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Sassy Brit (97 KP) rated Let The Dead Keep Their Secrets in Books
Jun 5, 2019
Let The DEAD Keep Their Secrets by Rosemary Simpson brings to life New York City during the 1880s in a historical mystery. It is rich in the culture of the time with a riveting Colombo type crime. Readers know who has done it and seek clues with the characters to find the proof.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
Heather Cranmer (2721 KP) rated Marionette (Dark Carousel #3) in Books
Nov 15, 2020
I have definitely taken a shine to the Dark Carousel series by Anya Allyn. There's something about it that has definitely reeled me in. As soon as I finished reading Paper Dolls, I dove right into reading Marionette, the third book in the Dark Carousel series. This one definitely had a lot of action going on!
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.
Cassie and Molly are prisoners in Balthazar's castle as its inhabitants try to find the second book of The Mirrored Tree. Cassie and Molly desperately search for a way to leave the castle so she can be reunited with her family and with Ethan. However, things take a turn for the worst when Cassie learns her fate of which she can not escape if she wants to save her world and all of its occupants.
I find that the plot of each book in the Dark Carousel series gets weirder and weirder. The plot in Marionette so much different to the one that first started it all in Dollhouse. However, Marionette was a fast paced read, in fact, in some parts, it was a little too fast paced. There were times I was left feeling confused about what was going on. Luckily, that only happened a few times, and the rest of the plot felt solid. Marionette was quite a page turner, and I kept wanting to know what would happen next. Marionette definitely has more action in it than Paper Dolls did. It seemed like there was always something happening in Marionette. This book focused more on Cassie and somewhat on Ethan. We learn more about the different worlds (which has me confused) and more about the ice world which Cassie is from. We also learn more about Zack, Viola, Emerson, and Parker as well as the castle itself. I do wish the worlds weren't as confusing. It's hard to keep up with all the different worlds and what happens when you see your copy on that world. I wish it was better explained or that there was some kind of appendix or something in the book to help explain it. I also don't understand why the bad people need Molly. I sort of understand why they want Cassie, but I don't see what use Molly is to them as she has no powers or anything of the sort. There were a few plot twists that I didn't see coming. This book didn't really end in a cliffhanger, but I will still read the last book in the series to complete the story.
As always, Anya Allyn did a fantastic job with her characters. Cassie puts up a good fight and tries to protect everyone. I was really routing for her throughout Marionette. Molly is written well, but I feel like she's sort of a useless character. I wish I knew more about why Aisha decided to just give in to the Batistes, so more backstory there would have been nice. I am hoping there will be more backstory on Lacey as well so I can know why she sometimes speaks in third person. I know it was sort of explained that she went crazy after everything went down at the end of Dollhouse, but I'd like to know a bit more. Perhaps all of these things will be explained in the last book of the series. One character I felt bad for was Zack. I felt like he was sort of a prisoner in all of this too, yet he's very protective and sweet towards Cassie. I get why Cassie was angry at him, but he had no choice. I really wished Cassie was a bit nicer towards him in the book. I was saddened that there was hardly any Jessamine in Marionette. Jessamine is my favorite character, yet she's only in the book for the beginning for a little bit. I'm hoping she'll be featured more in the next book.
Trigger warnings for Marionette include death, murder, rape and attempted rape of a minor (not graphic), mentions of sex (not graphic), the occult, violence, alcohol, and imprisonment.
Despite the fast pacing in places, Marionette is still a great read. With great characters and lots of action, this book definitely holds one's attention throughout. I would definitely recommend Marionette by Anya Allyn to those aged 16+ who like a bit of science fiction with their supernatural horror. Now on to the next and final book in the Dark Carousel series entitled Music Box.
Kristy H (1252 KP) rated The Trespasser: Dublin Murder Squad in Books
Feb 1, 2018
We're up to the sixth installment in Tana French's Dublin Murder Squad series and she's still going strong. In this one, we hear from Antoinette Conway, the partner of Stephen Moran from French's previous novel, [b:The Secret Place|20821043|The Secret Place (Dublin Murder Squad, #5)|Tana French|https://images.gr-assets.com/books/1396671263s/20821043.jpg|21598636]. Being a Detective on the Murder Squad isn't everything Antoinette hoped for. She isn't fitting in on the male squad--most of whom tease and prank her viciously--and she and Steve seem only to receive the most bland, boring cases. Not much bothers Antoinette, but she's about ready to leave the Squad behind for good. So when the latest case comes in--handed straight to Conway and Moran by their boss--it looks like much of the same: another domestic dispute. Beautiful, blond Aislinn Murray has been killed in her home. It looks like a typical lover's quarrel gone wrong. Aislinn's table is set for a romantic dinner, and she's dressed up for a beau. But as Antoinette and Steve investigate, they find things aren't exactly what they seem. Why is their colleague, Detective Breslin, so involved in their case? Why does Antoinette keep seeing someone following her home? And why is the local media out to get her? Antoinette knows the Squad doesn't like her, but now it seems like the hatred is wrapped up in her case, too. Who can she trust--and where will it end?
I'll say it up front: this was an excellent mystery. Just a wonderful read. I love all of French's novels, but thoroughly enjoyed this one. Antoinette was a refreshing voice and completely relatable. Her case was interesting and well-plotted, leaving you constantly guessing. As per a typical French novel, you don't receive just a simple mystery; each of her books comes with a backstory. In this one, we see Antoinette battling her demons and her inability to fit in with her Squad. Are they really out to get her, or is it all in her head? It's true that French's books probably aren't for everyone. There's a lot of talking, a lot of expounding, and a lot of knowing what her characters are thinking. But, in turn, you're presented with characters who are so complex, so rich and in-depth. It's amazing. I've said it in previous reviews, but I love that when I open one of French's novels, I know that I'll be completely transported into another world for a few days. Her writing is strong that you completely inhabit her characters and their environment.
Antoinette, as mentioned, is a complex female character -- strong yet vulnerable and just completely refreshing to find in a detective novel. Her relationship with Moran was very enjoyable to read about, especially after hearing about their initial early meeting in [b:The Secret Place|20821043|The Secret Place (Dublin Murder Squad, #5)|Tana French|https://images.gr-assets.com/books/1396671263s/20821043.jpg|21598636] from Moran's point of view. There's a humor to Conway, lending levity when needed, but also a dark side. She's bitter with the world for a reason. Because the entire book is told from her perspective, we're figuring out the mystery with her, learning facts and alibis as she does, and unraveling the plot along with our detective. Of course, we're limited to seeing the case from her perspective, too. As Moran and Conway try to determine who they can trust, so do we. The book expertly leaves you guessing with the plot; it takes you in one direction early in an incredibly convincing matter. It also skillfully takes you inside the Squad, allowing us to see not only how a case is run, but the inner politics.
In this way, the novel is not just a well-crafted mystery but a lovely treatise on relationships and friendships and the lengths we go for both. I'm also left amazed at how much French can put into a novel. Her way with words is magical, and I just love her books, her stories, and her characters. I highly recommend this novel, or any of her earlier work. 4.5 stars.
I'll say it up front: this was an excellent mystery. Just a wonderful read. I love all of French's novels, but thoroughly enjoyed this one. Antoinette was a refreshing voice and completely relatable. Her case was interesting and well-plotted, leaving you constantly guessing. As per a typical French novel, you don't receive just a simple mystery; each of her books comes with a backstory. In this one, we see Antoinette battling her demons and her inability to fit in with her Squad. Are they really out to get her, or is it all in her head? It's true that French's books probably aren't for everyone. There's a lot of talking, a lot of expounding, and a lot of knowing what her characters are thinking. But, in turn, you're presented with characters who are so complex, so rich and in-depth. It's amazing. I've said it in previous reviews, but I love that when I open one of French's novels, I know that I'll be completely transported into another world for a few days. Her writing is strong that you completely inhabit her characters and their environment.
Antoinette, as mentioned, is a complex female character -- strong yet vulnerable and just completely refreshing to find in a detective novel. Her relationship with Moran was very enjoyable to read about, especially after hearing about their initial early meeting in [b:The Secret Place|20821043|The Secret Place (Dublin Murder Squad, #5)|Tana French|https://images.gr-assets.com/books/1396671263s/20821043.jpg|21598636] from Moran's point of view. There's a humor to Conway, lending levity when needed, but also a dark side. She's bitter with the world for a reason. Because the entire book is told from her perspective, we're figuring out the mystery with her, learning facts and alibis as she does, and unraveling the plot along with our detective. Of course, we're limited to seeing the case from her perspective, too. As Moran and Conway try to determine who they can trust, so do we. The book expertly leaves you guessing with the plot; it takes you in one direction early in an incredibly convincing matter. It also skillfully takes you inside the Squad, allowing us to see not only how a case is run, but the inner politics.
In this way, the novel is not just a well-crafted mystery but a lovely treatise on relationships and friendships and the lengths we go for both. I'm also left amazed at how much French can put into a novel. Her way with words is magical, and I just love her books, her stories, and her characters. I highly recommend this novel, or any of her earlier work. 4.5 stars.
Kristy H (1252 KP) rated The You I've Never Known in Books
Feb 13, 2018
Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Otogi: Spirit Agents
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"Help wanted! Calling everyone with spirit essence! Become a spirit agent today!" Um… I just have...
Louise (64 KP) rated When Dimple Met Rishi in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I do love myself a good YA contemporary, and this delivered. ‘When Dimple met Rishi’ has everything that you could want in a coming of age novel, it was diverse, there was romance, families, friendships and the difficulties of growing up.
I couldn’t believe this was Sandhya Menon’s debut novel as the characters felt so real and the writing was amazing.
Dimple Shah is 17 and looking forward to the prospect of college, she has enrolled for a course for computer programming and has so many ideas buzzing around her brain. Her mother has always wanted Dimple to get married and find the IIH (Ideal Indian Husband) than become a student. Dimple also wants to attend a summer camp where she can show off her programming skills and start making a name for herself, the course costs $1000 and is shocked when her parents allow her to go but what she doesn’t know is that they have other plans.
Rishi Patel wants to follow in his parents footsteps with his own arranged marriage. He too is to go to the same Summer camp where he is to meet his future bride, however when they come face to face he realises that Dimple’s parents have failed to mention the arrangement to her. Her future of computer programming seems to be slipping from her grasp at lightening speed.
This book was great it is told in dual perspective and the chapters are just the right length. The writing is easy to read and with the dual narrative you don’t get bored.
Going in to this book I had very little knowledge of Indian culture and arranged marriages as it’s not something that I have read about. This is a positive light on arranged marriages rather than the awful experiences that you hear about. I felt the impact that their culture had on these individuals to carry on with the traditions as expected of them.
I loved the characters Dimple and Rishi,they were different yet so right for each other. Dimple was head strong, determined to make a future out of something she loved and living her life as she wanted rather than expectations. She found her mother over-bearing at times as she was forceful in her suggestions. I loved that Dimple was a nerd, nowadays it’s cool to be one and be different from others and I see that now that I am older but not necessarily when I was a teenager.
Rishi was adorable, he was funny,nerdy and also really talented. He wanted to please his parents by doing what they thought best in his school work but when it came to LOVE, Rishi wanted to follow his culture, have an arranged marriage and children. This was firmly his decision and he such passion when he talked about his culture and the times he visited India.
There were a couple of reasons that I didn’t rate this book a 5 stars and they were; I didn’t really like Ashish’s storyline. The plot was a little predictable, it had great feels in the middle but then it fizzled out as I was getting frustrated with Dimples stubbornness.
This book was great it’s a perfect summer/beach read, I loved the characters, the feels that I got from Menon’s writing and the fulfillment of learning something new. I hope this isn’t the last we see from her as she can only continue to get better.
I rated this 4 out of 5 stars
I do love myself a good YA contemporary, and this delivered. ‘When Dimple met Rishi’ has everything that you could want in a coming of age novel, it was diverse, there was romance, families, friendships and the difficulties of growing up.
I couldn’t believe this was Sandhya Menon’s debut novel as the characters felt so real and the writing was amazing.
Dimple Shah is 17 and looking forward to the prospect of college, she has enrolled for a course for computer programming and has so many ideas buzzing around her brain. Her mother has always wanted Dimple to get married and find the IIH (Ideal Indian Husband) than become a student. Dimple also wants to attend a summer camp where she can show off her programming skills and start making a name for herself, the course costs $1000 and is shocked when her parents allow her to go but what she doesn’t know is that they have other plans.
Rishi Patel wants to follow in his parents footsteps with his own arranged marriage. He too is to go to the same Summer camp where he is to meet his future bride, however when they come face to face he realises that Dimple’s parents have failed to mention the arrangement to her. Her future of computer programming seems to be slipping from her grasp at lightening speed.
This book was great it is told in dual perspective and the chapters are just the right length. The writing is easy to read and with the dual narrative you don’t get bored.
Going in to this book I had very little knowledge of Indian culture and arranged marriages as it’s not something that I have read about. This is a positive light on arranged marriages rather than the awful experiences that you hear about. I felt the impact that their culture had on these individuals to carry on with the traditions as expected of them.
I loved the characters Dimple and Rishi,they were different yet so right for each other. Dimple was head strong, determined to make a future out of something she loved and living her life as she wanted rather than expectations. She found her mother over-bearing at times as she was forceful in her suggestions. I loved that Dimple was a nerd, nowadays it’s cool to be one and be different from others and I see that now that I am older but not necessarily when I was a teenager.
Rishi was adorable, he was funny,nerdy and also really talented. He wanted to please his parents by doing what they thought best in his school work but when it came to LOVE, Rishi wanted to follow his culture, have an arranged marriage and children. This was firmly his decision and he such passion when he talked about his culture and the times he visited India.
There were a couple of reasons that I didn’t rate this book a 5 stars and they were; I didn’t really like Ashish’s storyline. The plot was a little predictable, it had great feels in the middle but then it fizzled out as I was getting frustrated with Dimples stubbornness.
This book was great it’s a perfect summer/beach read, I loved the characters, the feels that I got from Menon’s writing and the fulfillment of learning something new. I hope this isn’t the last we see from her as she can only continue to get better.
I rated this 4 out of 5 stars
Purple Phoenix Games (2266 KP) rated Never Say Never in Tabletop Games
Jan 22, 2021
Never have I ever played Never Have I Ever. At least I don’t remember ever playing it. You know the one. A player says they haven’t done something and if you have you have to either eat a Twinkie (not a sponsor), take a drink of whatever, or put down a finger. That’s the general idea of that game. Never Say Never definitely takes inspiration from this aforementioned classic (?) and puts a new twist on it. Read on if you are intrigued.
Never Say Never is a party card game in the same vein as Never Have I Ever, but plays oppositely. So gather your friends (well, up to 20 of them and only after COVID passes by) and get ready to amaze them all.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Like what you read? You may purchase a copy online or from your FLGS. -T
To setup, have each player draw five cards from the massive deck. You are now ready to play!
On a turn the active player will choose one of their cards to be played to the table. When read aloud, the active player will score one point if everyone says they would never do the action played. If people say they WOULD do the action, however, they immediately explain themselves and why they would or how they have in the past. The greatest story wins the point. The first person to 10 points wins the game or is very drunk (if playing by the alternate rules).
Components. This game is about a million cards in a box with the rules of the game printed on the back of the box. The cards are all fine quality and minimal art is used, but the layout is decent and legible. No real problems to be had with components.
The game itself isn’t what I would call “bad.” In fact, it is enjoyable for what it is: a simple party game offering some new and imaginative prompts for when your brain cells aren’t necessarily firing correctly. Instead of coming up with the prompts from experiences you have actually had, these offer off-the-wall scenarios that many people have not done, but may actually consider. A small change, but an interesting one.
Obviously this one probably will not rank highly on many gamers’ favorite lists, but I think it is one that is handy to keep around when something of this style is needed. I know there have been times when the game night invitee list was bloated with non-invitees and I had to scramble to come up with some engaging activities. Never Say Never would certainly have saved my bacon on those occasions. Especially when non-gamer spouses are added to that number.
So I think that if you are a fan of party games and want to try a spin on an old standard, give Never Say Never a shot. If, like me, you struggle to entertain the non-gamers who show up to game night, give this a try. You might very well open up some peoples’ minds to other games that night as well. Purple Phoenix Games gives this one an 11 / 18. I personally would never eat rat meat, but under the right circumstances would certainly consider shaving my eyebrows completely off. HBU?
Never Say Never is a party card game in the same vein as Never Have I Ever, but plays oppositely. So gather your friends (well, up to 20 of them and only after COVID passes by) and get ready to amaze them all.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Like what you read? You may purchase a copy online or from your FLGS. -T
To setup, have each player draw five cards from the massive deck. You are now ready to play!
On a turn the active player will choose one of their cards to be played to the table. When read aloud, the active player will score one point if everyone says they would never do the action played. If people say they WOULD do the action, however, they immediately explain themselves and why they would or how they have in the past. The greatest story wins the point. The first person to 10 points wins the game or is very drunk (if playing by the alternate rules).
Components. This game is about a million cards in a box with the rules of the game printed on the back of the box. The cards are all fine quality and minimal art is used, but the layout is decent and legible. No real problems to be had with components.
The game itself isn’t what I would call “bad.” In fact, it is enjoyable for what it is: a simple party game offering some new and imaginative prompts for when your brain cells aren’t necessarily firing correctly. Instead of coming up with the prompts from experiences you have actually had, these offer off-the-wall scenarios that many people have not done, but may actually consider. A small change, but an interesting one.
Obviously this one probably will not rank highly on many gamers’ favorite lists, but I think it is one that is handy to keep around when something of this style is needed. I know there have been times when the game night invitee list was bloated with non-invitees and I had to scramble to come up with some engaging activities. Never Say Never would certainly have saved my bacon on those occasions. Especially when non-gamer spouses are added to that number.
So I think that if you are a fan of party games and want to try a spin on an old standard, give Never Say Never a shot. If, like me, you struggle to entertain the non-gamers who show up to game night, give this a try. You might very well open up some peoples’ minds to other games that night as well. Purple Phoenix Games gives this one an 11 / 18. I personally would never eat rat meat, but under the right circumstances would certainly consider shaving my eyebrows completely off. HBU?
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Kristy H (1252 KP) rated Always and Forever, Lara Jean in Books
Feb 1, 2018
In the final book of Jenny Han's "To All the Boys I've Loved Before" series, we find our heroine, Lara Jean, in her senior year of high school and facing some big changes: college choices; her dad's impending marriage (yay, Mrs. Rothschild!); and figuring out the fate of her relationship with her handsome high school sweetheart, Peter K. The plan, of course, is for Lara Jean and Peter to head to UVA together. Peter already has a lacrosse scholarship there, and Lara Jean's acceptance email should be arriving any day. Still, Lara Jean is worried about the possibility of change and if things do not go exactly according to her plans.
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;