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Strange Brew
7.6
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Today's hottest urban fantasy authors come together in this delicious brew that crackles and boils...
Wilderness Bound (The Wilderness Series Book 3)
Book
Love is the silver lining in a cloud of woe. The legacy continues… A grand adventure where the...
Pamela Ackerson series fiction adult historical fiction historical romance
Across the Wilderness (The Wilderness Series Book 1)
Book
This is the story that started it all, introducing the Wilderness time travel series, a timeless,...
Western time travel Native Americans fiction adult Pamela Ackerson
Under His Skin (Alien Encounters #1)
8.0
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Earth girls are never easy. But they're worth it. Bakery owner Annabelle Sparks' business is...
Science Fiction Romance
Death on the Set
7.0
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Former high school guidance counselor, Brenna Flynn, returns home to Bayview City after the sudden...
LeftSideCut (3776 KP) rated Censor (2021) in Movies
Jan 6, 2022
Censor is yet another shining example of how damn good modern horror can be. Every minute of it's rather brisk runtime is simultaneously unsettling and intoxicating.
Lead Niamh Algar gives us a sympathetic and increasingly unhinged protagonist to get behind, even when things really take a sinister turn. You so desperately want her to be right in her suspicions, even as the reality grows clearer, and Algar carries all of this with aplomb. It's her show through and through.
The constant foreboding atmosphere is complimented by a brooding music score, plenty of great cinematography and a colour scheme that manages to be vibrant and bleak. The finale in particular nails it's landing with the help of some hugely effective and stylish editing tricks.
A hugely impressive and tight debut feature length from Prano Bailey-Bond. I'm excited to see what she brings to the table next.
Lead Niamh Algar gives us a sympathetic and increasingly unhinged protagonist to get behind, even when things really take a sinister turn. You so desperately want her to be right in her suspicions, even as the reality grows clearer, and Algar carries all of this with aplomb. It's her show through and through.
The constant foreboding atmosphere is complimented by a brooding music score, plenty of great cinematography and a colour scheme that manages to be vibrant and bleak. The finale in particular nails it's landing with the help of some hugely effective and stylish editing tricks.
A hugely impressive and tight debut feature length from Prano Bailey-Bond. I'm excited to see what she brings to the table next.
The Last Roman: Exile
Book
Some debts you cannot repay, even if you live forever... Seasoned imperial officer Marcus...
historical fiction thriller fantasy
Whatchareadin (174 KP) rated The Favorite Sister in Books
Apr 9, 2019
Goal Diggers is a reality TV show based on women entrepreneurs. These women have made their own way in life without the help of a man. The story centers around two characters on the show, Brett and Stephanie. Brett is the lesbian who doesn't care about what others things about her, with the bike riding studio who donates proceeds from her studios to women in Morocco who have to walk miles for water. They use the money to purchase bikes for these women. Stephanie is just the opposite refusing to film without a full face of makeup and she has written a few novels and now is on tour for her first "memoir". The other 2 characters on the show are Jen and Lauren, who don't really get along with the rest of the cast, and joining them this season is Kelly, Brett's older sister. Is reality TV really real? Are what is going on in these women's lives really happening or is it played up for the audience. This book takes us from Pre-Production on the show to Post-Production for one of the most explosive seasons. Are you ready for the ride?
Thank you to NetGalley and Simon & Schuster for the opportunity to read and review this book.
Getting into this book was hard. It took me 10 days to read it and I thought I would get through it pretty quickly. I love the Real Housewives series with my favorites being Atlanta, and Beverly Hills and this book I thought was going to be like taking a behind the scenes look at a show like that. It was, but for me it fell a little short.
The book starts with Kelly talking about Brett's death. But we have to go through the whole season of filming to see how that all plays out. Each woman has a secret to keep with one being bigger and juicier than the next. So from the start I was intrigued and I had to find out how Brett died, but it just took so long to get there. Back stories and front stories, and Interviews and lies. It's all a complete mess. The best part of the book for me was the last 10%.
Do you watch Reality TV? My husband calls it mind polluting. But he watches a couple of them with me. I've always wanted to know if the show was scripted and if these women were all either enemies or best friends when the cameras go off. You get a glimpse of that in this book. They take us through an entire filming season before the audience gets to see what happens. Producers sending texts to cast members before they are going to meet up with certain people to remind them of last filmed conversations? I need to ask Andy Cohen if that really happens. But with so much drama going on, whose lies do you believe?
Thank you to NetGalley and Simon & Schuster for the opportunity to read and review this book.
Getting into this book was hard. It took me 10 days to read it and I thought I would get through it pretty quickly. I love the Real Housewives series with my favorites being Atlanta, and Beverly Hills and this book I thought was going to be like taking a behind the scenes look at a show like that. It was, but for me it fell a little short.
The book starts with Kelly talking about Brett's death. But we have to go through the whole season of filming to see how that all plays out. Each woman has a secret to keep with one being bigger and juicier than the next. So from the start I was intrigued and I had to find out how Brett died, but it just took so long to get there. Back stories and front stories, and Interviews and lies. It's all a complete mess. The best part of the book for me was the last 10%.
Do you watch Reality TV? My husband calls it mind polluting. But he watches a couple of them with me. I've always wanted to know if the show was scripted and if these women were all either enemies or best friends when the cameras go off. You get a glimpse of that in this book. They take us through an entire filming season before the audience gets to see what happens. Producers sending texts to cast members before they are going to meet up with certain people to remind them of last filmed conversations? I need to ask Andy Cohen if that really happens. But with so much drama going on, whose lies do you believe?
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.