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Leanne Crabtree (480 KP) rated Heidi's Guide to Four Letter Words in Books
Jan 12, 2021
This starts with Heidi trying to find a job and her mum and aunt going through a list of schools they think she should work at and Heidi listening miserably, knowing education isn't something she enjoyed. Instead she's applied to be in a receptionist type role at a local small business, not knowing at the time that they record erotic romances in audiobook form. Heidi is equally embarrassed and curious about what goes on at her place of work and with the help of her colleagues begins a podcast where she talks about her hot neighbour who she'd love to date and becoming more confident in saying those tricky four letter words.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
Kristy H (1252 KP) rated The Long Call in Books
Sep 13, 2019
Well, this was an excellent police procedural; one of those mysteries that you get caught up in from the start. I'll be honest that I've never heard of Ann Cleeves or any of her previous series. That's clearly my loss, and I'm definitely interested in her other works now.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
Gareth von Kallenbach (971 KP) rated Jimmy's Hall (2015) in Movies
Aug 6, 2019
It’s not to often that we folks in America have the opportunity to catch any movies from Ireland.
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
Sassy Brit (97 KP) rated Godsend in Books
Jun 6, 2019
Godsend, by J.A. Marley is the second Danny Felix novel, and although I have not read the first, Standstill, I read this fast and furiously, as if this was indeed a standalone novel.
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Vincent Cardell has over zealous political and religious ambitions, and decides to help out the Mexican cartel with their money laundering, and skims a little bit off the top for himself, I mean the church, whilst he’s at it.
His wife, June is fed up with his ways, and suspects the cartel know what he’s done, and it won’t be long before they come for him, and perhaps her too. So what does she do? Enlists Danny, to rob Vincent’s money and give it all to her. What could possibly go wrong with a deal proposed by a Preacher’s wife?
Right from the first few pages I knew this cheeky chappy was going to be a lot of fun to read. Danny is a flawed, and somewhat vulnerable character, coping with past events that have led to panic attacks and flashbacks, yet he’s still a criminal at heart, despite being ‘retired’ and living in Florida Keys. Nothing, it seems, can keep this man down. He’s a genuine, loveable rogue. As is his mate, Ciaran.
In fact, all of the characters were really well rounded; I loved to hate Harkeness, and I kind of liked June Cardell (also a Brit), even though I probably shouldn’t have. Hell, even Slow Tina, a seventy year old stripper, had a great part to play! (Her character made me giggle).
Because Godsend was based in America, the whole story was written very much in an American style read (lots of Americanisms), with an evangelical couple, preacher Vincent and his conniving wife, June, being a central part of this theme. This was balanced out nicely by the fact that Danny himself was from the UK, with plenty of British-isms up his sleeve! Lots of ‘feckin’s’ and ‘fecks’ too! Aha!
As with this style of gritty, pulp action, there is a lot of name dropping in this book, musicians, actors, and the films, books and songs they produced. They even went to a Geekfest, which I have to mention, as I went to one last Sunday! So yeah, you could say this was my kind of read in more ways than one. Then, just when I thought it was all over the epilogue says otherwise… Nice one!
Overall this is a terrific hard-boiled crime thriller, with some great one liners and equally great, misbehaving characters. If you want to know what happens when you mess with the cartel, read this book!
Kyera (8 KP) rated Unborn (Unborn, #1) in Books
Feb 1, 2018
I was incredibly and pleasantly (surprised) autopsied by this novel. Don't get me wrong, there are a number of things that leave the reader wanting more (and not in a good way), but overall it was well thought out.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
Bookapotamus (289 KP) rated No Less Days in Books
May 29, 2018
I won a copy of this book and I didn't know it was Christian Fiction. Definitely not something I would grab for myself to read. I was not turned off by the religious aspects of it though, as most are subtle and not in your face. I tended to glaze over them, which makes me believe this book would have been just as good without them. I won't say they didn't add anything as that's not my place to judge, but I won't judge the book either on parts that I wasn't particularly interested in. I wouldn't judge a mystery on it being mysterious, or a romance for being romantic. So now that we're past that...
The premise of this story is really cool. I admit, it reminded me of that Blake Lively move, Age of Adeline, but WAY better. There was thought here, and it drew me in the second I started reading.
The main focus of the story is that David Galloway cannot die. It should have happened, many times. But nope. Still here... 100 some odd years later and still looking every bit a healthy 35 year old man. We learn a lot of David's history, as well as his present situation, and we wonder: How did he become this way? Are there others like him? Will he ever die? How does he live live without ever aging?
I read this book really fast as I honestly wanted to find out what would happen. Page after page, it kept me riveted. I would give it 5 Stars, but I had some issues with parts of the story. Particularly all the themes going on - some felt really unnecessary. There was a lot of mystery, racial stuff, domestic abuse, love stories, historical references, religion, murders, celebrity, books.... I'm probably missing more. I felt like too much was happening and a lot could be toned down or eliminated. And it's very obviously set up for a sequel, but the way this "strange character" just showed up and then left... felt really disjointed and out of place.
I'm also not a big Speculative Fiction reader as well as the Christian Fiction genre. I would have never bought this book and read it on my own. But that is how you lose certain generalizations about things, and find some of the best stories. I took a chance, and I won :)
I'm happy to have read this book. And I'm pretty sure this is a sequel in the works, and I'll most likely seek that one out to read!
The premise of this story is really cool. I admit, it reminded me of that Blake Lively move, Age of Adeline, but WAY better. There was thought here, and it drew me in the second I started reading.
The main focus of the story is that David Galloway cannot die. It should have happened, many times. But nope. Still here... 100 some odd years later and still looking every bit a healthy 35 year old man. We learn a lot of David's history, as well as his present situation, and we wonder: How did he become this way? Are there others like him? Will he ever die? How does he live live without ever aging?
I read this book really fast as I honestly wanted to find out what would happen. Page after page, it kept me riveted. I would give it 5 Stars, but I had some issues with parts of the story. Particularly all the themes going on - some felt really unnecessary. There was a lot of mystery, racial stuff, domestic abuse, love stories, historical references, religion, murders, celebrity, books.... I'm probably missing more. I felt like too much was happening and a lot could be toned down or eliminated. And it's very obviously set up for a sequel, but the way this "strange character" just showed up and then left... felt really disjointed and out of place.
I'm also not a big Speculative Fiction reader as well as the Christian Fiction genre. I would have never bought this book and read it on my own. But that is how you lose certain generalizations about things, and find some of the best stories. I took a chance, and I won :)
I'm happy to have read this book. And I'm pretty sure this is a sequel in the works, and I'll most likely seek that one out to read!
Phil Leader (619 KP) rated Genesis: Vision of the New World (Terra Nova #2) in Books
Nov 13, 2019
Following on from the events in Universe: Awakening, the first book in the series (which you need to read before this one), this picks up events on Arkos after some time has passed. Minister Odessa is still concerned about the findings of the DEUS probes, and when there is an astronomical anomaly and a disaster on the planet itself she realises that she needs her most trusted allies to determine the threat that is posed. Meanwhile there is a change at the head of the lower-status Gendu, both in terms of politics and religion, which aren't universally popular. Society may be under threat from within and without.
This is a long book, but like the first one it covers a lot of ground. There is a far more investigation of the Gendu, their politics and their religion. The succession of Darius as head of the Gendu, and the rise of a greedy and flawed priest in the religious sect provide the backbone of the story. The Celesti are frustrated by only being allowed to observe and not interfere, but are focused on exploring the anomaly. Odessa also starts a related project to enhance some of the indigenous apes.
This is not a book that can be read in isolation. As the middle of a trilogy it answers few questions from the first book and raises many that are due to be resolved in the final installment. It is clear that everything is converging, momentum carrying people and events along as much they are exerting their own control. The author has constructed a world where the plot is driven from a number of different directions and this ensures that each chapter has something to add.
The writing is very confident. Overttun has really found his voice as an author and uses it to show the reader all of his creation. From the clinical efficiency of Odessa's experiments to the dirt and grime of the seedier areas of Gendu society, the narrative weaves its way inexorably onwards. The prose is lean and efficient, lending impetus to the story. The exploits of the already known characters will entertain as they are old friends, the new characters are all interesting and nuanced.
This is building to be a fabulous epic trilogy, epic in depth, breadth and scale. It isn't science fiction, it isn't a political thriller, it isn't a philosophical treatise. It is all these and more. I really cannot wait to see what happens next. Stunning.
This is a long book, but like the first one it covers a lot of ground. There is a far more investigation of the Gendu, their politics and their religion. The succession of Darius as head of the Gendu, and the rise of a greedy and flawed priest in the religious sect provide the backbone of the story. The Celesti are frustrated by only being allowed to observe and not interfere, but are focused on exploring the anomaly. Odessa also starts a related project to enhance some of the indigenous apes.
This is not a book that can be read in isolation. As the middle of a trilogy it answers few questions from the first book and raises many that are due to be resolved in the final installment. It is clear that everything is converging, momentum carrying people and events along as much they are exerting their own control. The author has constructed a world where the plot is driven from a number of different directions and this ensures that each chapter has something to add.
The writing is very confident. Overttun has really found his voice as an author and uses it to show the reader all of his creation. From the clinical efficiency of Odessa's experiments to the dirt and grime of the seedier areas of Gendu society, the narrative weaves its way inexorably onwards. The prose is lean and efficient, lending impetus to the story. The exploits of the already known characters will entertain as they are old friends, the new characters are all interesting and nuanced.
This is building to be a fabulous epic trilogy, epic in depth, breadth and scale. It isn't science fiction, it isn't a political thriller, it isn't a philosophical treatise. It is all these and more. I really cannot wait to see what happens next. Stunning.
Gareth von Kallenbach (971 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
Ross (3282 KP) rated The Thousand Deaths of Ardor Benn in Books
Feb 2, 2021
Thrilling epic fantasy heist
This was a very original take on the fantasy genre (for me at least). The main character, Ardor Benn, is a roguish 'ruse artist', who runs small time cons on everyone from bar patrons (betting he can't hit a shot after numerous drinks) to gangsters. He is approached by a religious, monk-type, man who wants to hire him to run a con on the king of the Greater Chain of islands.
The world Whitesides has built is really wonderful, not totally dissimilar to that in Mistborn. However, here materials aren't ingested and 'burned' by people to get powers, they ignite specifics types of grit. This grit has been processed from materials originally eaten and pooped out and burned by dragons. Different materials before being eaten will give different results when ignited, causing a cloud of dust that bends reality - creating light or explosions, stopping all sounds or light or gravity, making impenetrable bubbles or healing. And the most valuable of all is the Visitant Grit, which will summon an all-powerful paladin to implement the ambitions of the worthy holder. This latter grit is produced by igniting the pooped out remnants of a male dragon's bones. Sadly, all male dragons have died out, meaning these saviours are no longer possible. And that's where Ardor's new job comes in...
The story is a non-stop thriller as the job they plan is so ambitious that it takes on several phases, all of which are massive in themselves. There were a few times during the early parts where I felt the story dragged a little (chapters covering one character learning how to mime an operatic aria), but these weren't too damaging to my motivation. There are a number of times when things don't go to plan, and a re-think is needed. These are also well written pieces, as the characters solve these in creative ways. There were no real deus ex machina moments where they escaped despite all odds. There is one very surprising twist/revelation in the final third which had me nervous that all my enjoyment was about to be swallowed up, pooped out and burned, but that turned out not to be the case. This weird pivot was very well handled and worked well within the story.
The action scenes are well narrated, allowing so much better visualisation than a lot of books I've read recently, and the characters are all fairly well realised and develop nicely together and on their own.
An excellent, thrilling fun book, and wonderfully part 1 of a trilogy.
The world Whitesides has built is really wonderful, not totally dissimilar to that in Mistborn. However, here materials aren't ingested and 'burned' by people to get powers, they ignite specifics types of grit. This grit has been processed from materials originally eaten and pooped out and burned by dragons. Different materials before being eaten will give different results when ignited, causing a cloud of dust that bends reality - creating light or explosions, stopping all sounds or light or gravity, making impenetrable bubbles or healing. And the most valuable of all is the Visitant Grit, which will summon an all-powerful paladin to implement the ambitions of the worthy holder. This latter grit is produced by igniting the pooped out remnants of a male dragon's bones. Sadly, all male dragons have died out, meaning these saviours are no longer possible. And that's where Ardor's new job comes in...
The story is a non-stop thriller as the job they plan is so ambitious that it takes on several phases, all of which are massive in themselves. There were a few times during the early parts where I felt the story dragged a little (chapters covering one character learning how to mime an operatic aria), but these weren't too damaging to my motivation. There are a number of times when things don't go to plan, and a re-think is needed. These are also well written pieces, as the characters solve these in creative ways. There were no real deus ex machina moments where they escaped despite all odds. There is one very surprising twist/revelation in the final third which had me nervous that all my enjoyment was about to be swallowed up, pooped out and burned, but that turned out not to be the case. This weird pivot was very well handled and worked well within the story.
The action scenes are well narrated, allowing so much better visualisation than a lot of books I've read recently, and the characters are all fairly well realised and develop nicely together and on their own.
An excellent, thrilling fun book, and wonderfully part 1 of a trilogy.
Kristy H (1252 KP) rated Our Own Private Universe in Books
Feb 18, 2021
A great book for gay teens finding their way
This is the fifteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Aki Simon is ready to start living her life. At fifteen, she believes she's bisexual, but she's only dated boys, and only her best friend, Lori, knows about her feelings. So when Aki and Lori go on a church trip to Mexico, Aki vows to stop sitting around and start living. This becomes possible when she meets Christa, another student on the trip. Christa, older and more worldly, clearly seems to like Aki as much as Aki likes her. But how does Aki--whose father is a pastor and along on this trip--experiment with Christa on this trip? How does she figure out if she likes, or even loves, Christa? And if she does, how does she tell her religious parents?
I've read several books by Robin Talley and really loved them all. This one was a little young for me, but I think it would be an excellent read for the teen age group. It covers a range of vital and big themes for teens: bisexuality, coming out, safe sex, parental expectations, religion and being gay, etc. There's a moment when Aki is trying to track down dental dams, and she's researching how to use them. I'm honestly not sure I've ever seen that in a book, and it's so important and honestly, really cool. I would have loved to find a book like this when I was a teen trying to figure out a lot of various things.
Unfortunately, a lot of the plot of UNIVERSE is based on the premise of one character lying to another, which I really do not care for. It gets off to a slow start. And there is a lot of teen drama, with Lori and other kids on the trip at the center. Maybe it wouldn't seem so melodramatic for teens, who live in that world, but it's a bit much and gets repetitive.
Still, I love how important this book is, covering coming out and featuring such a diverse cast of characters. It's serious yet romantic. I would certainly recommend it for teens grappling with their sexuality, those coming out, or those wanting to support their queer friends or kids. 3.5 stars. (Also, if you are older and queer (or even if you're not), read Robin Talley's PULP. It's amazing.)
Aki Simon is ready to start living her life. At fifteen, she believes she's bisexual, but she's only dated boys, and only her best friend, Lori, knows about her feelings. So when Aki and Lori go on a church trip to Mexico, Aki vows to stop sitting around and start living. This becomes possible when she meets Christa, another student on the trip. Christa, older and more worldly, clearly seems to like Aki as much as Aki likes her. But how does Aki--whose father is a pastor and along on this trip--experiment with Christa on this trip? How does she figure out if she likes, or even loves, Christa? And if she does, how does she tell her religious parents?
I've read several books by Robin Talley and really loved them all. This one was a little young for me, but I think it would be an excellent read for the teen age group. It covers a range of vital and big themes for teens: bisexuality, coming out, safe sex, parental expectations, religion and being gay, etc. There's a moment when Aki is trying to track down dental dams, and she's researching how to use them. I'm honestly not sure I've ever seen that in a book, and it's so important and honestly, really cool. I would have loved to find a book like this when I was a teen trying to figure out a lot of various things.
Unfortunately, a lot of the plot of UNIVERSE is based on the premise of one character lying to another, which I really do not care for. It gets off to a slow start. And there is a lot of teen drama, with Lori and other kids on the trip at the center. Maybe it wouldn't seem so melodramatic for teens, who live in that world, but it's a bit much and gets repetitive.
Still, I love how important this book is, covering coming out and featuring such a diverse cast of characters. It's serious yet romantic. I would certainly recommend it for teens grappling with their sexuality, those coming out, or those wanting to support their queer friends or kids. 3.5 stars. (Also, if you are older and queer (or even if you're not), read Robin Talley's PULP. It's amazing.)