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AVP: Evolution
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Please note: iPod touch (4th gen) is NOT supported. Check out AVP: Evolution 3.0 remastered, now...
Vector HD Free
Games and Sports
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The best parkour-inspired action game on iOS is now FREE! Vector lets you break free and run! Don't...
Vector for iPhone
Games and Sports
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The best parkour-inspired action game on iOS is now FREE! Vector lets you break free and run! Don't...
Bloons TD Battles
Games and Entertainment
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Play the top-rated tower defense franchise in this free head-to-head strategy game. It's monkey vs...
ABC Alphabet Phonics - Preschool Game for Kids
Education and Games
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Grasshopper Apps = Top Educational Apps for Kids :-) Warning: Your child will keep begging for...
Merissa (12066 KP) rated A Voice at Midnight (Regency Rhapsody #4) in Books
Apr 10, 2023
Veronica Swift is given an ultimatum by her step-father - she must marry by the New Year or she will have to learn to live without her inheritance. After arguing against this as best she can in those times, she accepts the advice of her companion and goes to visit her friend for the holidays who is hosting a party.
When she gets there she meets two men who are also attending together and feels a strange sense of familiarity with them both. Then the atmosphere of the castle comes into play and people start acting strangely, shadows are cast by no one and music can be heard where there should be none.
The ghosts at Wyemont Castle are real and they are certainly not like Casper! There has been a curse placed on the castle and its inhabitants and the ghosts keep trying to make history repeat itself so that the curse won't be broken.
This is a wonderfully written novella with enough action going on to keep you intrigued as you turn the pages. It is written in a genteel style so completely appropriate for the times. This is not a bodice-ripper but is all proper and above board (unless you count a couple of kisses between Vero and Tristan before they announce their courtship/engagement). With this story, you could either read it on the build-up to Samhain/Halloween for the ghost story aspect or on the build-up to the Winter Solstice as this is when the story reaches its climax. Either way, I would recommend curling up with this book, a hot drink and relax.
I love Elizabeth Cole's writing style and have enjoyed more than one of her books. I can recommend her highly without hesitation.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
August 11, 2016
When she gets there she meets two men who are also attending together and feels a strange sense of familiarity with them both. Then the atmosphere of the castle comes into play and people start acting strangely, shadows are cast by no one and music can be heard where there should be none.
The ghosts at Wyemont Castle are real and they are certainly not like Casper! There has been a curse placed on the castle and its inhabitants and the ghosts keep trying to make history repeat itself so that the curse won't be broken.
This is a wonderfully written novella with enough action going on to keep you intrigued as you turn the pages. It is written in a genteel style so completely appropriate for the times. This is not a bodice-ripper but is all proper and above board (unless you count a couple of kisses between Vero and Tristan before they announce their courtship/engagement). With this story, you could either read it on the build-up to Samhain/Halloween for the ghost story aspect or on the build-up to the Winter Solstice as this is when the story reaches its climax. Either way, I would recommend curling up with this book, a hot drink and relax.
I love Elizabeth Cole's writing style and have enjoyed more than one of her books. I can recommend her highly without hesitation.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
August 11, 2016
Debbiereadsbook (1202 KP) rated Hanging with Daddy (Pride Pet Play 2023) in Books
Jun 13, 2023
cute and sweet but maybe not for me.
Independent reviewer for Archaeolibrarian, i was gifted my copy of this book.
I love JP Sayle, you know I do. I've watched the skill this author has grow from the very beginning, and I'm incredibly proud of the work this author continues to produce.
But!
This one I found a little too sweet for me, and I hate that I did.
It's well told, from both Gaines and Austin's point of view. It's the first I've of a koala as a chosen pet for play, and at times, I did find the koala stuff too much. There were koalas in everything, EVERYTHING Gaines did, and it was a bit overpowering.
I loved that both men had an immediate and powerful reaction to the other, and both men, once they started to get to know each other, were fully able to adapt and bend to the others' needs, without sacrificing their own. I liked that Austin gave Gaines time to work things out in his head, before he came to Austin, even if it killed Austin to wait.
I loved that we got to catch up with Terrence and Warner from A Little Christmas, Terrence. It's always great catching up with characters fromprevious reads, even in those that can stand alone from others.
I really liked that, while some things *little* were mentioned in passing, and others were talked about, Gaines doesn't slip far into little-space. He's more a pet-space kinda guy and I did like that. LOVED the descriptions of Gaines climbing Austin like a pole! LOVED them!!
It's steamy and smexy, not overly emotional and there is no real drama, save for Gaines getting his head straight to talk to Austin.
It just didn't really work for me, and I hate that it didn't! I'm sorry, Jayne!
3 good, but not really for me, stars
*same worded review will appear elsewhere
I love JP Sayle, you know I do. I've watched the skill this author has grow from the very beginning, and I'm incredibly proud of the work this author continues to produce.
But!
This one I found a little too sweet for me, and I hate that I did.
It's well told, from both Gaines and Austin's point of view. It's the first I've of a koala as a chosen pet for play, and at times, I did find the koala stuff too much. There were koalas in everything, EVERYTHING Gaines did, and it was a bit overpowering.
I loved that both men had an immediate and powerful reaction to the other, and both men, once they started to get to know each other, were fully able to adapt and bend to the others' needs, without sacrificing their own. I liked that Austin gave Gaines time to work things out in his head, before he came to Austin, even if it killed Austin to wait.
I loved that we got to catch up with Terrence and Warner from A Little Christmas, Terrence. It's always great catching up with characters fromprevious reads, even in those that can stand alone from others.
I really liked that, while some things *little* were mentioned in passing, and others were talked about, Gaines doesn't slip far into little-space. He's more a pet-space kinda guy and I did like that. LOVED the descriptions of Gaines climbing Austin like a pole! LOVED them!!
It's steamy and smexy, not overly emotional and there is no real drama, save for Gaines getting his head straight to talk to Austin.
It just didn't really work for me, and I hate that it didn't! I'm sorry, Jayne!
3 good, but not really for me, stars
*same worded review will appear elsewhere
Lee (2222 KP) rated Rent-A-Pal (2020) in Movies
Nov 2, 2020
If by any chance you’re feeling nostalgic for the days of VHS videotapes, then Rent-A-Pal is here to satisfy that craving. Set in Denver during 1990, VHS video features rather heavily throughout Rent-A-Pal, from the retro font used in the opening titles to the closeups of videotapes being inserted into a VCR, the internal mechanism engaging with the tape as it prepares to play.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.
The person responsible for firing up the VCR is David (Brian Landis Folkins), who is settling down to view the latest set of video profiles he’s received from dating agency Video Rendezvous, of which he is a member. David lives in the basement flat of his mum’s house, who has dementia. His father died ten years ago, meaning David is now the sole carer for his mother. And David is lonely, painfully lonely. When he calls Video Rendezvous for an update on any profile matches, he’s told that he has still not received any interest from potential partners who have viewed his profile. He is however urged to come into their office and record a new video profile, as his current one is now 6 months old.
When David sits down in front of the camera to record his new profile, he comes across well, showing just how much of a nice guy he is – a caregiver who simply wants the chance to care for a soulmate, sharing life within a loving relationship. You really do feel for him, certain that the genuine sincerity in his video will finally land him the date he so desperately needs and deserves. That is until the cameraman informs him that he has completely overrun the thirty-second limit allocated to male video profiles and that he is going to have to do it again. The shortened version David then delivers under pressure is rushed, with David now coming across as awkward and creepy, and your heart drops, knowing that he’s likely to remain single for a while longer yet. But then, as he’s having his credit card swiped by the dating agency yet again, David notices an interesting VHS sitting in the nearby bargain bin, titled Rent A Pal, and decides to buy it.
Back in his basement, David puts the Rent-A-Pal video into his VCR and presses play. He’s greeted by Andy (Will Wheaton), a cheery-looking man in a colourful knitted tank top. Andy talks of becoming best friends with David, asking him questions and leaving a pause to allow David to answer. Those pauses aren’t always long enough though, resulting in David being cut off mid-sentence, and the responses from Andy don’t always match the answers that David has given him either. But, desperate for a friend, David persists with this strange form of interaction.
We see that after repeat viewings of the tape David has managed to perfect his responses so that the conversation flows between him and Andy as if it were a real-life conversation. There are parts of the video where Andy plays cards with the viewer, takes a selfie with his back to the camera so that the viewer can be in it, and he and David are able to have the kind of deep and meaningful conversations that only two very good friends would have. It’s a rather lengthy and elaborate videotape, with certain sections earning a revisit should David ever feel the need to have a specific conversation about a certain aspect of his life. Eventually, we as the audience begin to wonder how much of this ‘relationship’ is real or imagined, with some of the questions or replies from Andy beginning to sound eerily close to being very specific and personal to David.
In his real life, David finally gets a lucky break with the dating agency, landing a date with Lisa (Amy Rutledge). Lisa also works in the care sector, and she comes across as a very nice person too. Once again you find yourself willing David to do well and thankfully, they do hit it off. But from the moment David brings Lisa down to his basement and you see that somebody is likely to sit on the VCR remote, you just know things are due to take a dark turn.
Watching David as he interacts with Andy for hours on end, day after day is surprisingly riveting. I was completely engrossed in him and his life as I waited and hoped he might catch a break. For much of the movie, I was just mesmerised by the wonderful performances from the entire cast, thoroughly enjoying the believable, likeable characters they portrayed. But, Rent-A-Pal is billed as a horror movie, so when things do eventually take a turn right at the end, we get a fast-paced, gory ending which felt somewhat disappointing, proving to be the weakest aspect of a movie which really did impress me overall.