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ClareR (5674 KP) rated Little in Books

Jul 20, 2020 (Updated Jul 20, 2020)  
Little
Little
Edward Carey | 2020 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
Little by Edward Carey was an absolute joy to read. It didn’t occur to me that this was about the early years of Madame Marie Tussaud (or Little) until I’d read the first two chapters. That’s when I decided that I should perhaps read the synopsis. Part of me wishes I hadn’t, because I would have loved the reality to gradually dawn on me. What an early life she lived though!

18th century Paris was a place of great uncertainty - and this book has echoes of Dickensian London. It’s so much more than that though. Not only do we get some wonderful descriptions of the sights, sounds and smells of Paris at the time, we also get to look at Edward Carey’s beautiful pictures. I say beautiful, they’re pictures that portray people in their sometimes beautiful ugliness (that’s a thing, right?).

The life that Little lives! I hadn’t known any of the background of Madame Tussaud, and to be honest, with the way her formative years went, I’m astonished that she survived to old age. The Paris of the French Revolution was a dangerous place, and Little had come to know some dangerous people.

I don’t want to say anything else. It would be a shame for me to reveal any of the (what were to me) big surprises. This is a startling, moving, frustrating, emotional, bizarre, glorious journey through the French years of Madame Tussaud’s life. It was recommended to me by book blogger @yearsofreading, and I’m so glad I listened to her. Now I recommend that if you haven’t read this book, and you’ve read my review this far, go out and read it. You won’t regret it!
  
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LeftSideCut (3778 KP) rated The Texas Chain Saw Massacre (1974) in Movies

May 20, 2021  
The Texas Chain Saw Massacre (1974)
The Texas Chain Saw Massacre (1974)
1974 | Horror
9
8.3 (44 Ratings)
Movie Rating Watch
Tobe Hooper's seminal The Texas Chain Saw Massacre is a straight up horror classic, that changed the face of the genre. It's influence can be seen all over the place, and it's notoriety is still prominent. To this day, TTCSM is still misunderstood by wider audiences. It's title, alongside it's "video nasty" reputation that stuck for decades, suggests that the viewer is in for a depraved gore fest, when in reality, this film borders on arthouse more often than not. Its brimming with iconic shots, and beautiful cinematography work courtesy of Daniel Pearl. In terms of gore, you don't see much of it. Pretty much all of the violent scenes are implied, and the movie shies away from showing anything explicit, a move that is incredibly effective.
Its pacing is pretty much perfect. The slow build first half is suitably uncomfortable, and full of great performances that keep it engaging. When things kick off, it grabs you by the throat and doesn't let go until the credits roll. Some incredibly well done sound design and tense music score compliment the breakneck final act, that is just an unencumbered assault on the senses. It's exhausting (in a good way).
Marilyn Burns' Sally is a badass final girl that causes the Sawyer family a whole bunch of trouble, and Leatherface is a wonderfully portrayed maniac - a genuinely terrifying MF, who has a sympathetic side. He's the main reason why TTCSM is still scary as fuck all these years later. The scares on display are all well earned, and the jump moments are startling and are far from being cheap.

What more can I say, TTCSM is truly one of the greats. It's uncomfortable, entertaining, extremely well put together, and is wholeheartedly deserving of its place in horror royalty.