"I wonder if a little kid is watching that movie, is it scary? Because when the kids get shot with the pie or whatever, they disappear, they don't come back, you're dead. I love the sound of all the songs, and the songwriting is amazing - it's just one of those perfect combinations of songwriting and production, and I think he sings all the songs. That's what gives the film its unique tone, because it could be this soupy Disney-style exploitation of the innocence of a child's voice, but it's this grown man, and you fully buy into the reality of the setting. Sure it's a send up of the Prohibition-era gangster genre but you can watch the scene of the guy singing 'Tomorrow' and start weeping - it's just so real. And you've got the little girl dancing around doing her ballet, it gives you shivers. And it's a very dark movie, it kind of looks like The Godfather, very darkly lit. Jodie Foster is amazing - she's like one of the best child actors of all time. I think that a great musical has its moments of hilarity and then also moments of deep sadness, pathos. I think we probably veered too far on the dark side with our musical."

"What I love about Mulholland Dr. is its full commitment to and immersion in this world of chaotic femininity that almost seems to loop and has no beginning, middle, or end. It’s my favorite film, and I think it’s the best film about actresses and being an actress. How Lynch destabilizes the idea of what a realistic character is—I find that more true to the chaotic emotional reality that the film is trying to convey than something more linear. This film just plucks away at something deep and dark in the back of my monkey brain, and I can’t get enough of it. The way he uses mood and sound, and the way he has nightmarish visions and images, like the lady behind the dumpster—he just lets that hover over the film and you feel like you’re going to see her again but you never do. I know there have been criticisms of the way he portrays women, particularly white women, and white people. People critique the lack of diversity in his films, and I understand why, but I almost feel as though ideas like whiteness and femininity are characters in his films that he explodes in the way I believe they should be."