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Zero Dark Thirty (2013)
Zero Dark Thirty (2013)
2013 | Drama
So I have been putting off seeing this movie since it was released. Well, not really. I just never made it a priority. There was always something else to watch or capture my time. I wish I wouldn't have waited so long to see it.

I was under the false impression that Joel Edgerton and Chris Pratt would be primary characters in the story line. They played their roles, but the true ownership of the script has to go to Jessica Chastain (whom I have a newfound respect for) with a side of Jason Clarke. To be honest, I hadn't read much about the movie either. Mainly just had an idea of it being about the assault on Bin Laden.

There is a level of mental anguish during the movie that I didn't expect. You come to terms with the reality that these people are living trying to fulfill their duty while being able to sleep at night and having a need to protect their families and loved ones.

Zero Dark Thirty isn't an outright action movie as expected. There are some action sequences and those are done well, but the real strength of the movie is the mental gymnastics endured by all involved.
  
Bugsy Malone Soundtrack by Paul Williams
Bugsy Malone Soundtrack by Paul Williams
1976 | Rock
(0 Ratings)
Album Favorite

"I wonder if a little kid is watching that movie, is it scary? Because when the kids get shot with the pie or whatever, they disappear, they don't come back, you're dead. I love the sound of all the songs, and the songwriting is amazing - it's just one of those perfect combinations of songwriting and production, and I think he sings all the songs. That's what gives the film its unique tone, because it could be this soupy Disney-style exploitation of the innocence of a child's voice, but it's this grown man, and you fully buy into the reality of the setting. Sure it's a send up of the Prohibition-era gangster genre but you can watch the scene of the guy singing 'Tomorrow' and start weeping - it's just so real. And you've got the little girl dancing around doing her ballet, it gives you shivers. And it's a very dark movie, it kind of looks like The Godfather, very darkly lit. Jodie Foster is amazing - she's like one of the best child actors of all time. I think that a great musical has its moments of hilarity and then also moments of deep sadness, pathos. I think we probably veered too far on the dark side with our musical."

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