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Darren (1599 KP) rated Dumbo (2019) in Movies
Nov 30, 2019
Verdict: Charming
Story: Dumbo starts when Holt Farrier (Farrell) returns from war, to re-join the circus run by Max Medici (DeVito) where his kids Milly (Parker) and Joe (Hobbins) have been living and working for years, Holt has come back injured, with the only job offered to him, being cleaning up after the elephants, one of which is pregnant giving birth to an elephant with giant ears, which only causes chaos on his debut in the circus.
After Dumbo’s mother is taken away, he is left alone, while the children learn about his flying skills, which turns Max’s circus into the talk of the country, attracting V. A. Vandevere (Keaton) who wants to offer Max the world for Dumbo.
Thoughts on Dumbo
Characters – Holt Farrier is a war veteran widow that has returned to his children in a circus. He has been suffering with his time away, this has seen him not show as much affection as his wife would have, he takes the only job he can get which sees him training and cleaning up the elephants, his time back in the circus does bring him back to his kids, where he learns how important life still can be. V. A. Vandevere is the operator of Dreamland, he sales the idea of a better life for the whole troop, even if he has his own ideas to just make himself rich. Max Medici runs the small circus that discovers Dumbo’s talent, he has always been in the game for the money and can’t resist the idea of money when Vandevere arrives but must learn there is more to his life than money. Colette Marchant is the star performer in Vandevere show, she has been for years though she is just the hottest thing he has going for a while, she doe solve to perform. Dumbo is the baby elephant with giant eyes, who loses his mother, but has the incredible ability to fly, drawing crowds from miles.
Performances – Colin Farrell gives us a wonderful performance as the caring veteran who has been struggling with his own problems once returning from war. Michael Keaton enjoy the villainous role, while Danny DeVito is shows the desperation while still bringing the heart needing for the role, Eva Green shines to as the beautiful performer too.
Story – The story here shows how a small circus that finds themselves with a star attraction in Dumbo, which sees them become a success that the whole country wants to see. The story might focus on Dumbo being forced into performing after having his mother taken away, while deeper down we get to see a family that has been broken from death and war, needing to come back together. We see themes of greed with the circus masters at times, but all together the ideas behind everything all shine through to show that people who do good will get what they deserve in life.
Adventure/Fantasy – The adventure shows the how Dumbo comes into the world and put through traumas at a young age before finding his feet and learn that some people are good in life, with the fantasy of an elephant that can fly being the highlight of what makes Dumbo so special.
Settings – The film uses the settings to show the different sizes of circus that we see Dumbo being part of.
Special Effects – The effects in the film are brilliant bringing Dumbo to life like nothing we could have imagined.
Scene of the Movie – The Dumbo flight.
That Moment That Annoyed Me – It does spend too much time telling Milly she can’t follow her scientist dreams.
Final Thoughts – This is the best live action Disney film of 2019, it brings the scale of the idea to life, which looks wonderful and has great performances too.
Overall: Beautiful Fantasy Film.
Story: Dumbo starts when Holt Farrier (Farrell) returns from war, to re-join the circus run by Max Medici (DeVito) where his kids Milly (Parker) and Joe (Hobbins) have been living and working for years, Holt has come back injured, with the only job offered to him, being cleaning up after the elephants, one of which is pregnant giving birth to an elephant with giant ears, which only causes chaos on his debut in the circus.
After Dumbo’s mother is taken away, he is left alone, while the children learn about his flying skills, which turns Max’s circus into the talk of the country, attracting V. A. Vandevere (Keaton) who wants to offer Max the world for Dumbo.
Thoughts on Dumbo
Characters – Holt Farrier is a war veteran widow that has returned to his children in a circus. He has been suffering with his time away, this has seen him not show as much affection as his wife would have, he takes the only job he can get which sees him training and cleaning up the elephants, his time back in the circus does bring him back to his kids, where he learns how important life still can be. V. A. Vandevere is the operator of Dreamland, he sales the idea of a better life for the whole troop, even if he has his own ideas to just make himself rich. Max Medici runs the small circus that discovers Dumbo’s talent, he has always been in the game for the money and can’t resist the idea of money when Vandevere arrives but must learn there is more to his life than money. Colette Marchant is the star performer in Vandevere show, she has been for years though she is just the hottest thing he has going for a while, she doe solve to perform. Dumbo is the baby elephant with giant eyes, who loses his mother, but has the incredible ability to fly, drawing crowds from miles.
Performances – Colin Farrell gives us a wonderful performance as the caring veteran who has been struggling with his own problems once returning from war. Michael Keaton enjoy the villainous role, while Danny DeVito is shows the desperation while still bringing the heart needing for the role, Eva Green shines to as the beautiful performer too.
Story – The story here shows how a small circus that finds themselves with a star attraction in Dumbo, which sees them become a success that the whole country wants to see. The story might focus on Dumbo being forced into performing after having his mother taken away, while deeper down we get to see a family that has been broken from death and war, needing to come back together. We see themes of greed with the circus masters at times, but all together the ideas behind everything all shine through to show that people who do good will get what they deserve in life.
Adventure/Fantasy – The adventure shows the how Dumbo comes into the world and put through traumas at a young age before finding his feet and learn that some people are good in life, with the fantasy of an elephant that can fly being the highlight of what makes Dumbo so special.
Settings – The film uses the settings to show the different sizes of circus that we see Dumbo being part of.
Special Effects – The effects in the film are brilliant bringing Dumbo to life like nothing we could have imagined.
Scene of the Movie – The Dumbo flight.
That Moment That Annoyed Me – It does spend too much time telling Milly she can’t follow her scientist dreams.
Final Thoughts – This is the best live action Disney film of 2019, it brings the scale of the idea to life, which looks wonderful and has great performances too.
Overall: Beautiful Fantasy Film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Daughter of Isis (Descendants of Isis #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
The first book in Kelsey Ketch's <em>Descendants of Isis</em> series is a book with very heavy romance.
Of course, I was highly aware of that upon reading the synopsis.
But I'm an absolute sucker for mythology of all kinds (This is why I am highly interested in debut author Heidi Helig's <em>The Girl From Everywhere</em>. I mean, <em>Hawaiian</em>. Saucer eyes RIGHT here! I intend on waiting until the book is published, though.) and I simply couldn't resist myself. So instead of moping about the possibility of a heavy romance, I replaced my "NUUU ROMANCE" hat with my "TOLERABLE ROMANTIC" hat (the caps are intentional), sat back with my tablet (after transferring the review copy from the computer), and just hoped Ketch would take me on an unforgettable journey.
Natti has just moved from London to a small town in California after her Grandmother's death, with her only clue in a necklace she inherited. Since the first day Natti starts at her new school, Seth O'Keefe starts pursuing her in the hopes of seducing her.
Plus, Tolerable Romantic (I'll stop capping my hats now) hat says it's not exactly love at first sight Natti is completely resistant to Seth's attempts at charming her from the beginning, even though she sort of succumbs to his charms eventually. At that point in time, however, I know each of the characters well enough and have a particular fondness for each of them (for the first in a series) that it isn't awkward at all.
Ketch writes the book in two views: Natti's and Seth's. Natti's comparison of British life to American life and big city to a small town is mildly hilarious (we totally do everything backward). Even though she would rather remain in England, she smoothly transitions into her new life after meeting Wanda, Kevin, and Jen and being tucked under their wings.
Also, she has a fire in her I kind of like.
I honestly feel having Seth's view works out in the book's favor; hearing from his point of view makes him a lot more human than he comes out as with the other Sons of Set: someone who worships the Egyptian god Set and spreads chaos in the world on his behalf, hoping to eventually come across a secret from the past. They also sound insane and just want to take over the world one woman at a time.
It basically puts him in an entirely different perspective for readers than simply reading what Natti thinks of him.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-kFwoMM-NvD4/VodHIVFyhoI/AAAAAAAAFqQ/y-lTjSgr4j0/s1600/perspective.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/01/perspective.gif"; width="320" height="240" border="0" /></a></div>
<em>Daughter of Isis</em> is one of those books where I'll probably keep my Tolerable Romantic hat on for the entire series because the romance between Seth and Natti fits the story really well. The world Kelsey builds in a small town California where nearly everyone is under the thumb of the Sons of Set captivated me by the end of the book I can't wait to see what trials the couple will face in the future of the series.
<a href="https://bookwyrmingthoughts.com/review-daughter-of-isis-by-kelsey-ketc/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The first book in Kelsey Ketch's <em>Descendants of Isis</em> series is a book with very heavy romance.
Of course, I was highly aware of that upon reading the synopsis.
But I'm an absolute sucker for mythology of all kinds (This is why I am highly interested in debut author Heidi Helig's <em>The Girl From Everywhere</em>. I mean, <em>Hawaiian</em>. Saucer eyes RIGHT here! I intend on waiting until the book is published, though.) and I simply couldn't resist myself. So instead of moping about the possibility of a heavy romance, I replaced my "NUUU ROMANCE" hat with my "TOLERABLE ROMANTIC" hat (the caps are intentional), sat back with my tablet (after transferring the review copy from the computer), and just hoped Ketch would take me on an unforgettable journey.
Natti has just moved from London to a small town in California after her Grandmother's death, with her only clue in a necklace she inherited. Since the first day Natti starts at her new school, Seth O'Keefe starts pursuing her in the hopes of seducing her.
Plus, Tolerable Romantic (I'll stop capping my hats now) hat says it's not exactly love at first sight Natti is completely resistant to Seth's attempts at charming her from the beginning, even though she sort of succumbs to his charms eventually. At that point in time, however, I know each of the characters well enough and have a particular fondness for each of them (for the first in a series) that it isn't awkward at all.
Ketch writes the book in two views: Natti's and Seth's. Natti's comparison of British life to American life and big city to a small town is mildly hilarious (we totally do everything backward). Even though she would rather remain in England, she smoothly transitions into her new life after meeting Wanda, Kevin, and Jen and being tucked under their wings.
Also, she has a fire in her I kind of like.
I honestly feel having Seth's view works out in the book's favor; hearing from his point of view makes him a lot more human than he comes out as with the other Sons of Set: someone who worships the Egyptian god Set and spreads chaos in the world on his behalf, hoping to eventually come across a secret from the past. They also sound insane and just want to take over the world one woman at a time.
It basically puts him in an entirely different perspective for readers than simply reading what Natti thinks of him.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-kFwoMM-NvD4/VodHIVFyhoI/AAAAAAAAFqQ/y-lTjSgr4j0/s1600/perspective.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2016/01/perspective.gif"; width="320" height="240" border="0" /></a></div>
<em>Daughter of Isis</em> is one of those books where I'll probably keep my Tolerable Romantic hat on for the entire series because the romance between Seth and Natti fits the story really well. The world Kelsey builds in a small town California where nearly everyone is under the thumb of the Sons of Set captivated me by the end of the book I can't wait to see what trials the couple will face in the future of the series.
<a href="https://bookwyrmingthoughts.com/review-daughter-of-isis-by-kelsey-ketc/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ivana A. | Diary of Difference (1171 KP) rated Nanny and the Beast: A Billionaire Mafia Romance in Books
Feb 3, 2020
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Let me explain, before you all judge me. I don’t usually read these types of books. Nanny and the Beast was just a book that was recommended to me. By my mum. And I loved it!
The book features April, who is a nanny by profession. She goes for an interview in a Russian billionaire’s house for the nanny position.
Yuri is a Russian billionaire who has a niece, Yulia, that hasn’t been speaking for a few months. When he sees April, he can’t resist her – which is why he doesn’t give her the job – it is too dangerous for her to stick around.
But when destiny takes matters in her own hands, and April end up being Yulia’s nanny, they have to find a way to leave their fierce erotic needs aside and focus on the little girl’s happiness.
<b>With lust and danger coming from all sides, they are not prepared to settle for little.</b>
I loved April. She is a kind girl and cared deeply about Yulia. She fears Yuri, but also can’t help but feel the attraction between them. She kept having second thoughts and getting ready to leave, and still stayed. She kept feeling humiliated, but remained to see if this love might work. April was also a very bad friend. I feel the need of mentioning this. While it was okay for her to call her friend any time, she always talked and never listened, even when her friend clearly wanted to talk. That is a no-no for me.
As for Yuri, I don’t think I liked him that much. Yes, I admired his possessiveness around April and how he cared about both April and Yulia. Everything about Yuri is so mysterious, so secret, and he is always on the edge. Which makes him wanted, I would assume. However, some of his actions and beliefs made me so angry I wanted to throw this book!
<b><i>The emotional scene that intrigued me.</i></b>
She was left by her mother as a child, because her mother didn’t have the money. While April grows up, her mother becomes very rich and famous. A secret part of Rachel hopes that her mother will come back for her. At one scene in the book, April and Yuri attend a dinner and April’s mother is there. When she sees her with Yuri, she whispers to April she is not good enough and tells her to stay off him, so her other daughter can be with him. And while the mother didn’t know April is her daughter, April did, and it hurt her badly.
Quite an emotional scene for April, realizing that her mother moved on, and has changed, and the reason she probably left her at the very beginning never had anything to do with her money.
I read this book in a day, so if you want a short hot steamy romance with a sexy Russian Alpha-male, you will definitely enjoy this. There are a few emotional roller coasters throughout the book. However, if you are looking for a deep book that will help you discover the meaning of life, I am sorry to disappoint you.
<b>Secret note: If you have in mind books similar to this, I am open to recommendations.</b>
<b><i>Trigger warnings: Explicit sexual scenes, violence, murder and psychological trauma.</i></b>
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<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/04/New-blog-banner-17.png?ssl=1"/>;
Let me explain, before you all judge me. I don’t usually read these types of books. Nanny and the Beast was just a book that was recommended to me. By my mum. And I loved it!
The book features April, who is a nanny by profession. She goes for an interview in a Russian billionaire’s house for the nanny position.
Yuri is a Russian billionaire who has a niece, Yulia, that hasn’t been speaking for a few months. When he sees April, he can’t resist her – which is why he doesn’t give her the job – it is too dangerous for her to stick around.
But when destiny takes matters in her own hands, and April end up being Yulia’s nanny, they have to find a way to leave their fierce erotic needs aside and focus on the little girl’s happiness.
<b>With lust and danger coming from all sides, they are not prepared to settle for little.</b>
I loved April. She is a kind girl and cared deeply about Yulia. She fears Yuri, but also can’t help but feel the attraction between them. She kept having second thoughts and getting ready to leave, and still stayed. She kept feeling humiliated, but remained to see if this love might work. April was also a very bad friend. I feel the need of mentioning this. While it was okay for her to call her friend any time, she always talked and never listened, even when her friend clearly wanted to talk. That is a no-no for me.
As for Yuri, I don’t think I liked him that much. Yes, I admired his possessiveness around April and how he cared about both April and Yulia. Everything about Yuri is so mysterious, so secret, and he is always on the edge. Which makes him wanted, I would assume. However, some of his actions and beliefs made me so angry I wanted to throw this book!
<b><i>The emotional scene that intrigued me.</i></b>
She was left by her mother as a child, because her mother didn’t have the money. While April grows up, her mother becomes very rich and famous. A secret part of Rachel hopes that her mother will come back for her. At one scene in the book, April and Yuri attend a dinner and April’s mother is there. When she sees her with Yuri, she whispers to April she is not good enough and tells her to stay off him, so her other daughter can be with him. And while the mother didn’t know April is her daughter, April did, and it hurt her badly.
Quite an emotional scene for April, realizing that her mother moved on, and has changed, and the reason she probably left her at the very beginning never had anything to do with her money.
I read this book in a day, so if you want a short hot steamy romance with a sexy Russian Alpha-male, you will definitely enjoy this. There are a few emotional roller coasters throughout the book. However, if you are looking for a deep book that will help you discover the meaning of life, I am sorry to disappoint you.
<b>Secret note: If you have in mind books similar to this, I am open to recommendations.</b>
<b><i>Trigger warnings: Explicit sexual scenes, violence, murder and psychological trauma.</i></b>
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Ivana A. | Diary of Difference (1171 KP) rated The Raven Boys in Books
Apr 20, 2020
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#1 <a href="https://www.goodreads.com/review/show/3053741934">The Raven Boys</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3255973750">The Dream Thieves</a> - Not Read Yet
<img src="https://diaryofdifference.com/wp-content/uploads/2020/03/Book-Review-Banner-30.png"/>;
Even if Blue hadn't been told her true love would die if she kissed him, she would stay away from boys. Especially the ones from the local private school. Known as Raven Boys, they only mean trouble.
<b>But this is the year that everything will change for Blue.</b>
This is the year that she will be drawn into the strange and sinister world of the Raven Boys. And the year Blue will discover that magic does exist.
<b>This is the year she will fall in love.</b>
<b><i>"Blue, I know you're not an idiot. It's just, sometimes smart people do dumb things."</i></b>
<a href="https://www.instagram.com/p/B9pCUtygUUw/?utm_source=ig_embed&utm_campaign=loading">View this post on Instagram</a>
<img src="https://diaryofdifference.com/wp-content/uploads/2020/03/IMG_20200312_170023_767-300x300.jpg"/>;
<b><i>My Thoughts:</i></b>
I enjoyed The Raven Boys. I have been meaning to read this book for such a long time, and I am so happy I finally managed to scratch it off my list.
I loved the beginning and I loved Blue and her witch family. It gave me vibes of Charmed - a TV Show that was my favourite when I was growing up.
Her family does readings and Blue has known her prediction her whole life. She knows that if she kisses her true love, he will die. Even though everyone else in her family has powers, Blue doesn’t. Her power is to amplify other people’s superpowers. So when her family does a reading and Blue is present, they can predict the future better.
When Blue meets The Raven Boys, she knows they’re trouble. But there is an opportunity for her to really see and feel magic, something she hasn’t ever done before, and this temptation will be too much for her to resist.
<b><i>"Once Arthur knew the grail exited, how could he not look for it?"</i></b>
<b>I loved The Raven Boys gang.</b>
They were awesome, and brutal, and handsome and smart. They all had their own challenges and character development throughout the book and I enjoyed watching them grow.
I was and still am so unsure about that ending and the fact that I was left more confused than when I started reading the book. There is a feeling I have like I need to re-read this book to fully understand everything, and it’s not a very good vibe.
I still enjoyed it and would definitely read the second book, but I was hoping this would be one of my favourite books and it wasn’t. Maybe the next time around, eh?
I highly recommend it if you love fantasy, magic, handsome boys and young-adult books in general. It is a very interesting book, with lots of mysteries and twists, and a very confusing ending (which some may enjoy).
<b><i>"People shout when they don't have the vocabulary to whisper."</i></b>
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#1 <a href="https://www.goodreads.com/review/show/3053741934">The Raven Boys</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/3255973750">The Dream Thieves</a> - Not Read Yet
<img src="https://diaryofdifference.com/wp-content/uploads/2020/03/Book-Review-Banner-30.png"/>;
Even if Blue hadn't been told her true love would die if she kissed him, she would stay away from boys. Especially the ones from the local private school. Known as Raven Boys, they only mean trouble.
<b>But this is the year that everything will change for Blue.</b>
This is the year that she will be drawn into the strange and sinister world of the Raven Boys. And the year Blue will discover that magic does exist.
<b>This is the year she will fall in love.</b>
<b><i>"Blue, I know you're not an idiot. It's just, sometimes smart people do dumb things."</i></b>
<a href="https://www.instagram.com/p/B9pCUtygUUw/?utm_source=ig_embed&utm_campaign=loading">View this post on Instagram</a>
<img src="https://diaryofdifference.com/wp-content/uploads/2020/03/IMG_20200312_170023_767-300x300.jpg"/>;
<b><i>My Thoughts:</i></b>
I enjoyed The Raven Boys. I have been meaning to read this book for such a long time, and I am so happy I finally managed to scratch it off my list.
I loved the beginning and I loved Blue and her witch family. It gave me vibes of Charmed - a TV Show that was my favourite when I was growing up.
Her family does readings and Blue has known her prediction her whole life. She knows that if she kisses her true love, he will die. Even though everyone else in her family has powers, Blue doesn’t. Her power is to amplify other people’s superpowers. So when her family does a reading and Blue is present, they can predict the future better.
When Blue meets The Raven Boys, she knows they’re trouble. But there is an opportunity for her to really see and feel magic, something she hasn’t ever done before, and this temptation will be too much for her to resist.
<b><i>"Once Arthur knew the grail exited, how could he not look for it?"</i></b>
<b>I loved The Raven Boys gang.</b>
They were awesome, and brutal, and handsome and smart. They all had their own challenges and character development throughout the book and I enjoyed watching them grow.
I was and still am so unsure about that ending and the fact that I was left more confused than when I started reading the book. There is a feeling I have like I need to re-read this book to fully understand everything, and it’s not a very good vibe.
I still enjoyed it and would definitely read the second book, but I was hoping this would be one of my favourite books and it wasn’t. Maybe the next time around, eh?
I highly recommend it if you love fantasy, magic, handsome boys and young-adult books in general. It is a very interesting book, with lots of mysteries and twists, and a very confusing ending (which some may enjoy).
<b><i>"People shout when they don't have the vocabulary to whisper."</i></b>
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Ronyell (38 KP) rated We're Back! A Dinosaur's Story (1993) in Movies
Jul 24, 2020
Dinosaurs Meet New York City!
The movie starts off with a young bird wanting to run away from home because he got embarrassed by his mother coddling him in front of his brothers. But then, the young bird meets up with a tyrannosaur named...Rex and Rex then starts telling the little bird about how he and the other dinosaurs came to New York City. When a kindly inventor named Captain NewEyes brings the dinosaurs from their era and gave them a cereal brand called "Brain Grain" in order to make the dinosaurs smarter, he sends the dinosaurs on a mission to get to the Museum of Natural History. When the dinosaurs finally reach New York City, they meet up with two kids named Louie, who is a young boy with a tough attitude and Cecilia, a young girl who comes from a rich family. The two kids then accompany the dinosaurs to the Museum of Natural History, but unfortunately, they meet up the evil Professor ScrewEyes, who wants to turn the dinosaurs back into their feral states in order to showcase them in his terrifying eccentric circus.
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html
Ivana A. | Diary of Difference (1171 KP) rated Nevermoor: The Trials of Morrigan Crow in Books
Oct 5, 2020
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After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
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After reading (and loving) the Hidden Beach by Karen Swan, as part of the Tandem readalong, the whole group fell in love with Karen's writing, so we decided to continue the streak with reading another book. We chose the Greek Escape, because it was suited perfectly for the summer month of August.
<b><i>Synopsis:</i></b>
Running from a heartbreak, Chloe leaves London for a fresh start in New York. She works for a luxury concierge company, where she looks after client's arrangements and event management. But when her friend and colleague Poppy has a terrible accident, she needs to step up and fill her role. This role involves direct customer contact with the clients, which was different to what Chloe was used to.
This is how she meets Joe Lincoln, who asks her to find a secluded holiday home in Greece. You would think all goes by the plan, but her ex, Tom, unexpectedly shows up in New York and she is faced with issues from the past that she wants to run away from. He is the man who has hurt her before, but says he's changed.
She immediately jumps to the chance to help Joe inspect the holiday house - a trip to Greece will give her all the time and space she needs to sort her life out and decide what she wants to do next.
Her mind still unsure about Tom, she also forms a connection with Joe. Even though very mysterious and somehow secluded, there is an undeniable chemistry between them that Chloe is unable to resist. Should she give a second chance to the man she loved for years and years, or is it time for something brand new?
<b><i>My Thoughts:</i></b>
This book is perfect to help you forget the current pandemic and give you a nice summer vibe. Even though it’s not entirely set in Greece, but rather mostly set in New York. That being said, Chloe does also travel to the south of France and there are plenty of summer holiday vibes throughout the book as a whole.
<b><i>Karen Swan won me over with her writing again.</i></b>
The description of places, events and characters are so lively and colourful. I felt like I knew Chloe. When she is out for a drink, I felt like I am her friend. When she was in the office, I felt like a colleague. Something that also attracts me to Karen’s writing is her ability to fully materialise the antagonists as well. Even when they have ill intentions or do something bad, she is able to make the readers understand the reasoning behind it and accept it, no matter how wrong it may be.
The premise and the plot were very interesting, and the mystery behind Poppy’s attack kept me glued to the book. I loved how there was suspense in each chapter and slowly revealing the clues.
I felt for Chloe, when it came to her love life. She forgives Tom for years, and all he does is hurt her and then apologise for it! I think she deserves way better, and she should’ve ditched him the first time he screwed up.
I really enjoyed the Greek Escape, and I loved the ending. It was satisfying, how everything ended and was glad Chloe could find true happiness and peace in the end. I definitely recommend this book, and will continue reading Karen Swan’s books with excitement.
BankofMarquis (1832 KP) rated Motherless Brooklyn (2019) in Movies
Jan 15, 2021
A little too slow and self-indulgent for my tastes
There is no denying that Edward Norton is a talented performer. Ever since he burst onto the scene with his Oscar nominated performance in PRIMAL FEAR, he has been a presence both on and off the screen as an Actor, Writer, Producer and Director.
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Chris Sawin (602 KP) rated Faster (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
I've always wanted to like Dwayne Johnson as an actor. He was so entertaining when he was The Rock, why can't his movies be just as entertaining? Unfortunately his best received films are the more family oriented ones and watching an ex-wrestler who used to talk about his love for pie and "laying the smackdown on all your candy asses" seems a bit bittersweet. Films like Faster are what Johnson should be sticking to, but it doesn't live up to its potential and results in another flat action film.
Wasted potential is the perfect way to describe Faster. Dwayne Johnson spends more time walking around looking pissed off than he does killing anyone or actually saying anything at all. Billy Bob Thornton doesn't do much of anything either as his character struggles between being a drug addict who doesn't amount to anything to a police officer who's about to retire and get full benefits who is also trying to get his family back together again. He spends most of his screen time drowning in his pathetic life. Then there's Dexter's Jennifer Carpenter who seems to be brought into the film to do nothing more than show up, cry a little, and say stupid things. Nothing the actors did really helped drive the story forward.
The cinematography fluctuated between being interesting and being incredibly annoying. Right when something like the way the camera was placed while the driver was driving or something as simple as reloading a gun was done in a way that seemed original to catch your attention, the film would turn around and throw shaky camera techniques at you for no reason or the scenes that caught your eye would be too brief to really make up for the mediocrity of the rest of the film. The most interesting aspect lies within the final minutes and relates to the hired killer going after the driver. That concept alone that's about the length of a one minute conversation is better than Faster as a whole.
Dwayne Johnson seems to have better luck with family films, but I think his fans would rather see him in R-rated action films since his physique and film presence fit that genre best. If he could find a film that was like Faster with a meatier role that gave him more lines and had better writing, it'd probably be a lot more satisfying. The kills in Faster should have been the highlight since the film revolved around the driver gaining revenge for his brother, but they fell short. Everything about Faster did. I was completely expecting Johnson to either turn himself over to the authorities or kill himself to be with his brother at the end of the film. The driver received the revenge he so desperately seeked and did it in a nonchalant, hot-shot vigilante kind of way to let everyone know it was him doing it. Yet police can't seem to keep up with him and he just kind of drives off into the sunset at the end. It felt like Faster was left open ended for nothing more than sequel purposes alone, which is the weakest form of a cop out for a movie ending. Coincidentally, a film called Faster managed to feel twice as long as its 98 minute duration.
In the end, Faster contains elements from both Gone in Sixty Seconds and Taxi Driver, which should result in an excellent film. Instead we're left with an action film that uses these elements at face value; it contains the fast cars and intense chases of Gone in Sixty Seconds with the uneasy and unpredictable shootouts that are reminiscent of Taxi Driver but Faster lacks the depth, star power, enjoyment factor, strong cast, or lasting value these two films still have today. If you plan on seeing this film, you better be sure because that's a long dark road you're headed down (sorry, couldn't resist) and that road is nothing more than a pointless detour from greater things.
Wasted potential is the perfect way to describe Faster. Dwayne Johnson spends more time walking around looking pissed off than he does killing anyone or actually saying anything at all. Billy Bob Thornton doesn't do much of anything either as his character struggles between being a drug addict who doesn't amount to anything to a police officer who's about to retire and get full benefits who is also trying to get his family back together again. He spends most of his screen time drowning in his pathetic life. Then there's Dexter's Jennifer Carpenter who seems to be brought into the film to do nothing more than show up, cry a little, and say stupid things. Nothing the actors did really helped drive the story forward.
The cinematography fluctuated between being interesting and being incredibly annoying. Right when something like the way the camera was placed while the driver was driving or something as simple as reloading a gun was done in a way that seemed original to catch your attention, the film would turn around and throw shaky camera techniques at you for no reason or the scenes that caught your eye would be too brief to really make up for the mediocrity of the rest of the film. The most interesting aspect lies within the final minutes and relates to the hired killer going after the driver. That concept alone that's about the length of a one minute conversation is better than Faster as a whole.
Dwayne Johnson seems to have better luck with family films, but I think his fans would rather see him in R-rated action films since his physique and film presence fit that genre best. If he could find a film that was like Faster with a meatier role that gave him more lines and had better writing, it'd probably be a lot more satisfying. The kills in Faster should have been the highlight since the film revolved around the driver gaining revenge for his brother, but they fell short. Everything about Faster did. I was completely expecting Johnson to either turn himself over to the authorities or kill himself to be with his brother at the end of the film. The driver received the revenge he so desperately seeked and did it in a nonchalant, hot-shot vigilante kind of way to let everyone know it was him doing it. Yet police can't seem to keep up with him and he just kind of drives off into the sunset at the end. It felt like Faster was left open ended for nothing more than sequel purposes alone, which is the weakest form of a cop out for a movie ending. Coincidentally, a film called Faster managed to feel twice as long as its 98 minute duration.
In the end, Faster contains elements from both Gone in Sixty Seconds and Taxi Driver, which should result in an excellent film. Instead we're left with an action film that uses these elements at face value; it contains the fast cars and intense chases of Gone in Sixty Seconds with the uneasy and unpredictable shootouts that are reminiscent of Taxi Driver but Faster lacks the depth, star power, enjoyment factor, strong cast, or lasting value these two films still have today. If you plan on seeing this film, you better be sure because that's a long dark road you're headed down (sorry, couldn't resist) and that road is nothing more than a pointless detour from greater things.
Phil Leader (619 KP) rated The Long Mars in Books
Nov 20, 2019
The third book in the Long Earth series by Terry Pratchett and Stephen Baxter very much carries on with 'more of the same' as the previous books. Therefore if you haven't liked the series up until now, you probably won't like this installment.
The usual characters are here. Lobsang is less in evidence than previously, despite driving what is the core of the book. Joshua is also a little sidelined as his story is tied closely to that of Lobsang. The bulk of the actual pages are concerned with Sally Lindsay and Maggie Kaufmann as they set off on their own voyages of discovery on the seemingly infinite copies of Earth and - not too much of a spoiler since it's in the title - Mars.
Whereas the previous books have essentially had one thread of a story around which the characters revolve towards some sort of end. This book seems more as if the authors couldn't really decide what they wanted to write about.
Should they write about more versions of the Long Earth, more fantastic worlds and lifeforms? Or perhaps investigate what has really been happening at Happy Landings, the seemingly too perfect town which existed long before Step Day? Or perhaps you are Stephen Baxter and can't resist going to Mars and showing many stepwise possibilities for that planet?
Rather than focus on one of these, all three are covered.
Maggie Kaufmann takes a brand new Twain far beyond the current limits of exploration into completely uncharted - and very strange - worlds. She must deal with the crew during their long trip, a surprise guest and aims to find out what happened to a previous expedition that vanished. Once again Pratchett and Baxter dig up some potentially different outcomes for both life on Earth and the planet itself, although many of the worlds are skimmed over and this part does get a little repetitive - another world, another odd ecology. This thread did feel a little like filler, there for those who want to see what might happen at the extremes of the Long Earth, although events do tie in with Lobsang's story.
Lobsang (the omnipresent super computer) has become concerned with matters of existence and what might come after. In particular is the human race evolving? He asks Joshua to help out and discover if there is any evidence for a breed of super human evolving as Lobsang theorises there must be. It seemed to me this is the real story of the book, a query on what would happen if a vastly more intelligent form of humanity evolved as a step change rather than a gradual one. What would they do? Would the rest of humanity accept them or feel threatened by them? The thread is short - barely more than an essay - and takes a good while to work through but provides the ultimate ending to the book.
Meanwhile, Sally Lindsay finds herself at The Gap, preparing to visit Mars, part of some mysterious quest for 'something' by her father. Here Baxter's history of writing Mars colonisation stories (they even get a mention) comes to the fore as the possibilities of a Long Mars are explored. In the real world Mars is cold, arid and inhospitable but there may be the odd chance for life to have developed. What would this be like? Again we have many different worlds although these are skipped through a little better than the Maggie Kaufmann Long Earth voyage and seem a little less repetitive - or where there is repetition it is more interesting than mundane.
Overall this is a good read in the series, probably a little better than The Long War but again lacking the coherence and sheer enthusiasm of The Long Earth (perhaps inevitably). As a work of science fiction it works well - the broad brush 'imaginary worlds' of the Long Earth and the Long Mars juxtaposed by the more existential investigation into human evolution.
Would I read a fourth installment? Undoubtedly, there are stories yet to be told. Would I recommend this book? Only if the recommendee had enjoyed the previous two books.
The usual characters are here. Lobsang is less in evidence than previously, despite driving what is the core of the book. Joshua is also a little sidelined as his story is tied closely to that of Lobsang. The bulk of the actual pages are concerned with Sally Lindsay and Maggie Kaufmann as they set off on their own voyages of discovery on the seemingly infinite copies of Earth and - not too much of a spoiler since it's in the title - Mars.
Whereas the previous books have essentially had one thread of a story around which the characters revolve towards some sort of end. This book seems more as if the authors couldn't really decide what they wanted to write about.
Should they write about more versions of the Long Earth, more fantastic worlds and lifeforms? Or perhaps investigate what has really been happening at Happy Landings, the seemingly too perfect town which existed long before Step Day? Or perhaps you are Stephen Baxter and can't resist going to Mars and showing many stepwise possibilities for that planet?
Rather than focus on one of these, all three are covered.
Maggie Kaufmann takes a brand new Twain far beyond the current limits of exploration into completely uncharted - and very strange - worlds. She must deal with the crew during their long trip, a surprise guest and aims to find out what happened to a previous expedition that vanished. Once again Pratchett and Baxter dig up some potentially different outcomes for both life on Earth and the planet itself, although many of the worlds are skimmed over and this part does get a little repetitive - another world, another odd ecology. This thread did feel a little like filler, there for those who want to see what might happen at the extremes of the Long Earth, although events do tie in with Lobsang's story.
Lobsang (the omnipresent super computer) has become concerned with matters of existence and what might come after. In particular is the human race evolving? He asks Joshua to help out and discover if there is any evidence for a breed of super human evolving as Lobsang theorises there must be. It seemed to me this is the real story of the book, a query on what would happen if a vastly more intelligent form of humanity evolved as a step change rather than a gradual one. What would they do? Would the rest of humanity accept them or feel threatened by them? The thread is short - barely more than an essay - and takes a good while to work through but provides the ultimate ending to the book.
Meanwhile, Sally Lindsay finds herself at The Gap, preparing to visit Mars, part of some mysterious quest for 'something' by her father. Here Baxter's history of writing Mars colonisation stories (they even get a mention) comes to the fore as the possibilities of a Long Mars are explored. In the real world Mars is cold, arid and inhospitable but there may be the odd chance for life to have developed. What would this be like? Again we have many different worlds although these are skipped through a little better than the Maggie Kaufmann Long Earth voyage and seem a little less repetitive - or where there is repetition it is more interesting than mundane.
Overall this is a good read in the series, probably a little better than The Long War but again lacking the coherence and sheer enthusiasm of The Long Earth (perhaps inevitably). As a work of science fiction it works well - the broad brush 'imaginary worlds' of the Long Earth and the Long Mars juxtaposed by the more existential investigation into human evolution.
Would I read a fourth installment? Undoubtedly, there are stories yet to be told. Would I recommend this book? Only if the recommendee had enjoyed the previous two books.
Bob Mann (459 KP) rated A Simple Favor (2018) in Movies
Sep 28, 2021
A Dangerous Liaison.
Wow, this one starts spectacularly well! Who’s not to love some “Thomas Crown” style titles over a French language version of “Music to watch girls by”? Brilliant!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!
We are then introduced to the hyper-annoying single mum Stephanie Smothers (Anna Kendrick): someone so perky and goodie-two-shoes as a school helper that every other parent loathes her. What she does seem to have a talent for is filming cheesy “mom’s hints and tips” videos in her kitchen that she posts to her video blog.
Enter the polar opposite of Stephanie: the stylish, sophisticated, amoral and highly intimidating she-wolf called Emily (Blake Lively). On the excuse of play-dates between their sons, she seduces Stephanie with her swanky 5* lifestyle that she lives with her husband Sean (Henry Golding), a struggling writer. Given the oddness of the couple, there are more than a few hints – in line with the title of my review – that this is some kind of subtle grooming. But to what end?
How can someone so beautiful be so camera-shy? Anna Kendrick going for a cheeky snap of Blake Lively (and failing). (Source: GEM Entertainment).
When Emily suddenly goes missing without explanation, Sergeant Malloy (Andrew Moodie) has no shortage of suspects to investigate as Stephanie finds that she actually knew very little about the ghost-like Emily.
There is a surfeit of glossy style in Paul Feig‘s film. I’ve already enthused about the opening titles. But the stylish french-language music – coordinated by Theodore Shapiro – continues throughout, reaching a peak with Serge Gainsbourg’s sublime “Laisse Tomber Les Filles” over the equally entertaining end-titles.
Sharing confessions. A “BF” moment (and no… not “Best Friends”!). (Source: GEM Entertainment
But as a comedy thriller ther….
“HANG ON A MINUTE DR BOB! WHAT DID YOU JUST SAY? COMEDY THRILLER? I watched the trailer for this one, and it’s “Gone Girl” remade isn’t it? It wasn’t comedy! Even IMDB describe it as “Crime, Drama, Mystery”!”
Yes, quite, and therein lies the problem with this film. I found the trailers (the full trailer as well as the teaser trailer attached below) to be highly misleading about the “feel” of the film. The comedy is distributed throughout with some great comic put-downs (“Prudes are people too” coos Emily to Stephanie) and generally laugh-out-loud dialogue. So yes, it IS a “Gone Girl” or “The Girl on the Train” wannabe… but it’s with added ‘laffs’. Now this revelation might make the film appeal to you much more than the trailer did. But in my book, ‘thriller’ and ‘comedy’ are not genres to comfortably share a bed and for me the film became increasingly inconsistent. This inconsistency built to a finale where all semblance of plot and reality seemed to go right out of the window… it could have been an improv episode or “Who’s Line Is It Anyway?”.
The writer is Jessica Sharzer (who did the screenplay for “Nerve” which I very much liked). But I suspect the issue lies more with Paul Feig‘s background in comedies (“Bridesmaids”, “The Heat”, “Spy”) and he couldn’t resist spicing up the thriller with some out-of-place comedy. Which was a shame, since I really liked the overall thriller plot, and the dynamic built up between Kendrick and Lively.
Coming clean…ing. Anna Kendrick as an undercover mopper. (Source: GEM Entertainment).
Blake Lively (Mrs Deadpool of course) is actually staggeringly good as the unfathomable and slightly deranged Emily, and even Kendrick – who seems to have had a run of very so-so movies recently – is entertainingly quirky in this one.
I also enjoyed the performance of Rupert Friend (probably best known as Peter Quinn in “Homeland”) playing a vain and ego-centric fashion designer Dennis Nylon. Great fun.
Never trust a redhead. Emily being a-muse-ing. (Source: GEM Entertainment).
Was I entertained? Yes I was, so I am tempted to recommend you seeing this rather than not. But I was also irritated in equal measure…. I really felt from the opening scenes that this one had legs to make my Top 10 for the year. But no.
Please comment and let me know which side of the fence you sit on!