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Rage Against the Machine by Rage Against The Machine
Rage Against the Machine by Rage Against The Machine
1992 | Rock
9.0 (1 Ratings)
Album Favorite

"It's a unique combination of what Zack de la Rocha is doing with his voice and what Tom Morello [guitarist] is doing. If you separate the two, you find yourself thinking: "Well, how could this possibly work?" But again they were game changers. They came along at a time in Los Angeles when there was nobody else doing that style. I don't think anyone has done anything like that successfully. They were a band that were immersed in different kinds of activism and that was something that definitely caught my attention. Who else was doing that? Who was doing that and selling millions of records? And, of course, by doing that they were able to cross over into different scenes and different generations of people that could listen to that type of music. Some of the stuff on here is still just as relevant today as it was when it was released. It's just the intensity of some of those messages for me as a singer. He performs with such conviction. You have got to believe what Zack is saying and he makes you understand what he's talking about. That's the heart of what Rage is all about. They're all behind exactly what he's saying. There's been a lot made in recent years of the idea that bands don't have anything to say anymore, or that they're ambivalent now, but I think everyone is saying something. Even Priest have made a comment in 'Crossfire', where we talk about religion and gun violence. I think a lot of the time these messages just slip under the radar for some people. Priest have never pushed back from making a comment on things that we see in the world or that affect us and think need to be commented on. So I think it's definitely out there. It's just that bands are now doing it a lot more subtly than Rage did."

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The Burning Chambers (The Burning Chambers #1)
The Burning Chambers (The Burning Chambers #1)
Kate Mosse | 2018 | Fiction & Poetry, Romance
9
8.3 (4 Ratings)
Book Rating
This book is an immersive experience! I found myself drawn in to the world of 16th Century France - and to be fair, it was all pretty exciting stuff! Historical fiction is one of my favourite genres, one of my ‘go-to’s’, and this did not disappoint one bit. It’s a story of religion, conflict, ambition, with a bit of a love story thrown in for good measure.

It’s all history that I know little about - my history education being that of the carefully selected English type. I’ve always tried to find out more about European history (ahem, German degree) and further afield if I can, and historical fiction makes it a bit more interesting than a dry history book. This book taught me a lot about the tensions between the catholic majority, and the Huguenot minority.

Minou is the 19 year old daughter of a bookseller, and lives in Carcassonne with her family. She meets Piet, a Huguenot convert, and helps him to escape from the town. Later, in Toulouse, they meet again in far more dangerous circumstances. They become trapped in a city at war - Catholic against Huguenot - and someone that Piet believes is a friend is very far from that. In Puivert, the chatelaine of the castle has a secret that she wants to keep hidden, and the only way to do that is for her to find Minou.

First, the most obvious thing: this is one big book. It’s the kind of book that I would buy on my kindle, because at 600+ pages, it definitely won’t fit in my handbag! The Pigeonhole is great for these circumstances!

Secondly, although this book is a serious whopper, it didn’t feel that way when I was reading it. It’s an exciting, fast-paced, delight of a read. It has it all: action, history, romance. Everything that makes for a compulsive read! The heroes and heroines are good, and the villains are thoroughly bad, and I loved them all!
  
The Seven or Eight Deaths of Stella Fortuna
The Seven or Eight Deaths of Stella Fortuna
Juliet Grames | 2019 | Fiction & Poetry, History & Politics
8
8.0 (1 Ratings)
Book Rating
This is the family saga of the Fortuna’s, and follows their lives from poverty in Calabria to the USA. It follows Stella from the birth and death of her older sister (also called Mariastella), her siblings, parents and her life in Connecticut - covering 100 years. I still can’t quite believe that the author managed to fit so much into 460+ pages without it feeling rushed or shoe-horned in, it she did it!

As you can probably guess from the title, Stella’s 7 or 8 deaths feature quite prominently in this, as does her close relationships with her mother and sister. Her father as good as abandons them for the first part of her life, and then demands that his wife and children sell everything and join him in the US where he has been working. Stella hates her controlling, abusive father, but is very much restricted by tradition and religion. So, she lives under his despotic rule. There is quite a bit of abuse - both physical and mental - in this, but what is most admirable is Stella’s unbroken spirit. And she has spirit in spades.

I loved the style in which this was told: a family member researching and telling the story of her relatives, and trying to work out why Stella in her last 30 years refuses to have anything to do with the sister that she loved so much. I had to keep reminding myself that it was in fact fiction. There was a great balance of modern thinking (from the narrator) and the traditions of the older members of the family, complete with curses and spells to avoid the evil eye.

I’ll be honest, I thought I’d made a mistake by choosing this book. I really didn’t think I’d like it. I’m so relieved that I took a chance on this though, because I loved it, and I’d say that it’s well worth a read.

Many thanks to NetGalley and the publisher for my copy of this book.