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Merissa (12781 KP) rated Charmed & Dangerous in Books
Apr 15, 2023
First off, I think this is the first anthology I've ever given a 5-star rating for! Normally it's a 4-star as some stories are better than others but going for the average, it's a 4-star. I did the same with this collection - some I liked more than others - but the average rating is still 5 stars. There are new authors here (for me at least) and now I'm very happy as I can go searching for more of their books.
There is a little bit of everything for everyone here - the common thread being MM romance. Some are new relationships, and some are already established, but each story is individual and very well-written. Some (but not all) of my favourites were 'A Queer Trade', 'The Thirteenth Hex' and 'The Soldati Prince'. All different, all brilliant, all thoroughly enjoyable.
I could mention each and every one but you'd become bored so all I will say is that if you know at least one of these authors and like their work, then I can highly recommend this collection. If you don't know any of these authors but like M/M Romance, then I can highly recommend this collection. If you like a variety of M/M stories including shapeshifters, witches, a vaguely steampunk-type story, alternate realities etc, then I can highly recommend this collection. I'm sure you're getting the idea by now so there you go. I highly recommend this collection and loved it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 25, 2015
There is a little bit of everything for everyone here - the common thread being MM romance. Some are new relationships, and some are already established, but each story is individual and very well-written. Some (but not all) of my favourites were 'A Queer Trade', 'The Thirteenth Hex' and 'The Soldati Prince'. All different, all brilliant, all thoroughly enjoyable.
I could mention each and every one but you'd become bored so all I will say is that if you know at least one of these authors and like their work, then I can highly recommend this collection. If you don't know any of these authors but like M/M Romance, then I can highly recommend this collection. If you like a variety of M/M stories including shapeshifters, witches, a vaguely steampunk-type story, alternate realities etc, then I can highly recommend this collection. I'm sure you're getting the idea by now so there you go. I highly recommend this collection and loved it!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 25, 2015
How to Chain Your Dragons
9.0
Rate It
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MOVE OVER LITTLE GREEN MEN—THERE’S A NEW ALIEN IN TOWN. With Earth now occupied by monsters...
Reverse Harem Dragons Shifters Science Fiction Romance Post Apocalyptic
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Heather Cranmer (2721 KP) rated The First Mistake in Books
Apr 27, 2019
Predictable but Good
I love a good thriller, so I was very excited to read The First Mistake by Sandie Jones. The synopsis just sucked me in. I was so happy that this book didn't disappoint.
The plot sucked me in right away. I found myself immersed in the world that Sandie Jones had created for her characters. Alice is still grieving over her husband Tom who died years ago. However, she's now married to Nathan and has a daughter with him. Alice soon suspects that Nathan is having an affair. When Alice tries to find out if Nathan is cheating, that's when she begins to realize that no one is who they seem. I will say that while I did find the plot interesting enough, I also found it predictable. Early on, I had predicted the plot twists for this book including the major plot twist. That didn't me enjoy it any less. I kept reading to make sure I was correct in my predictions. What really irked me the most was the ending of The First Mistake. It just seemed really rushed. The truth came out, and then it was all over within a page. I don't want to go into too much detail due to spoilers, but I just felt as if the author couldn't be bothered to write anymore, so she took the easy way out. I would have liked to know what happened to everyone in a few months time instead of the book ending so suddenly.
I thought all of the characters were well written in The First Mistake. Alice was a likable character, and I found myself angry when it seemed like Nathan may have been cheating on her. However, I felt like she was cheating on Nathan in a sense as she was still grieving her dead husband almost 10 years later. Beth was an interesting character, and I enjoyed her backstory. However, I felt like she wasn't around enough in the actual present day story. We learn about her past, but we don't see her and Alice interact too much even though they are best friends. Although I had Nathan figured out, I felt he was fleshed out very well, and I loved how convincing and charming he was towards his wife and how great he was at calming her fears about him having an affair even when all the evidence that he was cheating was there. Olivia was my favorite character. She's Nathan's and Alice's daughter. I just thought she was the cutest little girl!
The pacing was done very well, and the only place I felt like it faltered was during Beth's backstory. I just felt there was too much information that was irrelevant when learning about Beth's past. Apart from that, I felt like the pacing stayed consistent throughout.
Trigger warnings for The First Mistake include sexual situations (though not graphic), drinking alcohol, profanity, violence, and death.
All in all, The First Mistake is an interesting read. Although I found it predictable, and I hated the ending, I still enjoyed this book very much. I would recommend The First Mistake by Sandie Jones to everyone aged 17+ who enjoy a good thriller. This one does not disappoint.
--
(A special thank you to the publisher for providing me with an ARC paperback of The First Mistake by Sandie Jones in exchange for an honest and unbiased review.)
The plot sucked me in right away. I found myself immersed in the world that Sandie Jones had created for her characters. Alice is still grieving over her husband Tom who died years ago. However, she's now married to Nathan and has a daughter with him. Alice soon suspects that Nathan is having an affair. When Alice tries to find out if Nathan is cheating, that's when she begins to realize that no one is who they seem. I will say that while I did find the plot interesting enough, I also found it predictable. Early on, I had predicted the plot twists for this book including the major plot twist. That didn't me enjoy it any less. I kept reading to make sure I was correct in my predictions. What really irked me the most was the ending of The First Mistake. It just seemed really rushed. The truth came out, and then it was all over within a page. I don't want to go into too much detail due to spoilers, but I just felt as if the author couldn't be bothered to write anymore, so she took the easy way out. I would have liked to know what happened to everyone in a few months time instead of the book ending so suddenly.
I thought all of the characters were well written in The First Mistake. Alice was a likable character, and I found myself angry when it seemed like Nathan may have been cheating on her. However, I felt like she was cheating on Nathan in a sense as she was still grieving her dead husband almost 10 years later. Beth was an interesting character, and I enjoyed her backstory. However, I felt like she wasn't around enough in the actual present day story. We learn about her past, but we don't see her and Alice interact too much even though they are best friends. Although I had Nathan figured out, I felt he was fleshed out very well, and I loved how convincing and charming he was towards his wife and how great he was at calming her fears about him having an affair even when all the evidence that he was cheating was there. Olivia was my favorite character. She's Nathan's and Alice's daughter. I just thought she was the cutest little girl!
The pacing was done very well, and the only place I felt like it faltered was during Beth's backstory. I just felt there was too much information that was irrelevant when learning about Beth's past. Apart from that, I felt like the pacing stayed consistent throughout.
Trigger warnings for The First Mistake include sexual situations (though not graphic), drinking alcohol, profanity, violence, and death.
All in all, The First Mistake is an interesting read. Although I found it predictable, and I hated the ending, I still enjoyed this book very much. I would recommend The First Mistake by Sandie Jones to everyone aged 17+ who enjoy a good thriller. This one does not disappoint.
--
(A special thank you to the publisher for providing me with an ARC paperback of The First Mistake by Sandie Jones in exchange for an honest and unbiased review.)
postapocalypticplayground (27 KP) rated The Cruel Prince in Books
Mar 12, 2018
Underwhelming sadly
I’m feeling a little underwhelmed if I’m honest, I have never read a Holly Black book before and with the hype surrounding this I fully felt I would be blown away, I was left with a gentle simmer. I have to say I really didn’t enjoy the characters and I’m finding it hard to think of one that was particularly likeable. Jude and her sister Tarryn are now living as wards of the man who brutally murdered their parents when they were very young, yet they seem to embrace him and throughout it doesn’t appear to be any thirst for revenge against him that fuels her, instead it seems to be focused on the torment and bullying she receives from the “cruel” prince Carden and getting back at him and his posse. I say “cruel” because it’s actually quite ambiguous, there are plenty of princes who are truly cruel in this story, more so than Carden who is just a by product of his experiences. I certainly wouldn’t agree with the blurb that he is the “wickedest of the Kings sons.” All the male characters are written without much in the way of redeeming features and most of the girls are scheming. Sadly, I didn’t really care about Jude and I found the situations she found herself in slowly more and more ludicrous almost as if it was ultimately forgotten that she was human playing fae.
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
BankofMarquis (1832 KP) rated Ava (2020) in Movies
Oct 8, 2020
Great mother/daughter scene in the middle of a generic assassin flick
To give you everything you need to know about the Jessica Chastain assassin flick AVA is to read the IMDB description of the film:
"Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival."
Pretty generic, right? There are only about a dozen films that I can think of off the top of my head that would fit this description. So...what separates this one to make it worth watching?
Not much.
Chastain stars as Ava, a deadly assassin who...oh, you get it. When the "job goes dangerously wrong", she heads back to Boston and into the arms of her loving family - who want nothing to do with her.
Chastain is good, but nothing special as Ava...she seems to be able to pull off the physicality of this role quite well (like Jennifer Lawrence in RED SPARROW or Charlize Theron in ATOMIC BLONDE). The head of the shadowy organization that Ava works, played by Collin Farrell, is generically shadowy and Farrell plays it professionally with a touch of "over the top" acting (but not too much). The great John Malkovich is a spark of energy in this film as Ava's mentor. Mr. Malkovich, as is his want to do, eats the scenery in every scene that he is in. Under normal circumstances, this would annoying, but in this film, it is welcome. Ioan Gruffudd and Joan Chen show up (briefly) as adversaries of Ava and all of these components makes the "assassin side" of this film work well enough.
The "family side' of this film just doesn't work - except for one scene.
Common is just plain bad in the underwritten role of Ava's former lover who is now married to her sister. Jess Wexler is forgettable as Ava's sister (I even had to look her up on IMDB to remind me of who played this role) and Geena Davis - as Ava's estranged mother - looks like she is just there because she owed someone a favor.
Except for one scene.
And that's the interesting thing about this film. Right in the middle of this very generic, very ordinary film is a "come to Jesus" meeting between Ava (Chastain) and her mother (Davis). This scene was "Oscar worthy" with 2 very good actresses going back and forth with each other (with Davis dominating the scene). I gotta think that this scene was the only one Davis read when she agreed to do this film and was pouting during her other, generic scenes.
Director Tate Taylor (who took over when the original Director was bounced when past sexual indiscretions were unearthed) and writer Matthew Newton bring nothing new to the genre. It is all very...generic. The action scenes are professionally done, but generic. The situations are contrived and...generic. The acting is...scenery chewing generic. The ending is predictably generic.
All-in-all an "entertaining enough" generic action flick - except for that one scene (and maybe Malkovich's performance), they make it worthwhile.
Letter Grade: B
7 stars (out of 10 - it really is a "5", but will add a point for Malkovich and another point for the mother daughter scene). - and you can take that to the Bank (ofMarquis)
"Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival."
Pretty generic, right? There are only about a dozen films that I can think of off the top of my head that would fit this description. So...what separates this one to make it worth watching?
Not much.
Chastain stars as Ava, a deadly assassin who...oh, you get it. When the "job goes dangerously wrong", she heads back to Boston and into the arms of her loving family - who want nothing to do with her.
Chastain is good, but nothing special as Ava...she seems to be able to pull off the physicality of this role quite well (like Jennifer Lawrence in RED SPARROW or Charlize Theron in ATOMIC BLONDE). The head of the shadowy organization that Ava works, played by Collin Farrell, is generically shadowy and Farrell plays it professionally with a touch of "over the top" acting (but not too much). The great John Malkovich is a spark of energy in this film as Ava's mentor. Mr. Malkovich, as is his want to do, eats the scenery in every scene that he is in. Under normal circumstances, this would annoying, but in this film, it is welcome. Ioan Gruffudd and Joan Chen show up (briefly) as adversaries of Ava and all of these components makes the "assassin side" of this film work well enough.
The "family side' of this film just doesn't work - except for one scene.
Common is just plain bad in the underwritten role of Ava's former lover who is now married to her sister. Jess Wexler is forgettable as Ava's sister (I even had to look her up on IMDB to remind me of who played this role) and Geena Davis - as Ava's estranged mother - looks like she is just there because she owed someone a favor.
Except for one scene.
And that's the interesting thing about this film. Right in the middle of this very generic, very ordinary film is a "come to Jesus" meeting between Ava (Chastain) and her mother (Davis). This scene was "Oscar worthy" with 2 very good actresses going back and forth with each other (with Davis dominating the scene). I gotta think that this scene was the only one Davis read when she agreed to do this film and was pouting during her other, generic scenes.
Director Tate Taylor (who took over when the original Director was bounced when past sexual indiscretions were unearthed) and writer Matthew Newton bring nothing new to the genre. It is all very...generic. The action scenes are professionally done, but generic. The situations are contrived and...generic. The acting is...scenery chewing generic. The ending is predictably generic.
All-in-all an "entertaining enough" generic action flick - except for that one scene (and maybe Malkovich's performance), they make it worthwhile.
Letter Grade: B
7 stars (out of 10 - it really is a "5", but will add a point for Malkovich and another point for the mother daughter scene). - and you can take that to the Bank (ofMarquis)
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