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Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Disclaimer: I received a copy of this book in exchange for an honest review.
I can't quite decide how to classify this book, although I kept telling people I was reading a crime thriller. But it's a little more than that, as Darren works to prevent crime by thwarting gang efforts in a place called The Orchard. He manages to do this by using a suit specifically designed to enhance his own abilities multiple times over, making him faster, stronger, and ultimately bullet-proof. The resulting encounters with criminals are sometimes hilarious when they see that they're basically fighting Iron Man.
I thoroughly enjoyed this book. There were aspects that got a little technical and went a little over my head, when Darren and Adam were explaining how they created the suit, what all software/technology went into it, etc., but it was still understandable enough to keep me in the story. Aside from that part, I was deeply engrossed in how Darren could pull of these feats, why he did it (when it got that part), and the little mini-stories from the perspective of the would-be victims, had he not stepped in to help. And I found myself reading the introduction over and over again (I even got my husband to read it), because I was just so fascinated at what can be done with technology now!! It really grabbed my attention, the first chapter sucked me in, and the rest of the book made sure to never let me go.
Finally, while not a major part, there's an exchange between Darren and Corrine about the difference between a justice system and a legal system, as well as one between Darren and a judge that involves such things as the psychology of the courtroom and law. I found both these discussions very interesting, as I majored in Forensic Psychology, and the term "justice system" was used quite often, often interchangeably with "legal system." To hear the two explained in stark contrast to one another and how they differ was something that really added to the story and bolstered Darren's cause, in my opinion. And to hear the judge talk about the theatrics of the courtroom and how it's all ritualistic and intimidating really got me thinking, as well. Kudos to the author for throwing those two bits of dialogue in the story.
5 stars, and I'd recommend this to anyone who likes a good off-the-beaten-path superhero story =)
I can't quite decide how to classify this book, although I kept telling people I was reading a crime thriller. But it's a little more than that, as Darren works to prevent crime by thwarting gang efforts in a place called The Orchard. He manages to do this by using a suit specifically designed to enhance his own abilities multiple times over, making him faster, stronger, and ultimately bullet-proof. The resulting encounters with criminals are sometimes hilarious when they see that they're basically fighting Iron Man.
I thoroughly enjoyed this book. There were aspects that got a little technical and went a little over my head, when Darren and Adam were explaining how they created the suit, what all software/technology went into it, etc., but it was still understandable enough to keep me in the story. Aside from that part, I was deeply engrossed in how Darren could pull of these feats, why he did it (when it got that part), and the little mini-stories from the perspective of the would-be victims, had he not stepped in to help. And I found myself reading the introduction over and over again (I even got my husband to read it), because I was just so fascinated at what can be done with technology now!! It really grabbed my attention, the first chapter sucked me in, and the rest of the book made sure to never let me go.
Finally, while not a major part, there's an exchange between Darren and Corrine about the difference between a justice system and a legal system, as well as one between Darren and a judge that involves such things as the psychology of the courtroom and law. I found both these discussions very interesting, as I majored in Forensic Psychology, and the term "justice system" was used quite often, often interchangeably with "legal system." To hear the two explained in stark contrast to one another and how they differ was something that really added to the story and bolstered Darren's cause, in my opinion. And to hear the judge talk about the theatrics of the courtroom and how it's all ritualistic and intimidating really got me thinking, as well. Kudos to the author for throwing those two bits of dialogue in the story.
5 stars, and I'd recommend this to anyone who likes a good off-the-beaten-path superhero story =)
Carma (21 KP) rated Crash Landing (Stop The Wedding, #3) in Books
Jun 17, 2019
While I have quite a few Lori Wilde books sitting on my TBR shelf, this one was a freebie of the day for my kindle and I decided to give it a gander. I read it in about a day so it flowed pretty well. Here are my thoughts on Crash Landing by Lori Wilde.
We start the book with a girl staring at a hunky guy, I mean who doesnt like to do that on occasion right?? Sophia Cruz likes very much what Gibb Martin has to offer in the looks department. He is an American, she is Costa Rican and American by birth. He is all business all the time, while she likes to take each day slow and steady. What could they possibly have in common??
Gibb needs a ride to Florida quickly because his best friend is getting married after only knowing his fiancée for a month. He is backing out of partnering with Gibb, because of his new love, on a new money making deal and that cant happen. Sophia is a bush pilot and his only hope to get there in time to stop the wedding. Now if he can only stop lusting after her long enough to get focused on stopping this wedding.
Sophia wouldnt mind a quick roll in the hay with this rich boy but no long lasting relationship, why would he possibly look at her twice? She really needs the money so she goes against her own better advice and agrees to fly him to Florida. A long close cabin ride will certainly not help squelch her desire.
Gibb and Sophia get to know each other on the flight then the unexpected crash landing on a deserted island gets them even closer. Will they find out they have more in common than they both realize?
I liked the flow of this story for the most part. I feel like it started off and a good pace then slowed a little in the middle. Without giving too many spoilers I feel like there was a weird middle part on the island that served no real purpose but I thoroughly enjoyed the part with the monkeys. I am giggling still as I write this review. I liked Lori Wildes way of capturing the culture and interactions so you could really picture it all in your minds eye. Crash Landing captured my attention pretty quickly and kept it all the way through. I would say this was a good way to get my feet wet in Lori Wildes title pool.
We start the book with a girl staring at a hunky guy, I mean who doesnt like to do that on occasion right?? Sophia Cruz likes very much what Gibb Martin has to offer in the looks department. He is an American, she is Costa Rican and American by birth. He is all business all the time, while she likes to take each day slow and steady. What could they possibly have in common??
Gibb needs a ride to Florida quickly because his best friend is getting married after only knowing his fiancée for a month. He is backing out of partnering with Gibb, because of his new love, on a new money making deal and that cant happen. Sophia is a bush pilot and his only hope to get there in time to stop the wedding. Now if he can only stop lusting after her long enough to get focused on stopping this wedding.
Sophia wouldnt mind a quick roll in the hay with this rich boy but no long lasting relationship, why would he possibly look at her twice? She really needs the money so she goes against her own better advice and agrees to fly him to Florida. A long close cabin ride will certainly not help squelch her desire.
Gibb and Sophia get to know each other on the flight then the unexpected crash landing on a deserted island gets them even closer. Will they find out they have more in common than they both realize?
I liked the flow of this story for the most part. I feel like it started off and a good pace then slowed a little in the middle. Without giving too many spoilers I feel like there was a weird middle part on the island that served no real purpose but I thoroughly enjoyed the part with the monkeys. I am giggling still as I write this review. I liked Lori Wildes way of capturing the culture and interactions so you could really picture it all in your minds eye. Crash Landing captured my attention pretty quickly and kept it all the way through. I would say this was a good way to get my feet wet in Lori Wildes title pool.
Bob Mann (459 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jul 25, 2021
Script this time appeals to both Kids and Adults (1 more)
Gleeson, Byrne and Oyelowo are great together
This bunny has legs
I appreciate I'm over 2 months late in seeing "Peter Rabbit 2". But the grandkids were staying for the weekend and wanted to see it again!
Positives:
- This time the movie manages - "Paddington 2" style - to find a good balance between slapstick jokes that appeal to the target younger audience (my grandkids were roaring at certain bits) and the 'dragalong' adult audience. Some of these are gorgeously surreal - like the skiing badger in the Alps as a "university prank". It certainly passes the "6 laugh" test for a comedy, and generated a couple of good guffaws (the Austin Powers landing in the Aston Martin and the subsequent take-off was one for me).
- In the first movie, James Corden's voicing of Peter Rabbit tended to grate with me enormously. Here he gamely plays up to that, accepting that he is a bit of a "marmite" character with a lot of people. It's a fine comic moment.
- Rose Byrne and Domnhall Gleeson make a cute and watchable couple. (Rose Byrne could read the phone directory for me). They are well supported here by David Oyelowo ("Don't look into his eyes") who is the least villainous villain in any movie in recent memory! Also fun are trying to spot the guest voice artistes who include Margot Robbie, Sia, Elizabeth Debicki, Sam Neill, Lennie James and Hayley Atwell.
Negatives:
- A few of the jokes don't quite land (a one-note cockeral story, for example, is overplayed).
- As I've been doing some Supporting Artist work recently, I've become obsessed with observing Extras and the continuity of Extras in shots. There are a few inconsistencies in the mix on this one!
Summary Thoughts: It's fair to say (although I never actually wrote a full review for it) that I was NOT a fan of the original Peter Rabbit movie from 2018. Corden grated; there was not enough for adult viewers and some of the included scenes were highly questionable: try explaining to a three-year-old why Peter was stabbing a dead old man in the eye with his finger! I've avoided watching it again on the TV like the plague.
This sequel was, I thought, much better, being entertaining for both kids and adults. I wonder if I now watched the first movie I might find it, in hindsight, more palatable? Perhaps I will give it a try sometime.
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook or Tiktok. Thanks.)
Positives:
- This time the movie manages - "Paddington 2" style - to find a good balance between slapstick jokes that appeal to the target younger audience (my grandkids were roaring at certain bits) and the 'dragalong' adult audience. Some of these are gorgeously surreal - like the skiing badger in the Alps as a "university prank". It certainly passes the "6 laugh" test for a comedy, and generated a couple of good guffaws (the Austin Powers landing in the Aston Martin and the subsequent take-off was one for me).
- In the first movie, James Corden's voicing of Peter Rabbit tended to grate with me enormously. Here he gamely plays up to that, accepting that he is a bit of a "marmite" character with a lot of people. It's a fine comic moment.
- Rose Byrne and Domnhall Gleeson make a cute and watchable couple. (Rose Byrne could read the phone directory for me). They are well supported here by David Oyelowo ("Don't look into his eyes") who is the least villainous villain in any movie in recent memory! Also fun are trying to spot the guest voice artistes who include Margot Robbie, Sia, Elizabeth Debicki, Sam Neill, Lennie James and Hayley Atwell.
Negatives:
- A few of the jokes don't quite land (a one-note cockeral story, for example, is overplayed).
- As I've been doing some Supporting Artist work recently, I've become obsessed with observing Extras and the continuity of Extras in shots. There are a few inconsistencies in the mix on this one!
Summary Thoughts: It's fair to say (although I never actually wrote a full review for it) that I was NOT a fan of the original Peter Rabbit movie from 2018. Corden grated; there was not enough for adult viewers and some of the included scenes were highly questionable: try explaining to a three-year-old why Peter was stabbing a dead old man in the eye with his finger! I've avoided watching it again on the TV like the plague.
This sequel was, I thought, much better, being entertaining for both kids and adults. I wonder if I now watched the first movie I might find it, in hindsight, more palatable? Perhaps I will give it a try sometime.
(For the full graphical review, please check out One Mann's Movies on t'interweb, Facebook or Tiktok. Thanks.)
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Daniel Boyd (1066 KP) rated Just Cause 3 in Video Games
Jul 20, 2017
Terrible dialogue (1 more)
Excruciatingly long loading screens
Into the fire, or just a flash in the pan?
I have always been a huge fan of the Just Cause games, I played the hell out of the first one on PS2 and I have great memories of it and of being blown away by the sheer scope and beauty of the game’s environment. Then the follow up was even crazier and even more fun. The explosions were bigger, the characters were more bombastic, the map was massive and the game was amazing. So, I think it’s fair to say I had been fairly excited for a while for the series’ third entry. Unfortunately, as has been the case with a number of big AAA games released in 2015, it is a disappointment. It’s not a bad game by any standard, it just fails to improve on it’s predecessors in any way. When I’m weighing up my opinion on a game, the first thing I always ask myself is, is it fun? And is Just Cause 3 a fun game? Hell yes it is. The explosions feel and look just as good as you would hope they would and the addition of the wingsuit is awesome. Flying around the map like a superhero feels truly epic, it really does give you a sense of being Godlike and it is without doubt the highlight of the game’s new mechanics. However, when you take those two things away, the wingsuit and the explosions, all that is left is a very mediocre third person shooter with mediocre graphics and a cheesy, poorly written script read by voice actors playing uninteresting stereotypes. But hey, this is a Just Cause game, it isn’t exactly known for it’s reputation of telling deep stories about the evolution of a certain character’s psyche, this is the game where you ride missiles and grapple launch into a man with a dropkick, so as long as the fundamental Just Cause functions are present, then surely that’s all that matters. Then you run into the problem with loading times. Now I don’t actually mind games with long load times all that much, within reason, but Just Cause is the type of game where it gives you so many insane mechanics that you naturally feel the need to experiment, but sometimes these experiments end up in Rico’s violent death, which in turn results in another long load screen. After four or five times of this happening within the space of a single mission, the frustration is at boiling point and the game becomes a chore and any fun you were having is quickly lost. It’s as if the game actually punishes you for trying crazy things, yet it claims to be the game that encourages insanity! Also the ways in which you die are so inconsistent that they become massively unpredictable. For example, after dying 3 or 4 times while trying to liberate a base using a madman zipline/parachute combination technique, I finally decided to just play it safe and get the liberation over and done with, so I used a missile mounted chopper. I blew up a bunch of fuel tanks etc and then a couple of SAM’s blew some holes in my chopper, most of the time the game gives you a minute to jump out of the chopper before it explodes, but sometimes at random, it will just blow up instantly and kill you dead, leaving you with another 5 minute loading screen and even more despair. Also Rico can sometimes take fall damage of up to a good few hundred feet, but sometimes a small drop from a roof to the ground of a bungalow will kill him instantly. This wouldn’t be so much of a problem if it wasn’t coupled with long ass load times, which is what really makes the process excruciating. Like I said before, I don’t mind long load screens all that much, but when they are coupled with frequent random chance instadeath, then I have a problem. There is a website that I use frequently called HowLongToBeat.com and it essentially gives you the average amount of time that it takes to beat a game’s campaign. For Just Cause the website says 15.5 hours to beat, which is about right, but I reckon that if you shorten the load times and fixed the random occurrences of instadeath, you could beat it in 11 or 12 hours. That’s 4 hours of sitting through frustrating load screens that you are never going to get back.
It really sucks actually, I wanted to love this game so much and it’s done it’s damndest to prevent me from doing so. To put it bluntly there are better open world games out there and you won’t have to wait half as long to load them up.
It really sucks actually, I wanted to love this game so much and it’s done it’s damndest to prevent me from doing so. To put it bluntly there are better open world games out there and you won’t have to wait half as long to load them up.
Hazel (1853 KP) rated The Snow Child in Books
May 30, 2017
A Fairytale
“Terrific”, “Spellbinding” and “Enchanting” are just three of the many words that critics have used to describe this book; they are also a slight exaggeration. Obviously it is a matter of personal opinion but this novel, whilst having an interesting storyline, was a little too drawn out and, at times… not exactly boring but not all that gripping.
Set in Alaska during the 1920s this is the story of a couple, Jack and Mabel, who, aside from a stillbirth, have not had any children despite their desperate longing. Now that they are both approaching fifty years of age they know that they will never be able to have a son or daughter of their own. One winter, during the first snowfall, the two of them on an uncharacteristic, spur of the moment impulse build a snowman next to their cabin. Rather than building a large snowman they make a smaller one in the shape of a girl, decorating her with scarves and mittens – they have made a snow girl.
Eowyn Ivey has based her novel on a Russian fairy tale, Snegurochka, which in English translates to The Snow Maiden. It was Arthur Ransome’s retelling, Little Daughter of the Snow, which inspired Ivey, but the general storyline is essentially the same, although some versions have alternative endings. For those who are familiar with Snegurochka and its variants will know that it does not end happily therefore it seems inevitable that The Snow Child will head in the same direction. However which ending will it most resemble?
Throughout the novel it is impossible to be absolutely sure that the little girl who turns up outside the cabin the day after the snowman has been built (and destroyed) is in fact the snow girl magically transformed into flesh and bone; or whether it is a lost child and the circumstance are purely coincidental. There is a third option: Jack and Mabel could be imagining things through their desperate longing, but this is easy to rule out.
The snow is understandably a key theme throughout the story. At the beginning the anticipated Alaskan winter is imagined as a “cold on the valley like a coming death”. Not only will it be unbearably freezing, Jack and Mabel will struggle to make do with their limited amount of food and supplies. After the arrival of the child the winter becomes a happy occasion. Jack and Mabel’s relationship improves and they become less isolated after befriending some neighbours. The only heartbreak is when the girl, Faina, disappears in the spring; but as she comes back as soon as it snows, winter becomes something to look forward to. Another snowy link in the story is Faina’s name, which she claims means “the colour on snow when the sun turns” in Russian. This also makes the idea of her truly being the snow girl more convincing.
The novel does predictably have an unhappy ending but the epilogue makes up for this by revealing the contentment of the remaining characters a few years into the future.
As already mentioned, The Snow Child was not a very gripping read, but it was a beautiful tale in the way that fairy tales, even those with unhappy endings, often can be.
Set in Alaska during the 1920s this is the story of a couple, Jack and Mabel, who, aside from a stillbirth, have not had any children despite their desperate longing. Now that they are both approaching fifty years of age they know that they will never be able to have a son or daughter of their own. One winter, during the first snowfall, the two of them on an uncharacteristic, spur of the moment impulse build a snowman next to their cabin. Rather than building a large snowman they make a smaller one in the shape of a girl, decorating her with scarves and mittens – they have made a snow girl.
Eowyn Ivey has based her novel on a Russian fairy tale, Snegurochka, which in English translates to The Snow Maiden. It was Arthur Ransome’s retelling, Little Daughter of the Snow, which inspired Ivey, but the general storyline is essentially the same, although some versions have alternative endings. For those who are familiar with Snegurochka and its variants will know that it does not end happily therefore it seems inevitable that The Snow Child will head in the same direction. However which ending will it most resemble?
Throughout the novel it is impossible to be absolutely sure that the little girl who turns up outside the cabin the day after the snowman has been built (and destroyed) is in fact the snow girl magically transformed into flesh and bone; or whether it is a lost child and the circumstance are purely coincidental. There is a third option: Jack and Mabel could be imagining things through their desperate longing, but this is easy to rule out.
The snow is understandably a key theme throughout the story. At the beginning the anticipated Alaskan winter is imagined as a “cold on the valley like a coming death”. Not only will it be unbearably freezing, Jack and Mabel will struggle to make do with their limited amount of food and supplies. After the arrival of the child the winter becomes a happy occasion. Jack and Mabel’s relationship improves and they become less isolated after befriending some neighbours. The only heartbreak is when the girl, Faina, disappears in the spring; but as she comes back as soon as it snows, winter becomes something to look forward to. Another snowy link in the story is Faina’s name, which she claims means “the colour on snow when the sun turns” in Russian. This also makes the idea of her truly being the snow girl more convincing.
The novel does predictably have an unhappy ending but the epilogue makes up for this by revealing the contentment of the remaining characters a few years into the future.
As already mentioned, The Snow Child was not a very gripping read, but it was a beautiful tale in the way that fairy tales, even those with unhappy endings, often can be.
Lilyn G - Sci-Fi & Scary (91 KP) rated Dreamfall in Books
May 30, 2018
Great potential, poor follow-through
Dreamfall ticked me off, because it felt like the author ended the book on a massive cliff-hanger. I didn’t feel like I was given enough of the story to even faintly satisfy me. Look, I wasn’t expecting it to be a complete stand-alone, because I knew that there were more books in the series. A good series should have each book able to effectively function as a stand-alone. The author should be able to leave some threads dangling, but successfully resolve the story arc of the book while advancing the series story arc as a whole. If I had paid for this book instead of borrowing it from the library, I would be pissed. Maybe I’m being unfair. I’m willing to admit that’s a possibility, but this was just not a satisfying read. At all!
I had high hopes for Dreamfall, but the ending wasn’t the only way it disappointed me. The first couple chapters made it seem like it was going to be super creepy. Insomnia, sleep paralysis, promises of monsters, etc, are an awesome combination especially if you have experienced insomnia, sleep paralysis, and night terrors. You’re able to put yourself right there in the book with the characters. Except that, although the beginning promised great things, the fact that this is a YA book soon asserted itself. Horror-lite, except in the hands of a truly talented horror story-teller, waters down to a handful of creepy scenes and some mild tension on occasion. That’s what happened here in Dreamfall. The only stand-out scenes involved a coffin and a cave. (Though, to be fair, if you find lots of things scary, you might find more to be creeped out by in it.)
And the drama. Oh, the unnecessary drama. Now, to her credit, for once I’m not talking about a love triangle. Instead, it’s a case of the author simply trying way too hard to stretch out the drama. For non-spoiling, I’ll simply say that some of the dialogue made zero sense, and apparently no one besides Jaime ever apparently thinks to check the cameras.
The characters were okay, mostly. I’m out of the YA age range, so the chances I was going to connect with any of them were fairly small. However, I had kind of hoped that I would care about a few of them. I did mildly care about one and that was purely a circumstance of name and time of year more than anything else. Anyways, that one poofed, and thus ended my affection for any of the characters. (Though there was one twist associated with that particular character that made me grin.)
But, because I’m aware that I’ve ranted a good bit about the book, I need to balance this out a bit. Dreamfall has a very interesting plot idea. The pacing of the book is nice and quick. The dialogue between the characters is mostly believable, even if some of the ‘real’ situations are not. Even though the book swiftly lost pretty much all chance of scaring me, up until the end, I was interested – if not thrilled – by what I was reading. My main pick with this book really comes down to the fact that it feels like it was forced to be two (or more?) books instead of one. As fantastic as this plot idea is, it really is a ONE book idea. Oh, I liked the cover, too.
So disappointed because I had my hopes up, and they got thoroughly dashed.
I had high hopes for Dreamfall, but the ending wasn’t the only way it disappointed me. The first couple chapters made it seem like it was going to be super creepy. Insomnia, sleep paralysis, promises of monsters, etc, are an awesome combination especially if you have experienced insomnia, sleep paralysis, and night terrors. You’re able to put yourself right there in the book with the characters. Except that, although the beginning promised great things, the fact that this is a YA book soon asserted itself. Horror-lite, except in the hands of a truly talented horror story-teller, waters down to a handful of creepy scenes and some mild tension on occasion. That’s what happened here in Dreamfall. The only stand-out scenes involved a coffin and a cave. (Though, to be fair, if you find lots of things scary, you might find more to be creeped out by in it.)
And the drama. Oh, the unnecessary drama. Now, to her credit, for once I’m not talking about a love triangle. Instead, it’s a case of the author simply trying way too hard to stretch out the drama. For non-spoiling, I’ll simply say that some of the dialogue made zero sense, and apparently no one besides Jaime ever apparently thinks to check the cameras.
The characters were okay, mostly. I’m out of the YA age range, so the chances I was going to connect with any of them were fairly small. However, I had kind of hoped that I would care about a few of them. I did mildly care about one and that was purely a circumstance of name and time of year more than anything else. Anyways, that one poofed, and thus ended my affection for any of the characters. (Though there was one twist associated with that particular character that made me grin.)
But, because I’m aware that I’ve ranted a good bit about the book, I need to balance this out a bit. Dreamfall has a very interesting plot idea. The pacing of the book is nice and quick. The dialogue between the characters is mostly believable, even if some of the ‘real’ situations are not. Even though the book swiftly lost pretty much all chance of scaring me, up until the end, I was interested – if not thrilled – by what I was reading. My main pick with this book really comes down to the fact that it feels like it was forced to be two (or more?) books instead of one. As fantastic as this plot idea is, it really is a ONE book idea. Oh, I liked the cover, too.
So disappointed because I had my hopes up, and they got thoroughly dashed.
Hazel (1853 KP) rated The Snow Child in Books
Dec 14, 2018
“Terrific”, “Spellbinding” and “Enchanting” are just three of the many words that critics have used to describe this book; they are also a slight exaggeration. Obviously it is a matter of personal opinion but this novel, whilst having an interesting storyline, was a little too drawn out and, at times… not exactly boring but not all that gripping.
Set in Alaska during the 1920s this is the story of a couple, Jack and Mabel, who, aside from a stillbirth, have not had any children despite their desperate longing. Now that they are both approaching fifty years of age they know that they will never be able to have a son or daughter of their own. One winter, during the first snowfall, the two of them on an uncharacteristic, spur of the moment impulse build a snowman next to their cabin. Rather than building a large snowman they make a smaller one in the shape of a girl, decorating her with scarves and mittens – they have made a snow girl.
Eowyn Ivey has based her novel on a Russian fairy tale, <i>Snegurochka</i>, which in English translates to <i>The Snow Maiden</i>. It was Arthur Ransome’s retelling, <i>Little Daughter of the Snow</i>, which inspired Ivey, but the general storyline is essentially the same, although some versions have alternative endings. For those who are familiar with <i>Snegurochka</i> and its variants will know that it does not end happily therefore it seems inevitable that <i>The Snow Child</i> will head in the same direction. However which ending will it most resemble?
Throughout the novel it is impossible to be absolutely sure that the little girl who turns up outside the cabin the day after the snowman has been built (and destroyed) is in fact the snow girl magically transformed into flesh and bone; or whether it is a lost child and the circumstance are purely coincidental. There is a third option: Jack and Mabel could be imagining things through their desperate longing, but this is easy to rule out.
The snow is understandably a key theme throughout the story. At the beginning the anticipated Alaskan winter is imagined as a “cold on the valley like a coming death”. Not only will it be unbearably freezing, Jack and Mabel will struggle to make do with their limited amount of food and supplies. After the arrival of the child the winter becomes a happy occasion. Jack and Mabel’s relationship improves and they become less isolated after befriending some neighbours. The only heartbreak is when the girl, Faina, disappears in the spring; but as she comes back as soon as it snows, winter becomes something to look forward to. Another snowy link in the story is Faina’s name, which she claims means “the colour on snow when the sun turns” in Russian. This also makes the idea of her truly being the snow girl more convincing.
The novel does predictably have an unhappy ending but the epilogue makes up for this by revealing the contentment of the remaining characters a few years into the future.
As already mentioned, <i>The Snow Child</i> was not a very gripping read, but it was a beautiful tale in the way that fairy tales, even those with unhappy endings, often can be.
Set in Alaska during the 1920s this is the story of a couple, Jack and Mabel, who, aside from a stillbirth, have not had any children despite their desperate longing. Now that they are both approaching fifty years of age they know that they will never be able to have a son or daughter of their own. One winter, during the first snowfall, the two of them on an uncharacteristic, spur of the moment impulse build a snowman next to their cabin. Rather than building a large snowman they make a smaller one in the shape of a girl, decorating her with scarves and mittens – they have made a snow girl.
Eowyn Ivey has based her novel on a Russian fairy tale, <i>Snegurochka</i>, which in English translates to <i>The Snow Maiden</i>. It was Arthur Ransome’s retelling, <i>Little Daughter of the Snow</i>, which inspired Ivey, but the general storyline is essentially the same, although some versions have alternative endings. For those who are familiar with <i>Snegurochka</i> and its variants will know that it does not end happily therefore it seems inevitable that <i>The Snow Child</i> will head in the same direction. However which ending will it most resemble?
Throughout the novel it is impossible to be absolutely sure that the little girl who turns up outside the cabin the day after the snowman has been built (and destroyed) is in fact the snow girl magically transformed into flesh and bone; or whether it is a lost child and the circumstance are purely coincidental. There is a third option: Jack and Mabel could be imagining things through their desperate longing, but this is easy to rule out.
The snow is understandably a key theme throughout the story. At the beginning the anticipated Alaskan winter is imagined as a “cold on the valley like a coming death”. Not only will it be unbearably freezing, Jack and Mabel will struggle to make do with their limited amount of food and supplies. After the arrival of the child the winter becomes a happy occasion. Jack and Mabel’s relationship improves and they become less isolated after befriending some neighbours. The only heartbreak is when the girl, Faina, disappears in the spring; but as she comes back as soon as it snows, winter becomes something to look forward to. Another snowy link in the story is Faina’s name, which she claims means “the colour on snow when the sun turns” in Russian. This also makes the idea of her truly being the snow girl more convincing.
The novel does predictably have an unhappy ending but the epilogue makes up for this by revealing the contentment of the remaining characters a few years into the future.
As already mentioned, <i>The Snow Child</i> was not a very gripping read, but it was a beautiful tale in the way that fairy tales, even those with unhappy endings, often can be.
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