Search
Search results
Budapest Travel Guide (with Offline Maps) - mTrip
Travel and Lifestyle
App
9/10 in WIRED’s App Guide - Selected as an Honoree in the Webby Awards - Featured in CNN’s 50...
NAVIGON U.S. West
Navigation and Travel
App
With NAVIGON you can turn your iPhone or iPad into a fully functional mobile navigation system....
BankofMarquis (1832 KP) rated The Black Phone (2022) in Movies
Jul 19, 2022
Tense and Suspenseful
Part STRANGER THINGS and Part IT, the new Blumhouse film, THE BLACK PHONE, is a surprisingly effective horror/thriller that is reminiscent of the better Stephen King stories - and that just might be because the short story for which this film is based on is written by Joe Hill - Stephen King’s son.
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ross (3284 KP) rated Black Mirror - Season 1 in TV
Jan 8, 2018
These three near-future / alternative reality episodes tell of a different chilling aspect of human life. All are fantastical, though worryingly plausible. Charlie Brooker has pretty much nailed the line between believable and speculative fiction.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
Shaun Collins (3 KP) rated Star Trek, Volume 12 in Books
Jan 12, 2018
The ship passes through an Ion storm and enters the mirror universe for this time line, discovering Khan is alive in the mirror reality, and in the second set of issues, rescues a pair of crew members from a renegade faction of the Orions.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Hazel (2934 KP) rated Girl on Fire in Books
May 7, 2018
Addictive reading
"I woke up and the world was gone.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.
Whatchareadin (174 KP) rated The Hate u Give in Books
Apr 3, 2019
Starr Carter lives in Garden Heights, which is the ghetto. She goes to the predominately white private school, Williamson, where she has to pretend to be someone she is not. When she witnesses the murder of one of her closest friends, Khalil, from the neighborhood, by the hand of a white police officer, she has to take a closer look at herself, her neighborhood, and the friends she chooses to hang with.
I have been wanting to read this book for a long time. Now, that it's a movie, I had to get it in before I went to see it.
This book really resonates with the times we are now living in. For people of color in this country, every day is a reality that your life can be cut short, by one wrong move. Even if that move is not going to harm another person.
For Starr Carter, being the only witness comes with a lot of pressure to speak about what happened or to keep it inside. Speaking out can mean trouble for her family and herself. Keeping it inside, means that Khalil will never get justice for his death. While Starr decides what to do, life must go on. She examines her relationship with her friends at Williamson, she reflects back on her life with Khalil, and she grows closer to her family.
This is a great book for everyone to read. Please read it and see the movie.
I have been wanting to read this book for a long time. Now, that it's a movie, I had to get it in before I went to see it.
This book really resonates with the times we are now living in. For people of color in this country, every day is a reality that your life can be cut short, by one wrong move. Even if that move is not going to harm another person.
For Starr Carter, being the only witness comes with a lot of pressure to speak about what happened or to keep it inside. Speaking out can mean trouble for her family and herself. Keeping it inside, means that Khalil will never get justice for his death. While Starr decides what to do, life must go on. She examines her relationship with her friends at Williamson, she reflects back on her life with Khalil, and she grows closer to her family.
This is a great book for everyone to read. Please read it and see the movie.
Sassy Brit (97 KP) rated Say My Name in Books
Jun 5, 2019
Drawing on her impressive intellectual prowess, Allegra Huston introduces us to a spectacular cast, all each with their part to play.
This story goes beyond the love and friendship surface and digs deep into the sensual world of danger and excitement from which the main character, middle-aged Eve Armanton, blossoms. But this is no normal voyage of self-discovery, but an empowering awakening brought on by a much younger musician Micajah, and a mysterious, battered old violin. Through these Eve has a startling realisation that her life will never be the same again – with or without a man in her life.
The author has a very distinct writing style with a kind of musical rhythm of her own! What I thought was just going to be a basic love story with a happy ending, turned into an exciting, page-turning thrill.
Eve is buried under the difficulties of her married life and the longing to find who she really is. But how far is she prepared to go to discover her own true power?
I liked the connection (which I think was intentional) between the the shattered violin and Eve’s life. Both had seen better days. Both were lost and now found. But what is to become of them?
A stirring account of a broken wife slowly coming to terms with the reality of what is her life, one powerfully sensual beat at a time.
This story goes beyond the love and friendship surface and digs deep into the sensual world of danger and excitement from which the main character, middle-aged Eve Armanton, blossoms. But this is no normal voyage of self-discovery, but an empowering awakening brought on by a much younger musician Micajah, and a mysterious, battered old violin. Through these Eve has a startling realisation that her life will never be the same again – with or without a man in her life.
The author has a very distinct writing style with a kind of musical rhythm of her own! What I thought was just going to be a basic love story with a happy ending, turned into an exciting, page-turning thrill.
Eve is buried under the difficulties of her married life and the longing to find who she really is. But how far is she prepared to go to discover her own true power?
I liked the connection (which I think was intentional) between the the shattered violin and Eve’s life. Both had seen better days. Both were lost and now found. But what is to become of them?
A stirring account of a broken wife slowly coming to terms with the reality of what is her life, one powerfully sensual beat at a time.
Ashley Catron (66 KP) rated The After Wife in Books
Mar 7, 2018
Contains spoilers, click to show
** spoiler alert ** The book started out really strong and then just kind of tanked for me. I am the type of person where, if I like the book, I can retain minute details about it. I can stop reading somewhere and still be able to pick back up where the story is no longer how much time has passed. I did not experience that with this book. I was roughly halfway through when I put it down and when I came back, I could not remember half of what was going on. It was just very easily forgotten and the story was all over the place. The description on the back makes this seem like it will be a great book about a widow who learns to overcome in the face of death, but instead, it just screams "reality" television. In between her ability to suddenly see dead people, being attracted to any guy who gives her any form of attention, her "support network" of friends that all have severe issues, and then randomly being tasked to solve her husband's murder since she can see dead people and now solving all the cold case files, it was just too much for one book. The characters are easily forgotten, the story does not feel real, and it took until the last 2 pages of the book to finally find out who killed the husband. Overall I would not recommend it.
Sarah (7798 KP) rated Black Mirror - Season 4 in TV
Mar 26, 2018
Back on form
I'm probably one of the few people who didn't rate the third series of Black Mirror. In my eyes, it just wasn't up the high standards set by the previous series. So I'd put off watching series 4 as i didn't have very high expectations, but I'm now very sad that I didn't watch it sooner!
This is a fantastic series with a lot of very strong episodes. From the USS Callister which really makes fun of the old school sci-fi shows, to Hang the DJ which introduces a whole new method to modern dating. Virtually every episode is full of dark humour, with very ominous overtones. My favourite would have to be Black Museum, as it is ridiculously funny and I loved the references to the previous episodes. The only truly weak episode would probably be Metalhead and that was more due to the execution rather the premise itself.
For me, the best thing about Black Mirror is the social and cultural commentary and the use of technology for sinister means. As this is set in an alternate or near future, you can almost see these things happening in reality and each episode is a great talking point (if you happen to be watching it with someone else). Arkangel is a great example, highlighting the pitfalls of overprotective parenting.
A fantastic return to form for Black Mirror, and has left me wanting more!
This is a fantastic series with a lot of very strong episodes. From the USS Callister which really makes fun of the old school sci-fi shows, to Hang the DJ which introduces a whole new method to modern dating. Virtually every episode is full of dark humour, with very ominous overtones. My favourite would have to be Black Museum, as it is ridiculously funny and I loved the references to the previous episodes. The only truly weak episode would probably be Metalhead and that was more due to the execution rather the premise itself.
For me, the best thing about Black Mirror is the social and cultural commentary and the use of technology for sinister means. As this is set in an alternate or near future, you can almost see these things happening in reality and each episode is a great talking point (if you happen to be watching it with someone else). Arkangel is a great example, highlighting the pitfalls of overprotective parenting.
A fantastic return to form for Black Mirror, and has left me wanting more!