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Elisabeth Moss recommended Sunset Boulevard (1950) in Movies (curated)

Sunset Boulevard (1950)

1950 | Classics, Drama

8.5

(8 Ratings)

Movie Favorite Watch

"This is a film — and this is kind of going away from this relationship theme — but this is a film that, when I was little, I loved. I mean, I’ve loved it my whole life. I don’t know what that says about me, but I loved Sunset Boulevard. I was a big old-movie fan when I was, you know, older than most people should be when they’re older-movie fans. [Gloria Swanson is] just so spectacular in that film and it sort of formed my idea of that raw, dramatic acting. And the writing… The writing in that movie is unbelievable. So many incredible one-liners. It’s one of those movies that you can watch now and you’re just, like, “Damn, that was a good line,” you know? Like, God, that was some good writing back then. The thing is that movies written that way wouldn’t fit in, really, these days. It would sound strange, like you couldn’t really do it now. But thank God we have them."

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Kudos

Susie Bright recommended Harlan County U.S.A. (1976) in Movies (curated)

Harlan County U.S.A. (1976)

1976 | Documentary

(0 Ratings)

Movie Favorite

"I found out in my thirties that Barbara Kopple’s effort is considered one of the greatest documentaries ever made. At the time of its release, I only knew that she had all but recorded my own life as a union organizer—the cold breaking dawn of the picket line each morning, sniper shots fired by company thugs, all completely unseen by the mainstream media. I was in Detroit, Compton, Louisville—she was in Harlan. We both lived on scraps. I slept with a shotgun at my side, sang our strike songs until my voice was raw. The ’70s were the last great militant era of American labor, but back then, we were just amazed to be able to fight one more day. Kopple’s characters were my comrades across the hollow, so to speak—and these Brookside women weren’t beauty pageant winners, either. They were the toughest leaders I’ve ever known. The most charismatic feminist icon of those years for me wasn’t Gloria Steinem—it was Lois Scott, a Brookside strike leader, drawing out a .38 from under her blouse, concealed in her bra."

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Kudos

Leanne Crabtree (480 KP) rated Real (Real, #1) in Books

Sep 6, 2019

Why did I not read this sooner?!?! It's been idly waiting on my kindle for a few months and jeez, I so should have read it sooner.

It is AWESOME!
Remington 'Riptide' Tate is AWESOME!
Brooke is AWESOME!
Their love story is EPICALLY AWESOME!

I've read so many good reviews for this and I had high expectations for it, and let me tell you it did not disappoint.

The first few pages where there's the build up to Remy entering the ring, I was grinning like an idiot at everyone's reaction and I was waiting for my first glimpse of him. Phwoar! He is HOT! And just reading about how easily he knocks his opponents out...well, what can I say *fans self*.

Then when he meets Brooke's gaze...some really hot chemistry going on there and I was all "Go Brooke, go Brooke, go Brooke!"

These two are probably one of my favourite book couples and I cant wait to read Mine, Remy, Ripped and Raw...eeeeh! Excited!

Kudos

Manual Camera - Custom Exposure & Controls

Photo & Video and Utilities

(0 Ratings) Rate It

App

Featured in Apple's TV ads. Have precise control over focus, exposure, ISO, shutter speed, white...

Awix (3310 KP) rated Hellraiser (1987) in Movies

May 20, 2020 (Updated May 21, 2020)

Hellraiser (1987)

1987 | Horror

7.9

(58 Ratings)

Movie Rating Watch

Iconic horror; progenitor of many mostly lousy sequels. An unscrupulous adventurer attempts to escape the clutches of sado-masochistic entities by recruiting his adulterous sister-in-law to provide the raw meat for his renewal (it was the 80s, everyone behaved like that under Thatcher).

Not quite the film an unsuspecting viewer might expect: the focus is mainly on the screwed-up Cotton family, especially nasty Uncle Frank; Pinhead, for all that he is on the poster, is in a very minor role (billed as 'Lead Cenobite'). Visually striking and with some interesting ideas, but the low budget is obvious and this is equally obviously a British movie desperately trying to appeal to an American audience. Where the film falls down is in its lack of focus and the fact that its central metaphor or argument is unclear (beyond the fact that the Cottons are a very dysfunctional bunch). Still, there have been worse debuts from writer-directors; it's just that not many of them go on to have nine sequels.