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BankofMarquis (1832 KP) rated The Black Phone (2022) in Movies
Jul 19, 2022
Tense and Suspenseful
Part STRANGER THINGS and Part IT, the new Blumhouse film, THE BLACK PHONE, is a surprisingly effective horror/thriller that is reminiscent of the better Stephen King stories - and that just might be because the short story for which this film is based on is written by Joe Hill - Stephen King’s son.
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ross (3284 KP) rated Black Mirror - Season 1 in TV
Jan 8, 2018
These three near-future / alternative reality episodes tell of a different chilling aspect of human life. All are fantastical, though worryingly plausible. Charlie Brooker has pretty much nailed the line between believable and speculative fiction.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
The first episode sees the UK prime minister forced into considering an unpleasant act after a ransom demand from a kidnapper. It serves as a good representation of media coverage and their involvement in spreading panic and stoking outrage.
The next episode was a near-future look at a world where some classes of people spend their days on exercise bikes, presumably powering society. They are forced to watch endless hours of a small number of TV shows and are charged a fee to skip pop-up adverts for porn shows. The indictment of where society is headed, including the disposability of talent shows and how much more mandatory watching adverts could become, felt like something of a warning to turn back now!
The final episode revolved around people having the ability to instantaneously rewind and re-view moments of their lives and cast it to TV screens. The story looks at how this plays a part in a man's suspicions over his wife's faithfulness to their marriage. Similar to the previous 2 episodes, it shows that the technology, and people's reliance on it, does not help real life in any way, rather it further fuels suspicion and malcontent.
Three stories about the way the human race is headed told brilliantly.
Shaun Collins (3 KP) rated Star Trek, Volume 12 in Books
Jan 12, 2018
The ship passes through an Ion storm and enters the mirror universe for this time line, discovering Khan is alive in the mirror reality, and in the second set of issues, rescues a pair of crew members from a renegade faction of the Orions.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Hazel (2934 KP) rated Girl on Fire in Books
May 7, 2018
Addictive reading
"I woke up and the world was gone.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.
All was silent, all was black, the darkness so complete that it was as if all the light had been drained from the world."
Those are the dramatic opening lines to this book which had me hooked and eating up the pages as if my life depended on it.
Mr Parsons writes with grit, authenticity and humanity which I find very addictive and although Max isn't perfect by any stretch of the imagination, he is a very engaging character that I love getting to know a little more with each outing.
I must admit that there were times when I felt reality was ignored for the sake of the story (i.e. missed suspects which, in my opinion, were glaringly obvious) but I just put them to one side and continued to enjoy the ride on Mr Parsons' roller-coaster because, after all, this isn't a true story although the subject matter certainly is unfortunately.
Although this can be read as a standalone, I would very much recommend you read the others in the series as this will give more depth and understanding to the main characters and will enhance the whole reading experience.
I would highly recommend this series and Tony Parsons as a great British author and would like to thank the publisher, Random House UK, Cornerstone and NetGalley for my copy in return for an impartial review.