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Kristy H (1252 KP) rated Modern Lovers in Books

Feb 13, 2018  
Modern Lovers
Modern Lovers
6
6.0 (1 Ratings)
Book Rating
Zoe, Andrew, and Elizabeth have been friends since their college days at Oberlin. Back then, they were part of a band with their fourth friend, Lydia. Now the first three are nearing fifty, living in the same New York suburban neighborhood. Zoe resides with her wife, Jane, and their daughter Ruby. Meanwhile, Andrew and Elizabeth, now married, have a teenage son, Harry. The friends have been together through thick and thin, but things are starting to get a bit more difficult as they face the trials of aging. Zoe isn't sure if her marriage is going to hold, while Elizabeth is struggling with issues of her own. And Andrew, well, is Andrew going through some sort of midlife crisis? The three friends must confront their past (and some well-kept secrets) as well as deal with their future, including their growing (and rapidly maturing) offspring.

I wasn't one of those who adored Straub's previous novel, [b:The Vacationers|18641982|The Vacationers|Emma Straub|https://d.gr-assets.com/books/1386629708s/18641982.jpg|26440459], though I liked it, but this one sounded interesting and worth a try. And, in its defense, it was. It receives bonus points immediately for having lesbian characters who are simply part of the fabric of the novel (what, lesbians simply living regular life? surely not!). Straub's characters are crisp and well-defined. They are also a bit "New Yorky" and fall into that bucket that I so often find of whiny, self-involved New Yorkers. Andrew, in particular, though I suppose that is perhaps the entire point of Andrew. Still, overall, I found the book witty and wise. The younger protagonists--Ruby and Harry--in particular, offer fresh and fun voices. They are teenagers, after all: they are allowed to be self-involved! This was a quick read; it's engaging, fun, and occasionally sweet, even if it causes you to roll your eyes from time to time. 3.5 stars overall.

I received a copy of this novel from Edelweiss (thank you!); it is available for publication everywhere on 5/31/2016.
  
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The Turning Point (The ELI Chronicles, #3)
The Turning Point (The ELI Chronicles, #3)
Julia Ash | 2020
8
8.0 (1 Ratings)
Book Rating
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The Turning Point by Julia Ash is the third book in the ELI Chronicles. Thank you to Julia, for sending me a copy of this book in exchange for my honest review. Read my reviews of the first two books in the series: 

<b>The ELI Chronicles Series</b>
#1 <a href="https://www.goodreads.com/review/show/2387441859">The One and Only</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2803361466">The Tether</a> - ★★★★
#3 <a href="https://www.goodreads.com/review/show/3377612307">The Turning Point</a> - ★★★★

<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-77.png"/>;

The Turning Point continues where the previous book left off. If you haven’t read the previous books in the series, I would recommend reading my review on the first book - The One and Only, as this review contains spoilers from the other two previous books. Now that you have been warned, I can safely continue. :) 

<b><i>Ruby Spencer has continuously saved the world.</i></b>

First, it was the zombie infection. Then, she was turned into a vampire against her will. In the first book we found out her blood was special, and in the second book - we find out why. Her blood was a result of a donor from another planet, which she ended up saving in the second book. And this time - the planet needs help again. But also this time - Ruby might not be the one that can save it. 

Because the animals have their own language, and Ruby cannot understand it. If she could understand them, she would know that they are tired of being puppets to the humans and the vampires. And wolves are more than happy to lead this rebelion. 

Without an alpha that can fight for their rights and lead their uprising, the animals will destroy everything in front of them. Ruby is the only one who can connect the animals with their rightful king - is she could only find him.

I have to admit, I struggled a bit at the beginning, when at one point we were introduced to all the different creatures and abilities (zombies, vampires, sculpting, werewolves, multiple planets, search for the true king). While the first and second book were more focused on one part of the story, in this book we had all of the different aspects colliding into one. And despite my struggles at the beginning, it all worked out in the end.

<b><i>I really loved this book, and it was a perfect last book to conclude this series.
</i></b>
The ending was beautiful and I enjoyed the final few twists, where you couldn’t trust anyone. I loved the love this family had for each other, and how kind and generous they always are. They care so much for each other, it's really nice to read it. It was such an adventurous ride, and I was eager to know how it ended. I am also glad they gave Zagan another chance to prove he changed, and that he deserves another chance at life.

If you have read my previous reviews - you will know me and Clay don’t really get along. But this book changed my opinion a bit, and I actually ended up liking his character and his story in this book. (surprise, surprise). 

The ELI Chronicles, as a whole, is a series not only about zombie apocalypse, vampires, werewolves, rightful kings and special abilities, but also a story about the true power of one family, and their love for each other. Julia Ash managed to combine these two things into the books so well, and make this journey not only adventurous, but also heartwarming.

<b><i>And I have to say - I am glad that I am part of it by reading this series.</i></b>

I am glad I have experienced this book, and grown together with it. Thinking of where I was on my journey when I started the first book, and where I am now, I can understand and appreciate this story way more and connect better with it. Definitely a must-read for all fans of sci-fi, adventure and thrillers.
  
Borat: Subsequent Moviefilm (2020)
Borat: Subsequent Moviefilm (2020)
2020 | Comedy
There was some genuine surprise when I saw this had been made as an Amazon Original. I thought the character of Borat was old news, there certainly couldn’t be anyone left, in America or otherwise, that wasn’t wise to the joke by now, and aware of Sasha Baron Cohen’s desire to satirise the hell out of everything dumb folk may stand for. For it to work people have to believe 100% that he is a real person, this is what made the first film so incredible to watch – the opened mouthed awe at the pure audacity of the performer and the pure stupidity of the “victims”. But, I guess he figured a way around it, and also realised that no one but Borat could better lampoon the very worst aspects of the America the Trump era has created.

The point of difference and main gimmick here is introducing his daughter, played with wonderful awareness by Maria Bakalova, using her as a tentative hook for a story and also a sneaky way to fool those who would recognise Borat himself, but not his offspring. Just witness the most excruciating set piece of the film where ex mayor of New York and avid Trump supporting buffoon Rudy Giuliani all but incriminates himself as a rapist. A scene that matches anything the first film offered for maximum can’t-believe-what-I’m-seeing cringe value.

There are those that say they don’t like Borat or find him funny. I have never been sure that is the point, because everytime we do laugh, we immediately have to ask ourselves what we just laughed at and why we did? It is our own prejudices and preconceptions that are been highlighted – this is the “joke”, and it doesn’t require you to like the character or laugh at the more puerile moments – it is asking you to assess the judgements we all make on the values we live with in the world we have created. Liking it or finding it amusing is only necessary when looking at it as an entertainment, but its best aspects are so much more than that.

Myself, I agree, it often isn’t funny, and relies too often on crass elements such as bodily functions and teenage sexual innuendo. In many ways it is awful, but I also see that all of this is part of the cleverness. As a movie it has no peer to compare it to. Nothing else tries to do what these films attempt, so it is difficult to assess it as a work of entertainment or of… art (is it art?). Did I “enjoy” it? I mean, no not really, did I think it had artistic elements worthy of comment? I mean, no. But is it one of the most intelligent and genius commentaries on life in 2020? God damn right it is! There is so much relevance to worthy topics of social and political conversation here that you could spent 3 times the running time of the film talking about it. And more than being funny, that is the point of satire.

Both Baron Cohen and Bakalova are already doing well into award season with it, and good luck to them! They certainly deserve the triple nods they got from the Golden Globes, which is the biggest awards event to recognise comedy as a separate entity. I agree with some critics I have read that speculate this film is so of now that it won’t age well, and in fact come to make less and less sense as we move on and forget what the Trump era was like to live through. Longevity is something I know I look for when awarding high praise, so for that alone I have to knock it down a few points. In conclusion, I admire this acheivement more than I liked or enjoyed it. But I do recommend you see it as soon as possible if you haven’t already, because it is going to get wrinkly very quickly – just like Rudy G.
  
Original Review posted at <a title="The Ambrose Beacon by Alena Gouveia" href="http://bookwyrming-thoughts.blogspot.com/2013/11/review-the-ambrose-beacon-by-alena-gouveia.html">Bookwyrming Thoughts<a/>

Note: Formatting is lost due to copy and paste, along with pictures and captions
<i><b>Disclaimer:</b> Review copy provided by author for review</i>
 
     Let me blunt about The Ambrose Beacon: it was boring. It also became the third unfortunate book that lands into my DNF list and the first fantasy book – oh wait. Not exactly the first... does the Caster Chronicles count as Fantasy, or does it count as Paranormal? If it counts as paranormal, then The Ambrose Beacon became the unfortunate first fantasy book I didn't finish.

      So essentially, I give fair warning: I rated and reviewed it based on what I could manage to read so far. Which, I think I was being a bit lenient about, but I didn't throw the book against the wall, so it certainly didn't deserve a lower rating.

      Now allow me to tell why I found it boring, and my general thoughts on it:

      Larry and Jerry. They sound so similar (they rhyme as well), that I was befuddled and mistakenly read Jerry as Larry and vice-versa when it was really the other way around. They're best friends and one of them is the main character. How confusing can that get?

     The characters don't seem to be in depth. While I get the why for Harper and Arianna, the other characters simply seem virtually pancake-like (no offense). Add to the fact that it suddenly switches POVs without some sort of sign. One minute it's Cole, the next? Dinah, Jerry, Harper, Vaughn, etc. >_<

      Fairies. Probably one of my favorite things to read about, and it's not because they're sparkly and pretty and whatnot. But I was actually interested in Gouveia's take on fairies when the word was
mentioned in the earliest parts of the book.

      Unfortunately, it doesn't seem to be well written, nor realistic. I mean, doing magic in public. In front of human eyewitnesses. That doesn't sound like the typical faery to me that tries to not let the human world find out about them because then it's all, "IT'S THE APOCALYPSE. I must be seeing things," or maybe, "HOLY MONKEYS. FAIRIES EXIST" *rubs eyes to make sure it's not an illusion.* But the fairies here seem like a bounce off of Fantastic Four (even though I haven't watched the movie). More like superheroes than the sidhe.
 
     The same thing is repeated, but in different variations. Oh hooray. Demons, demons and more demons. Same kind of demon, which isn't a problem for me, but the very fact that they tend to be doing the same thing over and over and over again throughout the entire book, which is the main reason why I stopped (I really did stop at exactly 50%). There's not a lot going on, although maybe if I had the time and gave the book further chances, there might be other things going on rather than "OMG, THERE'S A DEMON THAT WANTS MY HEAD ON A PLATTER. RUN." (or in the case here, it's fight to the death.)

     Generally I like fantasy. I love the creative worlds and character and creatures made up that gives me a free ticket to travel – okay, that applies to any book really – without having to move a single inch, and the very fact that you can't exactly buy a plane ticket to the area in the first place. Someone tell me if we can really buy a plane ticket to the Faery Realms if you so disagree on that fact. Of course... I wouldn't exactly try and mess with fairies in the first place.

      I tried liking the story. I thought first thought it was because of reading The Jungle, which is dreadfully boring, and it may have influenced my thoughts on this one. Then I read Allegiant for awhile and came back to it. It didn't work out well either (and Allegiant didn't bore me).

      So simply put, The Ambrose Beacon is not really my cup of tea.

      *eats a biscuit and avoids unsweetened tea*

      I really hate giving bad reviews. Especially DNFs.