in the film, came across as heartless, rage filled amoral murderers and while in many respects in respects to those portrayed in the film, it may well be true, I found myself and I doubt that I was alone, being filled with sense of glee every time one of these bastards was blown to pieces or filled with a hail of Uncle Sam’s bullets!

Also the scene where a child accidentally guns down his own father after a U.S. troop slips, is so very telling of the militia culture in that country at that time. Are we supposed to feel sorry for the Man? The Child? Or see it a poetic justice? Or just be relieved that our “Peace Keeping” U.S. soldier got away with his life? In many ways, I think that the ambivalence if that scene, sums up what was so brilliant as well as frightening about this film.

Whilst on one hand, it is hard to deny that we are supposed to feel for, respect and support our American heroes who will go to extreme lengths to “Leave No Man Behind”, we are asked to look at why the Somalians have taken up arms? But in the end it is a huge sociological issue and this film does not dwell too much on that. It touches on the fact that there are always two sides to any conflict, but like Zulu (1960) forty years before it, it chose its side and that was the normally powerful under dog and we saw them survive what many of us would have struggled to do.

This is truly a war film for war film fans and a MUST SEE for everyone.
  
Ruin and Rising (The Grisha #3)
Ruin and Rising (The Grisha #3)
Leigh Bardugo | 2014 | Science Fiction/Fantasy, Young Adult (YA)
8
8.5 (23 Ratings)
Book Rating
Sad to see this series end
Contains spoilers, click to show
***Spoilers. You’ve been warned***


The plot was a pretty fast paced one, just like the first and second. This one’s got more heartbreaking moments and I’m glad to see the romance drama has cleared as well. You still feel the awkward tension between Mal and Alina and it does induce moments of eyeball rolling but the heartbreaker comes when hell breaks loose and Nikolai gets taken away and becomes corrupted by the Darkling.

Did I ever want to cry out loud in horrifying rage.

Of all people Nikolai just HAD TO BE THE ONE. Just when things were getting a little better, when it looks like he might have snagged Alina and they might be together (just maybe?) but noooo! He had to be corrupted and although he valiantly did try to fight it my heart broke into two. (I guess you could say I’m all for Team Nikolai) Which of course clears the path for Mal and Alina to try again and rekindle their love.

This love triangle was one where I was happy with who she would end up being with either way. Of course I would have preferred Nikolai because I loved his character and personality. But now that Mal stopped his stupidity the chemistry was back between himself and Alina. It just felt right.

I loved how everything just came to full circle to close this series. How in the end, Mal and Alina go back to recreate the orphanage to house children just like how they used to be when they were young. It was sad to see Alina decline to be at Nikolai’s side, but also to decline to be at court with the other Grisha but, it was for the better. Alina had never felt like she was part of them, neither did Mal. It was touching when she received the kefta with the note (yeah I got a little something in my eye with that moment)

And even though the Darkling didn’t deserve it, kudos for Alina to take the high road and giving him a proper ending.

I enjoyed reading this series. I’m sad to see this series come to an end. I didn’t realize how attached I were to some characters. It was a nice sigh of relief at the end though. When I closed the book after reading the final page. It was a beautiful but bittersweet ending.

(David and Genya!!!! FINALLY!!!!!!) :D
  
Velvet Underground by The Velvet Underground
Velvet Underground by The Velvet Underground
1969 | Experimental
8.4 (7 Ratings)
Album Favorite

"This was probably the most important pop album for me in that I think it's the moment where I realised that I could be a musician. It was partly that this band was semi-non-musicians, but it was also because the songs borrowed a lot from what I knew about experimental music at the time. I'd been playing experimental music with various outfits in England and with Morton Feldman and Christian Wolff and all these people that had come over from America to visit us, 32 people who were into the experimental music scene in England. La Monte Young was one of the big figures in everybody's cosmology at the time and The Velvets, both Lou [Reed] and John [Cale], had worked with La Monte. So the first album came out, I thought, ""Fantastic, amazing."" Second album I thought, ""Great, amazing."" But the third album was the one that really killed me. The first album was quite wild and dark and weird, the second album was mad and intense. But the third album was so gentle and beautiful, but because you knew their history there was that undertone of violence and rage, something trying to burst out. Even on the love songs on this – and many of them are love songs – you hear that real tension. What made me think I could do it too was that the songs were simple and the playing was so simple. There's very little artifice at all in this. But also the mood was something that I thought I could kind of connect to. The difficult thing about pop music as I was growing up, and I was 20, I think, when I first heard this, was that it dealt with young teenage emotions mostly, and that just wasn't interesting to me. I loved the music but what the songs were about was sort of childish and it was all about 'me' and 'you' and 'love', and I just wasn't interested in that really. At the same time I'd been working with Cornelius Cardew and all these kind of quite heavyweight experimental composers. But I didn't want just that. I wanted that [pop music] and that [experimental]. So I was always looking for anywhere that somebody was making some blends that started to be interesting. I didn't own this record for years and years. I just didn't buy this album because I never wanted it to become casual for me. I bought this one about five years ago. I never owned it before then. I would only hear it at other people's places because I always wanted it to be special."

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    Beach Buggy Racing

    Beach Buggy Racing

    Games and Entertainment

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    Drive into an action-packed, surprise-filled world of off-road kart racing mayhem! Race against a...

The Whale (2022)
The Whale (2022)
2022 | Drama
8
7.0 (3 Ratings)
Movie Rating
Raw and Honest
Give Brendan Fraser the Oscar already.

Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.

Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.

Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.

Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.

Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.

But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.

Welcome back, Brendan Fraser, the movies missed you.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)