Search
Search results
iRosary (Catholic Rosary)
Reference and Lifestyle
App
You are connected to the world around you with e-mail, Facebook, Twitter, Instant Messaging, and...
London Map and Walks, Full Version
Travel and Navigation
App
Lose Yourself Without Getting Lost. This handy application presents you several self-guided city...
Democracy 3
Games
App
Ever wanted to run the country? Have you ever wanted to be president? or prime-minister? Convinced...
Chisinau Map and Walks
Travel and Navigation
App
Lose Yourself Without Getting Lost. This handy application presents you several self-guided walks...
Warsaw Map and Walks
Travel and Navigation
App
Lose Yourself Without Getting Lost. This handy application presents you several self-guided walks...
Delhi-NCR Metro
Navigation and Travel
App
"Delhi-NCR Metro" is one of the best rated app of Delhi metro for its user-friendly design and...
Annie Chanse (15 KP) rated Wintersong in Books
May 25, 2018
It was okay.
Contains spoilers, click to show
[Warning: May contain spoilers]
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
I SOMEWHAT enjoyed this book. It is very much like "Labyrinth" meets "Beauty and the Beast." The premise is a bit too much like "Labyrinth" for me to be entirely comfortable calling this a "unique" book. Goblin King -- thin, blonde, mischievous Goblin King nonetheless -- comes to earth for a bride. A game ensues in which the stakes are as follows: the girl wins, she gets to take her sister and go home, leaving the Goblin King behind forever. The Goblin King wins, he gets to marry the girl. Sound familiar? Yeah. I thought it might.
I was a little turned off by this at first, but the author quickly adds in enough individuality to make the book her own and separate from the "Labyrinth." I don't want to give away any key plot points, so I am not going to go much further in the description of the book.
I will say, however, that the book is very prettily written, and that music is prominently featured throughout. Thankfully, the author writes music well, and it makes the book quite lovely to read, image-wise.
It is listed as a Young Adult fiction book, but I'd say that is not quite the right categorization for this book. The sex scenes are a little too descriptive for YA, and I worry about the poor librarian who is going to get chewed out because a religious mother catches her thirteen year old daughter reading it. Ha.
The plot was okay, if a little overdone, and the pacing was nice; it flowed well. There were no draggy bits, and nothing seemed too rushed. I'm not sure how I feel about the relationship between Liesl (the girl) and the Goblin King, which is, at times, very Beauty and the Beast and at other times, more Joker and Harley Quinn. :-/ I wouldn't say it was the healthiest of young marriages.
Still, overall, it is a solid 3.25-3.5 star book. I recommend it to lovers of romantic fantasy. Not ideal for hardcore fantasy geeks, though.
Oh, and also, if I see the word "entire" again, as in "I gave myself to him, entire" or "I am Elisabeth, entire" or "He finally gave himself to me, his body, his soul, his trust. Der Erlkonig, entire" one more time, I might punch someone. The author really needs to get over that little quirk. I would hate to see it repeated in the sequel, since she made use of it about ten bazillion times in the debut novel, and she has completely lost her right to EVER use the word "entire" again.
Rachel King (13 KP) rated The Claiming of Sleeping Beauty (Sleeping Beauty, #1) in Books
Feb 11, 2019
Anne Rice wrote a trilogy of books under the pen name A. N. Roquelaure, based on the fairy tale Sleeping Beauty. These books were titled The Claiming of Sleeping Beauty, Beauty's Punishment (Sleeping Beauty), and Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty. Yep, you read it right - erotica. The set is the only thing I have ever read by Anne Rice, and the only erotica books I have ever read. I have told maybe one or two other people that I have read the series, because it just does not match up with my "good girl" persona, and it resulted in the shocked expression I was expecting. Why would I read such an abomination? One part boredom, one part fairy tale superfan, and three parts secret naughty indulgence/curiousity (one for each book) - I found the books at a slow point while working at a bookstore, and sneakily read them at the customer service desk when I had nothing else to do.
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
Rachel King (13 KP) rated The Sandalwood Tree in Books
Feb 11, 2019
he book is like a story within a story. The book begins with the framing story of a woman, Evie, in 1947, who accompanies her husband and young son to India with the dual purpose of seeking adventure and hoping to mend her failing marriage with a man just returned from World War II, broken. When she discovers a bundle of 90-year-old letters hidden in the wall during a cleaning frenzy, the second story of the friendship between Felicity and Adela is revealed. From there, Evie's story diverges from that of Felicity and Adela's as Evie struggles to find more evidence of the two other women's existence and uses her fascination as a distraction from the political turmoil occurring around her.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
Rachel King (13 KP) rated Persuasion: A Latter-day Tale in Books
Feb 11, 2019
I said yes to reviewing this book because even though I have not yet read the Jane Austen classic that this book is based on, I was curious about the Mormon aspect of the book and how the author would modernize it. I know some about Mormon customs and traditions, but it was still interesting to read the book from the perspective of a practicing Mormon and see how this specific religious sect influenced the main character in her daily life.
I am sure other reviews will compare and contrast in detail this book with the original Persuasion, but I will write about this book from the perspective of someone who has not read Persuasion by Jane Austen, though I have read some of her other works and I am a fan.
The book as a whole was an enjoyable romantic read with a bit of suspense and drama thrown in to create conflict. While I was reading some of the situations, I did often wonder how Jane Austen would have written them were she still alive today, such as Lily's jellyfish sting or Anne's stalker. The use of modern technology, such as computers and cell phones, also contributed to the modernization quite obviously.
The characterization that Jamison employs closely resembles Austen's skill, with personality traits that translate across any era, such as the ones' whose main concern was about money and what it can buy. There were the females whose only concern was obtaining a husband, as well as the mother who had little regard for disciplining her children. Matchmakers also abounded and many of the characters were related - either by blood or marriage.
The Mormon influences are easy to pick out, such as Anne's avoidance of alcohol and caffeine, and sometimes these little changes did not blend well with the plot, likely because I did not always understand what the terminology referred to, such as references to a "Fireside." I believe the book would have benefited from more explanation of the Mormon practices woven into the background details.
Ironically, my favorite characters were not the main characters, Anne and Neil. I had more interest in the ones that seemed to have a smaller part, such as Jay, who lost his wife after only 8 months of marriage. Anne's character seemed to fall a bit flat, and even when she was supposed to be in a highly emotional state, such as when she gets angry at Will, I had a hard time believing it. I also would have liked more emotion from Neil, as he always seemed to be too cool and collected for the events that were unfolding.
I did enjoy the book, though, and any fan of Jane Austen would enjoy this modernized tale, as well.
I am sure other reviews will compare and contrast in detail this book with the original Persuasion, but I will write about this book from the perspective of someone who has not read Persuasion by Jane Austen, though I have read some of her other works and I am a fan.
The book as a whole was an enjoyable romantic read with a bit of suspense and drama thrown in to create conflict. While I was reading some of the situations, I did often wonder how Jane Austen would have written them were she still alive today, such as Lily's jellyfish sting or Anne's stalker. The use of modern technology, such as computers and cell phones, also contributed to the modernization quite obviously.
The characterization that Jamison employs closely resembles Austen's skill, with personality traits that translate across any era, such as the ones' whose main concern was about money and what it can buy. There were the females whose only concern was obtaining a husband, as well as the mother who had little regard for disciplining her children. Matchmakers also abounded and many of the characters were related - either by blood or marriage.
The Mormon influences are easy to pick out, such as Anne's avoidance of alcohol and caffeine, and sometimes these little changes did not blend well with the plot, likely because I did not always understand what the terminology referred to, such as references to a "Fireside." I believe the book would have benefited from more explanation of the Mormon practices woven into the background details.
Ironically, my favorite characters were not the main characters, Anne and Neil. I had more interest in the ones that seemed to have a smaller part, such as Jay, who lost his wife after only 8 months of marriage. Anne's character seemed to fall a bit flat, and even when she was supposed to be in a highly emotional state, such as when she gets angry at Will, I had a hard time believing it. I also would have liked more emotion from Neil, as he always seemed to be too cool and collected for the events that were unfolding.
I did enjoy the book, though, and any fan of Jane Austen would enjoy this modernized tale, as well.