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LeftSideCut (3776 KP) rated Midnight Mass in TV
Nov 11, 2021
It's a rare thing indeed that I'm left in stunned silence when the credits start to to roll. Midnight Mass was one of those occasions (actually, due to its episodic format, this happened more than once)
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.
TheDefunctDiva (304 KP) rated Unearthly in Books
Sep 27, 2017
Ethereal and Intelligent
Contains spoilers, click to show
Clara Gardener has a vision, and a purpose. Her realizing that purpose is the main focus of the tale Unearthly. Clara has been blessed: she is genetically one quarter angel. And being part angel is more common than one might think. Clara has a brother, also an angel-blood. She also has a life in California before fate and the story take us to Wyoming.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
The focus of Clara’s vision is a young lad named Christian Prescott, who is the McDreamy of Jackson Hole High School. In the vision, they meet and she flies him away from a raging forest fire. Part of the book is devoted to the mystery surrounding this seemingly simple supernatural event. The other parts have Clara honing her holier skills, such as flying.
Clara definitely has feelings for Christian. These feelings are complex because of his place in her alleged destiny. Yet there’s another boy threatening to capture her attention, potentially putting her purpose in jeopardy.
I found this book to be very insightful. Elements of the plot hearken back to a time when I was young and thought love could change everything. Hand easily incorporates elements of teenage angst and high school life without ever being cliché. The book touches on the aspect of religion without going overboard and drowning the reader in dogma. The idea of God is discussed, but not dissected. I applaud the author’s decision not to be so heavy-handed in this regard.
Hand evokes beautiful imagery, especially in her descriptions of the angels’ wings. The descriptions of the Wyoming scenery are also beautiful. The narrative informs us of the basics of angelology without getting too terribly geeky. The plot thickens with every chapter, and Hand’s descriptive writing style helps keep the reader engaged. There is a bit of a plot twist at the end. That, and the artfully crafted love triangle, will leave you anxiously awaiting the next book in the trilogy.
This book is a must-read for anyone who’s ever considered liking Twilight. The plot is in a bit of the same vein, as this book falls into the paranormal romance genre. But the descriptions of Clara’s experiences are far more intense and thought-provoking. The vision of Clara’s purpose mystifies and overwhelms her at times, and also makes her infinitely more interesting a heroine than Bella Swan.
In the end, it seems even those with vision do not have all of the answers. I am elated to see the author’s success and look forward to passing these books down to my daughter.
Hazel (1853 KP) rated Stork Mountain in Books
May 25, 2017
Captivating
I received this book for free through Goodreads First Reads.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
Darren (1599 KP) rated Eminence Hill (2019) in Movies
Oct 31, 2019
Characters – Noah is the leader of a religious group, he takes it into his own hands to play judge jury and executioner in his community and doesn’t take to lightly towards the Tullis Gang coming into his territory. Royce Tullis is the leader of the gang with his love Gretchen, they have been targeting jurors who sentenced his brother to death and now finishing their killing spree, they look to escape, only they both find themselves questioning their actions while being held captive by Noah. Quincy is the lawman that is trying to track down the Tullis Gang, he is uses his gun skills when needed and can read a person through any conversation.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Darren (1599 KP) rated Running with the Devil (2019) in Movies
Oct 31, 2019
Characters – Noah is the leader of a religious group, he takes it into his own hands to play judge jury and executioner in his community and doesn’t take to lightly towards the Tullis Gang coming into his territory. Royce Tullis is the leader of the gang with his love Gretchen, they have been targeting jurors who sentenced his brother to death and now finishing their killing spree, they look to escape, only they both find themselves questioning their actions while being held captive by Noah. Quincy is the lawman that is trying to track down the Tullis Gang, he is uses his gun skills when needed and can read a person through any conversation.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Performances – Barry Corbin does bring his character to life in this film to change the tone of what we had seen. Clint James and Dominique Swain are both strong as the outlaw figures, not being full blown crazy evil like members of their gang. Owen Conway is the star of the show with his calm calculated character.
Story – The story here follows an US Marshall tracking down a group of outlaws, who have fallen into the hands of a religion community that want to make them pay for their sins. We do follow three different sides of the stories unfold, we get the outlaws planning their escape, they have US Marshall planning his way of capturing them and the religious group wanting to stay out of world’s view. We do get to see each side develop and with secrets behind certain ones being held back long enough. We do get to see just how every does feel like a chapter in a Red Dead Redemption chapter, where the outlaws meet a random group which will be the problem they need to overcome, while avoiding a fate coming for them.
Western – The western side of the film is well designed, showing us the outlaws, bounty hunter and strange groups that could have been built up not knowing too much more outside their comfort zones.
Settings – The settings are well crafted sets for the town, while the open plains represent the world in the era the film would be set in.
Scene of the Movie – Noah’s dinner offer.
That Moment That Annoyed Me – We could have spent more time on the Royce hunting down jurors.
Final Thoughts – This is a western that plays everything out well, without being as edgy as the subject matter wants to be, the religious group could have gone a lot darker, with plenty of signs of this, while the Marshall is the most interesting characters of the whole cast.
Overall: Western by the book.
Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
Lonely Planet Discover China
Lonely Planet, David Eimer, Damian Harper and Piera Chen
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Discover China is your...