"This is a film that every year becomes more and more timely. On a sociopolitical level, its struggle of a people to win national identity against an oppressive regime is the ongoing story of our times. Its raw visual camera technique is in perfect synchronicity with the digital aesthetic of much contemporary filmmaking. Even now, it justifies its up-front disclaimer that not a foot of it is “documentary.”"

"Brando and Kazan. If there is some pearly gates studio, many of the films being shown at the Angelic Cinematheques will have these heavyweights working together. Urban poetry, raw and unrestrained masculinity, a heightened method of “real” acting. The kind of picture that really pulls you in, forces all the senses to work in tandem. Hypnotic and earthy, the real stuff of cinema, electrolysis of the rough and the holy."

"When I graduated from high school, I worked at a video store in Philadelphia with an extensive selection of international films. La promesse became one of my first favorites because of the real, raw quality of the acting and the Dardenne brothers’ brave and unflinching look at racism and prejudice. When I rewatched the film recently, it felt especially meaningful given the ongoing plight of migrants around the world today."