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Kristy H (1252 KP) rated The You I've Never Known in Books
Feb 13, 2018
Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.
Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read [b:Tilt|11133791|Tilt|Ellen Hopkins|https://images.gr-assets.com/books/1346263814s/11133791.jpg|16057047], which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.
So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.
So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.
graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Otogi: Spirit Agents
Games, Entertainment and Stickers
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"Help wanted! Calling everyone with spirit essence! Become a spirit agent today!" Um… I just have...
Louise (64 KP) rated When Dimple Met Rishi in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I do love myself a good YA contemporary, and this delivered. ‘When Dimple met Rishi’ has everything that you could want in a coming of age novel, it was diverse, there was romance, families, friendships and the difficulties of growing up.
I couldn’t believe this was Sandhya Menon’s debut novel as the characters felt so real and the writing was amazing.
Dimple Shah is 17 and looking forward to the prospect of college, she has enrolled for a course for computer programming and has so many ideas buzzing around her brain. Her mother has always wanted Dimple to get married and find the IIH (Ideal Indian Husband) than become a student. Dimple also wants to attend a summer camp where she can show off her programming skills and start making a name for herself, the course costs $1000 and is shocked when her parents allow her to go but what she doesn’t know is that they have other plans.
Rishi Patel wants to follow in his parents footsteps with his own arranged marriage. He too is to go to the same Summer camp where he is to meet his future bride, however when they come face to face he realises that Dimple’s parents have failed to mention the arrangement to her. Her future of computer programming seems to be slipping from her grasp at lightening speed.
This book was great it is told in dual perspective and the chapters are just the right length. The writing is easy to read and with the dual narrative you don’t get bored.
Going in to this book I had very little knowledge of Indian culture and arranged marriages as it’s not something that I have read about. This is a positive light on arranged marriages rather than the awful experiences that you hear about. I felt the impact that their culture had on these individuals to carry on with the traditions as expected of them.
I loved the characters Dimple and Rishi,they were different yet so right for each other. Dimple was head strong, determined to make a future out of something she loved and living her life as she wanted rather than expectations. She found her mother over-bearing at times as she was forceful in her suggestions. I loved that Dimple was a nerd, nowadays it’s cool to be one and be different from others and I see that now that I am older but not necessarily when I was a teenager.
Rishi was adorable, he was funny,nerdy and also really talented. He wanted to please his parents by doing what they thought best in his school work but when it came to LOVE, Rishi wanted to follow his culture, have an arranged marriage and children. This was firmly his decision and he such passion when he talked about his culture and the times he visited India.
There were a couple of reasons that I didn’t rate this book a 5 stars and they were; I didn’t really like Ashish’s storyline. The plot was a little predictable, it had great feels in the middle but then it fizzled out as I was getting frustrated with Dimples stubbornness.
This book was great it’s a perfect summer/beach read, I loved the characters, the feels that I got from Menon’s writing and the fulfillment of learning something new. I hope this isn’t the last we see from her as she can only continue to get better.
I rated this 4 out of 5 stars
I do love myself a good YA contemporary, and this delivered. ‘When Dimple met Rishi’ has everything that you could want in a coming of age novel, it was diverse, there was romance, families, friendships and the difficulties of growing up.
I couldn’t believe this was Sandhya Menon’s debut novel as the characters felt so real and the writing was amazing.
Dimple Shah is 17 and looking forward to the prospect of college, she has enrolled for a course for computer programming and has so many ideas buzzing around her brain. Her mother has always wanted Dimple to get married and find the IIH (Ideal Indian Husband) than become a student. Dimple also wants to attend a summer camp where she can show off her programming skills and start making a name for herself, the course costs $1000 and is shocked when her parents allow her to go but what she doesn’t know is that they have other plans.
Rishi Patel wants to follow in his parents footsteps with his own arranged marriage. He too is to go to the same Summer camp where he is to meet his future bride, however when they come face to face he realises that Dimple’s parents have failed to mention the arrangement to her. Her future of computer programming seems to be slipping from her grasp at lightening speed.
This book was great it is told in dual perspective and the chapters are just the right length. The writing is easy to read and with the dual narrative you don’t get bored.
Going in to this book I had very little knowledge of Indian culture and arranged marriages as it’s not something that I have read about. This is a positive light on arranged marriages rather than the awful experiences that you hear about. I felt the impact that their culture had on these individuals to carry on with the traditions as expected of them.
I loved the characters Dimple and Rishi,they were different yet so right for each other. Dimple was head strong, determined to make a future out of something she loved and living her life as she wanted rather than expectations. She found her mother over-bearing at times as she was forceful in her suggestions. I loved that Dimple was a nerd, nowadays it’s cool to be one and be different from others and I see that now that I am older but not necessarily when I was a teenager.
Rishi was adorable, he was funny,nerdy and also really talented. He wanted to please his parents by doing what they thought best in his school work but when it came to LOVE, Rishi wanted to follow his culture, have an arranged marriage and children. This was firmly his decision and he such passion when he talked about his culture and the times he visited India.
There were a couple of reasons that I didn’t rate this book a 5 stars and they were; I didn’t really like Ashish’s storyline. The plot was a little predictable, it had great feels in the middle but then it fizzled out as I was getting frustrated with Dimples stubbornness.
This book was great it’s a perfect summer/beach read, I loved the characters, the feels that I got from Menon’s writing and the fulfillment of learning something new. I hope this isn’t the last we see from her as she can only continue to get better.
I rated this 4 out of 5 stars
Purple Phoenix Games (2266 KP) rated Never Say Never in Tabletop Games
Jan 22, 2021
Never have I ever played Never Have I Ever. At least I don’t remember ever playing it. You know the one. A player says they haven’t done something and if you have you have to either eat a Twinkie (not a sponsor), take a drink of whatever, or put down a finger. That’s the general idea of that game. Never Say Never definitely takes inspiration from this aforementioned classic (?) and puts a new twist on it. Read on if you are intrigued.
Never Say Never is a party card game in the same vein as Never Have I Ever, but plays oppositely. So gather your friends (well, up to 20 of them and only after COVID passes by) and get ready to amaze them all.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Like what you read? You may purchase a copy online or from your FLGS. -T
To setup, have each player draw five cards from the massive deck. You are now ready to play!
On a turn the active player will choose one of their cards to be played to the table. When read aloud, the active player will score one point if everyone says they would never do the action played. If people say they WOULD do the action, however, they immediately explain themselves and why they would or how they have in the past. The greatest story wins the point. The first person to 10 points wins the game or is very drunk (if playing by the alternate rules).
Components. This game is about a million cards in a box with the rules of the game printed on the back of the box. The cards are all fine quality and minimal art is used, but the layout is decent and legible. No real problems to be had with components.
The game itself isn’t what I would call “bad.” In fact, it is enjoyable for what it is: a simple party game offering some new and imaginative prompts for when your brain cells aren’t necessarily firing correctly. Instead of coming up with the prompts from experiences you have actually had, these offer off-the-wall scenarios that many people have not done, but may actually consider. A small change, but an interesting one.
Obviously this one probably will not rank highly on many gamers’ favorite lists, but I think it is one that is handy to keep around when something of this style is needed. I know there have been times when the game night invitee list was bloated with non-invitees and I had to scramble to come up with some engaging activities. Never Say Never would certainly have saved my bacon on those occasions. Especially when non-gamer spouses are added to that number.
So I think that if you are a fan of party games and want to try a spin on an old standard, give Never Say Never a shot. If, like me, you struggle to entertain the non-gamers who show up to game night, give this a try. You might very well open up some peoples’ minds to other games that night as well. Purple Phoenix Games gives this one an 11 / 18. I personally would never eat rat meat, but under the right circumstances would certainly consider shaving my eyebrows completely off. HBU?
Never Say Never is a party card game in the same vein as Never Have I Ever, but plays oppositely. So gather your friends (well, up to 20 of them and only after COVID passes by) and get ready to amaze them all.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. Like what you read? You may purchase a copy online or from your FLGS. -T
To setup, have each player draw five cards from the massive deck. You are now ready to play!
On a turn the active player will choose one of their cards to be played to the table. When read aloud, the active player will score one point if everyone says they would never do the action played. If people say they WOULD do the action, however, they immediately explain themselves and why they would or how they have in the past. The greatest story wins the point. The first person to 10 points wins the game or is very drunk (if playing by the alternate rules).
Components. This game is about a million cards in a box with the rules of the game printed on the back of the box. The cards are all fine quality and minimal art is used, but the layout is decent and legible. No real problems to be had with components.
The game itself isn’t what I would call “bad.” In fact, it is enjoyable for what it is: a simple party game offering some new and imaginative prompts for when your brain cells aren’t necessarily firing correctly. Instead of coming up with the prompts from experiences you have actually had, these offer off-the-wall scenarios that many people have not done, but may actually consider. A small change, but an interesting one.
Obviously this one probably will not rank highly on many gamers’ favorite lists, but I think it is one that is handy to keep around when something of this style is needed. I know there have been times when the game night invitee list was bloated with non-invitees and I had to scramble to come up with some engaging activities. Never Say Never would certainly have saved my bacon on those occasions. Especially when non-gamer spouses are added to that number.
So I think that if you are a fan of party games and want to try a spin on an old standard, give Never Say Never a shot. If, like me, you struggle to entertain the non-gamers who show up to game night, give this a try. You might very well open up some peoples’ minds to other games that night as well. Purple Phoenix Games gives this one an 11 / 18. I personally would never eat rat meat, but under the right circumstances would certainly consider shaving my eyebrows completely off. HBU?
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Kristy H (1252 KP) rated Always and Forever, Lara Jean in Books
Feb 1, 2018
In the final book of Jenny Han's "To All the Boys I've Loved Before" series, we find our heroine, Lara Jean, in her senior year of high school and facing some big changes: college choices; her dad's impending marriage (yay, Mrs. Rothschild!); and figuring out the fate of her relationship with her handsome high school sweetheart, Peter K. The plan, of course, is for Lara Jean and Peter to head to UVA together. Peter already has a lacrosse scholarship there, and Lara Jean's acceptance email should be arriving any day. Still, Lara Jean is worried about the possibility of change and if things do not go exactly according to her plans.
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Becs (244 KP) rated Death of a Salesman in Books
Oct 2, 2019
Wow. Death of a Salesman was a different style of a literary classic that I was honestly never expecting. It grabbed my emotions and pulled on my heartstrings. The plot contained a rollercoaster of events, and I’ll admit, there were a few times I was utterly confused and wanted to throw the book across the room. But towards the end of the ride, I was able to understand what each issue each of the characters had and what it meant to them.
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Haley Mathiot (9 KP) rated Crime and Punishment in Books
Apr 27, 2018
**spoilers**
Crime and Punishment by Fyodor Dostoevsky. read by Anthony Heald.
Genre: Fiction, classic
Rating: 5
Sin, Sentence, and Salvation
The allegory of Crime and Punishment
Crime and Punishment, one of the more famous works of Fyodor Dostoevsky, is considered “the first great novel of his mature period,” (Frank, 1995) and is one of his more famous books, rivaled only by The Brothers Karamazov. What makes Crime and Punishment such a classic? Perhaps because it is a picture of the only classic, and greatest story of all time. Crime and Punishment is an allegory of Salvation.
Self-justified
The main character, Rodion Romanovich Raskolnikov, was a poor student at a university, and was overcome with hate toward an old pawnbroker, and decided to rid the world of her for the greater good of everyone. He believed that she was a “louse,” and since everyone would be happier without her, his actions would be justified. He believed that he had broken the letter of the law only, but that it didn’t have any authority over him anyway because it was written by people just as low as himself. He didn’t believe in God, and in prison he was convinced that he didn’t deserve his treatment, and that it was something he simply needed to get over with. He had no higher authority, so he said “my conscience is at rest.” This is a picture of man before he is touched by the merciful salvation of Christ.
A Troubled Man
Although Raskolnikov justified his actions in killing the old woman, he still felt an overwhelming sense of guilt and fear over what he did. He worked very hard at keeping it a secret, and at first he thought he could live with the guilt that sat in back of his mind, but he was wrong. Raskolnikov had horrible dreams, was always sick, and one of the other characters noticed that he was constantly “set off by little things” for no apparent reason (though the reader knew that it was only because it reminded him of his crime). This represents a man who knows in his heart that he is a sinner, but who will not turn and repent from his sin.
Unending Love
Sonya Semyonovna Marmeladov was the daughter of a drunkard who “took the yellow card” and prostituted herself to support her family. Throughout the book, Sonya began to love Raskolnikov. Eventually, Raskolnikov told Sonya his secret. Sonya was horrified, but still loved him and forgave him after her initial shock wore off. As Raskolnikov was fighting inside with his conscience and his sins, he repeatedly snapped at her, refused her comfort, yelled at her, and so on. He was a bitter, angry, hateful man—and yet Sonya forgave him for everything he did to her, and everything he had done in his past. What redeeming quality Sonya saw in the wretch and why she forgave him, one cannot begin to comprehend; aside from the simple truth that Sonya was a loving, gentile, merciful girl. She saw that Raskolnikov needed someone to love him and she reached out to him, even when he repeatedly pushed her away. Sonya’s love for him is a picture of Christ’s unending and perfect love to His sinful people.
A Silent Witness
When Raskolnikov finally broke down and confessed his crime, Sonya moved to Siberia with him. Raskolnikov expected this, and knew that telling her not to come would be fruitless. She visited him often in prison and wrote to his family for him. But although Raskolnikov expected her to preach to him and push the Gospel in his face, she did not. Sonya followed the scripture’s instruction to Christian wives with non-Christian husbands in 1 Peter 3:1—“ Wives, in the same way be submissive to your husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives…” The verse tells women to be good examples of Christ to their non-Christian husbands rather than to preach to them and try to convert them, and that is exactly what Sonya did, even though she was not married to him. She did not try to convert him with words; rather she won him with her love. She did not push the Testament into Raskolnikov’s hands, he asked for it. When she did bring it, she did not pester him to read it. She had faith, and showed Raskolnikov the love of Christ through her actions. In the end, it paid off. Although Dostoevsky does not specifically say that Raskolnikov was converted, he does imply that he eventually became a Christian when he mused “Can not her own convictions now be mine?”
The truth will set you free
When Raskolnikov finally realized that he loved Sonya, he accepted that he was a criminal, and a murderer. When he finally accepted that he was a sinner, he repented and had a new life in him. He said he felt like “he had risen again” and that Sonya “lived only in his life.” By life, Dostoevsky refers to his mentality. Before, he had been a living dead man in prison. He was hated by his inmates, was almost killed by them in an outbreak, was unaffected by anything that happened to him or his family, and eventually became ill from it all. But after his resurrection, he repented from his sins, learned to move on with his life, and started to change. He began to converse with his inmates, and they no longer hated him. Sonya was alive in his “life” because of her love for him. When he was changed, she was so happy that she became sick with joy, to the point that she was ill in bed. Dostoevsky paints a picture of a redeemed man at the end of his novel—redeemed both by the law, and by God. This picture symbolizes the miracle of salvation through Christ.
An amazing Allegory
Dostoevsky was a wonderful writer because of his use of dialogue to tell the story, his descriptive scenes, his powerfully developed characters, and their inner dialogue. He often times told you that something was happening by only telling you what the character who was speaking at the time said in response to what was going on. For example, if Sonya was standing up, Dostoevsky would write “… ‘hey, what do you stand for?’ for Sonya had stood.”
He also painted such good descriptions of his characters, that by the middle of the book he didn’t have to say that Raskolnikov was musing in the corner of the room, glaring at anyone who was brave enough to look at him, while he stewed in grief under his old ratted cap, because you knew from how well he was described earlier and how well his character was developed from the dialogue, that he was doing exactly that.
His characters are so real, they almost frighten you because you see the things they do and feel and experience reflected in your own life. They are not perfect—in fact they are all incredibly flawed, but they are a joy to read.
His ending is superb, because he closes the story without actually telling you everything. He never says that Raskolnikov was converted, he never says when he got out of prison, and he never says that Sonya and he were married, but you know that it happened. The last scene of the story is so superb, it makes you want to read it again, just to experience the joy all over again.
But what really made Crime and Punishment the classic that it was is the picture of the best story in the world, the classic story of the world, showing through. The story of the Gospel, of Jesus Christ’s unending love and sin and salvation is clearly portrayed, and makes a joyous read.
Works cited:
Quotes are from Crime and Punishment by Fyodor Dostoevsky, 1886
Frank, Joseph (1995). Dostoevsky: The Miraculous Years, 1865–1871. Princeton University Press. ISBN 0-691-01587-2. (source found and taken from Wikipedia.com)
1 Peter 3:1 New International Version of The Holy Bible
Audio review: I had a hard time reading the book, simply because it was so huge that it was intimidating. I bought (ouch) the audio book of Crime and Punishment, recorded by Anthony Heald who did a fantastic job reading. His voices for the characters perfectly matched them, he felt for them, and he acted them. None of them were cheesy (yeah you all know how lame some male readers are at acting female voices). He read fast enough that the story didn't drag at all, but not so fast that you'd feel like you'd miss something if you didn't listen hard. I will definitely re-listen to the audio book.
Content: some gruesome descriptions of blood from the murder
Recommendation: Ages 14+
Crime and Punishment by Fyodor Dostoevsky. read by Anthony Heald.
Genre: Fiction, classic
Rating: 5
Sin, Sentence, and Salvation
The allegory of Crime and Punishment
Crime and Punishment, one of the more famous works of Fyodor Dostoevsky, is considered “the first great novel of his mature period,” (Frank, 1995) and is one of his more famous books, rivaled only by The Brothers Karamazov. What makes Crime and Punishment such a classic? Perhaps because it is a picture of the only classic, and greatest story of all time. Crime and Punishment is an allegory of Salvation.
Self-justified
The main character, Rodion Romanovich Raskolnikov, was a poor student at a university, and was overcome with hate toward an old pawnbroker, and decided to rid the world of her for the greater good of everyone. He believed that she was a “louse,” and since everyone would be happier without her, his actions would be justified. He believed that he had broken the letter of the law only, but that it didn’t have any authority over him anyway because it was written by people just as low as himself. He didn’t believe in God, and in prison he was convinced that he didn’t deserve his treatment, and that it was something he simply needed to get over with. He had no higher authority, so he said “my conscience is at rest.” This is a picture of man before he is touched by the merciful salvation of Christ.
A Troubled Man
Although Raskolnikov justified his actions in killing the old woman, he still felt an overwhelming sense of guilt and fear over what he did. He worked very hard at keeping it a secret, and at first he thought he could live with the guilt that sat in back of his mind, but he was wrong. Raskolnikov had horrible dreams, was always sick, and one of the other characters noticed that he was constantly “set off by little things” for no apparent reason (though the reader knew that it was only because it reminded him of his crime). This represents a man who knows in his heart that he is a sinner, but who will not turn and repent from his sin.
Unending Love
Sonya Semyonovna Marmeladov was the daughter of a drunkard who “took the yellow card” and prostituted herself to support her family. Throughout the book, Sonya began to love Raskolnikov. Eventually, Raskolnikov told Sonya his secret. Sonya was horrified, but still loved him and forgave him after her initial shock wore off. As Raskolnikov was fighting inside with his conscience and his sins, he repeatedly snapped at her, refused her comfort, yelled at her, and so on. He was a bitter, angry, hateful man—and yet Sonya forgave him for everything he did to her, and everything he had done in his past. What redeeming quality Sonya saw in the wretch and why she forgave him, one cannot begin to comprehend; aside from the simple truth that Sonya was a loving, gentile, merciful girl. She saw that Raskolnikov needed someone to love him and she reached out to him, even when he repeatedly pushed her away. Sonya’s love for him is a picture of Christ’s unending and perfect love to His sinful people.
A Silent Witness
When Raskolnikov finally broke down and confessed his crime, Sonya moved to Siberia with him. Raskolnikov expected this, and knew that telling her not to come would be fruitless. She visited him often in prison and wrote to his family for him. But although Raskolnikov expected her to preach to him and push the Gospel in his face, she did not. Sonya followed the scripture’s instruction to Christian wives with non-Christian husbands in 1 Peter 3:1—“ Wives, in the same way be submissive to your husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives…” The verse tells women to be good examples of Christ to their non-Christian husbands rather than to preach to them and try to convert them, and that is exactly what Sonya did, even though she was not married to him. She did not try to convert him with words; rather she won him with her love. She did not push the Testament into Raskolnikov’s hands, he asked for it. When she did bring it, she did not pester him to read it. She had faith, and showed Raskolnikov the love of Christ through her actions. In the end, it paid off. Although Dostoevsky does not specifically say that Raskolnikov was converted, he does imply that he eventually became a Christian when he mused “Can not her own convictions now be mine?”
The truth will set you free
When Raskolnikov finally realized that he loved Sonya, he accepted that he was a criminal, and a murderer. When he finally accepted that he was a sinner, he repented and had a new life in him. He said he felt like “he had risen again” and that Sonya “lived only in his life.” By life, Dostoevsky refers to his mentality. Before, he had been a living dead man in prison. He was hated by his inmates, was almost killed by them in an outbreak, was unaffected by anything that happened to him or his family, and eventually became ill from it all. But after his resurrection, he repented from his sins, learned to move on with his life, and started to change. He began to converse with his inmates, and they no longer hated him. Sonya was alive in his “life” because of her love for him. When he was changed, she was so happy that she became sick with joy, to the point that she was ill in bed. Dostoevsky paints a picture of a redeemed man at the end of his novel—redeemed both by the law, and by God. This picture symbolizes the miracle of salvation through Christ.
An amazing Allegory
Dostoevsky was a wonderful writer because of his use of dialogue to tell the story, his descriptive scenes, his powerfully developed characters, and their inner dialogue. He often times told you that something was happening by only telling you what the character who was speaking at the time said in response to what was going on. For example, if Sonya was standing up, Dostoevsky would write “… ‘hey, what do you stand for?’ for Sonya had stood.”
He also painted such good descriptions of his characters, that by the middle of the book he didn’t have to say that Raskolnikov was musing in the corner of the room, glaring at anyone who was brave enough to look at him, while he stewed in grief under his old ratted cap, because you knew from how well he was described earlier and how well his character was developed from the dialogue, that he was doing exactly that.
His characters are so real, they almost frighten you because you see the things they do and feel and experience reflected in your own life. They are not perfect—in fact they are all incredibly flawed, but they are a joy to read.
His ending is superb, because he closes the story without actually telling you everything. He never says that Raskolnikov was converted, he never says when he got out of prison, and he never says that Sonya and he were married, but you know that it happened. The last scene of the story is so superb, it makes you want to read it again, just to experience the joy all over again.
But what really made Crime and Punishment the classic that it was is the picture of the best story in the world, the classic story of the world, showing through. The story of the Gospel, of Jesus Christ’s unending love and sin and salvation is clearly portrayed, and makes a joyous read.
Works cited:
Quotes are from Crime and Punishment by Fyodor Dostoevsky, 1886
Frank, Joseph (1995). Dostoevsky: The Miraculous Years, 1865–1871. Princeton University Press. ISBN 0-691-01587-2. (source found and taken from Wikipedia.com)
1 Peter 3:1 New International Version of The Holy Bible
Audio review: I had a hard time reading the book, simply because it was so huge that it was intimidating. I bought (ouch) the audio book of Crime and Punishment, recorded by Anthony Heald who did a fantastic job reading. His voices for the characters perfectly matched them, he felt for them, and he acted them. None of them were cheesy (yeah you all know how lame some male readers are at acting female voices). He read fast enough that the story didn't drag at all, but not so fast that you'd feel like you'd miss something if you didn't listen hard. I will definitely re-listen to the audio book.
Content: some gruesome descriptions of blood from the murder
Recommendation: Ages 14+
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