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Brown_Flopsy (3 KP) rated Thirteen Reasons Why: (TV Tie-in) in Books
Feb 4, 2018
Contains spoilers, click to show
As a school librarian and in light of the recent Netflix adaptation of this book, I felt that I should read it.
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
The Girl on the Velvet Swing: Sex, Murder, and Madness at the Dawn of the Twentieth Century
6.5
Rate It
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From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder...
crime non-fiction
Sassy Brit (97 KP) rated Vendetta in Books
Jun 5, 2019
Vendetta by Iris Johansen brings back characters introduced in the Eve Duncan books. Although it is billed as an “Eve Duncan” she is only mentioned briefly. But, this does not take anything away from the plot and the main characters, Rachel Venable and Jude Brandon. The story centers on these two and their attempts to bring down Max Huber, the head of Red Star, a terrorist organization with immense power.
The story begins with the shooting of a top CIA official, Carl Venable. His dying breath to the operative, Jude Brandon, to save his daughter, Dr. Rachel Venable, and give her the choice of eliminating Huber to prevent him from wreaking further havoc on a global scale. Huber wants revenge on Rachel, believing that she killed his father by poisoning him. Enlisting the help of her good friend, CIA operative Catherine Ling and her on again, off again boyfriend, Richard Cameron, they work together to bring Huber down.
Johansen noted, “Every other chapter has a choice come into play. It is all about making choices. Rachel had to decide if she would go after the bad guys. Brandon whether he would involve himself emotionally with Rachel. Catherine made the choice not to hide from her desire for Cameron, as well as knowing she had to give Rachel space and control over her own destiny. The bad guy Huber is pure evil without redeeming qualities and his choice was to inflict as much collateral damage as possible. Even though I have a choice as a writer, I just wanted to kill Huber for doing terrible things to the people I love in my books.”
Both Rachel and Catherine had similar experiences of having to overcome rape. At the age of fifteen Rachel was captured by the Taliban in Afghanistan, watched them kill her mother and brother, and was brutally raped as well as tortured. What Johansen does wonderfully is to show how Rachel is determined to overcome her past experiences. One of the reasons she becomes a medical doctor is to heal people. Both Catherine and Rachel are intelligent, tough, strong, independent, and stubborn.
The book quote has Rachel determined to not be seen as a cripple. “I wrote that because I consider it the bravest thing she ever said. She went through a terrible event, but she fought and conquered it. Catherine also had a tough life, growing up on the Hong Kong waterfronts. She learned from it to become stronger. These two women are more similar than different. They had rough teenage years that they had to overcome. I think they are more sisters than friends and will always go to bat for each other. I think Catherine is more like the older sister because she has a son, which makes a big difference.”
Johansen writes female characters that are something other than constant damsels in distress. They find a way to survive and have come out even stronger. This story shows how a character’s past and the decisions made influence the present and future, sometimes to the point of getting revenge by pursuing a vendetta.
The story begins with the shooting of a top CIA official, Carl Venable. His dying breath to the operative, Jude Brandon, to save his daughter, Dr. Rachel Venable, and give her the choice of eliminating Huber to prevent him from wreaking further havoc on a global scale. Huber wants revenge on Rachel, believing that she killed his father by poisoning him. Enlisting the help of her good friend, CIA operative Catherine Ling and her on again, off again boyfriend, Richard Cameron, they work together to bring Huber down.
Johansen noted, “Every other chapter has a choice come into play. It is all about making choices. Rachel had to decide if she would go after the bad guys. Brandon whether he would involve himself emotionally with Rachel. Catherine made the choice not to hide from her desire for Cameron, as well as knowing she had to give Rachel space and control over her own destiny. The bad guy Huber is pure evil without redeeming qualities and his choice was to inflict as much collateral damage as possible. Even though I have a choice as a writer, I just wanted to kill Huber for doing terrible things to the people I love in my books.”
Both Rachel and Catherine had similar experiences of having to overcome rape. At the age of fifteen Rachel was captured by the Taliban in Afghanistan, watched them kill her mother and brother, and was brutally raped as well as tortured. What Johansen does wonderfully is to show how Rachel is determined to overcome her past experiences. One of the reasons she becomes a medical doctor is to heal people. Both Catherine and Rachel are intelligent, tough, strong, independent, and stubborn.
The book quote has Rachel determined to not be seen as a cripple. “I wrote that because I consider it the bravest thing she ever said. She went through a terrible event, but she fought and conquered it. Catherine also had a tough life, growing up on the Hong Kong waterfronts. She learned from it to become stronger. These two women are more similar than different. They had rough teenage years that they had to overcome. I think they are more sisters than friends and will always go to bat for each other. I think Catherine is more like the older sister because she has a son, which makes a big difference.”
Johansen writes female characters that are something other than constant damsels in distress. They find a way to survive and have come out even stronger. This story shows how a character’s past and the decisions made influence the present and future, sometimes to the point of getting revenge by pursuing a vendetta.
Darren (1599 KP) rated I Spit On Your Grave: Vengeance (2015) in Movies
Oct 24, 2019
Characters – Jennifer/Angela, is the victim from the first movie that got her revenge on her rapist, now back in the real world, she is still experiencing nightmares from sexual assault and fantasies of killing anyone that shows any sexual interest, be it a look or inappropriate touching. This becomes a reality once her new friend is killed and now she sets out to kill anyone that has victimised members of the rape support group. Marla is the new friend Angela makes, she has been a victim of an abusive ex-boyfriend and gets to show a looser side when working with Angela to get their message across to the guys in their lives. Oscar is a member of the support group that has seen his daughter raped before she killed herself and the rapist walked free, he talks the revenge game, never sure whether to take the step. Detective McDylan is investigating the murder of Marla and tries to help Angela when the suspect gets murdered, this is a generic cop figure.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Performances – Sarah Butler returns to the franchise (that what it is now?) she is clearly the star of the show here and continues to bring us a strong character in every scene. Jennifer Landon is good in her supporting role getting to be wild at times. Sadly, the rest of the cast are just fine, while the characters they are playing are interesting, we don’t get to see much from them as the film is centred around Sarah’s character and interactions with these characters.
Story – The story here picks up with the life of Jennifer as she has tried to start a new life after the events in the previous film, yes, we skip the second films events all together. This brings us back to the real world where the hate she feels is still strong, though the motive to act on it is being held back, until her friend is murdered and now she needs to get back to her blood vengeance she is going through to help clean up the streets.
Horror – The horror from this film comes from the horrors that the victims have been through and how Angela goes out to get her own justice.
Settings – The film being set in the big city, is a big change, it shows us how the city can be filled with people you would never know their darker secrets and how cleaning them up can be difficult.
Special Effects – The effects in this movie are used lightly, but when they are used they are brutal and effective to show the horror being put on the victim.
Scene of the Movie – The first real murder, it is graphic as they come.
That Moment That Annoyed Me – Too many dream sequences.
Final Thoughts – This is a good sequel to a film that didn’t feel like it needed one, showing the lasting effects of what happened to Jennifer is the highlight of the film and something you do want to continue watching.
Overall: Nice sequel that works in the right ways.
Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Gareth von Kallenbach (980 KP) rated The Last House on the Left (2009) in Movies
Aug 14, 2019
In 1972, horror icon Wes Craven made a name for himself by writing and directing a film called “The Last House on the Left.” The film was very controversial and helped launch a new genre of terror and suspense films that pushed the limits of the times. The film was notorious for its content which included rape, torture, humiliation, and violence and contains to this day some of the most disturbing images ever captured on film. In this age of remakes, prequels, and sequels, Wes Craven has stepped aside to produce a new version of his classic and this remake is sure to be as controversial and disturbing as the original was.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
Sophia (Bookwyrming Thoughts) (530 KP) rated Knight Assassin in Books
Jan 23, 2020
Am I alone to say that this sort of felt like history + Downton Abbey + a little Arabian mythology? Perhaps it's the royal technicalities that make me think of Downton Abbey with its lords and ladies, despite the fact the book seems to be set around the Crusades and everyone seemed to be fighting over the Holy Land.
I was actually a bit reluctant to accept Knight Assassin for review for a few reasons:
1. It didn't sound very appealing A girl's mother gets murdered and she wants revenge. Then she meets a guy from her past who actually ends up being her enemy. Nope... not really for me, though the last part is semi-intriguing.
2. I don't know that much about the Knights Templar. I don't even remember that one book I read and it was nominated for a state award once.
3. I had a pretty big review pile already
However, as I got started, I realized I was underestimating, and I actually enjoyed it in most cases. But what really started to get the ball rolling?
Zayn's mother gets accused of witchcraft and burned to death.
I know it sounds really mean and really odd of me that it would catch my attention. But think about it. If that happened to me (or any of us really), I would be looking for revenge as well after I get over my initial shock, which could last for who knows how long.
Zayn gah, I keep putting an e at the end. One Direction, this is not the time to slip into a review is probably by far one of the strongest heroines I've read about. She goes through so many trials throughout the book from her mother's murder to rape to finding out what she really is and hasn't broken down for most of the book. Definitely shorter than me, but Zayn seems to be pretty impulsive for a good half of the book.
For the first half, there's a lot of flashbacks throughout the beginning to Zayn's childhood, in which I sort of found pointless. I'm not exactly sure what the connection really is, aside from how she meets Guy de Molay and Earic Goodwin. It's not until the second half where the interesting stuff happens and there's not as many flashbacks, but the first half by all means isn't boring at all. I find that Zayn has a lot of backstory, which frankly makes her less of a pancake (flat characters).
The ending though, felt like a stand alone, but it didn't feel like a stand alone. I'm surprised this isn't a series to be honest. However, if you're the type who enjoys reading a bit of history and a little mythology, perhaps you should consider Knight Assassin. It's a nice change from other genres (particularly aliens and angels at the moment) as there aren't many books set in the late 1100s.
<b>Random Thought:</b>
<blockquote>I will never recover my male ego, so long as Zayn is around to humble me.</blockquote>
Perhaps where there's a Carter, Jace, Daemon or a Herondale, there needs to be a Zayn. She might be able to keep their ego in check... well, particularly the third one. ;)
--------------------
Original Rating: 4.5 out of 5 Owls
Advance review copy provided by publisher for review
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/arc-review-knight-assassin-by-rima-jean.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
I was actually a bit reluctant to accept Knight Assassin for review for a few reasons:
1. It didn't sound very appealing A girl's mother gets murdered and she wants revenge. Then she meets a guy from her past who actually ends up being her enemy. Nope... not really for me, though the last part is semi-intriguing.
2. I don't know that much about the Knights Templar. I don't even remember that one book I read and it was nominated for a state award once.
3. I had a pretty big review pile already
However, as I got started, I realized I was underestimating, and I actually enjoyed it in most cases. But what really started to get the ball rolling?
Zayn's mother gets accused of witchcraft and burned to death.
I know it sounds really mean and really odd of me that it would catch my attention. But think about it. If that happened to me (or any of us really), I would be looking for revenge as well after I get over my initial shock, which could last for who knows how long.
Zayn gah, I keep putting an e at the end. One Direction, this is not the time to slip into a review is probably by far one of the strongest heroines I've read about. She goes through so many trials throughout the book from her mother's murder to rape to finding out what she really is and hasn't broken down for most of the book. Definitely shorter than me, but Zayn seems to be pretty impulsive for a good half of the book.
For the first half, there's a lot of flashbacks throughout the beginning to Zayn's childhood, in which I sort of found pointless. I'm not exactly sure what the connection really is, aside from how she meets Guy de Molay and Earic Goodwin. It's not until the second half where the interesting stuff happens and there's not as many flashbacks, but the first half by all means isn't boring at all. I find that Zayn has a lot of backstory, which frankly makes her less of a pancake (flat characters).
The ending though, felt like a stand alone, but it didn't feel like a stand alone. I'm surprised this isn't a series to be honest. However, if you're the type who enjoys reading a bit of history and a little mythology, perhaps you should consider Knight Assassin. It's a nice change from other genres (particularly aliens and angels at the moment) as there aren't many books set in the late 1100s.
<b>Random Thought:</b>
<blockquote>I will never recover my male ego, so long as Zayn is around to humble me.</blockquote>
Perhaps where there's a Carter, Jace, Daemon or a Herondale, there needs to be a Zayn. She might be able to keep their ego in check... well, particularly the third one. ;)
--------------------
Original Rating: 4.5 out of 5 Owls
Advance review copy provided by publisher for review
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/03/arc-review-knight-assassin-by-rima-jean.html">Bookwyrming Thoughts</a>
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Matthew Krueger (10051 KP) rated The Last House on the Left (1972) in Movies
Sep 3, 2020
To Avoid Fainting Keep Repeating...Its Only A Movie
The Last House on the Left- was wes's directoral debut and what a start. Its a disturbing, psychological, graphic, exploitation horror film.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
Bob Mann (459 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 28, 2021
Lots of hens… but turkeys would be more appropriate.
I was not a great fan of the original Venom, although I did find aspects of it to like. Unfortunately, for me, the sequel – “Venom: Let There Be Carnage” – delivered even less. And I found aspects of it positively distasteful.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Heather Cranmer (2721 KP) rated Mother May I in Books
Dec 21, 2020
After loving Joshilyn Jackson's novel Never Have I Ever, I definitely knew I wanted to read Mother May I by Joshilyn Jackson. Jackson is a brilliant writer, and I was drawn in by the synopsis of this story. I was not disappointed at all!
Bree has everything and wants for nothing. She has three fantastic children, a loving husband, and plenty of money. She starts seeing an old woman that looks like a witch looking through her bedroom window and then again at her daughters' school. When her infant son keeps kidnapped from her daughters' school, it sets something sinister in motion. If Bree wants to see her son alive again, she has to agree to do some pretty messed up things. However, as Bree gets sucked in further and further, she learns some pretty crazy things about those she thought she knew.
First off, the world building for Mother May I was done so fantastically! It was so easy to get sucked into this book. I could easily imagine every little thing that happened throughout Mother May I as I was reading. The pacing was perfect. I found myself never wanting to put this book down. Not once did it ever slow down to become boring or speed up that I got lost. I wanted to make sure baby Robert was safe, and I was also frantic when he went missing and Bree was doing all she could to get him back. I didn't feel like there were any major plot twists. There are a few minor ones though. There is no cliff hanger ending, and all loose ends are tied up by the end of the book. I did enjoy how the book ended though. Mother May I definitely shows was having wealth and privilege can do for you even when you do something bad, so kudos to this book for bringing it to the forefront.
I felt that all the characters in Mother May I were well rounded and developed. It was easy to relate to Bree throughout the book. As a mother myself, I felt her fear and worry at her son being kidnapped. (That's one of my worst nightmares!) I never once blamed her for what she did to make sure her son would be safe and so she could get him back. I'm pretty sure I would do the same as she did. I loved that she came from humble beginnings as well. I loved her backstory. Marshall was such a stand up guy to help out Bree. It was obvious how much he cared for Bree. I admit that I was wary of him throughout the book. I kept waiting for him to somehow be involved in Robert's disappearance. Trey seemed like a stand up guy with how he treated Bree and how much he loved her although Trey was another one I was wary of. I also kept thinking he had something to do with Robert's disappearance. Coral was another one that I could kind of understand her hurt for what happened to her daughter. While I don't agree at all with what she did as an act of revenge (not a spoiler), I knew her heart was hurting for her daughter and what she went through. Coral was a fantastic antagonist though.
Trigger warnings for Mother May I include rape, sexual situations, drug use, drinking, murder, suicide, death, child murder, swearing, and kidnapping.
With such wonderful characters and fantastic world building, Mother May I is a book deserving of such high praise. It goes to show how unfair the world is and how money talks in a well done story. I would definitely recommend Mother May I by Joshilyn Jackson to those aged 18+ who are after a book with a fantastic storyline and a great cast of characters.
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(A special thank you to William Morrow for providing me with a paperback ARC of Mother May I by Joshilyn Jackson. I was under no obligation to write a review.)
Bree has everything and wants for nothing. She has three fantastic children, a loving husband, and plenty of money. She starts seeing an old woman that looks like a witch looking through her bedroom window and then again at her daughters' school. When her infant son keeps kidnapped from her daughters' school, it sets something sinister in motion. If Bree wants to see her son alive again, she has to agree to do some pretty messed up things. However, as Bree gets sucked in further and further, she learns some pretty crazy things about those she thought she knew.
First off, the world building for Mother May I was done so fantastically! It was so easy to get sucked into this book. I could easily imagine every little thing that happened throughout Mother May I as I was reading. The pacing was perfect. I found myself never wanting to put this book down. Not once did it ever slow down to become boring or speed up that I got lost. I wanted to make sure baby Robert was safe, and I was also frantic when he went missing and Bree was doing all she could to get him back. I didn't feel like there were any major plot twists. There are a few minor ones though. There is no cliff hanger ending, and all loose ends are tied up by the end of the book. I did enjoy how the book ended though. Mother May I definitely shows was having wealth and privilege can do for you even when you do something bad, so kudos to this book for bringing it to the forefront.
I felt that all the characters in Mother May I were well rounded and developed. It was easy to relate to Bree throughout the book. As a mother myself, I felt her fear and worry at her son being kidnapped. (That's one of my worst nightmares!) I never once blamed her for what she did to make sure her son would be safe and so she could get him back. I'm pretty sure I would do the same as she did. I loved that she came from humble beginnings as well. I loved her backstory. Marshall was such a stand up guy to help out Bree. It was obvious how much he cared for Bree. I admit that I was wary of him throughout the book. I kept waiting for him to somehow be involved in Robert's disappearance. Trey seemed like a stand up guy with how he treated Bree and how much he loved her although Trey was another one I was wary of. I also kept thinking he had something to do with Robert's disappearance. Coral was another one that I could kind of understand her hurt for what happened to her daughter. While I don't agree at all with what she did as an act of revenge (not a spoiler), I knew her heart was hurting for her daughter and what she went through. Coral was a fantastic antagonist though.
Trigger warnings for Mother May I include rape, sexual situations, drug use, drinking, murder, suicide, death, child murder, swearing, and kidnapping.
With such wonderful characters and fantastic world building, Mother May I is a book deserving of such high praise. It goes to show how unfair the world is and how money talks in a well done story. I would definitely recommend Mother May I by Joshilyn Jackson to those aged 18+ who are after a book with a fantastic storyline and a great cast of characters.
--
(A special thank you to William Morrow for providing me with a paperback ARC of Mother May I by Joshilyn Jackson. I was under no obligation to write a review.)
LadyDahlia (2 KP) Jun 3, 2018