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Sarah (7800 KP) rated A Monster Calls (2016) in Movies
Dec 30, 2018
Heartwrenching
Anyone who’s read my reviews on here knows I very rarely like film adaptations of books, but for this one I make an exception. The book is excellent, and the film is not only as good as the book, but possibly slightly better.
This is a heartwrenching story about grief, and doesn’t shy away about being stark and honest about a very brutal and difficult subject. And it deals with this subject matter in such an elegant way. The film really surpasses the book when it comes to the visuals. The monster looks and sounds amazing, and is sinister looking without being too scary, and the stories he tells are animated brilliantly - looking very similar to the Deathly Hallows animation. The colours and effects are truly impressive. And it helps that the film sticks very true to the book.
Conor is a relatable young character and is played brilliantly in this. The rest of the supporting cast are also excellent, although one of my few criticisms is that Toby Kebbell is underused. He’s a fantastic actor and I appreciate that there isn’t much room to include his character more, I just always wish to see him more no matter what film he’s in.
This is a beautifully made heartwrenching film, that deals with a very difficult subject in a fitting matter. I can’t find anything bad to say about this Not a dry eye around when it got to the ending.
This is a heartwrenching story about grief, and doesn’t shy away about being stark and honest about a very brutal and difficult subject. And it deals with this subject matter in such an elegant way. The film really surpasses the book when it comes to the visuals. The monster looks and sounds amazing, and is sinister looking without being too scary, and the stories he tells are animated brilliantly - looking very similar to the Deathly Hallows animation. The colours and effects are truly impressive. And it helps that the film sticks very true to the book.
Conor is a relatable young character and is played brilliantly in this. The rest of the supporting cast are also excellent, although one of my few criticisms is that Toby Kebbell is underused. He’s a fantastic actor and I appreciate that there isn’t much room to include his character more, I just always wish to see him more no matter what film he’s in.
This is a beautifully made heartwrenching film, that deals with a very difficult subject in a fitting matter. I can’t find anything bad to say about this Not a dry eye around when it got to the ending.

Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.

Versusyours (757 KP) rated Whatever Happened to the Likely Lads in TV
Nov 5, 2019
Clever writing (2 more)
Relatable characters
Social history
A snapshot of changing social attitudes and relationships in Britain during the 1970s
A continuation of the earlier series The Likely Lads sees the changes in outlooks on life during the early 1970s and the world that is changing around them. Terry returns from the Army with a lack of a world view and a divorced whilst Bob is engaged and has entered the property ladder with lesuire activities and tastes to match. The two friends are both searching for answers about how they fit into a world that is moving to fast, does Bob want the life he is working towards? Is a Terry happy to be stuck in his ways and be skeptical of any change? The episodes are well written and show the way in which young people at the time were struggling to move away from the way there parents lived their lives and the changes that were a result of a more permissive society. The problems of the 1970s are still in essence the same worries that we still see today and the dynamics between the 2 main characters are played so well due to the clever writing and the continuing storyline that runs through the 2 seasons.
A great slice of British life from the period that has aged well due to the human elements of the relationships and the lack of understanding of the path that life is taking you on.
A great slice of British life from the period that has aged well due to the human elements of the relationships and the lack of understanding of the path that life is taking you on.

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LeftSideCut (3776 KP) rated Spontaneous (2020) in Movies
Mar 7, 2021
I'm not someone who typically ventures into Romance territory (although I will quietly admit to quite liking The Notebook...) but the promise of people exploding at random intervals drew me in... I have simple needs.
Turns out that Spontaneous is a wonderfully heartfelt (and gory) tale of two college kids who fall in love.
The two leads played by Katherine Langford and Charlie Plummer are some of the most likable characters I've seen in ages. Their chemistry is top tier, and their relationship feels real and relatable and is the glue that holds the whole narrative together.
The gory side of things is quite something. It's nicely spaced out so it doesn't steal the spotlight, but Jesus Christ it's anxiety inducing. I was just on edge for the whole runtime wondering when someone else would violently explode. Would it be mid sentence? Would it be one of the characters I liked? "No one has blown up in a while, and I'm so nervous" is a thought that kept popping (pun fully intended) into my head. Somehow, it's a cute enough love story that is just tense as fuck. Hats off to everyone involved!
Watching Spontaneous is a ride. It's uplifting, suitably visceral, wonderfully acted, and feels meaningful.... definitely nearly(...) cried on more than one occasion. It's all backed by a great soundtrack, and has some lovely cinematography and inspired style choices. Absolutely recommend this one, for romance and horror fans alike.
Turns out that Spontaneous is a wonderfully heartfelt (and gory) tale of two college kids who fall in love.
The two leads played by Katherine Langford and Charlie Plummer are some of the most likable characters I've seen in ages. Their chemistry is top tier, and their relationship feels real and relatable and is the glue that holds the whole narrative together.
The gory side of things is quite something. It's nicely spaced out so it doesn't steal the spotlight, but Jesus Christ it's anxiety inducing. I was just on edge for the whole runtime wondering when someone else would violently explode. Would it be mid sentence? Would it be one of the characters I liked? "No one has blown up in a while, and I'm so nervous" is a thought that kept popping (pun fully intended) into my head. Somehow, it's a cute enough love story that is just tense as fuck. Hats off to everyone involved!
Watching Spontaneous is a ride. It's uplifting, suitably visceral, wonderfully acted, and feels meaningful.... definitely nearly(...) cried on more than one occasion. It's all backed by a great soundtrack, and has some lovely cinematography and inspired style choices. Absolutely recommend this one, for romance and horror fans alike.

LeftSideCut (3776 KP) rated Leprechaun 4: In Space (1997) in Movies
Nov 15, 2020 (Updated Nov 15, 2020)
I found the first three Leprechaun films to be consistently average, but Leprechaun 4: In Space puts a brutal end to that middle of the road streak and aims straight for the gutter.
Once again, we have a sequel that has absolutely no relation to any of the previous films, is full of unlikable dicks, and has Warwick Davis doing his best to polish a turd, except this time around, there's not a whole lot he can do.
Moving the setting to space is certainly a novelty idea, and a clear indication that this film is not to be taken seriously, but the grandiose idea of spaceships require a half decent budget. The sets look cheap as hell, and the exterior CGI shots of the ship are beneath original PlayStation cutscene levels.
The characters are a bunch of misogynistic, unfunny tossers that aren't relatable in any shape or form. This movie goes in hard with the comedy angle, and granted, a few lines actually got me, but it's mostly misfire after misfire. Leprechaun himself is still just about tolerable, but honestly, even Warwick Davis looks done with this shit by now.
There is still some fun to be had with Leprechaun 4, but it's mostly a boring and lazy sequel. If you've seen the first three and are satisfied with the amount of limerick riddled material consumed, then you could probably give this one a skip and just enjoy your day instead.
Once again, we have a sequel that has absolutely no relation to any of the previous films, is full of unlikable dicks, and has Warwick Davis doing his best to polish a turd, except this time around, there's not a whole lot he can do.
Moving the setting to space is certainly a novelty idea, and a clear indication that this film is not to be taken seriously, but the grandiose idea of spaceships require a half decent budget. The sets look cheap as hell, and the exterior CGI shots of the ship are beneath original PlayStation cutscene levels.
The characters are a bunch of misogynistic, unfunny tossers that aren't relatable in any shape or form. This movie goes in hard with the comedy angle, and granted, a few lines actually got me, but it's mostly misfire after misfire. Leprechaun himself is still just about tolerable, but honestly, even Warwick Davis looks done with this shit by now.
There is still some fun to be had with Leprechaun 4, but it's mostly a boring and lazy sequel. If you've seen the first three and are satisfied with the amount of limerick riddled material consumed, then you could probably give this one a skip and just enjoy your day instead.

Grimes recommended My Fight / Your Fight: The Official Ronda Rousey Autobiography in Books (curated)

J.K. Simmons recommended To Kill A Mockingbird (1962) in Movies (curated)

Bong Mines Entertainment (15 KP) rated Better - Single by Joycie in Music
Jun 26, 2019
Joycie is an up-and-coming singer-songwriter from Pensacola, Florida. Not too long ago, she released an adorable contemporary R&B tune, entitled, “Better”, produced by Faithe Franklin.
“I’m not a stranger to mishaps, I’m never wanting an adverse reaction. You won’t, you won’t let me down. You love me better than I ever loved, you touch me better than I ever could.” – lyrics
‘Better’ tells a charming tale of a young woman who isn’t a stranger to disappointments. Therefore, she builds herself up because she expects to be let down by those who she gives her heart to.
Apparently, she’s head-over-heels in love with a guy who she shares a potentially serious relationship with.
Even though he’s much better than anyone she’s ever been with, she tries to avoid a letdown by running away from her love for him. But she is unable to do so because her love for him is too strong for her to let go of it.
‘Better’ contains a relatable storyline, ear-welcoming vocals, and melodic instrumentation flavored with contemporary R&B and urban-pop elements.
“‘Better’ tells the story of a girl that has a history of heartbreaks and knows the signs all too well. She’s met someone but has tried to put up a wall just in case things doesn’t go well. Somehow, her walls fall, and she lets this person in because they love her better than she ever thought possible.” – Joycie
“I’m not a stranger to mishaps, I’m never wanting an adverse reaction. You won’t, you won’t let me down. You love me better than I ever loved, you touch me better than I ever could.” – lyrics
‘Better’ tells a charming tale of a young woman who isn’t a stranger to disappointments. Therefore, she builds herself up because she expects to be let down by those who she gives her heart to.
Apparently, she’s head-over-heels in love with a guy who she shares a potentially serious relationship with.
Even though he’s much better than anyone she’s ever been with, she tries to avoid a letdown by running away from her love for him. But she is unable to do so because her love for him is too strong for her to let go of it.
‘Better’ contains a relatable storyline, ear-welcoming vocals, and melodic instrumentation flavored with contemporary R&B and urban-pop elements.
“‘Better’ tells the story of a girl that has a history of heartbreaks and knows the signs all too well. She’s met someone but has tried to put up a wall just in case things doesn’t go well. Somehow, her walls fall, and she lets this person in because they love her better than she ever thought possible.” – Joycie
Vee5000 (5 KP) Jan 2, 2019
Lee (2222 KP) Jan 2, 2019