
Rachel King (13 KP) rated The Uncoupling in Books
Feb 11, 2019
The spell of Lysistrata resembled a cold wind and only affected "women who were in some way connected sexually to men." No woman in the book was strong enough to resist the power of this mysterious wind, not even the ones newly in love and lust. Every woman affected imagined her own reasons for abstaining, and though all of the different reasons had a logical ring to them, only other women could relate. The men were simply left in the dark to react however he felt could change his twist in circumstances.
Early on, I felt that this book was a bit like a study of sex and the affects of sex -- or lack thereof -- on individuals and relationships. Even though the play Lysistrata was meant to be a catalyst for all of these private events, the high-school reenactment seemed to take a minor background role. The spell seemed to empower the women, though they did not act any happier with their new freedom and individuality. Many were just as baffled or depressed with the chastity as the men, but no couple was able to converse with each other about it, which I found strange and attributed to the effects of the spell. Ironically, because the issues of sex are such a private matter, very few couples shared their problems with anyone else in town, and so no one truly recognized the correlation between the abstinence of the females in town and the play Lysistrata. This irritated me to no end throughout the book.
On the night of the play, the spell is magically lifted by, quite appropriately, a warm wind when the men in the audience begin to protest the essence of the play itself and use that to try and win their women back. Throughout the whole book, the reader is lead to believe that this spell has no designer, that it has simply attached itself to the performance of the play from Lysistrata's origins in 411 B.C. Though I at first was suspicious of a certain person as casting the spell, I was also lulled into changing my mind about this. Without giving away the ending, I was quite surprised at the truth behind the spell's beginnings. There is much I could say about the thoughts that raced through my head while reading the last few pages and the conclusions that I drew from the revelation, but I will resist. I will say that the book is worth every page for its startling culmination.

Scott Tostik (389 KP) rated Yellowbrickroad (2011) in Movies
Dec 29, 2019
But I couldn't resist reviewing this little piece of WTF.
The story goes like this. In 1940, the inhabitants of a small New Hampshire town vanished one day. All pf them jist walked into the woods and never came back. All but 1. He came back saying everyone else was dead and all he could hear was some music that drove them all insane.
Fast forward 70 years.
A group of dumbasses decide to take it amongst themselves to investigate what happened.
What follows is a mishmash of bad writing, fucking horrible acting and some pretty shotty camera work.
The one saving grace of this film are the effects.
While simple, they bring a certain flair to an otherwise boring and uneventful film.
Paying attention to an already dismal movie is even harder when you add in the horrible saxophone music that drives the party nuts enough to kill. Hell, I even looked in my wife's direction a few times while it was playing...
I gave it a 7 on effects alone. If that's what you're into then this movie is for you... If not... Skip it, forget it, and throw any thought of it straight to the ground... This is not OZ, Dorothy...

Phil Leader (619 KP) rated 2061: Odyssey Three (Space Odyssey, #3) in Books
Nov 8, 2019
With the return of Halley's Comet in 2061, a luxury trip is proposed which Floyd's sense of adventure can't resist. However when things don't quite go to plan his resourcefulness comes to the fore - as well as his connection to long-lost astronaut Dave Bowman and computer HAL9000.
As a neat piece of science fiction, leaning heavily on the science, this books works well and it's a compelling read, especially the encounter with the comet, a world so utterly alien Clarke does well to capture it in his descriptions. As a sequal to 2001 and 2010 it works perhaps a little less well as it doesn't have a great deal to do with the future of mankind, as the first books do. The sequence around the comet would have worked with any protagonist, it didn't need to be Floyd, but would have been a shorter work. But it just about fits into the Space Odyssey ouvre and it's always good to meet up with old friends.
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