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Merissa (13619 KP) rated Masters' Mistress (The Angel Eyes #1) in Books
May 6, 2020
Masters' Mistress is the first book in The Angel Eyes series and it tells the story of a post-apocalyptic world where women have taken over and men are kept as slaves. We start off in the past and then skip to the present where most of the story takes place.
A lot of thought has been given to the structure of this world, and like any, there are good and bad characters in it. Angel is one of the good ones (obviously) and is trying to get her world on a more even-footing. Darla and her cronies disagree and want things to remain as they are. There is some reference to how the two sides are 'at war' but nothing really happens in the book to emphasise that apart from Angel outbidding Darla for Bret.
Bret is the main male character with a huge chip on his shoulder. He has baggage in his past but instead of trying to work through it and let it go, holds it to him like a hot water bottle on a cold night. He wants Angel but doesn't like or trust her. Angel wants him but denies her feelings. This leads to a LOT of back and forth - the majority of the book. I'm all for overwhelming feelings of attraction but not when you do something you really don't want to do. I got a bit annoyed with Angel whenever she would "fall apart when he touched her."
This is a long book with plenty of descriptions in some areas and then not in others. I would have liked a bit more of a view of the world outside their ranch but maybe that is coming in the future books. On the whole, this was an enjoyable read that has a sort of HFN ending that leads you onto the next book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
A lot of thought has been given to the structure of this world, and like any, there are good and bad characters in it. Angel is one of the good ones (obviously) and is trying to get her world on a more even-footing. Darla and her cronies disagree and want things to remain as they are. There is some reference to how the two sides are 'at war' but nothing really happens in the book to emphasise that apart from Angel outbidding Darla for Bret.
Bret is the main male character with a huge chip on his shoulder. He has baggage in his past but instead of trying to work through it and let it go, holds it to him like a hot water bottle on a cold night. He wants Angel but doesn't like or trust her. Angel wants him but denies her feelings. This leads to a LOT of back and forth - the majority of the book. I'm all for overwhelming feelings of attraction but not when you do something you really don't want to do. I got a bit annoyed with Angel whenever she would "fall apart when he touched her."
This is a long book with plenty of descriptions in some areas and then not in others. I would have liked a bit more of a view of the world outside their ranch but maybe that is coming in the future books. On the whole, this was an enjoyable read that has a sort of HFN ending that leads you onto the next book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The Distant Dead
8.0
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A body burns in the high desert hills. A boy walks into a fire station, pale with the shock of a...
Gareth von Kallenbach (980 KP) rated The Marksman (2021) in Movies
Jan 12, 2021
Liam Neeson is back in “The Marksman” and despite some flaws; the film provides what his fans want and is an engaging and topical film.
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
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Welcome to Radar MAX. Fast, intuitive and visually stunning iPhone and iPad weather radar app helps...
Merissa (13619 KP) rated The Cook and the Gangster (Farthingdale Ranch #5) by Jackie North in Books
Feb 22, 2022 (Updated Jul 3, 2023)
THE COOK AND THE GANGSTER is the fifth book in the Farthingdale Ranch series, and this time, we have Levi's story. We find out just why Levi has always been a bit separate from the others, even when he tries to join in. We also learn about his youth and the friendship he had with Cassidy - the one Cassidy is yearning for again. Now, I will say, this review also includes the bonus, so be prepared.
This was written with heart and soul, giving each of the characters depth and feeling. I loved catching up with the others in their cameos, although Kit played a bigger (necessary) role here than the others. The relationship between Levi and Cassidy is on from the start, simply because they already know each other, they have 'history'! Of course, that includes why Levi left so suddenly.
I had a couple of niggles with this book - nothing major and totally just me, but it wouldn't be a completely honest review if I didn't mention them. So, here we go:
1) - "My Prince" - every time either one of them said this, I couldn't help but think of The Little Prince. I know it came from their childhood, but why so often?
2) - Levi is one who holds onto things. He is still being careful even though he doesn't know why his mum ran from his dad all those years ago. It happened, she was scared, so he keeps on the low-down. And yet, in the midst of holding on, he accepts Cassidy's word that Uncle Mack is sorry. I would have been a bit leerier until I knew the truth for myself.
And there you go. Ninety-eight per cent of this book is absolutely perfect but those two niggles just got me. Sorry, Ms North! I loved the bonus chapter and thought it finished the story perfectly. I really hope we see more of these two as the series continues. Plus, I want to see the Tavern!
I was drawn into this sweet and sometimes steamy novel, set in beautiful surroundings and with great people. I absolutely recommend it. Another corker from Jackie North.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2022
This was written with heart and soul, giving each of the characters depth and feeling. I loved catching up with the others in their cameos, although Kit played a bigger (necessary) role here than the others. The relationship between Levi and Cassidy is on from the start, simply because they already know each other, they have 'history'! Of course, that includes why Levi left so suddenly.
I had a couple of niggles with this book - nothing major and totally just me, but it wouldn't be a completely honest review if I didn't mention them. So, here we go:
1) - "My Prince" - every time either one of them said this, I couldn't help but think of The Little Prince. I know it came from their childhood, but why so often?
2) - Levi is one who holds onto things. He is still being careful even though he doesn't know why his mum ran from his dad all those years ago. It happened, she was scared, so he keeps on the low-down. And yet, in the midst of holding on, he accepts Cassidy's word that Uncle Mack is sorry. I would have been a bit leerier until I knew the truth for myself.
And there you go. Ninety-eight per cent of this book is absolutely perfect but those two niggles just got me. Sorry, Ms North! I loved the bonus chapter and thought it finished the story perfectly. I really hope we see more of these two as the series continues. Plus, I want to see the Tavern!
I was drawn into this sweet and sometimes steamy novel, set in beautiful surroundings and with great people. I absolutely recommend it. Another corker from Jackie North.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2022
Merissa (13619 KP) rated Silas's Sweetheart (Divergent Omegaverse #4) in Books
Aug 14, 2025
SILAS'S SWEETHEART is the fourth book in the Divergent Omegaverse series. For the majority of this book, it takes place at the same time as Taylin's Temptation and Booker's Bliss. So while I suggest you do read those books first, it isn't 100% necessary. You just might miss little parts of the story, for example, the Omegas in the factory. That had a massive impact on me in the first book, less so in Booker's, and even less in this one.
Silas is the oldest of the brothers and a divergent. He has his concerns about taking over from Derick as the 'face' of Starling, as well as 101 concerns about working with his brothers. Throw in an Omega he met at Hidden Desires and can't get out of his mind, who turns up at his PA, and Silas has it all going on.
There were so many parts to their story that I enjoyed. Ziggy and his relationship with the other PAs, learning to be in a family, Silas learning to trust, to name just a few.
I just couldn't stretch to five stars for a couple of reasons, and let me tell you why. Firstly, the constant bickering between the brothers. Now, I know some families are like this in real life, but for me, it's just plain exhausting, and I found myself skipping over parts where they were acting like immature Alphaholes, instead of the adults they were supposed to be. And secondly, while I enjoyed reading events from Silas and Ziggy's point of view, I felt like it took up too much of their story. They didn't even get to the ranch, something I haven't yet read about, until 70% in. Add those things together, and it's a 4-star read from me.
Maybe I will enjoy the overlap more for the next book, when I haven't read the others so close together? I don't know. What I can say is I did enjoy this story and have no hesitation in recommending it. I look forward to returning to their world and seeing how the next one falls.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 14, 2025
Silas is the oldest of the brothers and a divergent. He has his concerns about taking over from Derick as the 'face' of Starling, as well as 101 concerns about working with his brothers. Throw in an Omega he met at Hidden Desires and can't get out of his mind, who turns up at his PA, and Silas has it all going on.
There were so many parts to their story that I enjoyed. Ziggy and his relationship with the other PAs, learning to be in a family, Silas learning to trust, to name just a few.
I just couldn't stretch to five stars for a couple of reasons, and let me tell you why. Firstly, the constant bickering between the brothers. Now, I know some families are like this in real life, but for me, it's just plain exhausting, and I found myself skipping over parts where they were acting like immature Alphaholes, instead of the adults they were supposed to be. And secondly, while I enjoyed reading events from Silas and Ziggy's point of view, I felt like it took up too much of their story. They didn't even get to the ranch, something I haven't yet read about, until 70% in. Add those things together, and it's a 4-star read from me.
Maybe I will enjoy the overlap more for the next book, when I haven't read the others so close together? I don't know. What I can say is I did enjoy this story and have no hesitation in recommending it. I look forward to returning to their world and seeing how the next one falls.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 14, 2025
Lindsay (1786 KP) rated Now That I Know You (Tree of Life #5) in Books
Mar 13, 2025
We have been reintroduced to Jillian and Nolan. Her father and I were introduced to her so-called fourth cousin, Cate Buttler, on her mother's side. We also know Drew is mentioned, who seems to be now dating Jillian.
How will Jillian feel about this new cousin from the Perisi family? Who is Cate Buttler, and is she related to Jillian Duffy? Cate seems to persist in Jillian helping her and understanding her, but she comes unannounced. Can Jillian help her?
The plot gets ticker as we get started. The book takes time to travel back to 1913, in Pueblo, Colorado, to begin the family history story. The book does go back to the present again. We will get this throughout, and it is interesting. We meet Carrick and Ela.
We are introduced to a few more characters in 1913. They are Caterina, her husband Geppetto, and her son Giuseppe (Peppy). We also got the name Salvatore as an uncle's name. We jump to September 19, 1913, and learn about Parisi's family history through the eyes of Caterina. When she reads about the strike, she starts to worry about her friend Chiara, who is sick with a child. Chiara's husband is a miner who works for a mining company. Will she bring her friend Chiara and her husband home to stay?
We also learn that Parisi worked for Carrick and Ela Kyps, the ranch owners, in 1913. But will they survive and bring home their friends? Caterina seems to Ela that she does not like the coming strike. They offer or ask her to go and get her friend Chiara. Will they find and bring them home?
Jillian is getting ready to head south to meet up with her Cate Butler, who says she is a cousin and asks what career Cate has and why she might or is asking for Jillian's help. Nolan is still home when she comes down to eat. Jillian wants to know if her dad won't be coming. He has to deal with Court and meetings. However, Drew will be meeting her. Nolan seems to be getting calls that he does not want his daughter to overhear. Jillian still wished he was coming with her. What is this call about, or about his court meeting in Denver? Will Jillian get clues about Cate Butler or any other clues about her mother's side of the family history?
How will Jillian feel about this new cousin from the Perisi family? Who is Cate Buttler, and is she related to Jillian Duffy? Cate seems to persist in Jillian helping her and understanding her, but she comes unannounced. Can Jillian help her?
The plot gets ticker as we get started. The book takes time to travel back to 1913, in Pueblo, Colorado, to begin the family history story. The book does go back to the present again. We will get this throughout, and it is interesting. We meet Carrick and Ela.
We are introduced to a few more characters in 1913. They are Caterina, her husband Geppetto, and her son Giuseppe (Peppy). We also got the name Salvatore as an uncle's name. We jump to September 19, 1913, and learn about Parisi's family history through the eyes of Caterina. When she reads about the strike, she starts to worry about her friend Chiara, who is sick with a child. Chiara's husband is a miner who works for a mining company. Will she bring her friend Chiara and her husband home to stay?
We also learn that Parisi worked for Carrick and Ela Kyps, the ranch owners, in 1913. But will they survive and bring home their friends? Caterina seems to Ela that she does not like the coming strike. They offer or ask her to go and get her friend Chiara. Will they find and bring them home?
Jillian is getting ready to head south to meet up with her Cate Butler, who says she is a cousin and asks what career Cate has and why she might or is asking for Jillian's help. Nolan is still home when she comes down to eat. Jillian wants to know if her dad won't be coming. He has to deal with Court and meetings. However, Drew will be meeting her. Nolan seems to be getting calls that he does not want his daughter to overhear. Jillian still wished he was coming with her. What is this call about, or about his court meeting in Denver? Will Jillian get clues about Cate Butler or any other clues about her mother's side of the family history?
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Common Powers Box Set
6.0
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Soul Bonds It’s not how big the power, it’s how you use it. Mitchell’s tired of one...
CONTEMPORARY EROTIC ROMANCE GAY GLBTQI
Bones: Brothers, Horses, Cartels, and the Borderland Dream
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The dramatic true story of two brothers living parallel lives on either side of the U.S.-Mexico...
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