Search
Fairy Tale Catalog - Big Book of 555 Fairy Tales
Catalogs
App
The first fairy tale catalog, including 555 stories - nearly all fairy tales that have ever been...
Goddess in the Stacks (553 KP) rated Cruel Beauty in Books
Apr 26, 2018
After reading Bright Smoke, Cold Fire I knew I HAD to find more Rosamund Hodge. She has a fantastic flair for taking fairy tales (or Shakespeare!) and twisting them into something darker but more realistic. Cruel Beauty is a twist on Beauty and the Beast, but this is no Stockholm Syndrome-suffering Beauty. She is resentful, and bitter, and angry at her father for subjecting her to this. She has trained her entire life to go to the Beast and destroy him, even if it means destroying herself too. What she find at the castle is nothing like what she expected, though, and neither is she what Hodge's Beast expects. Watching these two bitter, mocking characters dance around each other to get to the bottom of the curse and what actually happened to their world is engrossing and beautiful.
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
My Crochet Doll: A Fabulous Crochet Doll Pattern with Over 50 Cute Crochet Doll Clothes and Accessories
Book
Create an adorable doll and her stylish wardrobe. Isabelle Kessedjian's 50 crochet patterns include...
Early reading kids books - reading toddler games
Games and Education
App
From creators of ABC Games featured by the Guardian! Turn your iPad or iPhone into a fun learning...
The Fairy Tales of the Brothers Grimm
Noel Daniel, Wilhelm Grimm, Jacob Grimm and Matthew R. Price
9.0
Rate It
Book
This is a compendium of the Brothers Grimm's most beloved fairy tales, newly translated and...
Gareth von Kallenbach (980 KP) rated Into the Woods (2014) in Movies
Aug 6, 2019
For those seeking a big dose of magic this holiday season, Disney’s “Into the Woods” aims to deliver just that. Adapted to the silver screen from the original Broadway musical production by Stephen Sondheim, the plot intertwines several of the Grimm Brothers’ fairy tales to create one story.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
Jack and the Beanstalk by Nosy Crow
Book and Games
App
Welcome to Jack and the Beanstalk - Unlock the Story! Our Jack and the Beanstalk app blurs the...
Gareth von Kallenbach (980 KP) rated Hoodwinked Too! Hood vs Evil (2011) in Movies
Aug 7, 2019
Does anyone remember the original Hoodwinked movie? Nobody else does, either. Blue Yonder Films, the studio that brought you Doogal tries to pull another rabbit out of their hat by releasing a sequel to the twisted fairy-tale movie titled Hoodwinked Too: Hood vs. Evil. All of the original voice characters are present from the first film, except for Red (Anne Hathaway was replaced by Hayden Panettiere), and Kirk the Woodsman (Jim Belushi , who was replaced by Martin Short).
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
Heathere' (25 KP) rated Fables & Fairy Tales to Cross Stitch in Books
Apr 24, 2018
Cross Stitch/ point de croix~with a retro feel!
There are so many patterns to choose from in this book by, Véronique Enginger. This is a newer release book and originally available in French with a different cover and at a much higher price. I adore Véronique's patterns and am a big fan of her work! This book is full of fairy tale characters, characters from fables and French nursery rhymes. My favorite is Little Red Riding Hood but Beauty & The Beast and The Little Mermaid were also in the run for my favorite. I would complete all of the patterns, I love this book, that much! I like that Véronique creates patterns that can tell a story or you can choose to stitch a smaller scene or character. Véronique's patterns of faces are incredible and look like true works of art. It is very difficult finding cross stitch patterns with such natural looking faces. I have made several of her patterns and they are easy to follow and look just like the finished samples on the pages of her books. This book has given me so much inspiration and joy and I can't wait to work on more of the patterns. The book is hardcover and has nice big pages to make it easy to work from. The patterns have a retro feel that you might find on a 1940's-50's apron, blanket or tablecloth. I highly recommend this book for cross stitch enthusiasts, like myself. This isn't a beginner's book, however and should know how to read a cross stitch graph. It's also helpful to know how to stitch on linen to give these a more professional feel and more realistic look.
Rachel King (13 KP) rated Beauty and the Werewolf (Five Hundred Kingdoms, #6) in Books
Feb 11, 2019
I have enjoyed every book in the Five Hundred Kingdoms series by Mercedes Lackey, and I eagerly waited for her to cover my favorite fairy tale, that of Beauty and the Beast. This book combines my favorite fairy tale with Little Red Riding Hood and a dash of Cinderella, all with its own unique twist characteristic of the series. While I had the ending predicted quite early in my reading, I still enjoyed following the character development and watching it all play out.
Bella is very much the modernized damsel in distress, as she finds a way to do her own saving, and chooses who she would rather fall in love with, rather than let the Tradition dictate her actions. As she learns about the manipulations of the Tradition, she also realizes her own way of unconsciously dealing with it and the power she has over it. I loved her intelligence and creativity in solving the daily problems that riddled her life, especially with the invisible servants at the Duke's residence.
Duke Sebastian is an interesting character -- a wizard werewolf with hermit-like habits -- he is the direct opposite of the type of character I expected to play the role of "Beast" in this fairy tale, but I like him all the same. His devotion to his craft makes him absentminded about everything else in his life, and except for when he is a werewolf, he likely would not hurt a fly. Bella's interactions with him draw him out and show him that he can have so much more in his life.
I also enjoyed Godmother Elena's part in the book, along with her mirror servant, as they cemented this book into the series and reminded me of some of the details that I had forgotten from previous books.
Bella is very much the modernized damsel in distress, as she finds a way to do her own saving, and chooses who she would rather fall in love with, rather than let the Tradition dictate her actions. As she learns about the manipulations of the Tradition, she also realizes her own way of unconsciously dealing with it and the power she has over it. I loved her intelligence and creativity in solving the daily problems that riddled her life, especially with the invisible servants at the Duke's residence.
Duke Sebastian is an interesting character -- a wizard werewolf with hermit-like habits -- he is the direct opposite of the type of character I expected to play the role of "Beast" in this fairy tale, but I like him all the same. His devotion to his craft makes him absentminded about everything else in his life, and except for when he is a werewolf, he likely would not hurt a fly. Bella's interactions with him draw him out and show him that he can have so much more in his life.
I also enjoyed Godmother Elena's part in the book, along with her mirror servant, as they cemented this book into the series and reminded me of some of the details that I had forgotten from previous books.