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What might be sabotaging your uniquely gifted contribution to the world around you? Discover the obstacles and barriers standing between you and your God-given purpose. In this revised book, youll learn how to identify ways to strengthen your calling thatll encourage you to confidently operate in the gifts and talents that God designed you to do. Through the lens of T.H. Meyers own journey, youll recognize the universal struggle in embracing your whole person as she encourages you to live a life without regrets. For the individual reader looking to examine more deeply their life purpose or a group seeking to collectively spur each other toward their God-given gifts, talents, and life. This book can be used as a 12-week, 6-week, or 4-week study guide, with exploratory questions at the end of each chapter the assist you in listening to Gods voice and revealing your unique purpose, path, or direction.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
Endorsements A wonderful exploration, but not only for readers to look inwardly, but to also look around at others, at where our lives are at, and mostly upward toward Gods design and dreams for our lives. Love it! Cindy Coloma, best selling and award-winning author of over 15 books Youll come away from this wise and insightful book with a clearer understanding of how you are uniquely gifted to contribute to the world, and why its imperative that you honor your creative calling. Michelle DeRusha, author of Katharina and Martin Luther: The Radical Marriage of a Runway TH Meyer looks at the glass ceiling the world has placed between creatives and non-creatives and shatters it. This those who have felt they are not creative, too timid, or simply too late to the life they were called to live, Meyer says, Pish-posh. She delivers on her promise to help people embrace uniqueness, explore boldness, and encourage faith. Amy Young, author of Looming Transitions: Starting & Finishing Well in Cross-Cultural Service In her book, A Life Of Creative Purpose, Tammy Hendricksmeyer [TH Meyer] is a trusted mentor, offer ing us the tools we need to step completely into Gods design for us as individuals, and as members of His body. Her relatable stories coupled with scripture inspire and ignite a renewed passion for pursuing not only our own creative callings but even more, her words stoke the fire in our hearts for the Giver of these gifts. Kris Camealy, author of Come, Lord Jesus: The Weight Of Waiting A Life of Creative Purpose is a fantastic resource filled with thoughtful questions, stories, and Scripture each designed to awaken us to Gods unique purposes for our lives. It is well-written, thoughtful, and engaging, an invitation to embrace our own eternally significant creative purpose. Cindee S. Re, author of Discovering Hope: Beginning the Journey Toward Hope in Chronic Illness In her book, A Life of Creative Purpose, TH Meyer masterfully blends personal stories with wisdom from Scripture to reveal the importance of creative purpose (even if you think you are not creative.) The thought-provoking questions at the end of each chapter will help you discover (or uncover) and embrace the unique way God has made you and inspire you to step into a life of purpose, meaning, and fulfillment. JoDitt Williams, author/artist of Delight in the Word of God: A Devotional Coloring Book/Journal for Adults
My Thoughts: This is a great book to remind us about the gifts that God has for each of us. It reminds us not to be afraid to step out in faith to use the guts that God gives us to use.
This is a book of encouragement. It helps those who may not know what their purpose or gift is, to learn how to find it.
I enjoyed this book and encourage others to read it.
Kirk Bage (1775 KP) rated Downsizing (2017) in Movies
Mar 3, 2020
Sweeping up a few older films that I wanted to see but missed at the cinema in the last few years. My current IMDb watch list sits at 488, and, unlike this movie, never seems to shrink! There is a lot to keep up with. Bad reviews have kept me away from Alexander Payne’s Downsizing until now. I have to say, without the burden of expectation, it is a lot better than I thought it would be.
In particular, Sideways and The Descendents from the same Director are two of my absolute favourite light comedy satires of the last 20 years, so I am always interested to see what he is up to. He often has an eye for subtlety and relationships that can break the heart with truth. There is some of that on display here too, it has to be said, however, you do wonder if the sci-fi / CGI element of Downsizing got a little bit in the way?
It isn’t quite the film it could have been, and at times does feel messy and rushed. It also doesn’t follow through entirely with its premise, and perhaps that is what disappointed a lot of the audience. The idea of the small leaving the world of the large behind in search of an environmental solution to the world’s problems is compelling as a joke and allegorical devise… But it just isn’t explored to its full potential, and the visual effects that allow us to see this are years behind what they should have been.
Saying that, the personal journey’s of the main characters are relevent, funny, relatable and often unexpected. Matt Damon is totally fine and well cast; Christoph Waltz adds a counter-point humour and point of view that balances the political ethics of the subject very well; and both Kristen Wiig and Udi Keir offer support of deft pathos in minor roles.
The film truly belongs to Hong Chau, however. Without her multi-layered and show-stealing turn as a Vietnamese refugee, who “downsized” to escape tyranny, losing a limb in the process, the film would be much less than it ends up being. For its many faults, her performance lifts it to something worth watching, as long as you can forgive the argument that her character is a too broadly drawn race stereo-type. Honestly, I can’t see the problem, because I think what she does with it makes the movie – but I am aware of the problems with it…
As a political message and environmental allegory, the film as a whole raises some interesting debate, sometimes because of its (ahem) shortcomings. It is neither intelligent enough, nor funny enough to be a “good” film. But it is an entertaining film. If only to see the sequence of legal and medical procedure that leads to the new world of being small!
What would we be prepared to do to find an answer to a dying world, economic failure and personal unhappiness? Would we risk everything to find ourselves and a solution? Or would we carry on regardless? Feeling lost in a world of fear and looming disaster is a subject worth exploring, and I feel Downsizing asks enough questions well enough to be at least seen and argued with. If that is the only purpose it serves then… OK by me.
The bottom line is, I didn’t hate it. To see it at a rating of 5.7 on IMDb is strange and actually very interesting. It is not a bad film. It just doesn’t completely succeed. I think that score says much more about how vitriolic and opinionated people are becoming about environmental issues. Which is good. A missed opportunity perhaps, and therefore it earns a place in the bin marked “admirable failures”. See it for yourself if you haven’t – it has cult status written all over it, in very small writing.
In particular, Sideways and The Descendents from the same Director are two of my absolute favourite light comedy satires of the last 20 years, so I am always interested to see what he is up to. He often has an eye for subtlety and relationships that can break the heart with truth. There is some of that on display here too, it has to be said, however, you do wonder if the sci-fi / CGI element of Downsizing got a little bit in the way?
It isn’t quite the film it could have been, and at times does feel messy and rushed. It also doesn’t follow through entirely with its premise, and perhaps that is what disappointed a lot of the audience. The idea of the small leaving the world of the large behind in search of an environmental solution to the world’s problems is compelling as a joke and allegorical devise… But it just isn’t explored to its full potential, and the visual effects that allow us to see this are years behind what they should have been.
Saying that, the personal journey’s of the main characters are relevent, funny, relatable and often unexpected. Matt Damon is totally fine and well cast; Christoph Waltz adds a counter-point humour and point of view that balances the political ethics of the subject very well; and both Kristen Wiig and Udi Keir offer support of deft pathos in minor roles.
The film truly belongs to Hong Chau, however. Without her multi-layered and show-stealing turn as a Vietnamese refugee, who “downsized” to escape tyranny, losing a limb in the process, the film would be much less than it ends up being. For its many faults, her performance lifts it to something worth watching, as long as you can forgive the argument that her character is a too broadly drawn race stereo-type. Honestly, I can’t see the problem, because I think what she does with it makes the movie – but I am aware of the problems with it…
As a political message and environmental allegory, the film as a whole raises some interesting debate, sometimes because of its (ahem) shortcomings. It is neither intelligent enough, nor funny enough to be a “good” film. But it is an entertaining film. If only to see the sequence of legal and medical procedure that leads to the new world of being small!
What would we be prepared to do to find an answer to a dying world, economic failure and personal unhappiness? Would we risk everything to find ourselves and a solution? Or would we carry on regardless? Feeling lost in a world of fear and looming disaster is a subject worth exploring, and I feel Downsizing asks enough questions well enough to be at least seen and argued with. If that is the only purpose it serves then… OK by me.
The bottom line is, I didn’t hate it. To see it at a rating of 5.7 on IMDb is strange and actually very interesting. It is not a bad film. It just doesn’t completely succeed. I think that score says much more about how vitriolic and opinionated people are becoming about environmental issues. Which is good. A missed opportunity perhaps, and therefore it earns a place in the bin marked “admirable failures”. See it for yourself if you haven’t – it has cult status written all over it, in very small writing.
Gareth von Kallenbach (980 KP) rated A Quiet Place: Part II (2021) in Movies
May 25, 2021 (Updated May 25, 2021)
Last year we had a screening for “A Quiet Place Part II” scheduled and eagerly awaited the follow-up to the suspenseful and popular original film. Sadly we all know what happened soon after as a two-week lockdown grew and cinemas around the world were closed.
As cinemas re-open with growing but limited capacity; the film is set for release and will be a great indicator as to if the public is ready to return to cinemas in significant numbers or will they sit it out and opt to see the film down the line on Paramount+.
The film opens with a look at the day things changed for the world as Lee (John Krasinski); does some shopping while news reports come in of an explosion in Shanghai. Enjoying the weather; he joins his family at a Little League game and talks with his friend Emmett (Cillian Murphy) when the game is interrupted by the appearance of a large fireball in the sky.
As they head home; the city falls under attack by deadly creatures and Lee and his family narrowly escape. The film then jumps forward immediately following the conclusion of the first film and Evelyn (Emily Blunt); attempts to lead her newborn son, daughter Regan ( Millicent Simmons), and son Marcus (Noah Jupe) to a safer locale.
When Marcus is injured along the way; Evelyn takes refuge with Emmett who is not happy to have to care for others after the loss of his wife and despite a secure locale in a foundry; demands the family leave the following day.
When an unexpected radio signal appears; Regan is determined to leave and find the source as she knows the frequency of her Cochlear Implant is a weapon against the creatures and she figures if that can be broadcasted and the information revealed; then humanity has a chance to fight back and win.
What follows is a very gripping and intense story as Regan and Emmett attempt to complete the mission while Evelyn and her family endure all manner of threats as they try to survive.
The film builds upon what made the first film so great in that there are strong and relatable characters and some very tense situations. The screening we attended was so quiet you could tell that audience members were so enthralled that they were afraid to make any noise.
The film ups the action and expands upon the universe without losing any of the strong character-driven elements or relying too much upon CGI to carry the film.
John Krasinski writes, directed, and produced the film, and while he has less screen time than he did in the original; the film is the rare sequel that holds its own and actually improves upon the original.
My only issue with the film was that the ending was rather abrupt and left me with several unanswered questions. While this would be more than fine if we were assured of a third film to resolve unanswered elements; word is that a spin-off is in development so hopefully this will resolve the issues I had or at the least co-exist with a third part of the series.
For now; “A Quiet Place Part II” drives home why we need the cinematic experience as from the large screen to the Dolby Atmos sound; the film is a sensory experience that needs to be enjoyed in a communal setting with maximum sensory input.
The film sets the tension meter to the max and never disappoints and I urge you to experience this film the way it was intended.
4.5 stars out of 5
As cinemas re-open with growing but limited capacity; the film is set for release and will be a great indicator as to if the public is ready to return to cinemas in significant numbers or will they sit it out and opt to see the film down the line on Paramount+.
The film opens with a look at the day things changed for the world as Lee (John Krasinski); does some shopping while news reports come in of an explosion in Shanghai. Enjoying the weather; he joins his family at a Little League game and talks with his friend Emmett (Cillian Murphy) when the game is interrupted by the appearance of a large fireball in the sky.
As they head home; the city falls under attack by deadly creatures and Lee and his family narrowly escape. The film then jumps forward immediately following the conclusion of the first film and Evelyn (Emily Blunt); attempts to lead her newborn son, daughter Regan ( Millicent Simmons), and son Marcus (Noah Jupe) to a safer locale.
When Marcus is injured along the way; Evelyn takes refuge with Emmett who is not happy to have to care for others after the loss of his wife and despite a secure locale in a foundry; demands the family leave the following day.
When an unexpected radio signal appears; Regan is determined to leave and find the source as she knows the frequency of her Cochlear Implant is a weapon against the creatures and she figures if that can be broadcasted and the information revealed; then humanity has a chance to fight back and win.
What follows is a very gripping and intense story as Regan and Emmett attempt to complete the mission while Evelyn and her family endure all manner of threats as they try to survive.
The film builds upon what made the first film so great in that there are strong and relatable characters and some very tense situations. The screening we attended was so quiet you could tell that audience members were so enthralled that they were afraid to make any noise.
The film ups the action and expands upon the universe without losing any of the strong character-driven elements or relying too much upon CGI to carry the film.
John Krasinski writes, directed, and produced the film, and while he has less screen time than he did in the original; the film is the rare sequel that holds its own and actually improves upon the original.
My only issue with the film was that the ending was rather abrupt and left me with several unanswered questions. While this would be more than fine if we were assured of a third film to resolve unanswered elements; word is that a spin-off is in development so hopefully this will resolve the issues I had or at the least co-exist with a third part of the series.
For now; “A Quiet Place Part II” drives home why we need the cinematic experience as from the large screen to the Dolby Atmos sound; the film is a sensory experience that needs to be enjoyed in a communal setting with maximum sensory input.
The film sets the tension meter to the max and never disappoints and I urge you to experience this film the way it was intended.
4.5 stars out of 5
Emma @ The Movies (1786 KP) rated Soul (2020) in Movies
Oct 27, 2020
After all the chopping and changing in the release schedules I have to say that I was pretty glad I picked up tickets to see Soul at Watershed in Bristol before they announced its moving to Disney+.
Joe's life is music, and he's about to get the break he's been dreaming of... but life has a way of messing those dreams up. Finding himself bodiless and in a strange place, he makes the acquaintance of 22, a new soul who's keen on staying right where she is. Can the two of them work together to get what they both want the most in life?
As you'd expect with a Pixar it's got a story with a deeper meaning with an emotional rollercoaster built-in. We follow Joe as he is desperate to get back to the one thing he thinks will make his whole life make sense. Along the way he gets sidelined by a set of mishaps that bring him into pre-life where he crosses paths with 22. The pair make an unlikely team and the adventure they go on is full of comedy and relatable decisions, off-hand comments for the adults... and that's all before the expected crying portion of the film.
The voice acting was spot on with Jamie Foxx as Joe, our leading man, and Tiny Fey as 22, an adorable little blob of soul, They're a fun little mix together, and Fey in particular brings a quirky aspect to proceedings. I might only briefly query the casting of Richard Ayoade and Graham Norton, don't get me wrong, I adore both of them, but I can't deny that they felt out of place with this being set in America... but at the same time, they identified and created a multi-cultural and multi-lingual environment that you would see in the pre- and after-life, which is great attention to detail.
As always, the animation is a wonderful piece of thought, between the human realm and the spirit worlds there are clearly defined styles and ideas. The real-world design is the usual quirkiness you expect from Pixar, but the spirit world is where we really see the imagination that we've all come to love from them. Those bouncy little souls are so adorable and the celebrities you see will blow your mind. All the concepts that are dealt with in this space feel like they are crazily accurate and seeing them on-screen feels like something of a revelation.
I wondered where the film was going at the beginning, I wasn't seeing how it related to what would inevitably be coming, but the story comes full circle and, as expected, every moment turns into a thoughtful and teachable moment.
With music at its heart, Soul is a tribute to the love of a rhythm. From the skillfully done opening, the sleek saxophone (which I'm still not convinced was "merely" an animated object), to every moment we see Joe at his piano, you're faced with a piece of music that has been deftly constructed to fit its purpose and bring a rousing feeling of heart and passion into being.
Would it be better to see this on the big screen? Sure, I would rather see every film that way... but the magic of seeing a Pixar film for the first time can't be taken away from you, it doesn't matter what you're watching Soul on, I'm sure it will spark the same. I will admit there was a point while I watched that I wondered for the briefest moment how my life would look inside Soul, but if the film taught me anything it's that there's always something good there, you just have to find it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/soul-movie-review.html
Joe's life is music, and he's about to get the break he's been dreaming of... but life has a way of messing those dreams up. Finding himself bodiless and in a strange place, he makes the acquaintance of 22, a new soul who's keen on staying right where she is. Can the two of them work together to get what they both want the most in life?
As you'd expect with a Pixar it's got a story with a deeper meaning with an emotional rollercoaster built-in. We follow Joe as he is desperate to get back to the one thing he thinks will make his whole life make sense. Along the way he gets sidelined by a set of mishaps that bring him into pre-life where he crosses paths with 22. The pair make an unlikely team and the adventure they go on is full of comedy and relatable decisions, off-hand comments for the adults... and that's all before the expected crying portion of the film.
The voice acting was spot on with Jamie Foxx as Joe, our leading man, and Tiny Fey as 22, an adorable little blob of soul, They're a fun little mix together, and Fey in particular brings a quirky aspect to proceedings. I might only briefly query the casting of Richard Ayoade and Graham Norton, don't get me wrong, I adore both of them, but I can't deny that they felt out of place with this being set in America... but at the same time, they identified and created a multi-cultural and multi-lingual environment that you would see in the pre- and after-life, which is great attention to detail.
As always, the animation is a wonderful piece of thought, between the human realm and the spirit worlds there are clearly defined styles and ideas. The real-world design is the usual quirkiness you expect from Pixar, but the spirit world is where we really see the imagination that we've all come to love from them. Those bouncy little souls are so adorable and the celebrities you see will blow your mind. All the concepts that are dealt with in this space feel like they are crazily accurate and seeing them on-screen feels like something of a revelation.
I wondered where the film was going at the beginning, I wasn't seeing how it related to what would inevitably be coming, but the story comes full circle and, as expected, every moment turns into a thoughtful and teachable moment.
With music at its heart, Soul is a tribute to the love of a rhythm. From the skillfully done opening, the sleek saxophone (which I'm still not convinced was "merely" an animated object), to every moment we see Joe at his piano, you're faced with a piece of music that has been deftly constructed to fit its purpose and bring a rousing feeling of heart and passion into being.
Would it be better to see this on the big screen? Sure, I would rather see every film that way... but the magic of seeing a Pixar film for the first time can't be taken away from you, it doesn't matter what you're watching Soul on, I'm sure it will spark the same. I will admit there was a point while I watched that I wondered for the briefest moment how my life would look inside Soul, but if the film taught me anything it's that there's always something good there, you just have to find it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/soul-movie-review.html
Darren (1599 KP) rated Inception (2010) in Movies
Sep 13, 2019 (Updated Sep 13, 2019)
Brief Synopsis – A group of experts are hired to infiltrate the mind of an executive in order to implant a thought into his mind that will change the way he runs his company.
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
Becs (244 KP) rated Siege and Storm in Books
Aug 25, 2019
Nikolai (2 more)
the Darkling
THAT ENDING
has major middle book syndrome (3 more)
main character is still annoying
mal is still a horrible character
there wasn't a lot of the Darkling when the books are supposed to be about him as a villain
Has middle book syndrome B A D but the last half of the book is great!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: torture, murder, war themes, hallucinations, death, blood, manipulation, violence
Review:
I originally rated this 4 out of 5 stars but I am dropping it down to 3.5 out of 5 stars as I’ve had a lot of time to think about my review and have realized that Siege and Storm has middle book syndrome.
My one problem with Siege and Storm, is that it needed more of the Darkling in it. The Shadow and Bone Trilogy is about the Darkling being the villain and Siege and Storm did not deliver. You’d think there would have been more of a prescense, but there was just not enough of him! Please take Mal away and replace him with the Darkling!! Also, what in the good lordy fucks was that ending Leigh?! ARE YOU TRYING TO KILL US!? I. AM. DEAD.
I still have an ever growing dislike for Mal. He doesn’t have one bit of empathy in his body and it’s so frustrating! Like he’s supposed to be that rock that Alina can fall back onto for support and he’s just being a douche about her having powers. Can we just replace all of Mal’s scenes with more of my BB’s Nikolai and the Darkling plz?! Nikolai had the best character development and was the most relatable in the entire series thus far.
I’ve not really grown to like Alina as much like others do, as she’s still the same annoying girl that I wish wasn’t as special as she is. One thing I do like about her though, is the whole anti hero darkness she has brewing along with the inner turmoil she’s dealing with. With her new found power enhancements, but I just wish her powers weren’t vaguely talked about.
Another thing I wasn’t entirely a fan of was the love triangle *cough cough* love SQUARE *cough cough* trope that took place throughout the novel. Don’t get me wrong, it was extremely well-written and really filled in some (read: a lot of the) boring parts. BUT, this trope is extremely overrated and can really ruin a novel. It was rather annoying that Alina had all of these men to choose from and she couldn’t make up her mind about any of them. Plus, I don’t think she deserves any of them. So… yea.
Okay, onto the story itself. The first half was… such… a… bore… It was so freaking slow and I wanted to give up on it so much. It also kind of put me into a slump on picking up Ruin and Rising. I just didn’t want to be disappointed like I was with Siege and Storm. The second half of the story on the other hand, was packed to the max with intense scenes and action. I honestly thought my wittle heart would crack into a million pieces.
Leigh’s writing style is extremely unique and well-done. She’s able to write scenes that not only grip your attention, but will also pluck each heart string until that breaking point. Then it will rip your heart out of your chest with one swift moment.
Other than a few bumps, Siege and Storm was captivating to a point, but not as much as Shadow and Bone. It’s a soul sucker of a book and I’m enamored with it. The world-building is some of the best I’ve ever seen, especially for a series. The tensions in scenes is extremely palpable – making this a great sequel to an amazing series.
“You know the problem with heroes and saints Nikolai? They always end up dead.
TRIGGER WARNINGS: torture, murder, war themes, hallucinations, death, blood, manipulation, violence
Review:
I originally rated this 4 out of 5 stars but I am dropping it down to 3.5 out of 5 stars as I’ve had a lot of time to think about my review and have realized that Siege and Storm has middle book syndrome.
My one problem with Siege and Storm, is that it needed more of the Darkling in it. The Shadow and Bone Trilogy is about the Darkling being the villain and Siege and Storm did not deliver. You’d think there would have been more of a prescense, but there was just not enough of him! Please take Mal away and replace him with the Darkling!! Also, what in the good lordy fucks was that ending Leigh?! ARE YOU TRYING TO KILL US!? I. AM. DEAD.
I still have an ever growing dislike for Mal. He doesn’t have one bit of empathy in his body and it’s so frustrating! Like he’s supposed to be that rock that Alina can fall back onto for support and he’s just being a douche about her having powers. Can we just replace all of Mal’s scenes with more of my BB’s Nikolai and the Darkling plz?! Nikolai had the best character development and was the most relatable in the entire series thus far.
I’ve not really grown to like Alina as much like others do, as she’s still the same annoying girl that I wish wasn’t as special as she is. One thing I do like about her though, is the whole anti hero darkness she has brewing along with the inner turmoil she’s dealing with. With her new found power enhancements, but I just wish her powers weren’t vaguely talked about.
Another thing I wasn’t entirely a fan of was the love triangle *cough cough* love SQUARE *cough cough* trope that took place throughout the novel. Don’t get me wrong, it was extremely well-written and really filled in some (read: a lot of the) boring parts. BUT, this trope is extremely overrated and can really ruin a novel. It was rather annoying that Alina had all of these men to choose from and she couldn’t make up her mind about any of them. Plus, I don’t think she deserves any of them. So… yea.
Okay, onto the story itself. The first half was… such… a… bore… It was so freaking slow and I wanted to give up on it so much. It also kind of put me into a slump on picking up Ruin and Rising. I just didn’t want to be disappointed like I was with Siege and Storm. The second half of the story on the other hand, was packed to the max with intense scenes and action. I honestly thought my wittle heart would crack into a million pieces.
Leigh’s writing style is extremely unique and well-done. She’s able to write scenes that not only grip your attention, but will also pluck each heart string until that breaking point. Then it will rip your heart out of your chest with one swift moment.
Other than a few bumps, Siege and Storm was captivating to a point, but not as much as Shadow and Bone. It’s a soul sucker of a book and I’m enamored with it. The world-building is some of the best I’ve ever seen, especially for a series. The tensions in scenes is extremely palpable – making this a great sequel to an amazing series.
“You know the problem with heroes and saints Nikolai? They always end up dead.
Ivana A. | Diary of Difference (1171 KP) rated Alfonso in Books
Aug 3, 2020
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Alfonso is a young man that has moved to Australia to find a better life. Through his story, we follow his feelings and search for purpose.
As a person that moved to another country to find a better life, I can understand Alfonso and I can relate to what he feels and thinks. Coming into another country can be extremely difficult, leaving your family and friends behind, knowing those relationships will never be the same again. Coming to terms with the fact that you will always be a foreigner and have trouble with people accepting you. Trying to make friends and get inside inner circles of people that have been together since high-school – yeah, good luck with that…
Given how I can relate to Alfonso’s situation, and the similarities I have with this character, I thought I would love this book. But I didn’t. Even though I could relate with him, I couldn’t agree with his perceptions and beliefs. Alfonso was always trying to find a girl to spend his life with. Which is normal and expected. However, instead of being his true and authentic self, he desperately tries to be as “less foreign” as possible and adapt to his audience. This is something that seemed to push the potential women away. Not to mention that he was being quite creepy at times (following a girl’s bus schedule and being there before she departs etc.)
Living in a new environment shouldn’t mean that people should stop being who they are and stop believing in what they do, or respecting and practicing the customs from the country they were born and raised from.
All my friends know that in my country we boil and colour actual eggs for Easter, rather than eat chocolate ones. In our home, me and my boyfriend celebrate two Christmases; one on the 25th December, where he does everything by his tradition, and one on 7th January, where I prepare everything in my tradition. And it works. And it’s double the fun and jolly spirit.
I couldn’t relate with the fact that Alfonso feels that he needs to change and adapt, and leave behind his culture. I also couldn’t comprehend the fact that he needs to have a woman to be happy. He couldn’t seem to find happiness with just himself. And maybe, this is again, part of the tradition. In my country, marriages and forming a family are very important, and this may have influenced Alfonso’s behaviour perhaps.
The most upsetting part about this book was that the book ended, and everything remained the same. No earnings, no character development, no closure. Just a bad vibe of negativity, that was lingering in the air and stayed with me for days, like a bad taste in my mouth that you cannot wash with brushing your teeth.
I am not sure how to properly rate “Alfonso”. It was relatable, but conflicting. Very understandable, but unsatisfactory. And I will be honest, I read books that will either make me feel good, or teach me something new (or both), but this book didn’t provide either…
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Alfonso is a young man that has moved to Australia to find a better life. Through his story, we follow his feelings and search for purpose.
As a person that moved to another country to find a better life, I can understand Alfonso and I can relate to what he feels and thinks. Coming into another country can be extremely difficult, leaving your family and friends behind, knowing those relationships will never be the same again. Coming to terms with the fact that you will always be a foreigner and have trouble with people accepting you. Trying to make friends and get inside inner circles of people that have been together since high-school – yeah, good luck with that…
Given how I can relate to Alfonso’s situation, and the similarities I have with this character, I thought I would love this book. But I didn’t. Even though I could relate with him, I couldn’t agree with his perceptions and beliefs. Alfonso was always trying to find a girl to spend his life with. Which is normal and expected. However, instead of being his true and authentic self, he desperately tries to be as “less foreign” as possible and adapt to his audience. This is something that seemed to push the potential women away. Not to mention that he was being quite creepy at times (following a girl’s bus schedule and being there before she departs etc.)
Living in a new environment shouldn’t mean that people should stop being who they are and stop believing in what they do, or respecting and practicing the customs from the country they were born and raised from.
All my friends know that in my country we boil and colour actual eggs for Easter, rather than eat chocolate ones. In our home, me and my boyfriend celebrate two Christmases; one on the 25th December, where he does everything by his tradition, and one on 7th January, where I prepare everything in my tradition. And it works. And it’s double the fun and jolly spirit.
I couldn’t relate with the fact that Alfonso feels that he needs to change and adapt, and leave behind his culture. I also couldn’t comprehend the fact that he needs to have a woman to be happy. He couldn’t seem to find happiness with just himself. And maybe, this is again, part of the tradition. In my country, marriages and forming a family are very important, and this may have influenced Alfonso’s behaviour perhaps.
The most upsetting part about this book was that the book ended, and everything remained the same. No earnings, no character development, no closure. Just a bad vibe of negativity, that was lingering in the air and stayed with me for days, like a bad taste in my mouth that you cannot wash with brushing your teeth.
I am not sure how to properly rate “Alfonso”. It was relatable, but conflicting. Very understandable, but unsatisfactory. And I will be honest, I read books that will either make me feel good, or teach me something new (or both), but this book didn’t provide either…
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Daniel Boyd (1066 KP) rated The Sinner - Season 1 in TV
Nov 30, 2017 (Updated Nov 30, 2017)
Barely any of the characters were sympathetic or relatable (3 more)
The ending was dissatisfying
So many wasted episodes
It was only 9 episodes long, but it felt far longer
A Sin That This Wasn't Better
This show came highly recommended to me by sources that I usually trust, but it turned out to be a total let down. The show opens with a young family going to the beach. The mother who is played by Jessica Biel, suddenly walks over to another young man on the beach and stabs him to death in front of over a hundred witnesses in broad daylight. She is then arrested and the show spends the next 8 episodes clumsily trying to explain why she committed this heinous act.
I like Jessica Biel, I like Bill Pullman and I like Christopher Abbott, who plays the husband to Biel's Cora Tannetti. I like mysterious shows about crime and murder. I should have loved this, but I thought it was a train wreck from start to finish. During the first episode we see the murder occur in graphic detail, then the next couple of episodes ask why she did what she did and then you start to wonder, "how are they going to manage to drag this out for another six episodes without it getting stale?" The answer is, they aren't and it gets old fast. In this sense, the writing is a mess.
Sometimes though, a show can have messy writing, but be saved by it's cast of characters. However, that is absolutely not the case here. Cora is the main character of the show, so I think we are supposed to feel some sort of connection to her, yet she is so grossly off-putting in every way, I was actually was hoping to see her get the death sentence. At first you see her committing this atrocity, which obviously causes you to take an instant dislike to her, but you expect as the show goes on and we learn more about her, that we will eventually feel sympathetic towards her. In fact, the exact opposite is true, every new facet of information that I learned about her backstory just made me hate her more and at no point did I feel like I was on her side.
There is also a flashback subplot going on, which shows Cora as a suspiciously old looking teenager, as for some reason Jessica Biel is still playing the role of the teenage Cora. Through this we see her family life growing up, but her family are some of the most dislikeable characters I have seen in a TV show in years. Her mother is a religious nut to the point of insanity, her father is sleeping with the next door neighbour and her terminally ill sister is such a little shit that you don't feel any sympathy towards her for her illness and you end up hoping she will die sooner rather than later.
I'll try to discuss the ending without giving away any major spoilers, but for those who haven't yet seen the show, you may want to skip to the final paragraph. At around the episode 5 mark, I was very close to giving up on this show, but I had heard that the ending was amazing, so I stuck with it. What a waste of time that turned out to be. The reveal itself was a huge let down and after everything was revealed, I still felt that the murder victim didn't deserve to die and I thought that Cora pretty much getting away with murder was so dissatisfying and undeserved.
Overall, this show is pretty awful. There are so many plot threads that go nowhere, the writing thinks it is far more clever than it actually is, actors that I normally like are playing entirely dislikeable characters and the whole thing seems far longer than just nine episodes. The ending isn't worth sticking around for and really the show is just tons of wasted potential. Do yourself a favour and give this a skip, there are far better shows available to watch on Netflix.
I like Jessica Biel, I like Bill Pullman and I like Christopher Abbott, who plays the husband to Biel's Cora Tannetti. I like mysterious shows about crime and murder. I should have loved this, but I thought it was a train wreck from start to finish. During the first episode we see the murder occur in graphic detail, then the next couple of episodes ask why she did what she did and then you start to wonder, "how are they going to manage to drag this out for another six episodes without it getting stale?" The answer is, they aren't and it gets old fast. In this sense, the writing is a mess.
Sometimes though, a show can have messy writing, but be saved by it's cast of characters. However, that is absolutely not the case here. Cora is the main character of the show, so I think we are supposed to feel some sort of connection to her, yet she is so grossly off-putting in every way, I was actually was hoping to see her get the death sentence. At first you see her committing this atrocity, which obviously causes you to take an instant dislike to her, but you expect as the show goes on and we learn more about her, that we will eventually feel sympathetic towards her. In fact, the exact opposite is true, every new facet of information that I learned about her backstory just made me hate her more and at no point did I feel like I was on her side.
There is also a flashback subplot going on, which shows Cora as a suspiciously old looking teenager, as for some reason Jessica Biel is still playing the role of the teenage Cora. Through this we see her family life growing up, but her family are some of the most dislikeable characters I have seen in a TV show in years. Her mother is a religious nut to the point of insanity, her father is sleeping with the next door neighbour and her terminally ill sister is such a little shit that you don't feel any sympathy towards her for her illness and you end up hoping she will die sooner rather than later.
I'll try to discuss the ending without giving away any major spoilers, but for those who haven't yet seen the show, you may want to skip to the final paragraph. At around the episode 5 mark, I was very close to giving up on this show, but I had heard that the ending was amazing, so I stuck with it. What a waste of time that turned out to be. The reveal itself was a huge let down and after everything was revealed, I still felt that the murder victim didn't deserve to die and I thought that Cora pretty much getting away with murder was so dissatisfying and undeserved.
Overall, this show is pretty awful. There are so many plot threads that go nowhere, the writing thinks it is far more clever than it actually is, actors that I normally like are playing entirely dislikeable characters and the whole thing seems far longer than just nine episodes. The ending isn't worth sticking around for and really the show is just tons of wasted potential. Do yourself a favour and give this a skip, there are far better shows available to watch on Netflix.
Haley Mathiot (9 KP) rated Running on the Cracks in Books
Apr 27, 2018
Rating: 3-ish/5
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
<b> My Summary: </b> Leo is scared. She’s not quite sure what to think of her kooky uncle anymore, and she doesn’t want to take chances. What if he does something to her… Leo runs away. She goes in search of her grandparents, her only living relatives. She accidently gets her photo in the newspaper, and had to hide. She meets a boy named Finlay, who seems to be the one who’s going to put an end to her new freedom… at first anyway. But then Finlay becomes a friend to Leo, and he becomes her key to staying away from her uncle. Leo will do anything to keep from being found and being sent back there. She ends up staying with a crazy lady who is hospitable enough, but refuses to take her medication and whose friends aren’t much better. Then she realizes that her Uncle is on her tail. How will she stay away?
<b> What I thought: </b> Running on the Cracks was an enjoyable read. When I first saw the cover, I imagined an action filled YA novel with a lot of suspense. Although there was suspense, it wasn’t anything that got your blood racing. I thoroughly enjoyed this book when I sat down to read it, but I had to be in the right mood to do it.
<b> The Writing: </b> The format of writing was different than I’d read before, but it was very engaging. It switched viewpoints, had pieces of the story in written-story form (meaning a whole chapter was just a letter or a newspaper article or an e-mail), had whole sections where it was just dialogue (those were my favorite sections—mostly it was when characters were on the phone, and they were all very funny) and even had a few chapters from the “crazy” person’s perspective (it’s always interesting being inside the head of a madman…). Also, the writer has written the book in an accent, meaning that some of the words are spelled wrong so that you can hear it pronounced with an accent in your head—quite engaging and welcoming. The writing was good, but as it was foreign it was a little odd (i.e. “lead” instead of “leash” etc), but not in a bad way.
<b> The Characters: </b> The characters were pretty relatable. I felt scared for Leo when she was running from her Uncle, and sorry for Finlay when we was stressed about lying to his mom. The characters were really cool, well developed, and some of them were kooky. I really liked Leo and Finlay. They had such cool names! I loved the “President”, but the “Godfather” was my favorite. He was just so… weirdly cool… (I don’t know, maybe that’s because I’m a little insane myself). Not too much, I rather enjoyed it actually. It’s always fun to read something a little different.
<b> The Plot: </b> The plot was pretty believable, and I know that (sadly) there are true stories like this all the time. I don’t know how the police are over in Scotland but I doubt very seriously that Leo would have gotten away with hiding from the American police for as long as she did from the Scottish police (but that’s my opinion as a police and spy novel writer). Although there was suggestion of the Uncle trying to sexually abuse women in the book, it never actually happened, and it was very age appropriate.
<b> My Recommendation: </b> I would recommend it to a friend ages 11-15, maybe even a little younger, but not older than that. Again, I enjoyed it when I sat down to read it, but it wasn’t quite my personal attention level (I’m 18). All in all, I enjoyed this book a lot.
<i> Thank you to Henry Holt In Group for supplying my review copy of this book! </i>
For more reviews and giveaways,, please visit haleymathiot.blogspot.com
~Haleyknitz
<a href="http://haleymathiot.blogspot.com/2009/09/win-lockdown.html">PS- don’t forget—enter my giveaway for LOCKDOWN before October 20!
</a>
Haley Mathiot (9 KP) rated Sanctuary in Books
Apr 27, 2018
rating: 3.8/5
My Summary: Lea is a refugee who has survived for the past few months living in the wild and traveling from house to random house, just trying to stay alive. When she is found, ill, by American soldiers and taken care of and healed, she has a choice—leave the soldiers and spend the winter by herself, homeless, with no protection in the middle of a war, or trade sex for protection and safety from Major Russell. She chooses the exchange. But Lea and Russell both are not prepared for the outcome of the bargain—Love. Lea and Russell are married, and try to build a real relationship from their original bargain. Can they make it work…
Thoughts: I really hate it when a book has what I call “happy-land syndrome—” where everything works out nicely, relationships are smooth and when they’re rough their fixed quickly and painlessly, and everyone lives happily ever after. This book does have a happily ever after of some sort, but it most certainly does not have happy-land syndrome. This book was a picture of a real marriage—the ups, the downs, the arguments, the forgiveness. There were clear differences between passion, lust, and love (which is always refreshing), and there were arguments the way real arguments happen. There was pride, there was sympathy, and there was forgiveness.
There was a lot of humor in this book! Now mind you it was not a “funny” book, but there were some very good funny pieces of dialogue.
Plot: This book didn’t have a complicated plot, or any huge unexpected occurrences. It was a “simple” story line—but it was a very addicting read. That’s not to say that everything that happened was dull or boring or expected, it just means it was definitely not a sitting-on-the-edge-of-your-seat kind of romance. It was more like a cuddle-up-with-a-cup-of-tea-and-a-blanket kind of romance. It flowed smoothly, and the pacing was very good—not to fast, not too slow. The only thing about the pacing was that the part where they realized that they’d fallen in love didn’t feel like any kind of climax. Which could have been the point, as it did sort of happen slowly.
Characters: I liked the fact that the characters in this book were like real people—they had their strengths and weaknesses, their qualities and their flaws. Lea was stubborn and rebellious, and not at all submissive to her husband, yet she was a sweet and kind girl, and was willing to make sacrifices for Russell. Russell was a very kind man to Lea, and his protective attitude was appealing, however his language and his anger were his downfalls.
Writing: The writing in this book was good. It wasn’t fantastically breathtaking (J.K. Rowling, Robert Frost, Paolini, Dostoyevsky etc.), it wasn’t mediocre (Stephenie Meyer, Becca Fitzpatrick) and it wasn’t atrocious (Meg Cabot.). I can’t really place it in any of those categories. It sort of fell between the first two. It was very readable, it wasn’t dull and empty of good words with barely acceptable sentence structure, but it wasn’t something that sounded like poetry read aloud either. Again, very readable.
Content: There was a lot of sex in this book. I mean, it’s a romance about a girl who trades her body in exchange for being kept alive by a horny soldier, and I expected it, so I’m not saying I was surprised. I think it could have still been a very good powerful romance without all the details. I skipped a few paragraphs here and there. There was also a lot of language. And yes, it is the military, after all. Soldiers swear. They did in the book, too. I guess some people aren’t bothered by stuff like that in books. It wasn’t so bad that I wanted to stop reading, but I thought some of the words (and again, details) could have been left out and the book would have been just as good.
Recommendation: Ages 16+ at least, and wait until you’re 18 if you are picky about content. I rate high for the wonderfully relatable and realistic characters, high-ish for my enjoyment, and medium for plot and writing.
Click here to read the first chapter of Sanctuary.
My Summary: Lea is a refugee who has survived for the past few months living in the wild and traveling from house to random house, just trying to stay alive. When she is found, ill, by American soldiers and taken care of and healed, she has a choice—leave the soldiers and spend the winter by herself, homeless, with no protection in the middle of a war, or trade sex for protection and safety from Major Russell. She chooses the exchange. But Lea and Russell both are not prepared for the outcome of the bargain—Love. Lea and Russell are married, and try to build a real relationship from their original bargain. Can they make it work…
Thoughts: I really hate it when a book has what I call “happy-land syndrome—” where everything works out nicely, relationships are smooth and when they’re rough their fixed quickly and painlessly, and everyone lives happily ever after. This book does have a happily ever after of some sort, but it most certainly does not have happy-land syndrome. This book was a picture of a real marriage—the ups, the downs, the arguments, the forgiveness. There were clear differences between passion, lust, and love (which is always refreshing), and there were arguments the way real arguments happen. There was pride, there was sympathy, and there was forgiveness.
There was a lot of humor in this book! Now mind you it was not a “funny” book, but there were some very good funny pieces of dialogue.
Plot: This book didn’t have a complicated plot, or any huge unexpected occurrences. It was a “simple” story line—but it was a very addicting read. That’s not to say that everything that happened was dull or boring or expected, it just means it was definitely not a sitting-on-the-edge-of-your-seat kind of romance. It was more like a cuddle-up-with-a-cup-of-tea-and-a-blanket kind of romance. It flowed smoothly, and the pacing was very good—not to fast, not too slow. The only thing about the pacing was that the part where they realized that they’d fallen in love didn’t feel like any kind of climax. Which could have been the point, as it did sort of happen slowly.
Characters: I liked the fact that the characters in this book were like real people—they had their strengths and weaknesses, their qualities and their flaws. Lea was stubborn and rebellious, and not at all submissive to her husband, yet she was a sweet and kind girl, and was willing to make sacrifices for Russell. Russell was a very kind man to Lea, and his protective attitude was appealing, however his language and his anger were his downfalls.
Writing: The writing in this book was good. It wasn’t fantastically breathtaking (J.K. Rowling, Robert Frost, Paolini, Dostoyevsky etc.), it wasn’t mediocre (Stephenie Meyer, Becca Fitzpatrick) and it wasn’t atrocious (Meg Cabot.). I can’t really place it in any of those categories. It sort of fell between the first two. It was very readable, it wasn’t dull and empty of good words with barely acceptable sentence structure, but it wasn’t something that sounded like poetry read aloud either. Again, very readable.
Content: There was a lot of sex in this book. I mean, it’s a romance about a girl who trades her body in exchange for being kept alive by a horny soldier, and I expected it, so I’m not saying I was surprised. I think it could have still been a very good powerful romance without all the details. I skipped a few paragraphs here and there. There was also a lot of language. And yes, it is the military, after all. Soldiers swear. They did in the book, too. I guess some people aren’t bothered by stuff like that in books. It wasn’t so bad that I wanted to stop reading, but I thought some of the words (and again, details) could have been left out and the book would have been just as good.
Recommendation: Ages 16+ at least, and wait until you’re 18 if you are picky about content. I rate high for the wonderfully relatable and realistic characters, high-ish for my enjoyment, and medium for plot and writing.
Click here to read the first chapter of Sanctuary.