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Kristy H (1252 KP) rated The Wife Upstairs in Books
Jan 7, 2021
A page-turning re-look at a classic
Jane is a dog-walker in the glamorous Thornfield Estates subdivision. Until she meets Eddie Rochester. Widowed, Eddie is Thornfield's most talked about resident. His wife, Bertha "Bea" Rochester--founder of the Southern Manor line of furniture and accessories--died in a boating accident with her best friend, though Bea's body was never found. As Jane gets to know Eddie, she can't help but fall for him: he's rich, handsome, and protective. He can offer her a life of security and love that she's never had. But she's also fascinated by the tale of Bea, who built herself up from nothing through her company. Can she ever compare to Bea--and win Eddie's heart? And what really happened the night Bea and Blanche died?
"...and later, I'd look back at that moment and wonder if I somehow knew what was going to happen. If everything in my life had been leading me to that one spot, to that one house. To him."
I read this book solely because it's billed as a loose retelling of Jane Eyre, which is one of my absolute favorite books. Loose is definitely the right word for it, but this also a gloriously fun read with some exciting twists and turns.
The Wife Upstairs is a page-turner that kept me frantically reading. Yes, parts of it are somewhat predictable, but Eddie is a fascinating rogue and Jane a mysterious lead. Who is telling the truth, what happened in the past, and what on earth is going on now--you'll find yourself swirled up in all these questions as you flip the pages.
Overall, this a foreboding and enjoyable thriller, with plenty to entertain its readers. 3.5 stars.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review.
Jane is a dog-walker in the glamorous Thornfield Estates subdivision. Until she meets Eddie Rochester. Widowed, Eddie is Thornfield's most talked about resident. His wife, Bertha "Bea" Rochester--founder of the Southern Manor line of furniture and accessories--died in a boating accident with her best friend, though Bea's body was never found. As Jane gets to know Eddie, she can't help but fall for him: he's rich, handsome, and protective. He can offer her a life of security and love that she's never had. But she's also fascinated by the tale of Bea, who built herself up from nothing through her company. Can she ever compare to Bea--and win Eddie's heart? And what really happened the night Bea and Blanche died?
"...and later, I'd look back at that moment and wonder if I somehow knew what was going to happen. If everything in my life had been leading me to that one spot, to that one house. To him."
I read this book solely because it's billed as a loose retelling of Jane Eyre, which is one of my absolute favorite books. Loose is definitely the right word for it, but this also a gloriously fun read with some exciting twists and turns.
The Wife Upstairs is a page-turner that kept me frantically reading. Yes, parts of it are somewhat predictable, but Eddie is a fascinating rogue and Jane a mysterious lead. Who is telling the truth, what happened in the past, and what on earth is going on now--you'll find yourself swirled up in all these questions as you flip the pages.
Overall, this a foreboding and enjoyable thriller, with plenty to entertain its readers. 3.5 stars.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review.
Dianne Robbins (1738 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Apr 22, 2021
What the hell was that?
I've never watched a full Tarantino movie. They're long. They drag on. I get bored. I've heard that they're ultraviolent, which usually isn't my thing but since I'm interested in true crime and this movie is based in LA at the time of the Manson murders, when I had nothing better to do on a Saturday afternoon and it was on the station the tv was tuned to when I turned it on, I decided to give it a go. I missed most of the Leo parts. I think he was throwing a fit in the trailer when I flipped it on. Either that or Brad Pitt was driving down the strip and picked up a cute girl and drove her to her friend's place (you know where it was.) So, okay. Very long scenes with not much dialogue happening. Lots of establishment of mood and atmosphere. I'm pretty sure I lost three hours while Pitt walked around her friend's place. Eventually, and I dunno when, I got confused, we come to the night of the event, and I was expecting a fact-based, but a gruesome retelling of the Manson murders. Is that what I got? Hell no! What did I get? I don't have any idea. It certainly wasn't that. Seriously, it was so stupid. It was laughable if it wasn't so embarrassingly stupid. Unrealistic and stupid. Obnoxiously stupid. Why did I waste my time watching the part of this movie I watched? Those are hours I will never get back.
This kind of cinema is lost of me, guys. I'm glad you enjoy it. But I'll never watch anything like it again. It's okay, though. I'm sure Tarantino will be just fine without my money. He seems to be doing all right for himself.
This kind of cinema is lost of me, guys. I'm glad you enjoy it. But I'll never watch anything like it again. It's okay, though. I'm sure Tarantino will be just fine without my money. He seems to be doing all right for himself.
Gareth von Kallenbach (971 KP) rated The Personal History of David Copperfield (2019) in Movies
Oct 8, 2020
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
Frozen: Storybook Deluxe - Now with Frozen Fever!
Entertainment and Book
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**Now featuring the "Frozen Fever" story, the next chapter in the story of FROZEN! Reunite with your...
Debbiereadsbook (1110 KP) rated Cabbages & Kings in Books
Feb 3, 2022
wonderful retelling of a local legend
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
As a Nottingham girl, I grew with tales of Robin Hood and his Merry Men. So, finding this tale having tipped those tales on their heads was a delight!
The story tells of Alana Dale, and her new husband, Will Scathlock and how they came to suffer at the hands of Robin and Guy, and just how, after all that, THEY came to be the bad guys!
This is a delightful tale, set in places in and around Nottinghamshire, so I know these places, and I love reading books about places I really know.
It's wonderfully written, with detailed descriptions of the things needed to get by, with Alana having ideas wise beyond her years, especially when it comes to health matters.
Alana is a strong-minded young lady (only 16 here!) and she will stand up for herself in a time when it wasn't the done thing. I loved Alana, and her teasing of Will, but to be fair, he gave as good as he got. Alana's deepest fears come to life here, and how she manages to hold it together to keep Will safe BEFORE she loses it, I have no idea.
There is some violence, Alana and Will's village is destroyed in the beginning of the book and the attack's aftermath is described in some detail. Because of this, I would class it as upper young adult, maybe 14+.
Tipping the Robin Hood legend on its head, Ms Sheppard made new heroes, and new bad guys. She tells of everyday life in Medieval England, and just how the common folk survived.
4 very good stars
*same worded review will appear elsewhere
As a Nottingham girl, I grew with tales of Robin Hood and his Merry Men. So, finding this tale having tipped those tales on their heads was a delight!
The story tells of Alana Dale, and her new husband, Will Scathlock and how they came to suffer at the hands of Robin and Guy, and just how, after all that, THEY came to be the bad guys!
This is a delightful tale, set in places in and around Nottinghamshire, so I know these places, and I love reading books about places I really know.
It's wonderfully written, with detailed descriptions of the things needed to get by, with Alana having ideas wise beyond her years, especially when it comes to health matters.
Alana is a strong-minded young lady (only 16 here!) and she will stand up for herself in a time when it wasn't the done thing. I loved Alana, and her teasing of Will, but to be fair, he gave as good as he got. Alana's deepest fears come to life here, and how she manages to hold it together to keep Will safe BEFORE she loses it, I have no idea.
There is some violence, Alana and Will's village is destroyed in the beginning of the book and the attack's aftermath is described in some detail. Because of this, I would class it as upper young adult, maybe 14+.
Tipping the Robin Hood legend on its head, Ms Sheppard made new heroes, and new bad guys. She tells of everyday life in Medieval England, and just how the common folk survived.
4 very good stars
*same worded review will appear elsewhere
Greek mythology is my catnip, and Elektra was the only thing I wanted to listen to for the week it took me to finish it (work and families can be really inconvenient sometimes!).
Elektra by Jennifer Saint is told from three female perspectives: Clytemnestra, the sister of Helen, the wife of Agamemnon; Cassandra, a Princess of Troy; and Elektra, Clytemnestra and Agamemnon’s youngest daughter.
The things these women had to put up with! Clytemnestra’s husband Agamemnon, acts like a madman (but it’s ok, it’s all for the Gods!) and she’s supposed to accept it all. Except she doesn’t.
Cassandra is treated like a madwoman after she’s cursed by Apollo. She can tell the future, but no-one believes her. So they only have themselves to blame when Troy is destroyed.
And then there’s Elektra. She seems to have fully bought into the whole “men/ daddy knows best, and anyway, he’s a hero” story. She’s a young woman who adores her father and believes he can do no wrong. She can’t understand her mothers reaction to the sacrifice of her eldest daughter and Elektra’s sister. Can we blame Elektra though? Probably. She certainly knows how to play the long game.
The narrators were well chosen, and really helped to add life and vigour to the characters of the three women. Listening to these Greek myths haas added something extra special to the stories - after all, I’ve read these stories so many times over the years in different forms. And I still can’t see a time where they’ll get old. In every retelling there’s a different angle, and I don’t think I can express enough how much I enjoy the story told from the women’s points of view.
Elektra is just fabulous - a timeless story about strong women.
Elektra by Jennifer Saint is told from three female perspectives: Clytemnestra, the sister of Helen, the wife of Agamemnon; Cassandra, a Princess of Troy; and Elektra, Clytemnestra and Agamemnon’s youngest daughter.
The things these women had to put up with! Clytemnestra’s husband Agamemnon, acts like a madman (but it’s ok, it’s all for the Gods!) and she’s supposed to accept it all. Except she doesn’t.
Cassandra is treated like a madwoman after she’s cursed by Apollo. She can tell the future, but no-one believes her. So they only have themselves to blame when Troy is destroyed.
And then there’s Elektra. She seems to have fully bought into the whole “men/ daddy knows best, and anyway, he’s a hero” story. She’s a young woman who adores her father and believes he can do no wrong. She can’t understand her mothers reaction to the sacrifice of her eldest daughter and Elektra’s sister. Can we blame Elektra though? Probably. She certainly knows how to play the long game.
The narrators were well chosen, and really helped to add life and vigour to the characters of the three women. Listening to these Greek myths haas added something extra special to the stories - after all, I’ve read these stories so many times over the years in different forms. And I still can’t see a time where they’ll get old. In every retelling there’s a different angle, and I don’t think I can express enough how much I enjoy the story told from the women’s points of view.
Elektra is just fabulous - a timeless story about strong women.
Laura Doe (1350 KP) rated Romancing Mister Bridgerton (Bridgertons, #4) in Books
Jan 6, 2022
I think that this has by far been my favourite of the Bridgerton series that I have read so far! After not enjoying An Offer From A Gentleman quite as much as the first three, I’m glad to see that Julia Quinn seemed to have gone back to her original style rather than retelling a fairytale.
We follow Penelope Featherington as she resigns herself to a life as a spinster after no proposals in all of the time that she has been out in society. I felt for Penelope that she’d not even interested one man. Despite being intelligent and witty, Penelope never was noticed at the balls and was a wallflower who only had eyes for one man, Colin Bridgerton.
I spent so much of the book wishing for Colin to notice Penelope and notice how talented she was, rather than be like the rest of the ton men. And once he finally did, it was amazing to read on as his feelings grew. Although I wasn’t too keen when he lost his temper with Penelope multiple times, but I understood the reasoning behind him doing so but just wished that he would listen to Penelope’s side a bit more.
I also love the fact that we found out the identity of Lady Whistledown in this book, but will however miss her summary of the parties and her comments about the goings on around town. I think Lady Whistledown’s Society Papers were such a fun addition to the stories and the mystery behind who she was was a puzzle that occupied me throughout the first four books of the series.
I’m hoping the next book is just as good as this one, and I am enjoying this series immensely.
We follow Penelope Featherington as she resigns herself to a life as a spinster after no proposals in all of the time that she has been out in society. I felt for Penelope that she’d not even interested one man. Despite being intelligent and witty, Penelope never was noticed at the balls and was a wallflower who only had eyes for one man, Colin Bridgerton.
I spent so much of the book wishing for Colin to notice Penelope and notice how talented she was, rather than be like the rest of the ton men. And once he finally did, it was amazing to read on as his feelings grew. Although I wasn’t too keen when he lost his temper with Penelope multiple times, but I understood the reasoning behind him doing so but just wished that he would listen to Penelope’s side a bit more.
I also love the fact that we found out the identity of Lady Whistledown in this book, but will however miss her summary of the parties and her comments about the goings on around town. I think Lady Whistledown’s Society Papers were such a fun addition to the stories and the mystery behind who she was was a puzzle that occupied me throughout the first four books of the series.
I’m hoping the next book is just as good as this one, and I am enjoying this series immensely.
This is both a very unique and fairly faithful retelling of the classic Beauty and the Beast fairytale. Hunted takes place in Russia and our main character Yeva (Beauty) is a huntress. She is headstrong, kind, caring, has a bit of a temper and can be vengeful - but overall I quite liked her character.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Goddess in the Stacks (553 KP) rated The Thinking Woman's Guide to Real Magic in Books
Jan 12, 2018
This book is FANTASTIC. I was enthralled from start to finish, and frantically looked up the author to make sure she is writing a sequel. (She is, thank goodness!) I absolutely loved the main character, Nora, and the acerbic magician Aruendiel. Even while cheering for the opposite side, I even enjoyed reading about Raclin and Ilissa, the villains of the novel.
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com