Apostles of Reason: The Crisis of Authority in American Evangelicalism
Book
Evangelical Christianity is a paradox. Evangelicals are radically individualist, but devoted to...

LeftSideCut (3776 KP) rated Saint Maud (2020) in Movies
May 28, 2021
A big chunk of the runtime is dedicated to the extremly authentic-feeling relationship between the titular Maud (Morfydd Clark), a live-in nurse and her patient Amanda (Jennifer Ehle), a retired dancer who is terminally ill with cancer. The sweet connection between the two of them is subtle but well realised, making it all the more uncomfortable when things take a sinister turn.
The religious premise is nothing new in this genre, and there is a bit of a Rosemary's Baby vibe going on, but it's execution is pretty much flawless. Maud's devotion to God is occasionlly terrifying, but her human doubt and her occasional shake in faith stops the narrative from going full blown religious fanatic, and instead touches upon mental health issues. For all of her preaching at Amanda, Maud is the one who is portrayed as lost and lonely, trying to suppress past trauma. Her character is certainly a sympathetic one.
95% of its runtime is a slow burn, one that is complimented by wonderful cinematography and a haunting music score. However, I'm struggling to think of a film in recent memory that escalates so severely in such a short space of time, when the other 5% finally hits. To say anymore would be stepping into spoiler territory, but I will say that it's beautifully horrifying to watch unfold, with a final shot that will be seared into my brain for a while.
Rose Glass has created a true horror masterpiece with Saint Maud. Her presence withing the horror genre is a welcome one, and I'm excited to see what she does next.

Remy Tankel Carroll (36 KP) rated Gangsterland in Books
Dec 19, 2018

Matthew Krueger (10051 KP) rated Stigmata (1999) in Movies
Nov 21, 2019
The plot: A young woman with no strong religious beliefs, Frankie Paige (Patricia Arquette) begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal (Jonathan Pryce) requests that the Rev. Andrew Kiernan (Gabriel Byrne) investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her.
Its a okay movie, not the greatest.

Valerii Pereleshin: The Life of a Silkworm
Book
Olga Bakich's biography of Valerii Pereleshin (1913-1992) follows the turbulent life and exquisite...
Phyllis Tickle: Essential Spiritual Writings
Book
Phyllis Tickle is a prolific author, lecturer, founding religion editor for Publishers Weekly, and...

Better Friend Than a Foe!
Book
My National Service was 1951-1953. A craftsman in the R.E.M.E., and attached to the 2/2nd King...

Darwin's Apprentice: An Archaeological Biography of John Lubbock
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Darwin's Apprentice is a unique book telling the story of an important yet often forgotten...

Buddhism: The Basics
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Buddhism: The Basics provides a thorough and accessible introduction to a fascinating religion....

Daoist Philosophy and Literati Writings in Late Imperial China: a Case Study of 'The Story of the Stone'
Book
This volume first explores the transformation of Chinese Daoism in late imperial period through the...