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Bong Mines Entertainment (15 KP) rated FRiENDS - Single by Derek Simpson in Music
Jul 10, 2019
Derek Simpson is an artist, producer, songwriter, and multi-instrumentalist based in Long Beach, CA. Not too long ago, he released a DIY music video for his camaraderie tune, entitled, “FRiENDS”.
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
Bong Mines Entertainment (15 KP) rated Symbolism by Caracol in Music
Jul 10, 2019
Caracol is a bilingual singer-songwriter based in Montreal, Canada. Not too long ago, she released a music video for her “Flooded Field” single featuring Illa J (brother of the late Jay Dilla).
“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics
‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.
Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.
‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.
‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.
The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.
Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.
Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.
After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.
Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.
Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
“I could be your island. Headlights in the distance reaching out in silence if you won’t tell me how the water came. How can I really get you out of it? Your heart is a flooded field. Tell me what it means. Don’t know how to get to you.” – lyrics
‘Flooded Field’ tells an interesting tale of a supportive woman who wants to comfort her significant other.
Apparently, he has built a wall, so she doesn’t know how to get to him. But she has patience, therefore, she urges him to open up so she can nurture him with love.
‘Flooded Field’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation flavored with an electro-reggae aroma.
‘Flooded Field’ is a featured track on Caracol’s latest album, entitled, “Symbolism”.
The 11-track project sums up her past musical experiences and her beginnings as a percussionist and back-up singer in reggae bands.
Also, it highlights her work as a sound engineer in film music and her presence in the songwriting community and pop music writing camps.
Her “Symbolism” adventure began when she met producer Joey Waronker during a creative trip to Los Angeles.
After falling in love with her demos, he decided to work with her, and during the recording process, Caracol reached new heights.
Caracol was recently nominated at the Canadian Indie Awards in the Electronic Artist of the Year category.
Her music influences include Santigold, Lykke Li, Grimes, Beach House, Wild Belle, and Portishead.
LeftSideCut (3776 KP) rated The Descent (2005) in Movies
Nov 23, 2019 (Updated Nov 23, 2019)
I remember first watching The Descent not long after it came out. I was in my late teens and it was smack bang in the middle of a weird time for horror, where there was just a lot of dross being fired out every other week.
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
Gareth von Kallenbach (980 KP) rated Jeff, Who Lives at Home (2012) in Movies
Aug 7, 2019
Everyone knows a guy like Jeff (Jason Segel). Someone who never really left home, opting instead to sit around waiting for a sign. Jeff’s family is not much better. His daft, unaware brother, Pat (Ed Helms), has his life centered on a marriage that is devoid of connection or even much conversation. Jeff’s mother, Sharon (Susan Sarandon), spends her days de-stressing by staring at a waterfall picture in a drab office environment. But today a change is going to come in a big way to the people in Jeff’s life.
In “Jeff, Who Lives at Home” both Segel and Helms have taken on roles that are slightly more serious than the comedic standards that these actors are known for. Still the film is not so far removed as to alienate the fans who diligently follow these two actors to the theater time and time again.
The film’s plot is full of unexpected yet mildly realistic twists and turns. There are no big explosions or giant leaps of faith. This serpentine story is much more subtle. Many of the standout moments are realistically bizarre yet prove relevant, sweeping the audience into lives that have hit the final dregs of acceptability.
Visually the film is lack-luster. More than once viewers experience uncomfortable close-up shots of the less than attractively decorated characters. Still the script is well composed and crafted with such care that every word seems to naturally flow from the actors’ mouths. The story delves into so many facets of the human experience, from marriage to the building of a brotherly bond, that the tale itself is engrossing.
The characters are nervous, inexperienced, and closed off but the tale that defines “Jeff, Who Lives at Home” is entirely relatable. The film is not exactly enchanting but it was significantly better than I had originally anticipated.
In “Jeff, Who Lives at Home” both Segel and Helms have taken on roles that are slightly more serious than the comedic standards that these actors are known for. Still the film is not so far removed as to alienate the fans who diligently follow these two actors to the theater time and time again.
The film’s plot is full of unexpected yet mildly realistic twists and turns. There are no big explosions or giant leaps of faith. This serpentine story is much more subtle. Many of the standout moments are realistically bizarre yet prove relevant, sweeping the audience into lives that have hit the final dregs of acceptability.
Visually the film is lack-luster. More than once viewers experience uncomfortable close-up shots of the less than attractively decorated characters. Still the script is well composed and crafted with such care that every word seems to naturally flow from the actors’ mouths. The story delves into so many facets of the human experience, from marriage to the building of a brotherly bond, that the tale itself is engrossing.
The characters are nervous, inexperienced, and closed off but the tale that defines “Jeff, Who Lives at Home” is entirely relatable. The film is not exactly enchanting but it was significantly better than I had originally anticipated.
Veronica Pena (690 KP) rated Skinny in Books
Feb 13, 2020
I think the first time I read this book was in early middle school. I think I bought it from the Scholastic Book Fair in our library, though I am unsure. All I know is that for the last almost 10 years, this book has followed me from house to house, from Colorado to North Carolina and finally, at almost 21 years old, I've opened it again and read it.
It's definitely a book written for younger readers, that's for sure. Probably about 6th graders, which is fitting for the time that I think I read it the first time. Ever's story is a coming of age one - a story about learning to be confident in yourself, that everyone is going through different things, that what you think everyone thinks of you isn't always the truth. Ever's story is about learning to accept yourself and love yourself for who you are, not what you look like, and allowing people to be close to you. It's about a million things - some I'm sure more relatable when at Ever's age and in her similar situation, but also some that are just themes of life and love.
I think, as far as the story goes, it's a good one. I know there's always a risk when writing about body image in any facet, but I think this is one that does it well. I think the characters are interesting and for the most part, robust. Some of the themes and dialogue are a bit on the nose but I think that's to be expected for a book meant for younger readers. Overall, I think this is a good book. One I'm sure I'll come back to eventually, but probably not for another 10 years.
It's definitely a book written for younger readers, that's for sure. Probably about 6th graders, which is fitting for the time that I think I read it the first time. Ever's story is a coming of age one - a story about learning to be confident in yourself, that everyone is going through different things, that what you think everyone thinks of you isn't always the truth. Ever's story is about learning to accept yourself and love yourself for who you are, not what you look like, and allowing people to be close to you. It's about a million things - some I'm sure more relatable when at Ever's age and in her similar situation, but also some that are just themes of life and love.
I think, as far as the story goes, it's a good one. I know there's always a risk when writing about body image in any facet, but I think this is one that does it well. I think the characters are interesting and for the most part, robust. Some of the themes and dialogue are a bit on the nose but I think that's to be expected for a book meant for younger readers. Overall, I think this is a good book. One I'm sure I'll come back to eventually, but probably not for another 10 years.
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TravelersWife4Life (31 KP) rated An Amish Picnic: Four Stories in Books
Feb 24, 2021
Baskets of Sunshine was a sweet book about finding love right in front of you and having the courage to walk in faith. Both of the main characters were fun and relatable, I enjoyed seeing their perspectives on age difference in a relationship. They both overcome the obstacles set before them with minimal fuss and a good dose of forgiveness.
Candlelight Sweethearts had an interesting storyline. The characters had very vivid descriptions and were both very shy and sweet, which made it an obstacle for them to overcome. The characters in this book really grow into themselves by the end of the story.
Reeling in Love was my favorite book in this collection, probably because I can see myself doing several of the things that the main character does. The story was well written, the scenes believable and it made me smile. I can totally see the situations presented happening in real life. Both the characters have struggled to overcome things and hurt feelings to mend, in the end, though they rely on God to help them muddle through.
Picnics and Prospects This was a fun mini mystery story! The characters played well off each other and I really enjoyed getting to know them (I do wish it could have been a longer story, just so I could have gotten to know the characters' stories a little better). Overall, though this was a fun read. Both of the characters had to come to the realization that sometimes first impressions can be wrong and everyone deserves a second chance.
I give these stories 4 out of 5 stars for their creative picnic ideas, the interesting characters, and the themes of faith and forgiveness.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Candlelight Sweethearts had an interesting storyline. The characters had very vivid descriptions and were both very shy and sweet, which made it an obstacle for them to overcome. The characters in this book really grow into themselves by the end of the story.
Reeling in Love was my favorite book in this collection, probably because I can see myself doing several of the things that the main character does. The story was well written, the scenes believable and it made me smile. I can totally see the situations presented happening in real life. Both the characters have struggled to overcome things and hurt feelings to mend, in the end, though they rely on God to help them muddle through.
Picnics and Prospects This was a fun mini mystery story! The characters played well off each other and I really enjoyed getting to know them (I do wish it could have been a longer story, just so I could have gotten to know the characters' stories a little better). Overall, though this was a fun read. Both of the characters had to come to the realization that sometimes first impressions can be wrong and everyone deserves a second chance.
I give these stories 4 out of 5 stars for their creative picnic ideas, the interesting characters, and the themes of faith and forgiveness.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
ClareR (5906 KP) rated The Wife Who Got A Life in Books
May 25, 2021
I loved this book. I’ll be honest and say that I thought I’d made a mistake when I first started reading it, but the further I read, the more I laughed (and cried), and the more I loved it!
Cathy the main character, is a 48 year old version of Adrian Mole. I’m sorry, but I had to go there! There are a lot of similarities: the humour, the long-suffering diary writer, the clueless and self-absorbed family. But this is most definitely written by a 48 year old woman.
Cathy is very relatable in an exaggerated way - but hey! This is fiction, not a memoir! She’s dealing with older teenagers, a husband that works away from home in the week and is utterly clueless as to what’s going on in his family’s lives, ageing parents, one sister who thinks she’s hard done by and should have everyone running around after her, and another who is detached from her parents and siblings and doesn’t understand what’s going on with them! Communication is a key skill in any family, and sadly lacking in this one.
When Cathy decides to put herself first for a change, I practically cheered out loud, and her cooking solution was genius!
I think I laughed through most of this book, had a good cry a couple of times, and by the end I was sure that Cathy Collins should have another book. I’m not sure though - I like where this ended. But I’d still read it (I’m beginning to sound like Cathy). It was a perfect balance of humour, sadness and the ridiculous - how can anyone not want more of that?!
Many thanks to The Pigeonhole for helping me out with my NetGalley reading (again!), Tracy Bloom for reading along, and Harper Collins for my e-arc through NetGalley.
Cathy the main character, is a 48 year old version of Adrian Mole. I’m sorry, but I had to go there! There are a lot of similarities: the humour, the long-suffering diary writer, the clueless and self-absorbed family. But this is most definitely written by a 48 year old woman.
Cathy is very relatable in an exaggerated way - but hey! This is fiction, not a memoir! She’s dealing with older teenagers, a husband that works away from home in the week and is utterly clueless as to what’s going on in his family’s lives, ageing parents, one sister who thinks she’s hard done by and should have everyone running around after her, and another who is detached from her parents and siblings and doesn’t understand what’s going on with them! Communication is a key skill in any family, and sadly lacking in this one.
When Cathy decides to put herself first for a change, I practically cheered out loud, and her cooking solution was genius!
I think I laughed through most of this book, had a good cry a couple of times, and by the end I was sure that Cathy Collins should have another book. I’m not sure though - I like where this ended. But I’d still read it (I’m beginning to sound like Cathy). It was a perfect balance of humour, sadness and the ridiculous - how can anyone not want more of that?!
Many thanks to The Pigeonhole for helping me out with my NetGalley reading (again!), Tracy Bloom for reading along, and Harper Collins for my e-arc through NetGalley.