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Phil Leader (619 KP) rated Taylor's Plight (The Sanctum Series #3) in Books
Nov 26, 2019
Taylor's Plight is the third book in The Sanctum series of pre-teen adventure novels by Katrina Cope. Once again Jayden, Eva, Robert and Aaron are attempting to stop terrorism by using 'surrogates' - robots they can control remotely that appear to be human.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
BankofMarquis (1832 KP) rated Judy (2019) in Movies
Feb 6, 2020
Brilliant performance by Zellwegger - and not much else
Renee Zellwegger is absolutely brilliant in her channeling of Judy Garland in the film JUDY. She deserves to - and WILL WIN - the Oscar for Best Actress. Her performance is amazing and I forgot that I was watching an actress playing Judy Garland and fell into a trance thinking I was actually watching the real Judy Garland.
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
JT (287 KP) rated Takers (2010) in Movies
Mar 10, 2020
The bank heist, it’s been done to death in Hollywood over the years but it still seems to be a film favourite. You’d be hard pressed to find a really bad one out there and most of the ones that I have seen have been exceptional films.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
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